Stabat Mater

~ Release by Vivaldi, Pergolesi, Bach; Emma Kirkby, Daniel Taylor, Theatre of Early Music (see all versions of this release, 1 available)

Tracklist

1Hybrid SACD
#TitleArtistRatingLength
1Sonata "al Santo Sepolcro" in E flat major, RV 130: Largo molto - Allegro ma poco
sound engineer:
Thore Brinkmann
producer:
Jens Braun (classical engineer)
editor:
Nora Brandenburg and Andreas Ruge
instruments:
Theatre of Early Music (choir and period instrument ensemble in Montreal, Canada) (in 2005-02)
recorded at:
Grand Séminaire in Shaughnessy Village, Montréal (Montreal, city), Québec (Quebec), Canada (in 2005-02)
recording of:
Sonata in E-flat major, RV 130 "Al Santo Sepolcro" (in 2005-02)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Ryom-Verzeichnis (number: RV 130) and Catalogo numerico-tematico delle opere strumentali (Antonio Vivaldi) (number: F. XVI/2)
Antonio Vivaldi4:20
2Stabat Mater, RV 621: I. Stabat Mater. Largo
sound engineer:
Thore Brinkmann
producer:
Jens Braun (classical engineer)
editor:
Nora Brandenburg and Andreas Ruge
instruments:
Theatre of Early Music (choir and period instrument ensemble in Montreal, Canada) (in 2005-02)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (in 2005-02)
recorded at:
Grand Séminaire in Shaughnessy Village, Montréal (Montreal, city), Québec (Quebec), Canada (in 2005-02)
recording of:
Stabat Mater, RV 621: I. Largo "Stabat mater dolorosa" (in 2005-02)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Stabat Mater, RV 621
Antonio Vivaldi3:20
3Stabat Mater, RV 621: II. Cuius animam. Adagissimo
sound engineer:
Thore Brinkmann
producer:
Jens Braun (classical engineer)
editor:
Nora Brandenburg and Andreas Ruge
instruments:
Theatre of Early Music (choir and period instrument ensemble in Montreal, Canada) (in 2005-02)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (in 2005-02)
recorded at:
Grand Séminaire in Shaughnessy Village, Montréal (Montreal, city), Québec (Quebec), Canada (in 2005-02)
recording of:
Stabat Mater, RV 621: II. Adagissimo "Cuius animam" (in 2005-02)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Stabat Mater, RV 621
Antonio Vivaldi1:58
4Stabat Mater, RV 621: III. O quam tristis. Andante
sound engineer:
Thore Brinkmann
producer:
Jens Braun (classical engineer)
editor:
Nora Brandenburg and Andreas Ruge
instruments:
Theatre of Early Music (choir and period instrument ensemble in Montreal, Canada) (in 2005-02)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (in 2005-02)
recorded at:
Grand Séminaire in Shaughnessy Village, Montréal (Montreal, city), Québec (Quebec), Canada (in 2005-02)
recording of:
Stabat Mater, RV 621: III. Andante "O quam tristis" (in 2005-02)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Stabat Mater, RV 621
Antonio Vivaldi1:42
5Stabat Mater, RV 621: IV. Quis est homo. Largo
sound engineer:
Thore Brinkmann
producer:
Jens Braun (classical engineer)
editor:
Nora Brandenburg and Andreas Ruge
instruments:
Theatre of Early Music (choir and period instrument ensemble in Montreal, Canada) (in 2005-02)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (in 2005-02)
recorded at:
Grand Séminaire in Shaughnessy Village, Montréal (Montreal, city), Québec (Quebec), Canada (in 2005-02)
recording of:
Stabat Mater, RV 621: IV. Largo "Quis est homo" (in 2005-02)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Stabat Mater, RV 621
Antonio Vivaldi3:14
6Stabat Mater, RV 621: V. Quis non posset. Adagissimo
sound engineer:
Thore Brinkmann
producer:
Jens Braun (classical engineer)
editor:
Nora Brandenburg and Andreas Ruge
instruments:
Theatre of Early Music (choir and period instrument ensemble in Montreal, Canada) (in 2005-02)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (in 2005-02)
recorded at:
Grand Séminaire in Shaughnessy Village, Montréal (Montreal, city), Québec (Quebec), Canada (in 2005-02)
recording of:
Stabat Mater, RV 621: V. Adagissimo "Quis non posset" (in 2005-02)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Stabat Mater, RV 621
Antonio Vivaldi1:56
7Stabat Mater, RV 621: VI. Pro peccatis. Andante
sound engineer:
Thore Brinkmann
producer:
Jens Braun (classical engineer)
editor:
Nora Brandenburg and Andreas Ruge
instruments:
Theatre of Early Music (choir and period instrument ensemble in Montreal, Canada) (in 2005-02)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (in 2005-02)
recorded at:
Grand Séminaire in Shaughnessy Village, Montréal (Montreal, city), Québec (Quebec), Canada (in 2005-02)
recording of:
Stabat Mater, RV 621: VI. Andante "Pro peccatis" (in 2005-02)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Stabat Mater, RV 621
Antonio Vivaldi1:42
8Stabat Mater, RV 621: VII. Eia Mater. Largo
sound engineer:
Thore Brinkmann
producer:
Jens Braun (classical engineer)
editor:
Nora Brandenburg and Andreas Ruge
instruments:
Theatre of Early Music (choir and period instrument ensemble in Montreal, Canada) (in 2005-02)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (in 2005-02)
recorded at:
Grand Séminaire in Shaughnessy Village, Montréal (Montreal, city), Québec (Quebec), Canada (in 2005-02)
recording of:
Stabat Mater, RV 621: VII. Largo "Eja Mater" (in 2005-02)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Stabat Mater, RV 621
Antonio Vivaldi2:30
9Stabat Mater, RV 621: VIII. Fac ut ardeat. Lento
sound engineer:
Thore Brinkmann
producer:
Jens Braun (classical engineer)
editor:
Nora Brandenburg and Andreas Ruge
instruments:
Theatre of Early Music (choir and period instrument ensemble in Montreal, Canada) (in 2005-02)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (in 2005-02)
recorded at:
Grand Séminaire in Shaughnessy Village, Montréal (Montreal, city), Québec (Quebec), Canada (in 2005-02)
recording of:
Stabat Mater, RV 621: VIII. Lento "Fac ut ardeat" (in 2005-02)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Stabat Mater, RV 621
Antonio Vivaldi1:30
10Stabat Mater, RV 621: IX. Amen. Allegro
sound engineer:
Thore Brinkmann
producer:
Jens Braun (classical engineer)
editor:
Nora Brandenburg and Andreas Ruge
instruments:
Theatre of Early Music (choir and period instrument ensemble in Montreal, Canada) (in 2005-02)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (in 2005-02)
recorded at:
Grand Séminaire in Shaughnessy Village, Montréal (Montreal, city), Québec (Quebec), Canada (in 2005-02)
recording of:
Stabat Mater, RV 621: IX. Allegro "Amen" (in 2005-02)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Stabat Mater, RV 621
Antonio Vivaldi0:55
11Salve Regina: I. Salve Regina. Largo
sound engineer:
Thore Brinkmann
producer:
Jens Braun (classical engineer)
editor:
Nora Brandenburg and Andreas Ruge
instruments:
Theatre of Early Music (choir and period instrument ensemble in Montreal, Canada) (in 2005-02)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (in 2005-02)
recorded at:
Grand Séminaire in Shaughnessy Village, Montréal (Montreal, city), Québec (Quebec), Canada (in 2005-02)
recording of:
Salve Regina in F minor: I. Salve Regina (in 2005-02)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Salve Regina in F minor
Giovanni Battista Pergolesi4:09
12Salve Regina: II. Ad te clamamus. Andante
sound engineer:
Thore Brinkmann
producer:
Jens Braun (classical engineer)
editor:
Nora Brandenburg and Andreas Ruge
instruments:
Theatre of Early Music (choir and period instrument ensemble in Montreal, Canada) (in 2005-02)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (in 2005-02)
recorded at:
Grand Séminaire in Shaughnessy Village, Montréal (Montreal, city), Québec (Quebec), Canada (in 2005-02)
partial recording of:
Salve Regina in F minor: II. Ad te clamamus (in 2005-02)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Salve Regina in F minor
Giovanni Battista Pergolesi0:43
13Salve Regina: III. Ad te suspiramus. Largo
sound engineer:
Thore Brinkmann
producer:
Jens Braun (classical engineer)
editor:
Nora Brandenburg and Andreas Ruge
instruments:
Theatre of Early Music (choir and period instrument ensemble in Montreal, Canada) (in 2005-02)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (in 2005-02)
recorded at:
Grand Séminaire in Shaughnessy Village, Montréal (Montreal, city), Québec (Quebec), Canada (in 2005-02)
partial recording of:
Salve Regina in F minor: II. Ad te clamamus (in 2005-02)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Salve Regina in F minor
Giovanni Battista Pergolesi3:30
14Salve Regina: IV. Eia ergo advocata. Andante
sound engineer:
Thore Brinkmann
producer:
Jens Braun (classical engineer)
editor:
Nora Brandenburg and Andreas Ruge
instruments:
Theatre of Early Music (choir and period instrument ensemble in Montreal, Canada) (in 2005-02)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (in 2005-02)
recorded at:
Grand Séminaire in Shaughnessy Village, Montréal (Montreal, city), Québec (Quebec), Canada (in 2005-02)
recording of:
Salve Regina in F minor: III. Eia ergo, advocata nostra (in 2005-02)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Salve Regina in F minor
Giovanni Battista Pergolesi1:24
15Salve Regina: V. Et Jesum, benedictum. Amoroso
sound engineer:
Thore Brinkmann
producer:
Jens Braun (classical engineer)
editor:
Nora Brandenburg and Andreas Ruge
instruments:
Theatre of Early Music (choir and period instrument ensemble in Montreal, Canada) (in 2005-02)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (in 2005-02)
recorded at:
Grand Séminaire in Shaughnessy Village, Montréal (Montreal, city), Québec (Quebec), Canada (in 2005-02)
recording of:
Salve Regina in F minor: IV. Et Jesum (in 2005-02)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Salve Regina in F minor
Giovanni Battista Pergolesi2:22
16Salve Regina: VI. O Clemens, o pia. Largo assai
sound engineer:
Thore Brinkmann
producer:
Jens Braun (classical engineer)
editor:
Nora Brandenburg and Andreas Ruge
instruments:
Theatre of Early Music (choir and period instrument ensemble in Montreal, Canada) (in 2005-02)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (in 2005-02)
recorded at:
Grand Séminaire in Shaughnessy Village, Montréal (Montreal, city), Québec (Quebec), Canada (in 2005-02)
recording of:
Salve Regina in F minor: V. O clemens (in 2005-02)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Salve Regina in F minor
Giovanni Battista Pergolesi1:26
17Tilge, Höchster, meine Sünden (Psalm 51), BWV1083: Versus 1: Tilge, Höchster, meine Sünden
sound engineer and producer:
Jens Braun (classical engineer)
editor:
Elisabeth Kemper
instruments:
Theatre of Early Music (choir and period instrument ensemble in Montreal, Canada) (in 2006-02)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (in 2006-02)
soprano vocals:
Emma Kirkby (soprano) (in 2006-02)
recorded at:
Notre-Dame-de-Bon-Secours Chapel (Church in Montreal) in Vieux-Montréal (Old Montreal), Montréal (Montreal, city), Québec (Quebec), Canada (in 2006-02)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 1 (Sopran, Alt) "Tilge, Höchster meine Sünden" (in 2006-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach3:51
18Tilge, Höchster, meine Sünden (Psalm 51), BWV1083: Versus 2: Ist mein Herz in Missetaten
sound engineer and producer:
Jens Braun (classical engineer)
editor:
Elisabeth Kemper
instruments:
Theatre of Early Music (choir and period instrument ensemble in Montreal, Canada) (in 2006-02)
soprano vocals:
Emma Kirkby (soprano) (in 2006-02)
recorded at:
Notre-Dame-de-Bon-Secours Chapel (Church in Montreal) in Vieux-Montréal (Old Montreal), Montréal (Montreal, city), Québec (Quebec), Canada (in 2006-02)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 2 (Sopran) "Ist mein Herz in Missetaten" (in 2006-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: II. Aria (soprano): Cujus animam gementem
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:05
19Tilge, Höchster, meine Sünden (Psalm 51), BWV1083: Versus 3: Missetaten, die mich drücken
sound engineer and producer:
Jens Braun (classical engineer)
editor:
Elisabeth Kemper
instruments:
Theatre of Early Music (choir and period instrument ensemble in Montreal, Canada) (in 2006-02)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (in 2006-02)
soprano vocals:
Emma Kirkby (soprano) (in 2006-02)
recorded at:
Notre-Dame-de-Bon-Secours Chapel (Church in Montreal) in Vieux-Montréal (Old Montreal), Montréal (Montreal, city), Québec (Quebec), Canada (in 2006-02)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 3 (Sopran, Alt) "Missetaten, die mich drücken" (in 2006-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: III. Duo: O quam tristis et afflicta
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach1:59
20Tilge, Höchster, meine Sünden (Psalm 51), BWV1083: Versus 4: Dich erzürnt mein Tun und Lassen
sound engineer and producer:
Jens Braun (classical engineer)
editor:
Elisabeth Kemper
instruments:
Theatre of Early Music (choir and period instrument ensemble in Montreal, Canada) (in 2006-02)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (in 2006-02)
recorded at:
Notre-Dame-de-Bon-Secours Chapel (Church in Montreal) in Vieux-Montréal (Old Montreal), Montréal (Montreal, city), Québec (Quebec), Canada (in 2006-02)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 4 (Alt) "Dich erzürnt mein Tun und Lassen" (in 2006-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: IV. Aria (alto): Quae moerebat et dolebat
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:03
21Tilge, Höchster, meine Sünden (Psalm 51), BWV1083: Versus 5-6: Wer wird seine Schuld verneinen
sound engineer and producer:
Jens Braun (classical engineer)
editor:
Elisabeth Kemper
instruments:
Theatre of Early Music (choir and period instrument ensemble in Montreal, Canada) (in 2006-02)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (in 2006-02)
soprano vocals:
Emma Kirkby (soprano) (in 2006-02)
recorded at:
Notre-Dame-de-Bon-Secours Chapel (Church in Montreal) in Vieux-Montréal (Old Montreal), Montréal (Montreal, city), Québec (Quebec), Canada (in 2006-02)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 5 & 6 (Sopran, Alt) "Wer wird seine Schuld verneinen" (in 2006-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: V. (1) Duo: Quis est homo, qui non fleret (Use this variant if 'Pro peccatis suae gentis' appears on a separate track)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:15
22Tilge, Höchster, meine Sünden (Psalm 51), BWV1083: Versus 7: Siehe! ich bin in Sünd empfangen
sound engineer and producer:
Jens Braun (classical engineer)
editor:
Elisabeth Kemper
instruments:
Theatre of Early Music (choir and period instrument ensemble in Montreal, Canada) (in 2006-02)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (in 2006-02)
soprano vocals:
Emma Kirkby (soprano) (in 2006-02)
recorded at:
Notre-Dame-de-Bon-Secours Chapel (Church in Montreal) in Vieux-Montréal (Old Montreal), Montréal (Montreal, city), Québec (Quebec), Canada (in 2006-02)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 7 (Sopran, Alt) "Sieh! ich bin in Sünd empfangen" (in 2006-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: V. (2) Duo: Pro peccatis suae gentis (Use this variant if 'Pro peccatis suae gentis' appears on a separate track)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach0:44
23Tilge, Höchster, meine Sünden (Psalm 51), BWV1083: Versus 8: Sieh, du willst die Wahrheit haben
sound engineer and producer:
Jens Braun (classical engineer)
editor:
Elisabeth Kemper
instruments:
Theatre of Early Music (choir and period instrument ensemble in Montreal, Canada) (in 2006-02)
soprano vocals:
Emma Kirkby (soprano) (in 2006-02)
recorded at:
Notre-Dame-de-Bon-Secours Chapel (Church in Montreal) in Vieux-Montréal (Old Montreal), Montréal (Montreal, city), Québec (Quebec), Canada (in 2006-02)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 8 (Sopran) "Sieh, du willst die Wahrheit haben" (in 2006-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: VI. Aria (soprano): Vidit suum dulcem natum
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach3:05
24Tilge, Höchster, meine Sünden (Psalm 51), BWV1083: Versus 9: Wasche mich doch rein von Sünden
sound engineer and producer:
Jens Braun (classical engineer)
editor:
Elisabeth Kemper
instruments:
Theatre of Early Music (choir and period instrument ensemble in Montreal, Canada) (in 2006-02)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (in 2006-02)
recorded at:
Notre-Dame-de-Bon-Secours Chapel (Church in Montreal) in Vieux-Montréal (Old Montreal), Montréal (Montreal, city), Québec (Quebec), Canada (in 2006-02)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 9 (Alt) "Wasche mich doch rein von Sünden" (in 2006-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: VII. Aria (alto): Eja, mater, fons amoris
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:22
25Tilge, Höchster, meine Sünden (Psalm 51), BWV1083: Versus 10: Lass mich Freud und Wonne spüren
sound engineer and producer:
Jens Braun (classical engineer)
editor:
Elisabeth Kemper
instruments:
Theatre of Early Music (choir and period instrument ensemble in Montreal, Canada) (in 2006-02)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (in 2006-02)
soprano vocals:
Emma Kirkby (soprano) (in 2006-02)
recorded at:
Notre-Dame-de-Bon-Secours Chapel (Church in Montreal) in Vieux-Montréal (Old Montreal), Montréal (Montreal, city), Québec (Quebec), Canada (in 2006-02)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 10 (Sopran, Alt) "Laß mich Freud und Wonne spüren" (in 2006-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: VIII. Duo: Fac, ut ardeat cor meum
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:07
26Tilge, Höchster, meine Sünden (Psalm 51), BWV1083: Versus 11-15: Schaue nicht auf meine Sünden
sound engineer and producer:
Jens Braun (classical engineer)
editor:
Elisabeth Kemper
instruments:
Theatre of Early Music (choir and period instrument ensemble in Montreal, Canada) (in 2006-02)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (in 2006-02)
soprano vocals:
Emma Kirkby (soprano) (in 2006-02)
recorded at:
Notre-Dame-de-Bon-Secours Chapel (Church in Montreal) in Vieux-Montréal (Old Montreal), Montréal (Montreal, city), Québec (Quebec), Canada (in 2006-02)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 11-15 (Sopran, Alt) "Schaue nicht auf meine Sünden" (in 2006-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: IX. Duo: Sancta mater, istud agas
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach5:31
27Tilge, Höchster, meine Sünden (Psalm 51), BWV1083: Verus 16: Öffne Lippen, Mund und Seele
sound engineer and producer:
Jens Braun (classical engineer)
editor:
Elisabeth Kemper
instruments:
Theatre of Early Music (choir and period instrument ensemble in Montreal, Canada) (in 2006-02)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (in 2006-02)
recorded at:
Notre-Dame-de-Bon-Secours Chapel (Church in Montreal) in Vieux-Montréal (Old Montreal), Montréal (Montreal, city), Québec (Quebec), Canada (in 2006-02)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 16 (Alt) "Öffne Lippen, Mund und Seele" (in 2006-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: X. Aria (alto): Fac, ut portem Christi mortem
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach3:36
28Tilge, Höchster, meine Sünden (Psalm 51), BWV1083: Versus 17-18: Denn du willst kein Opfer haben
sound engineer and producer:
Jens Braun (classical engineer)
editor:
Elisabeth Kemper
instruments:
Theatre of Early Music (choir and period instrument ensemble in Montreal, Canada) (in 2006-02)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (in 2006-02)
soprano vocals:
Emma Kirkby (soprano) (in 2006-02)
recorded at:
Notre-Dame-de-Bon-Secours Chapel (Church in Montreal) in Vieux-Montréal (Old Montreal), Montréal (Montreal, city), Québec (Quebec), Canada (in 2006-02)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 17 & 18 (Sopran, Alt) "Denn du willst kein Opfer haben" (in 2006-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: XII. Duo: Quando corpus morietur (without Amen)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:52
29Tilge, Höchster, meine Sünden (Psalm 51), BWV1083: Versus 19-20: Lass dein Zion blühend dauern
sound engineer and producer:
Jens Braun (classical engineer)
editor:
Elisabeth Kemper
instruments:
Theatre of Early Music (choir and period instrument ensemble in Montreal, Canada) (in 2006-02)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (in 2006-02)
soprano vocals:
Emma Kirkby (soprano) (in 2006-02)
recorded at:
Notre-Dame-de-Bon-Secours Chapel (Church in Montreal) in Vieux-Montréal (Old Montreal), Montréal (Montreal, city), Québec (Quebec), Canada (in 2006-02)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 19 & 20 (Sopran, Alt) "Laß dein Zion blühend dauern" (in 2006-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: XI. Duo: Inflammatus et accensus
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:02
30Tilge, Höchster, meine Sünden (Psalm 51), BWV1083: Amen
sound engineer and producer:
Jens Braun (classical engineer)
editor:
Elisabeth Kemper
instruments:
Theatre of Early Music (choir and period instrument ensemble in Montreal, Canada) (in 2006-02)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (in 2006-02)
soprano vocals:
Emma Kirkby (soprano) (in 2006-02)
recorded at:
Notre-Dame-de-Bon-Secours Chapel (Church in Montreal) in Vieux-Montréal (Old Montreal), Montréal (Montreal, city), Québec (Quebec), Canada (in 2006-02)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": XIV. (Sopran, Alt) "Amen" (in 2006-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician)
composer:
Giovanni Battista Pergolesi (composer)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: XIII. Amen (separate Amen variant)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach1:44

Credits

Release

liner notes:Jean-Pascal Vachon (musicologist)
liner notes translator:Andrew Barnett (liner notes author / designer)
Horst A. Scholz
executive producer:Robert Suff
purchase for download:https://www.eclassical.com/orchestras/theatre-of-early-music/stabat-mater.html [info]
ASIN:US: B013H1NIOI [info]
discography entry:https://bis.se/orchestras-ensembles/theatre-of-early-music/stabat-mater [info]