Le Barbier de Séville (extraits)

~ Release by Rossini; Claudio Abbado (see all versions of this release, 10 available)

Tracklist

1CD
#TitleArtistRatingLength
1Le Barbier de Séville : Sinfonia
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (from 1971-09-11 until 1971-09-15)
conductor:
Claudio Abbado (conductor) (from 1971-09-11 until 1971-09-15)
balance engineer:
Hans‐Peter Schweigmann (from 1971-09-11 until 1971-09-15)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1971-09-11 until 1971-09-15)
recording of:
Il barbiere di Siviglia: Sinfonia (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Der Barbier von Sevilla (german lyrics)
part of:
Il barbiere di Siviglia
part of:
Le Barbier de Séville (french lyrics)
part of:
The Barber of Seville (english lyrics)
Gioachino Rossini7:26
2Le Barbier de Séville : Acte I. “Ecco, ridente in cielo” - “Ehi, Fiorello?”Gioachino Rossini7:07
3Le Barbier de Séville : Acte I. “Largo al factotum”
baritone vocals [Figaro]:
Hermann Prey (baritone) (in 1971-09)
orchestra:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (in 1971-09)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:41
4Le Barbier de Séville : Acte I. “Una voce poco fa”Gioachino Rossini5:38
5Le Barbier de Séville : Acte I. “La calunnia e un venticello“
bass vocals [Basilio]:
Paolo Montarsolo (operatic bass) (in 1971-09)
orchestra:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto I, N°6a. “La calunnia è un venticello” (Basilio) (in 1971-09)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:33
6Le Barbier de Séville : Acte I. “A un dottor della mia sorte“
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bass vocals [Bartolo, dottore in medicina]:
Enzo Dara (operatic bass) (from 1971-09-11 until 1971-09-15)
orchestra:
London Symphony Orchestra (from 1971-09-11 until 1971-09-15)
conductor:
Claudio Abbado (conductor) (from 1971-09-11 until 1971-09-15)
balance engineer:
Hans‐Peter Schweigmann (from 1971-09-11 until 1971-09-15)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) and Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1971-09-11 until 1971-09-15)
recording of:
Il barbiere di Siviglia: Atto I, N°8a. Aria “A un dottor della mia sorte” (Bartolo) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini6:11
7Le Barbier de Séville : Acte II. “Pace e gioia“Gioachino Rossini2:52
8Le Barbier de Séville : Acte II. “Contro un cor“Gioachino Rossini4:44
9Le Barbier de Séville : Acte II. Musique d'orageGioachino Rossini3:10
10Le Barbier de Séville : Acte II. “Ah ! Qual colpo inaspettato“
baritone vocals [Figaro]:
Hermann Prey (baritone) (in 1971-09)
mezzo-soprano vocals [Rosina]:
Teresa Berganza (mezzo-soprano) (in 1971-09)
tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (in 1971-09)
orchestra:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto II, No. 16. Terzetto “Ah, qual colpo inaspettato” (Rosina, Conte, Figaro) (in 1971-09)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini6:22
11Le Barbier de Séville : Acte II. “Di si felice innesto“
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Figaro, barbiere]:
Hermann Prey (baritone) (from 1971-09-11 until 1971-09-15)
bass vocals [Bartolo, dottore in medicina]:
Enzo Dara (operatic bass) (from 1971-09-11 until 1971-09-15)
bass vocals [Basilio, maestro di musica]:
Paolo Montarsolo (operatic bass) (from 1971-09-11 until 1971-09-15)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1971-09-11 until 1971-09-15)
mezzo-soprano vocals [Berta, cameriera di Bartolo]:
Stefania Malagú (mezzo-soprano) (from 1971-09-11 until 1971-09-15)
mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
Teresa Berganza (mezzo-soprano) (from 1971-09-11 until 1971-09-15)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1971-09-11 until 1971-09-15)
orchestra:
London Symphony Orchestra (from 1971-09-11 until 1971-09-15)
conductor:
Claudio Abbado (conductor) (from 1971-09-11 until 1971-09-15)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1971-09-11 until 1971-09-15)
balance engineer:
Hans‐Peter Schweigmann (from 1971-09-11 until 1971-09-15)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) and Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1971-09-11 until 1971-09-15)
recording of:
Il barbiere di Siviglia: Atto II, No. 19. Finaletto II “Di sì felice innesto” (Rosina, Berta, Conte, Figaro, Bartolo, Basilio, Coro) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:20