Anthology

~ Release by Bill Monroe (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Time Changes Everything
producer:
Owen Bradley
banjo:
Curtis McPeake (on 1960-12-01)
double bass:
Bessie Lee Mauldin (on 1960-12-01)
fiddle:
Dale Potter (on 1960-12-01)
guitar:
Carl Butler (on 1960-12-01)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1960-12-01)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1960-12-01)
recording of:
Time Changes Everything (on 1960-12-01)
lyricist and composer:
Tommy Duncan (Western swing vocalist, songwriter and pianist)
2:15
2I'm Going Back to Old Kentucky
producer:
Owen Bradley
banjo:
Curtis McPeake (on 1961-11-09)
double bass:
Bessie Lee Mauldin (on 1961-11-09)
fiddle:
Vassar Clements (on 1961-11-09) and Buddy Spicher (American country and bluegrass fiddle player) (on 1961-11-09)
guitar:
Jimmy Maynard (on 1961-11-09)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1961-11-09)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1961-11-09)
recording of:
I'm Going Back to Old Kentucky (on 1961-11-09)
composer:
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell Music, Inc.
2:23
3Toy Heart
producer:
Owen Bradley
banjo:
Curtis McPeake (on 1961-11-09)
double bass:
Bessie Lee Mauldin (on 1961-11-09)
fiddle:
Vassar Clements (on 1961-11-09) and Buddy Spicher (American country and bluegrass fiddle player) (on 1961-11-09)
guitar:
Jimmy Maynard (on 1961-11-09)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1961-11-09)
lead vocals:
Jimmy Maynard (on 1961-11-09) and Bill Monroe (“The Father of Bluegrass”) (on 1961-11-09)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1961-11-09)
recording of:
Toy Heart (on 1961-11-09)
composer:
Bill Monroe (“The Father of Bluegrass”)
2:15
4Live and Let Live
producer:
Owen Bradley
banjo:
Curtis McPeake (on 1961-11-10)
double bass:
Bessie Lee Mauldin (on 1961-11-10)
fiddle:
Benny Williams (US bluegrass fiddler/multi-instrumentalist) (on 1961-11-10)
guitar:
Jimmy Maynard (on 1961-11-10)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1961-11-10)
lead vocals:
Jimmy Maynard (on 1961-11-10) and Bill Monroe (“The Father of Bluegrass”) (on 1961-11-10)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1961-11-10)
recording of:
Live and Let Live (on 1961-11-10)
lyricist and composer:
Gene Sullivan and Wiley Walker
publisher:
Peer International (BMI) (on 1941-12-16)
32:40
5Old Joe Clark
producer:
Owen Bradley
banjo:
Tony Ellis (US banjo player) (on 1961-12-04)
double bass:
Bessie Lee Mauldin (on 1961-12-04)
fiddle:
Bobby Joe Lester (on 1961-12-04)
guitar:
Jimmy Maynard (on 1961-12-04)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1961-12-04)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1961-12-04)
recording of:
Old Joe Clark (on 1961-12-04)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 3594)
cover recording of:
Old Joe Clark
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 3594)
2:24
6Columbus Stockade Blues
producer:
Owen Bradley
banjo:
Tony Ellis (US banjo player) (on 1962-04-26)
double bass:
Bessie Lee Mauldin (on 1962-04-26)
fiddle:
Red Stanley (Fiddler Harold Stanley) (on 1962-04-26) and Benny Williams (US bluegrass fiddler/multi-instrumentalist) (on 1962-04-26)
guitar:
Frank Buchanan (Bluegrass guitarist & vocalist) (on 1962-04-26)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1962-04-26)
lead vocals:
Frank Buchanan (Bluegrass guitarist & vocalist) (on 1962-04-26) and Bill Monroe (“The Father of Bluegrass”) (on 1962-04-26)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1962-04-26)
cover recording of:
Columbus Stockade Blues (on 1962-04-26)
writer:
Thomas Darby (in 1927) and Jimmie Tarlton (of Darby & Tarlton) (in 1927)
3:05
7Drifting Too Far From the Shore
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Tony Ellis (US banjo player) (on 1962-05-16)
double bass:
Bessie Lee Mauldin (on 1962-05-16)
guitar and lead vocals:
Frank Buchanan (Bluegrass guitarist & vocalist) (on 1962-05-16)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1962-05-16)
baritone vocals:
Red Stanley (Fiddler Harold Stanley) (on 1962-05-16)
bass vocals:
Culley Holt (on 1962-05-16)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1962-05-16)
recording of:
Drifting Too Far From the Shore (on 1962-05-16)
lyricist and composer:
Charles Ernest Moody (20th-century American gospel songwriter)
2:29
8Somebody Touched Me
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Tony Ellis (US banjo player) (on 1962-05-17)
double bass:
Bessie Lee Mauldin (on 1962-05-17)
guitar and lead vocals:
Frank Buchanan (Bluegrass guitarist & vocalist) (on 1962-05-17)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1962-05-17)
baritone vocals:
Red Stanley (Fiddler Harold Stanley) (on 1962-05-17)
bass vocals:
Culley Holt (on 1962-05-17)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1962-05-17)
recording of:
Somebody Touched Me (on 1962-05-17)
lyricist and composer:
John Reedy (bluegrass/gospel musician and songwriter) (in 1939)
2:32
9Jimmy Brown the Newsboy
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Lonnie Hoppers (on 1962-11-23)
double bass:
Bessie Lee Mauldin (on 1962-11-23)
fiddle:
Kenny Baker (US fiddler) (on 1962-11-23)
guitar:
Joe Stuart (US bluegrass musician) (on 1962-11-23)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1962-11-23)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1962-11-23)
recording of:
Jimmy Brown the Newsboy (on 1962-11-23)
lyricist and composer:
A.P. Carter
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
2:26
10I'm So Lonesome I Could Cry
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Lonnie Hoppers (on 1962-11-23)
double bass:
Bessie Lee Mauldin (on 1962-11-23)
fiddle:
Kenny Baker (US fiddler) (on 1962-11-23)
guitar:
Joe Stuart (US bluegrass musician) (on 1962-11-23)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1962-11-23)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1962-11-23)
recording of:
I’m So Lonesome I Could Cry (on 1962-11-23)
lyricist and composer:
Hank Williams (country music legend)
publisher:
Sony/ATV Music Publishing (Germany) GmbH (2002–today), Acuff-Rose Publications, Inc. (BMI) (on 1949-10-31) and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) (from 2002 to present)
cover recording of:
I’m So Lonesome I Could Cry
lyricist and composer:
Hank Williams (country music legend)
publisher:
Sony/ATV Music Publishing (Germany) GmbH (2002–today), Acuff-Rose Publications, Inc. (BMI) (on 1949-10-31) and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) (from 2002 to present)
2:13
11Devil's Dream
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Bill Keith (on 1963-03-20)
double bass:
Bessie Lee Mauldin (on 1963-03-20)
fiddle:
Kenny Baker (US fiddler) (on 1963-03-20)
guitar:
Benny Williams (US bluegrass fiddler/multi-instrumentalist) (on 1963-03-20)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1963-03-20)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1963-03-20)
recording of:
Devil’s Dream (on 1963-03-20)
composer:
[traditional] (special purpose artist)
2:24
12Highway of Sorrow
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Joe Drumright (on 1964-01-27)
double bass:
Bessie Lee Mauldin (on 1964-01-27)
fiddle:
Benny Williams (US bluegrass fiddler/multi-instrumentalist) (on 1964-01-27)
guitar:
Joe Stuart (US bluegrass musician) (on 1964-01-27)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1964-01-27)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-01-27)
recording of:
Highway of Sorrow (on 1964-01-27)
writer:
Bill Monroe (“The Father of Bluegrass”) and Pete Pyle
2:22
13Roll On Buddy, Roll On
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Joe Drumright (on 1964-01-28)
double bass:
Bessie Lee Mauldin (on 1964-01-28)
fiddle:
Joe Stuart (US bluegrass musician) (on 1964-01-28) and Benny Williams (US bluegrass fiddler/multi-instrumentalist) (on 1964-01-28)
guitar:
Del McCoury (on 1964-01-28)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1964-01-28)
lead vocals:
Del McCoury (on 1964-01-28) and Bill Monroe (“The Father of Bluegrass”) (on 1964-01-28)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-01-28)
recording of:
Roll on Buddy Roll On (on 1964-01-28)
part of:
Roud Folk Song Index (number: 6686)
version of:
Roll On Buddy
cover recording of:
Roll on Buddy Roll On
part of:
Roud Folk Song Index (number: 6686)
version of:
Roll On Buddy
2:11
14(We're Goin') Just Over in the Gloryland
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Joe Stuart (US bluegrass musician) (on 1964-04-09)
double bass:
Bessie Lee Mauldin (on 1964-04-09)
fiddle:
Buddy Spicher (American country and bluegrass fiddle player) (on 1964-04-09) and Benny Williams (US bluegrass fiddler/multi-instrumentalist) (on 1964-04-09)
guitar:
Jackie Phelps (on 1964-04-09)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1964-04-09)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-04-09)
recording of:
Over in the Gloryland (on 1964-04-09)
lyricist and composer:
Ralph Stanley (US bluegrass singer and banjo player)
2:23
15Fire on the Mountain
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Joe Stuart (US bluegrass musician) (on 1964-04-09)
double bass:
Bessie Lee Mauldin (on 1964-04-09)
fiddle:
Buddy Spicher (American country and bluegrass fiddle player) (on 1964-04-09) and Benny Williams (US bluegrass fiddler/multi-instrumentalist) (on 1964-04-09)
guitar:
Jackie Phelps (on 1964-04-09)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1964-04-09)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-04-09)
recording of:
Fire on the Mountain (on 1964-04-09)
writer:
[traditional] (special purpose artist)
2:05
16The Long Black Veil
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Don Lineberger (US banjo player) (on 1965-03-16)
double bass:
James Monroe (on 1965-03-16)
fiddle:
Buddy Spicher (American country and bluegrass fiddle player) (on 1965-03-16) and Benny Williams (US bluegrass fiddler/multi-instrumentalist) (on 1965-03-16)
guitar:
Jimmy Elrod (on 1965-03-16)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1965-03-16)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-03-16)
recording of:
The Long Black Veil (on 1965-03-16)
lyricist and composer:
Danny Dill and Marijohn Wilkin
publisher:
Cedarwood Music, Cedarwood Pub. Co., Inc. and PolyGram Music Publishing
32:40
17I Wonder Where You Are Tonight
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Lamar Grier (on 1966-10-14)
double bass:
James Monroe (on 1966-10-14)
fiddle:
Richard Greene (US fiddler) (on 1966-10-14)
guitar and baritone vocals:
Peter Rowan (US bluegrass musician & composer) (on 1966-10-14)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1966-10-14)
lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1966-10-14) and James Monroe (on 1966-10-14)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-10-14)
recording of:
I Wonder Where You Are Tonight (on 1966-10-14)
lyricist and composer:
Johnny Bond
publisher:
Red River Songs and Sunshine Music Co., Inc. (on 1941-12-12)
cover recording of:
I Wonder Where You Are Tonight
lyricist and composer:
Johnny Bond
publisher:
Red River Songs and Sunshine Music Co., Inc. (on 1941-12-12)
2:34
18Dusty Miller
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Lamar Grier (on 1966-12-06)
double bass:
James Monroe (on 1966-12-06)
fiddle:
Richard Greene (US fiddler) (on 1966-12-06)
guitar:
Peter Rowan (US bluegrass musician & composer) (on 1966-12-06)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1966-12-06)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-12-06)
recording of:
Dusty Miller (catch-all for unidentified Irish traditional tunes) (on 1966-12-06)
composer:
[traditional] (special purpose artist)
2:19
19Midnight on the Stormy Deep
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Lamar Grier (on 1966-12-16)
double bass:
James Monroe (on 1966-12-16)
fiddle:
Richard Greene (US fiddler) (on 1966-12-16)
guitar and lead vocals:
Peter Rowan (US bluegrass musician & composer) (on 1966-12-16)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1966-12-16)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-12-16)
recording of:
Midnight on the Stormy Deep (on 1966-12-16)
composer:
[traditional] (special purpose artist)
3:42
20Sally Goodin'
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Vic Jordan (Bluegrass banjo player) (on 1967-08-23)
double bass:
James Monroe (on 1967-08-23)
fiddle:
Byron Berline (on 1967-08-23)
guitar:
Roland White (on 1967-08-23)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1967-08-23)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1967-08-23)
recording of:
Sally Goodin’ (on 1967-08-23)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 739)
3:15
21Walls of Time
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Vic Jordan (Bluegrass banjo player) (on 1968-11-14)
double bass:
James Monroe (on 1968-11-14)
fiddle:
Kenny Baker (US fiddler) (on 1968-11-14)
guitar and lead vocals:
Roland White (on 1968-11-14)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1968-11-14)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1968-11-14)
recording of:
The Walls of Time (on 1968-11-14)
writer:
Bill Monroe (“The Father of Bluegrass”) and Peter Rowan (US bluegrass musician & composer)
3:19
22I Haven't Seen Mary in Years
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Rual Yarbrough (US banjo player) (on 1969-03-26)
double bass:
Joe Zinkan (on 1969-03-26)
fiddle:
Kenny Baker (US fiddler) (on 1969-03-26) and Joe "Red" Hayes (on 1969-03-26)
guitar and lead vocals:
James Monroe (on 1969-03-26)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1969-03-26)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1969-03-26)
recording of:
I Haven't Seen Mary in Years (on 1969-03-26)
lyricist and composer:
Damon Black (songwriter)
3:04
23With Body and Soul
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo:
Rual Yarbrough (US banjo player) (on 1969-04-29)
double bass:
Joe Zinkan (on 1969-04-29)
fiddle:
Kenny Baker (US fiddler) (on 1969-04-29) and Tommy Williams (Fiddle player) (on 1969-04-29)
guitar:
James Monroe (on 1969-04-29)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1969-04-29)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1969-04-29)
recording of:
With Body and Soul (on 1969-04-29)
lyricist and composer:
Virginia Stauffer
3:06
24Walk Softly on My Heart
producer:
Harry Silverstein (Producer, worked with Decca Records)
banjo and baritone vocals:
Rual Yarbrough (US banjo player) (on 1969-10-28)
double bass:
Bill Yates (US bluegrass bassist) (on 1969-10-28)
fiddle:
Kenny Baker (US fiddler) (on 1969-10-28) and Joe "Red" Hayes (on 1969-10-28)
guitar:
James Monroe (on 1969-10-28)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1969-10-28)
lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1969-10-28) and James Monroe (on 1969-10-28)
recorded at:
Bradley’s Barn in Mt. Juliet, Tennessee, United States (on 1969-10-28)
recording of:
Walk Softly on This Heart of Mine (on 1969-10-28)
writer:
Jake Landers (US bluegrass musician and songwriter) and Bill Monroe (“The Father of Bluegrass”)
2:35
25My Last Days on Earth
producer:
Walter Haynes
double bass:
Mark Hembree (on 1981-02-19, on 1981-04-07)
guitar:
Norman Blake (bluegrass guitarist) (on 1981-02-19, on 1981-04-07)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1981-02-19)
strings:
Sheldon Kurland Strings (on 1981-04-28)
background vocals:
Arlene Harden (on 1981-04-07), Cindy Nelson (Nashville studio vocalist circa 1981) (on 1981-04-07) and Curtis Young (country singer) (on 1981-04-07)
recorded at:
Music Mill Recording Studio in Nashville, Tennessee, United States (from 1981-02-19 until 1981-04-28)
recording of:
My Last Days on Earth (from 1981-02-19 until 1981-04-28)
composer:
Bill Monroe (“The Father of Bluegrass”)
publisher:
Bill Monroe Music
4:42