Puccini Gold

~ Veröffentlichung von Giacomo Puccini (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▶CD: CD 1
2▼CD: CD 2
Nr.TitelBewertungLänge
1La bohème: Act I. "Che gelida manina" (Rodolfo)
Techniker(in):
Oldřich Slezák (engineer) und Ivan Zbíral
Produzent(in):
Christopher Alder (editor/engineer/producer)
Tenor-Gesang:
Jonas Kaufmann (tenor) (in 2007-08, von 2007-08-05 bis 2007-08-15)
Orchester:
Prague Philharmonic Orchestra (in 2007-08, von 2007-08-05 bis 2007-08-15)
conductor:
Marco Armiliato (conductor) (in 2007-08, von 2007-08-05 bis 2007-08-15)
Tonmeister(in):
Philip Siney (sound engineer)
aufgenommen bei:
Rudolfinum (House of Artists) in Praha (Prague), Tschechien (in 2007-08) und Dvořákova síň Rudolfina (Dvořák Hall) in Praha (Prague), Tschechien (von 2007-08-05 bis 2007-08-15)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (von 2007-08-05 bis 2007-08-15)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 2007-08)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
5:10
2La bohème: Act I. "Sì, mi chiamano Mimì" (Mimi, Rodolfo, Schaunard, Colline, Marcello)
Baritongesang:
Roberto de Candia (baritone) und Simon Keenlyside (baritone)
Bass-Gesang:
Ildebrando d’Arcangelo (operatic bass)
Soprangesang:
Angela Gheorghiu (Romanian soprano)
Tenor-Gesang:
Roberto Alagna (tenor)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Riccardo Chailly (conductor)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
5:44
3La fanciulla del West: Act III. Chorus "Ch'ella mì creda libero" (Johnson, Runce)
Baritongesang:
Sherrill Milnes (baritone)
Chorgesang:
Chorus of the Royal Opera House, Covent Garden
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Zubin Mehta (conductor)
chorus master:
Robin Stapleton (conductor)
recording of:
La fanciulla del West: Atto III. “Ch’ella mi creda libero e lontano” (Johnson, Rance)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1910)
Librettist:
Guelfo Civinini (Italian librettist) und Carlo Zangarini
Teil von:
La fanciulla del West: Atto III
2:57
4Madama Butterfly: Act II. "Or vienmi ad adornar" (Butterfly, Suzuki)
Soprangesang:
Mirella Freni (soprano)
Orchester:
Wiener Philharmoniker
conductor:
Herbert von Karajan (conductor)
recording of:
Madama Butterfly: Atto II. “Or vienmi ad adornar” (Butterfly, Suzuki)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
5:50
5La bohème: Act II. "Quando me n’vò" (Musetta)
Soprangesang:
Anna Netrebko (soprano) (in 2003-03)
Orchester:
Wiener Philharmoniker (in 2003-03)
conductor:
Gianandrea Noseda (conductor) (in 2003-03)
recording of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz) (in 2003-03)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
2:42
6Manon Lescaut: Intermezzo
recording engineer:
James Lock (James Locke, engineer) (in 1982-09)
Produzent(in):
James Mallinson (producer)
Orchester:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1982-09)
conductor:
Riccardo Chailly (conductor) (in 1982-09)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1982-09)
recording of:
Manon Lescaut: Atto III. Intermezzo (Intermezzo between Acts II and III) (in 1982-09)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut
5:26
7Manon Lescaut: Act II. "In quelle trine morbide" (Manon)
Techniker(in):
Simon Eadon (classical music engineer) und James Lock (James Locke, engineer)
Produzent(in):
Chris Hazell und Christopher Raeburn (producer)
Soprangesang:
Kiri Te Kanawa (soprano) (von 1987-05 bis 1987-06)
Orchester:
Orchestra del Teatro Comunale di Bologna (von 1987-05 bis 1987-06)
conductor:
Riccardo Chailly (conductor) (von 1987-05 bis 1987-06)
aufgenommen bei:
Chiesa di San Giorgio Poggiale (Palazzo in Bologna) (von 1987-05 bis 1987-06)
recording of:
Manon Lescaut: Atto II. “In quelle trine morbide” (Manon) (von 1987-05 bis 1987-06)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto II
2:19
8Madama Butterfly: Act III. "Addio, fiorito asil" (Pinkerton)
Tenor-Gesang:
Andrea Bocelli (tenor)
Orchester:
Orchestra del Maggio Musicale Fiorentino
conductor:
Gianandrea Noseda (conductor)
recording of:
Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
1:55
9Turandot: Act I. "Signore, ascolta!" (Liù)
Soprangesang [Liù]:
Montserrat Caballé (soprano) (von 1972-08-10 bis 1972-08-25)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1972-08-10 bis 1972-08-25)
conductor:
Zubin Mehta (conductor) (von 1972-08-10 bis 1972-08-25)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1974)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1972-08-10 bis 1972-08-25)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù) (von 1972-08-10 bis 1972-08-25)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
2:48
10Turandot: Act I. "Non piangere" (Liù)
Tenor-Gesang:
Giuseppe Di Stefano (tenor)
Orchester:
Orchestra of the Academy of St Cecilia, Rome (Orchestra of the National Academy of Santa Cecilia)
conductor:
Franco Patanè (conductor)
recording of:
Turandot: Atto I. “Non piangere, Liù” (Calaf, Liù, Timur)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
2:51
11Manon Lescaut: Act III. "Ah! Non v'avvicinate!... No! Pazzo son!" (Des Grieux, Comandante)
Baritongesang:
Neil Howlett (English operatic baritone)
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Zubin Mehta (conductor)
recording of:
Manon Lescaut: Atto III. “Ah, non v’avvicinate!” … “Come io piango ed imploro” (Des Grieux, Comandante, Manon)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto III
3:28
12Crisantemi
Orchester:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
Riccardo Chailly (conductor)
recording of:
I Crisantemi, SC 65 (for string orchestra)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1890)
Orchestrierung von:
Crisantemi (for string quartet)
7:15
13Madama Butterfly: Act I. "Dovunque al mondo" (Pinkerton, Sharpless)
Baritongesang [Sharpless]:
Robert Kerns (baritone)
Tenor-Gesang [Pinkerton]:
Luciano Pavarotti (tenor)
Orchester:
Wiener Philharmoniker
conductor:
Herbert von Karajan (conductor)
recording of:
Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton, Sharpless)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
3:33
14Turandot: Act III. "Tu che di gel sei cinta" (Liù)
Chorgesang:
The John Alldis Choir
Soprangesang [Liù]:
Montserrat Caballé (soprano)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Zubin Mehta (conductor)
recording of:
Turandot: Atto III, scena 1. “Tu, che di gel sei cinta” (Liù, La folla)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto III (Turandot: Act III)
2:31
15Turandot: Act III. "Nessun dorma" (Calaf)
Tenor-Gesang:
José Carreras (Spanish tenor), Plácido Domingo (tenor) und Luciano Pavarotti (tenor)
Orchester:
Orchestra del Maggio Musicale Fiorentino und Orchestra del Teatro dell’Opera di Roma
conductor:
Zubin Mehta (conductor)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
3:08