Those Were the Days

~ Release by Cream (see all versions of this release, 2 available)

Tracklist

1CD: In the Studio
2CD: In the Studio
#TitleRatingLength
1White Room
recording engineer:
Adrian Barber (producer/engineer) (from 1967-07 until 1968-06) and Tom Dowd (from 1967-07 until 1968-06)
engineer:
Adrian Barber (producer/engineer) and Tom Dowd
producer:
Felix Pappalardi
bass:
Jack Bruce (from 1967-07 until 1968-06)
drums (drum set) and percussion and timpani:
Ginger Baker (from 1967-07 until 1968-06)
guitar:
Eric Clapton (from 1967-07 until 1968-06)
viola:
Felix Pappalardi (from 1967-07 until 1968-06)
vocals:
Jack Bruce (from 1967-07 until 1968-06)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1968), Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968) and Robert Stigwood Organisation Ltd. (in 1969)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (from 1967-07 until 1967-08) and Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-09 until 1967-10, from 1968-02 until 1968-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 368)
recording of:
White Room (from 1967-07 until 1968-06)
writer:
Pete Brown (UK poet & producer, with Cream and Jack Bruce) and Jack Bruce
publisher:
BG Publishing, Casserole Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner Chappell Music, Inc.
sub-publisher:
Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
4.555:00
2Sitting on Top of the World
recording engineer:
Adrian Barber (producer/engineer) (from 1967-07 until 1967-09) and Tom Dowd (from 1967-07 until 1967-09)
engineer:
Adrian Barber (producer/engineer) and Tom Dowd
producer:
Felix Pappalardi
bass:
Jack Bruce (from 1967-07 until 1967-09)
drums (drum set):
Ginger Baker (from 1967-07 until 1967-09)
guitar:
Eric Clapton (from 1967-07 until 1967-09)
vocals:
Jack Bruce (from 1967-07 until 1967-09)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1967-07) and Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (in 1967-09)
cover recording of:
Sittin’ on Top of the World (Chicago blues version by Howlin’ Wolf aka Chester Arthur Burnett) (from 1967-07 until 1967-09)
lyricist and composer:
Chester Arthur Burnett
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
version of:
Sitting on Top of the World (“Now she’s gone, I don’t worry…”)
45:01
3Passing the Time (alternate version)
engineer:
Adrian Barber (producer/engineer) and Tom Dowd
producer:
Felix Pappalardi
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-09 until 1967-10, from 1968-01 until 1968-02)
recording of:
Passing the Time (from 1967-09 until 1968-02)
writer:
Ginger Baker and Mike Taylor (British jazz pianist and composer)
publisher:
Casserole Music Corp., Dratleaf Music Ltd. and Unichappell Music, Inc.
5:58
4As You Said
recording engineer:
Adrian Barber (producer/engineer) (from 1968-02 until 1968-06) and Tom Dowd (from 1968-02 until 1968-06)
engineer:
Adrian Barber (producer/engineer) and Tom Dowd
producer:
Felix Pappalardi
acoustic guitar and cello:
Jack Bruce (from 1968-02 until 1968-06)
hi-hat:
Ginger Baker (from 1968-02 until 1968-06)
vocals:
Jack Bruce (from 1968-02 until 1968-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (in 1968-02, in 1968-06)
recording of:
As You Said (from 1968-02 until 1968-06)
lyricist:
Pete Brown (UK poet & producer, with Cream and Jack Bruce)
composer:
Jack Bruce
publisher:
Casserole Music Corp. and Unichappell Music, Inc.
34:23
5Pressed Rat and Warthog
recording engineer:
Adrian Barber (producer/engineer) (from 1967-10 until 1968-02) and Tom Dowd (from 1967-10 until 1968-02)
engineer:
Adrian Barber (producer/engineer) and Tom Dowd
producer:
Felix Pappalardi
bass and recorder:
Jack Bruce (from 1967-10 until 1968-02)
drums (drum set) and spoken vocals [recitation]:
Ginger Baker (from 1967-10 until 1968-02)
flute [tonette] and trumpet:
Felix Pappalardi (from 1967-10 until 1968-02)
guitar:
Eric Clapton (from 1967-10 until 1968-02)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (in 1967-10, in 1968-02)
recording of:
Pressed Rat and Warthog (from 1967-10 until 1968-02)
writer:
Ginger Baker and Mike Taylor (British jazz pianist and composer)
publisher:
Dratleaf Music Ltd. and Unichappell Music, Inc.
33:18
6Politician
recording engineer:
Adrian Barber (producer/engineer) (from 1967-10 until 1968-02) and Tom Dowd (from 1967-10 until 1968-02)
engineer:
Adrian Barber (producer/engineer) and Tom Dowd
producer:
Felix Pappalardi
bass:
Jack Bruce (from 1967-10 until 1968-02)
drums (drum set):
Ginger Baker (from 1967-10 until 1968-02)
guitar:
Eric Clapton (from 1967-10 until 1968-02)
vocals:
Jack Bruce (from 1967-10 until 1968-02)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1968) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (in 1967-10, in 1968-02)
recording of:
Politician (from 1967-10 until 1968-02)
lyricist:
Pete Brown (UK poet & producer, with Cream and Jack Bruce)
composer:
Jack Bruce
publisher:
Casserole Music Corp., Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music, Inc., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
3.54:17
7Those Were the Days
recording engineer:
Adrian Barber (producer/engineer) (from 1968-02 until 1968-06) and Tom Dowd (from 1968-02 until 1968-06)
engineer:
Adrian Barber (producer/engineer) and Tom Dowd
producer:
Felix Pappalardi
bass and lead vocals:
Jack Bruce (from 1968-02 until 1968-06)
drums (drum set), marimba and tubular bells:
Ginger Baker (from 1968-02 until 1968-06)
guitar:
Eric Clapton (from 1968-02 until 1968-06)
handbell [Swiss hand bells]:
Felix Pappalardi (from 1968-02 until 1968-06)
vocals:
Eric Clapton (from 1968-02 until 1968-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (in 1968-02, in 1968-06)
recording of:
Those Were the Days (from 1968-02 until 1968-06)
writer:
Ginger Baker and Mike Taylor (British jazz pianist and composer)
publisher:
Casserole Music Corp., Dratleaf Music Ltd., Unichappell Music, Inc. and Warner Chappell Music, Inc.
32:57
8Born Under a Bad Sign
recording engineer:
Adrian Barber (producer/engineer) (from 1967-07 until 1967-09) and Tom Dowd (from 1967-07 until 1967-09)
engineer:
Adrian Barber (producer/engineer) and Tom Dowd
producer:
Felix Pappalardi
bass:
Jack Bruce (from 1967-07 until 1967-09)
drums (drum set) and tambourine:
Ginger Baker (from 1967-07 until 1967-09)
guitar:
Eric Clapton (from 1967-07 until 1967-09)
vocals:
Jack Bruce (from 1967-07 until 1967-09)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1968) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (from 1967-07 until 1967-08) and Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (in 1967-09)
cover recording of:
Born Under a Bad Sign (from 1967-07 until 1967-09)
lyricist:
William Bell
composer:
Booker T. Jones
publisher:
Cotillion Music Inc. (BMI), Irving Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music, Inc.
43:14
9Deserted Cities of the Heart
recording engineer:
Adrian Barber (producer/engineer) (from 1968-02 until 1968-06) and Tom Dowd (from 1968-02 until 1968-06)
engineer:
Adrian Barber (producer/engineer) and Tom Dowd
producer:
Felix Pappalardi
acoustic guitar, bass and cello:
Jack Bruce (from 1968-02 until 1968-06)
drums (drum set):
Ginger Baker (from 1968-02 until 1968-06)
guitar:
Eric Clapton (from 1968-02 until 1968-06)
viola:
Felix Pappalardi (from 1968-02 until 1968-06)
vocals:
Jack Bruce (from 1968-02 until 1968-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (in 1968-02, in 1968-06)
recording of:
Deserted Cities of the Heart (from 1968-02 until 1968-06)
lyricist:
Pete Brown (UK poet & producer, with Cream and Jack Bruce)
composer:
Jack Bruce
publisher:
Casserole Music Corp., Dratleaf Music Ltd., Unichappell Music, Inc. and Warner Chappell Music, Inc.
33:41
10Anyone for Tennis
producer:
Felix Pappalardi
bass, organ and piano:
Jack Bruce (in 1968-02)
drums (drum set) and percussion:
Ginger Baker (in 1968-02)
guitar:
Eric Clapton (in 1968-02)
mellotron and viola:
Felix Pappalardi (in 1968-02)
vocals:
Ginger Baker (in 1968-02) and Jack Bruce (in 1968-02)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1968), Robert Stigwood Organisation Ltd. (in 1968) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (in 1967-10)
recording of:
Anyone for Tennis? (The Savage Seven Theme) (from 1967-10 until 1968-02)
writer:
Eric Clapton and Martin Sharp (Australian artist, cartoonist, songwriter & filmmaker)
publisher:
Dratleaf Music Ltd., Unichappell Music, Inc. and Warner Chappell Music, Inc.
42:40
11Badge
recording engineer:
Adrian Barber (producer/engineer) (in 1968-12), Bill Halverson (in 1968-12) and Damon Lyon-Shaw (in 1968-12)
engineer:
Damon Lyon-Shaw
producer:
Felix Pappalardi
bass:
Jack Bruce (in 1968-12)
drums (drum set):
Ginger Baker (in 1968-12)
guest guitar [rhythm]:
George Harrison (The Beatles) (in 1968-12)
guitar:
Eric Clapton (in 1968-12)
mellotron and piano:
Felix Pappalardi (in 1968-12)
vocals:
Eric Clapton (in 1968-12)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1969), Robert Stigwood Organisation Ltd. (in 1969) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1969)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1968-12)
recording of:
Badge (in 1968-12)
lyricist and composer:
Eric Clapton and George Harrison (The Beatles)
publisher:
Apple Music Publishing Co., Inc., Casserole Music Corp., E.C. Music (UK work publisher for Eric Clapton), EMI Music (do not use as release label! this is a music publisher), Harrisongs Ltd., Throat Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc. and Wixen Music Publishing, Inc.
3.82:48
12Doing That Scrapyard Thing
engineer:
Damon Lyon-Shaw
producer:
Felix Pappalardi
bass and piano:
Jack Bruce (in 1968-10)
drums (drum set):
Ginger Baker (in 1968-10)
guitar:
Eric Clapton (in 1968-10)
mellotron:
Felix Pappalardi (in 1968-10)
vocals:
Jack Bruce (in 1968-10)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1968-10)
recording of:
Doing That Scrapyard Thing (in 1968-10)
lyricist:
Pete Brown (UK poet & producer, with Cream and Jack Bruce)
composer:
Jack Bruce
publisher:
Casserole Music Corp. and Unichappell Music, Inc.
3.53:18
13What a Bringdown
engineer:
Damon Lyon-Shaw
producer:
Felix Pappalardi
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1968-10)
recording of:
What a Bringdown (in 1968-10)
lyricist and composer:
Ginger Baker
publisher:
Casserole Music Corp., Dratleaf Music Ltd. and Unichappell Music, Inc.
4:02
14The Coffee Song
engineer:
John Timperley
recorded at:
Chalk Farm Studios in London (Greater London), England, United Kingdom (in 1966-08)
mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom (on 1966-12-08)
cover recording of:
The Coffee Song (in 1966-08)
writer:
Tony Colton and Raymond Smith (songwriter)
publisher:
Bluewater Music UK, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and GlobeArt Publishing
52:46
15Lawdy Mama (version 2)
engineer:
Tom Dowd
producer:
Ahmet Ertegun (US American Songwriter, producer) and Robert Stigwood
performer:
Cream (British 1960s rock supergroup)
arranger:
Ginger Baker, Jack Bruce and Eric Clapton
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (in 1967-05)
recording of:
Lawdy Mama (in 1967-05)
writer:
[traditional] (special purpose artist)
publisher:
Unichappell Music, Inc.
2:49
16You Make Me Feel (demo version)
engineer:
John Timperley
recorded at:
Chalk Farm Studios in London (Greater London), England, United Kingdom (in 1966-06)
recording of:
You Make Me Feel (in 1966-06)
lyricist:
Pete Brown (UK poet & producer, with Cream and Jack Bruce)
composer:
Jack Bruce
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
2:42
17We’re Going Wrong (demo version)
recorded in:
London (Greater London), England, United Kingdom (in 1967)
producer:
Cream (British 1960s rock supergroup)
recording of:
We’re Going Wrong (in 1967)
lyricist and composer:
Jack Bruce
publisher:
Dratleaf Music Ltd. and Unichappell Music, Inc.
3:50
18Hey Now Princess (demo version)
recorded in:
London (Greater London), England, United Kingdom (in 1967)
producer:
Cream (British 1960s rock supergroup)
recording of:
Hey Now Princess (in 1967)
lyricist:
Pete Brown (UK poet & producer, with Cream and Jack Bruce)
composer:
Jack Bruce
publisher:
WB Music Corp. (1929–2019)
3:33
19Swlabr (demo version)
recorded in:
London (Greater London), England, United Kingdom (in 1967)
producer:
Cream (British 1960s rock supergroup)
recording of:
SWLABR (in 1967)
lyricist:
Pete Brown (UK poet & producer, with Cream and Jack Bruce)
composer:
Jack Bruce
publisher:
Casserole Music Corp., Dratleaf Music Ltd., Unichappell Music, Inc. and Warner Chappell Music, Inc.
4:34
20Weird of Hermiston (demo version)
recorded in:
London (Greater London), England, United Kingdom (in 1967)
producer:
Cream (British 1960s rock supergroup)
recording of:
Weird of Hermiston (in 1967)
lyricist:
Pete Brown (UK poet & producer, with Cream and Jack Bruce)
composer:
Jack Bruce
publisher:
Chappell & Co.
3:14
21The Clearout (demo version)
recorded in:
London (Greater London), England, United Kingdom (in 1967)
producer:
Cream (British 1960s rock supergroup)
recording of:
The Clearout (in 1967)
lyricist:
Pete Brown (UK poet & producer, with Cream and Jack Bruce)
composer:
Jack Bruce
publisher:
Chappell & Co. and Chappell Music Co. Inc.
4:03
22Falstaff Beer Commercial
1:02
3CD: Live
4CD: Live

Credits

Release

ASIN:US: B000003TW3 [info]

Release group

Wikipedia:en: Those Were the Days (Cream album) [info]
Wikidata:Q1768328 [info]