| # | Title | Artist | Rating | Length |
|---|
| 1 | Eye of the Tiger- assistant engineer:
- Hill Swimmer
- engineer:
- Phil Bonanno and Mike Clink
- producer:
- Jim Peterik and Frankie Sullivan
- phonographic copyright (℗) by:
- Volcano Entertainment III, L.L.C. (in 1985)
- recording of:
- Eye of the Tiger
- writer:
- Jim Peterik and Frankie Sullivan
- publisher:
- Copyright Control , Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music , Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited , Warner/Chappell North America Limited , WB Music Corp. (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division , Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (from 2017-04-01 to present)
- part of:
- The 55th Academy Award for Best Original Song (number: 2)
| Survivor | 4.8 | 3:50 |
| 2 | More Than a Feeling- producer:
- John Boylan and Tom Scholz
- acoustic guitar, bass and electric guitar:
- Tom Scholz (from 1975-10 until 1976-04)
- drums (drum set):
- Sib Hashian (from 1975-10 until 1976-04)
- vocals:
- Brad Delp (from 1975-10 until 1976-04)
- phonographic copyright (℗) by:
- CBS, Inc. (in 1976), Epic Records (in 1976), Sony BMG Music Entertainment (in 1976), Sony Music Entertainment Inc. (in 1976) and Sony Music Entertainment (UK) Ltd. (in 2002)
- recording of:
- More Than a Feeling (from 1975-10 until 1976-04)
- lyricist and composer:
- Tom Scholz
- publisher:
- Copyright Control , PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. , Warner Chappell Music , Warner Chappell Music Ltd. , WB Music Corp. and Pure Songs (in 1976)
| Boston | 4.8 | 3:31 |
| 3 | Kyrie (single version) | Mr. Mister | | 4:15 |
| 4 | Can’t Fight This Feeling | REO Speedwagon | 3.9 | 4:45 |
| 5 | The Power of Love- producer:
- Wolfgang Detmann and Gunther Mende
- phonographic copyright (℗) by:
- Sony Music Entertainment (Germany) GmbH (in 1984) and Sony Music Entertainment Germany GmbH (in 1984)
- recording of:
- The Power of Love
- writer:
- Mary Applegate, Wolfgang Detmann , Gunther Mende and Jennifer Rush
- publisher:
- CBS Songs Ltd., EMI April Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), フジパシフィックミュージック SBK事業部 (until 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Jennifer Rush | 2.5 | 4:26 |
| 6 | Chains | Tina Arena | 3 | 4:21 |
| 7 | Rosanna (single version) | Toto | 3.8 | 4:01 |
| 8 | Down Under- additional engineer:
- Paul Ray
- engineer:
- Jim Barbour and Peter McIan
- producer:
- Peter McIan
- bass:
- John Rees
- drums (drum set):
- Jerry Speiser
- guitar:
- Ron Strykert
- keyboard and woodwind:
- Greg Ham
- vocals:
- Colin Hay
- phonographic copyright (℗) by:
- CBS Records Australia Limited (in 1981), Columbia Records (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (in 1981), Sony Music Productions Pty. Ltd. (in 1981, in 1982), CBS, Inc. (in 1982), Sony Music Entertainment Inc. (in 1982) and Diski CBS AEBE (in 1986)
- recorded at:
- Richmond Recorders in Melbourne, Victoria, Australia
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 96)
- recording of:
- Down Under
- lyricist:
- Colin Hay
- composer:
- Colin Hay and Ron Strykert
- publisher:
- April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music , EMI Music Australia Pty. Limited , EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
| Men at Work | 3.95 | 3:42 |
| 9 | Shapes of Things | Jeff Beck | | 3:17 |
| 10 | All Out of Love- executive producer:
- Clive Davis
- producer:
- Robie Porter
- assistant mixer:
- Linda Corbin
- mixer:
- Jim Hilton
- bass guitar:
- Criston Barker
- drums (drum set):
- Ralph Cooper
- guitar [lead guitar]:
- David Moyse
- guitar [rhythm guitar]:
- Graham Russell
- keyboard:
- Frank Esler‐Smith and Sam McNally
- background vocals:
- Criston Barker, Tommy Dassalo , Russell Hitchcock, Marcy Levy, David Moyse and Graham Russell
- lead vocals:
- Russell Hitchcock
- vocals:
- Graham Russell
- arranger:
- Air Supply and Robie Porter
- orchestrator:
- Frank Esler‐Smith and Robie Porter
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1980), Arista Records, LLC (in 1980), Big Time Phonograph Recording Co. (in 1980), Big Time Phonograph Recording Co. Pty Ltd. (in 1980) and Sony BMG Music Entertainment (in 1980)
- recorded at:
- Paradise Studios in Sydney, New South Wales, Australia and Studios 301 in Byron Bay , New South Wales, Australia
- mixed at:
- Larrabee Sound Studios in West Hollywood, California, United States
- part of:
- The Downloader’s Music Source Book (number: 290)
- recording of:
- All Out of Love
- writer:
- Clive Davis and Graham Russell
- publisher:
- Arista Music, Inc., BMG Music Publishing Ltd., BRM Publishing, Careers–BMG Music Publishing, Inc., DJDMP, Inc., Nottsongs, Riva Music Ltd., Universal Music Careers, Universal Music Publishing MGB Ltd., Warner Chappell Music and Warner/Chappell Music Ltd.
- sub-publisher:
- Sony Music Publishing (Japan) Inc. , シンコーミュージック・エンタテイメント , ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Air Supply | 4.45 | 4:03 |
| 11 | That Girl | FM | | 3:54 |
| 12 | Jessie’s Girl- producer:
- Keith Olsen
- arranger:
- Neil Geraldo, Keith Olsen and Rick Springfield
- phonographic copyright (℗) by:
- BMG Entertainment (in 1981), BMG Music (in 1981), RCA Records (in 1981), RCA Records, Inc. (in 1981), Sony Music Entertainment (in 1981, in 2001) and Wizard Records (in 1981)
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 20) and Billboard: The 500 Best Pop Songs (number: 55)
- recording of:
- Jessie’s Girl
- lyricist and composer:
- Rick Springfield
- publisher:
- BMG Music, Copyright Control , Muscleman Music, PolyGram Music Publishing Ltd., Portal Music, Universal Music Publishing Ltd. , Universal–Songs of PolyGram International, Inc. and Wizard Music
| Rick Springfield | 4.45 | 3:14 |
| 13 | Steel Bars | Michael Bolton | | 3:31 |
| 14 | Satellite | The Hooters | 4 | 4:19 |
| 15 | Our Lives | The Calling | 3 | 3:57 |
| 16 | Lullaby (single edit) | Shawn Mullins | | 4:14 |
| 17 | Cat Scratch Fever | Ted Nugent | 3.45 | 3:38 |
| 18 | Runaway Train | Soul Asylum | 4.4 | 4:28 |
| 19 | Barracuda- producer:
- Mike Flicker
- phonographic copyright (℗) by:
- Epic Records (in 1977)
- recording of:
- Barracuda
- writer:
- Michael Derosier, Roger Fisher , Ann Wilson and Nancy Wilson
- publisher:
- BMG Songs, Inc., IQ Music Ltd., Know Music, Of the Roses Music, Play My Music, Rosebud Music, Strange Euphoria Music, Universal Music Publishing Ltd. , Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Universal/MCA Music Ltd. and Wilsongs
- sub-publisher:
- Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
| Heart | | 3:31 |
| 20 | Sweet Talkin’ Woman | Electric Light Orchestra | | 3:50 |
| 21 | You Took the Words Right Out of My Mouth (Hot Summer Night) | Meat Loaf | 4 | 4:12 |
| 22 | Poison- recording engineer:
- Sir Arthur Payson (from 1988 until 1989)
- synthesizer programming:
- Steve Deutsch
- assistant engineer:
- George Cowan , Ben Fowler, Lolly Grodner, Robert Hart , John Herman , Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
- producer:
- Desmond Child
- mixer:
- Michael Barbiero and Steve Thompson
- additional keyboard:
- Paul Chiten (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
- additional other instruments [special effects]:
- Gregg Mangiafico (from 1988 until 1989)
- bass guitar:
- Hugh McDonald (from 1988 until 1989)
- drums (drum set):
- Bobby Chouinard (from 1988 until 1989)
- guitar:
- John McCurry (from 1988 until 1989)
- keyboard:
- Alan St. John (from 1988 until 1989)
- background vocals:
- Alan St. John (from 1988 until 1989), Michael Anthony (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (from 1988 until 1989)
- lead vocals:
- Alice Cooper (from 1988 until 1989)
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1989), Epic Records (in 1989), Sony BMG Music Entertainment (in 1989), Sony Music Entertainment (in 1989) and Sony Music Entertainment Inc. (in 1989)
- recorded at:
- Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder in Los Angeles, California, United States (from 1988 until 1989)
- recording of:
- Poison (from 1988 until 1989)
- writer:
- Desmond Child, Alice Cooper and John McCurry
- publisher:
- Desmobile Inc., Desmobile Music Co., Inc. , EMI April Music Inc., EMI Music Publishing Australia Pty. Limited , EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc. , Sony Music Publishing , Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal , Universal Music Publishing , Universal Music Publishing Group, Universal Music Publishing Ltd. , Universal PolyGram International Publishing, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB , Warner–Tamerlane Publishing Corp. and Ezra Music Corp. (from 1989 to present)
- sub-publisher:
- シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
| Alice Cooper | 4.45 | 4:30 |
| 23 | Breaking the Law- engineer:
- Louis Austin
- producer:
- Tom Allom
- drums (drum set):
- Dave Holland (from 1980-01 until 1980-02)
- electric bass guitar:
- Ian Hill (from 1980-01 until 1980-02)
- electric guitar:
- Kenneth Downing (from 1980-01 until 1980-02) and Glenn Tipton (from 1980-01 until 1980-02)
- lead vocals:
- Rob Halford (from 1980-01 until 1980-02)
- phonographic copyright (℗) by:
- CBS Records (in 1980), Sony BMG Music Entertainment (UK) Ltd. (in 1980), Sony Music Entertainment (UK) Ltd. (in 1980) and Sony Music Entertainment UK Limited (in 1980)
- recorded at:
- Startling Studios in Ascot, Windsor and Maidenhead, England, United Kingdom (from 1980-01 until 1980-02)
- music videos:
- Breaking the Law by Judas Priest
- part of:
- Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 4), VH1: 100 Greatest Hard Rock Songs (number: 12) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- Breaking the Law (from 1980-01 until 1980-02)
- writer:
- Kenneth Downing, Rob Halford and Glenn Tipton
- publisher:
- Crewglen Ltd., Ebonytree Ltd, EMI April Music Inc., EMI Music Publishing France, EMI Music Publishing Ltd. , EMI Songs Ltd., Geargate Ltd. , Reach Global (UK) Limited, Reach Music Publishing, Inc., Round Hill Songs II and Warner Chappell Music France
- sub-publisher:
- ソニー・ミュージックパブリッシング EMI外国事業部 , ワーナー・チャペル音楽出版 Synch事業部 and 日音 Synch事業部
| Judas Priest | 4.15 | 2:33 |
| 24 | Because the Night | Patti Smith | 4.55 | 3:18 |
| 25 | When I See You Smile | Bad English | 4 | 4:17 |
| 26 | Perfect Day | Lou Reed | | 3:43 |
| 27 | All Day and All of the Night (live) | The Stranglers | | 2:25 |
| 28 | Pretty in Pink | The Psychedelic Furs | 4.65 | 3:58 |
| 29 | Another Girl Another Planet | The Only Ones | 4.35 | 3:00 |
| 30 | Ballad of Mott the Hoople | Mott the Hoople | | 5:23 |
| 31 | She’s Not There- producer:
- Tom Coster, David Rubinson & Friends, Inc. and Carlos Santana
- phonographic copyright (℗) by:
- CBS, Inc. (in 1977), Columbia Records (in 1977) and Sony Music Entertainment Inc. (in 1977)
- cover recording of:
- She’s Not There
- lyricist and composer:
- Rod Argent
- publisher:
- Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA and Parker Music
- sub-publisher:
- Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. and シンコーミュージック・パブリッシャーズ
| Santana | 2.5 | 3:19 |
| 32 | Cum on Feel the Noize | Quiet Riot | | 3:49 |
| 33 | (Don’t Fear) The Reaper (single version) | Blue Öyster Cult | | 5:08 |
| 34 | Up Around the Bend | Hanoi Rocks | | 3:06 |
| 35 | Dust in the Wind- additional engineer:
- Terry Diane Becker
- engineer:
- Jeff Glixman (from 1977-06 until 1977-07)
- producer:
- Jeff Glixman (in 1977-06)
- acoustic guitar and electric guitar:
- Kerry Livgren (from 1977-06 until 1977-07) and Rich Williams (from 1977-06 until 1977-07)
- bass guitar:
- Dave Hope (from 1977-06 until 1977-07)
- celesta, organ, synthesizer, vibraphone and lead vocals:
- Steve Walsh (from 1977-06 until 1977-07)
- cello, viola and violin [violins]:
- Robby Steinhardt (from 1977-06 until 1977-07)
- chimes, drums (drum set), gong and timpani:
- Phil Ehart (from 1977-06 until 1977-07)
- clavinet and synthesizer [synthesizers]:
- Kerry Livgren (from 1977-06 until 1977-07)
- percussion [additional percussion]:
- Phil Ehart (from 1977-06 until 1977-07), Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (from 1977-06 until 1977-07)
- piano:
- Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (from 1977-06 until 1977-07)
- background vocals:
- Robby Steinhardt (from 1977-06 until 1977-07) and Steve Walsh (from 1977-06 until 1977-07)
- arranger:
- Kansas
- phonographic copyright (℗) by:
- Sony Music (in 1976), CBS, Inc. (in 1977), Epic Records (in 1977), Sony Music Entertainment Inc. (in 1977) and CBS Records Inc. (in 1978)
- recorded at:
- Studio in the Country in Bogalusa, Louisiana, United States (from 1977-06 until 1977-07) and Woodland Studios in Nashville, Tennessee, United States (from 1977-06 until 1977-07)
- mixed at:
- The Village in Los Angeles, California, United States (in 1977-08)
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 39)
- recording of:
- Dust in the Wind (from 1977-06 until 1977-07)
- lyricist and composer:
- Kerry Livgren
- publisher:
- Blackwood Music Publishing, Don Kirshner Music Inc., Kirshner CBS Music Publishing and Kirshner-Warner Bros Music Ltd.
- sub-publisher:
- フジパシフィックミュージック SBK事業部
- adaptations:
- As the Sun Rises
| Kansas | 4.05 | 3:22 |
| 36 | Eight Miles High | The Byrds | 4.2 | 3:34 |
| 37 | Ventura Highway (live at XM Performance Theater, Washington D.C – October 2005) | America | | 3:45 |
| 38 | I Walk the Line | Johnny Cash | | 2:42 |
| 39 | Guitar Man | Elvis Presley | | 2:15 |
| 40 | Lover, You Should’ve Come Over | Jeff Buckley | 3.5 | 6:42 |
| 41 | Total Eclipse of the Heart | Bonnie Tyler | 4.15 | 4:29 |
| 42 | Hazy Shade of Winter | The Bangles | 4.6 | 2:47 |
| 43 | I Drove All Night | Roy Orbison | | 3:48 |
| 44 | The Way It Is | Bruce Hornsby & the Range | 4.05 | 4:59 |
| 45 | Method of Modern Love | Daryl Hall & John Oates | 4.35 | 5:31 |
| 46 | Real Gone Kid | Deacon Blue | 4.35 | 4:07 |
| 47 | Damn I Wish I Was Your Lover (radio version) | Sophie B. Hawkins | 3.35 | 4:16 |
| 48 | Hush | Kula Shaker | 4.65 | 2:57 |
| 49 | Little Miss Can’t Be Wrong | Spin Doctors | 3.8 | 3:56 |
| 50 | Love Rears Its Ugly Head | Living Colour | 2 | 4:22 |
| 51 | Once Bitten, Twice Shy (single version) | Ian Hunter | | 3:51 |
| 52 | I Want You to Want Me- engineer:
- Antonio Reale
- producer:
- Tom Werman
- phonographic copyright (℗) by:
- CBS, Inc. (in 1977), Sony Music Entertainment (in 1977) and Sony Music Entertainment Inc. (in 1977)
- recorded at:
- Kendun Recorders in Burbank, California, United States (in 1977)
- mixed at:
- Westlake Audio in Los Angeles, California, United States (in 1977)
- part of:
- Billboard: The 500 Best Pop Songs (number: 266)
- recording of:
- I Want You to Want Me (in 1977)
- lyricist and composer:
- Rick Nielsen
- publisher:
- Copyright Control , EMI Music Publishing , Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (in 1977) and Screen Gems–EMI Music, Inc. (in 1977)
- part of:
- 10 Things I Hate About You
| Cheap Trick | 4.15 | 3:01 |
| 53 | Longer | Dan Fogelberg | 3.15 | 3:16 |
| 54 | You’re the Voice- recording engineer and mixer:
- Doug Brady
- drum machine programming and synthesizer [Fairlight] programming:
- Dave , Jack and Ross
- assistant engineer:
- Michael Wickow
- producer:
- Ross Fraser
- fretless bass:
- Roger McLachlan
- guitar:
- Brett Garsed
- keyboard and synthesizer [Fairlight]:
- David Hirschfelder
- background vocals:
- Rozzi Bazzani, Helen Cornish, Penny Dyer, David Hirschfelder , Colin Setches, Mal Stainton and Sandy Weekes
- lead vocals:
- Whispering Jack
- arranger:
- John Farnham, Ross Fraser and David Hirschfelder
- phonographic copyright (℗) by:
- BMG Arista / Ariola Limited (in 1986), BMG Australia Limited (in 1986), Sony BMG Music Entertainment (Australia) Pty Limited (in 1986), Wheatley Records Pty. Ltd. (in 1986) and RCA/Ariola (in 1987)
- recorded at and mixed at:
- AAV Studios in Melbourne, Victoria, Australia
- recording of:
- You’re the Voice
- writer:
- Andy Qunta, Keith Reid, Maggie Ryder and Chris Thompson
- publisher:
- A&G Songs Ltd., Almo Music Corp. , Bluebeard Music Ltd., BMG Music, Bucks Music Group Ltd. , Concord Songs Ltd., Copyright Control , CT Music , CT Music Ltd., David Platz Music Scandinavia AB, Fable Music Pty. Ltd., Imagem Songs Ltd., Polygram Music, PolyGram Music Publishing Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., Rondor Music Ltd. , Universal Music , Universal Music Publishing and Universal Music Publishing AB
| John Farnham | 4.1 | 5:03 |
| 55 | While My Guitar Gently Weeps | The Jeff Healey Band | 5 | 5:09 |
| 56 | The House Is Rockin’- additional engineer:
- Richard McKernen
- assistant engineer:
- Bob Lacivita, Jim Champagne, Ryan Dorn, Danny Jones and Evan Rush
- engineer:
- Jim Gaines and Richard Mullen
- producer:
- Jim Gaines and Stevie Ray Vaughan and Double Trouble
- mixer:
- Jim Gaines and Dave McNair
- bass guitar:
- Tommy Shannon (on 1989-02-10)
- drums (drum set) and percussion:
- Chris Layton (on 1989-02-10)
- guitar:
- Stevie Ray Vaughan (on 1989-02-10)
- keyboard:
- Reese Wynans (on 1989-02-10)
- vocals:
- Stevie Ray Vaughan (on 1989-02-10)
- mixed at:
- Kiva Studios in Memphis, Tennessee, United States, Sound Castle Recording Studios in Silver Lake, Los Angeles, California, United States and Summa Studios in Los Angeles, California, United States
- recording of:
- The House Is Rockin’ (on 1989-02-10)
- writer:
- Doyle Bramhall and Stevie Ray Vaughan
- publisher:
- Hello Mr. Wilson, Stevie Ray Songs and Two Thirty Music
| Stevie Ray Vaughan | 4 | 2:24 |
| 57 | Any Way You Want It | Journey | 4.15 | 3:25 |
| 58 | Mississippi Queen | Mountain | 4.1 | 2:31 |
| 59 | Raw Power (Iggy mix) | The Stooges | | 4:18 |
| 60 | Jailbird (original mix) | Primal Scream | | 3:38 |
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