Complete Jazz Series: 1929-1930

~ Release by Louis Armstrong (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1Mahogany Hall Stomp (03-05-29)
recorded in:
New York, New York, United States (on 1929-03-05)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1929-03-05)
banjo:
Eddie Condon (on 1929-03-05)
clarinet:
Albert Nicholas (on 1929-03-05)
double bass:
George "Pops" Foster (on 1929-03-05)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1929-03-05)
guitar:
Lonnie Johnson (American blues and jazz musician) (on 1929-03-05)
piano:
Luis Russell (on 1929-03-05)
tenor saxophone:
Teddy Hill (on 1929-03-05)
trombone:
J.C. Higginbotham (on 1929-03-05)
trumpet:
Louis Armstrong (on 1929-03-05)
recording of:
Mahogany Hall Stomp (on 1929-03-05)
composer:
Spencer Williams (US jazz composer, pianist & singer)
3:28
2Ain't Misbehavin' (07-19-29)
recorded in:
New York, New York, United States (on 1929-07-19)
alto saxophone:
Bert Curry (on 1929-07-19) and Crawford Wethington (on 1929-07-19)
banjo:
Mancy "Peck" Carr (on 1929-07-19)
drums (drum set):
Zutty Singleton (on 1929-07-19)
piano:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (on 1929-07-19)
tenor saxophone:
Jimmy Strong (on 1929-07-19)
trombone:
Fred Robinson (American trombonist) (on 1929-07-19)
trumpet:
Louis Armstrong (on 1929-07-19) and Homer Hobson (on 1929-07-19)
tuba:
Pete Briggs (on 1929-07-19)
violin:
Carroll Dickerson (on 1929-07-19)
vocals:
Louis Armstrong (on 1929-07-19)
conductor:
Carroll Dickerson (on 1929-07-19)
recording of:
Ain’t Misbehavin’ (on 1929-07-19)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
4.653:25
3(What Did I Do to Be So) Black and Blue (07-22-29)
alto saxophone:
Bert Curry (on 1929-07-22) and Crawford Wethington (on 1929-07-22)
banjo:
Mancy "Peck" Carr (on 1929-07-22)
celesta [celeste]:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (on 1929-07-22)
drums (drum set):
Zutty Singleton (on 1929-07-22)
tenor saxophone:
Jimmy Strong (on 1929-07-22)
trombone:
Fred Robinson (American trombonist) (on 1929-07-22)
trumpet:
Louis Armstrong (on 1929-07-22) and Homer Hobson (on 1929-07-22)
tuba:
Pete Briggs (on 1929-07-22)
violin:
Carroll Dickerson (on 1929-07-22)
vocals:
Louis Armstrong (on 1929-07-22)
conductor:
Carroll Dickerson (on 1929-07-22)
recording of:
Black and Blue (on 1929-07-22)
lyricist:
Harry Brooks (jazz pianist & songwriter) and Andy Razaf
composer:
Fats Waller
publisher:
Memory Lane Music Ltd. and Redwood Music Ltd. (Carlin)
3:10
4That Rhythm Man (07-22-29)
alto saxophone:
Bert Curry (on 1929-07-22) and Crawford Wethington (on 1929-07-22)
banjo:
Mancy "Peck" Carr (on 1929-07-22)
clarinet:
Jimmy Strong (on 1929-07-22)
drums (drum set):
Zutty Singleton (on 1929-07-22)
piano:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (on 1929-07-22)
trombone:
Fred Robinson (American trombonist) (on 1929-07-22)
trumpet:
Louis Armstrong (on 1929-07-22) and Homer Hobson (on 1929-07-22)
tuba:
Pete Briggs (on 1929-07-22)
violin:
Carroll Dickerson (on 1929-07-22)
vocals:
Louis Armstrong (on 1929-07-22)
orchestra:
Louis Armstrong and His Orchestra (in 1929)
conductor:
Carroll Dickerson (on 1929-07-22)
recording of:
That Rhythm Man (on 1929-07-22)
writer:
Harry Brooks (jazz pianist & songwriter), Andy Razaf and Thomas Waller (Fats Waller)
3:12
5Sweet Savannah Sue (07-22-29)
alto saxophone:
Bert Curry (on 1929-07-22) and Crawford Wethington (on 1929-07-22)
banjo:
Mancy "Peck" Carr (on 1929-07-22)
drums (drum set):
Zutty Singleton (on 1929-07-22)
piano:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (on 1929-07-22)
tenor saxophone:
Jimmy Strong (on 1929-07-22)
trombone:
Fred Robinson (American trombonist) (on 1929-07-22)
trumpet:
Louis Armstrong (on 1929-07-22) and Homer Hobson (on 1929-07-22)
tuba:
Pete Briggs (on 1929-07-22)
violin:
Carroll Dickerson (on 1929-07-22)
vocals:
Louis Armstrong (on 1929-07-22)
conductor:
Carroll Dickerson (on 1929-07-22)
recording of:
Sweet Savannah Sue (on 1929-07-22)
composer:
Fats Waller
3:15
6Some of These Days (Instrumental Version) [10-10-29]
2:54
7Some of These Days (Vocal Version) [10-10-29]
3:15
8When You're Smiling (Instrumental Version) [10-11-29]
2:59
9When You're Smiling (Vocal Version) [10-11-29]
3:32
10After You've Gone (11-26-29)
recording of:
After You’ve Gone
lyricist:
Henry Creamer (Lyricist) (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
3:24
11I Ain't Got Nobody (12-10-29)
recording of:
I Ain’t Got Nobody (on 1929-12-10)
lyricist:
Roger Graham
composer:
Spencer Williams (US jazz composer, pianist & singer)
2:47
12Dallas Blues (12-10-29)
3:18
13St. Louis Blues (12-13-29)
recording of:
St. Louis Blues
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
3:02
14Rockin' Chair (12-13-29)
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song)
lyricist:
Hoagy Carmichael
composer:
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
3:23
15Song of the Islands (01-24-30)
recording of:
Song of the Islands (Na Lei O Hawaii)
lyricist and composer:
Charles E. King
3:30
16Bessie Couldn't Help It (02-01-30)
recorded in:
New York, New York, United States (on 1930-02-01)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1930-02-01) and William Thornton Blue (American jazz reed player) (on 1930-02-01)
double bass:
George "Pops" Foster (on 1930-02-01)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1930-02-01)
guitar:
Will Johnson (jazz musician) (on 1930-02-01)
piano:
Luis Russell (on 1930-02-01)
tenor saxophone:
Teddy Hill (on 1930-02-01)
trombone:
J.C. Higginbotham (on 1930-02-01)
trumpet:
Henry “Red” Allen (jazz musician) (on 1930-02-01), Louis Armstrong (on 1930-02-01) and Otis Johnson (trumpet) (on 1930-02-01)
vocals:
Louis Armstrong (on 1930-02-01)
orchestra:
Louis Armstrong and His Orchestra (in 1930)
recording of:
Bessie Couldn’t Help It (on 1930-02-01)
writer:
Charles A. Bayha, Jacques Richmond (songwriter) and Byron Warner (active in the 1960's)
3:22
17Blue, Turning Grey Over You (02-01-30)
recorded in:
New York, New York, United States (on 1930-02-01)
clarinet:
Teddy Hill (on 1930-02-01), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1930-02-01) and William Thornton Blue (American jazz reed player) (on 1930-02-01)
double bass:
George "Pops" Foster (on 1930-02-01)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1930-02-01)
guitar:
Will Johnson (jazz musician) (on 1930-02-01)
piano:
Luis Russell (on 1930-02-01)
trombone:
J.C. Higginbotham (on 1930-02-01)
trumpet:
Henry “Red” Allen (jazz musician) (on 1930-02-01), Louis Armstrong (on 1930-02-01) and Otis Johnson (trumpet) (on 1930-02-01)
vocals:
Louis Armstrong (on 1930-02-01)
recording of:
Blue, Turning Grey Over You (on 1930-02-01)
lyricist:
Andy Razaf
composer:
Thomas Waller (Fats Waller)
3:28
18Dear Old Southland (04-05-30)
recording of:
Dear Old Southland (jazz standard)
lyricist:
Henry Creamer (Lyricist) (in 1921)
composer:
Turner Layton (in 1921)
publisher:
Mills Music
3:20
19My Sweet (04-05-30)
recorded in:
New York, New York, United States (on 1930-04-05)
alto saxophone:
Bobby Holmes (jazz sax) (on 1930-04-05) and Ted McCord (on 1930-04-05)
drums (drum set):
Willie Lynch (US jazz drummer) (on 1930-04-05)
guitar:
Bernard Addison (on 1930-04-05)
piano:
Joe Turner (Jazz pianist, 1907–1990) (on 1930-04-05) and Buck Washington (on 1930-04-05)
tenor saxophone:
Castor McCord (saxophonist) (on 1930-04-05)
trombone:
Henry Hicks (jazz trombonist) (on 1930-04-05)
trumpet:
Ed Anderson (early jazz trumpeter) (on 1930-04-05) and Louis Armstrong (on 1930-04-05)
tuba:
Lavert Hutchinson (US jazz tuba player) (on 1930-04-05)
vibraphone:
Unknown, probably Joe Turner ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1930-04-05)
vocals:
Louis Armstrong (on 1930-04-05)
recording of:
My Sweet (on 1930-04-05)
lyricist:
Stuart Gorrell
composer:
Hoagy Carmichael
3:22
20I Can't Believe That You're in Love With Me (04-05-30)
recording of:
I Can’t Believe That You’re in Love With Me
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
3:10
21Indian Cradle Song (05-04-30)
recorded in:
New York, New York, United States (on 1930-05-04)
alto saxophone:
Bobby Holmes (jazz sax) (on 1930-05-04) and Ted McCord (on 1930-05-04)
drums (drum set):
Willie Lynch (US jazz drummer) (on 1930-05-04)
guitar:
Bernard Addison (on 1930-05-04)
piano:
Joe Turner (Jazz pianist, 1907–1990) (on 1930-05-04)
tenor saxophone:
Castor McCord (saxophonist) (on 1930-05-04)
trombone:
Henry Hicks (jazz trombonist) (on 1930-05-04)
trumpet:
Ed Anderson (early jazz trumpeter) (on 1930-05-04) and Louis Armstrong (on 1930-05-04)
tuba:
Lavert Hutchinson (US jazz tuba player) (on 1930-05-04)
vocals:
Louis Armstrong (on 1930-05-04)
3:01
22Exactly Like You (05-04-30)
recorded in:
New York, New York, United States (on 1930-05-04)
alto saxophone:
Bobby Holmes (jazz sax) (on 1930-05-04) and Ted McCord (on 1930-05-04)
drums (drum set):
Willie Lynch (US jazz drummer) (on 1930-05-04)
guitar:
Bernard Addison (on 1930-05-04)
piano:
Joe Turner (Jazz pianist, 1907–1990) (on 1930-05-04)
tenor saxophone:
Castor McCord (saxophonist) (on 1930-05-04)
trombone:
Henry Hicks (jazz trombonist) (on 1930-05-04)
trumpet:
Ed Anderson (early jazz trumpeter) (on 1930-05-04) and Louis Armstrong (on 1930-05-04)
tuba:
Lavert Hutchinson (US jazz tuba player) (on 1930-05-04)
vibraphone:
Unknown, probably Joe Turner ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1930-05-04)
vocals:
Louis Armstrong (on 1930-05-04)
recording of:
Exactly Like You (on 1930-05-04)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1930)
writer:
Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Jimmy McHugh (songwriter) (in 1930)
3:29

Credits