Revolutions in Sound: Warner Bros. Records - The First Fifty Years

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼USB Flash Drive
#	Title	Artist	Rating	Length
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1	I’ll Be With You in Apple Blossom Time	Tab Hunter		2:13
2	Try a Little Tenderness	Jack Webb		2:45
3	77 Sunset Strip	The Warren Barker Orchestra		2:08
4	My Old Flame	Spike Jones		4:22
5	Kookie, Kookie (Lend Me Your Comb)	Edd Byrnes with Connie Stevens	3	2:04
6	Sixteen Reasons recording of: Sixteen Reasons writer: Bill & Doree Post	Connie Stevens	4	1:56
7	Cathy’s Clown bass: Floyd Chance (on 1960-03-18) drums (drum set): Buddy Harman (Session drummer and songwriter) (on 1960-03-18) guitar: Don Everly (on 1960-03-18) piano: Floyd Cramer (on 1960-03-18) performer: The Everly Brothers (on 1960-03-18) part of: Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 30) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 149) recording of: Cathy’s Clown (on 1960-03-18) lyricist and composer: Don Everly writer: Don Everly and Phil Everly publisher: Acuff-Rose (BMI) and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)	The Everly Brothers	3.35	2:23
8	Abe Lincoln vs Madison Avenue	Bob Newhart		7:29
9	Chant to the Night	Juan García Esquivel		2:34
10	Ya Got Trouble (From the Music Man)	Robert Preston & Ensemble		3:57
11	Let’s Think About Living	Bob Luman		2:04
12	Crying in the Rain phonographic copyright (℗) by: WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1962) recording of: Crying in the Rain (Everly Brothers song) (on 1961-11-14) lyricist: Howard Greenfield writer: Carole King publisher: Screen Gems–EMI Music Ltd.	The Everly Brothers		1:59
13	Blowin’ in the Wind	Peter, Paul & Mary		2:56
14	If I Had a Hammer	Trini Lopez		3:06
15	Hello Muddah, Hello Faddah (A Letter From Camp) phonographic copyright (℗) by: Allan Sherman (in 1963, in 2016) live recording of: Hello Muddah, Hello Fadduh (A Letter from Camp) (in 1963) writer: Lou Busch and Allan Sherman publisher: Curtain Call Productions, Inc. parody version of: La Gioconda: Atto III, scena 2. Danza delle ore recording of: Hello Muddah, Hello Fadduh (A Letter from Camp) writer: Lou Busch and Allan Sherman publisher: Curtain Call Productions, Inc. parody version of: La Gioconda: Atto III, scena 2. Danza delle ore	Allan Sherman	4	2:43
16	The Lonely Surfer	Jack Nitzsche		2:34
17	September Song recording of: Knickerbocker Holiday: September Song lyricist: Maxwell Anderson composer: Kurt Weill (composer) publisher: Hampshire House Publishing Corp., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) and Crawford Music Corp. (on 1938-09-24) part of: Knickerbocker Holiday (Kurt Weill musical)	Jimmy Durante		3:09
18	Night Creature (First Movement): Blind Bug	Duke Ellington & His Orchestra		4:05
19	Dollar’s Dance	Dollar Brand Trio		5:05
20	Out of Limits recording of: Out of Limits writer: Michael Z. Gordon	The Marketts		2:05
21	Everybody Loves Somebody producer: Jimmy Bowen (producer, rockabilly musician and songwriter) cover recording of: Everybody Loves Somebody lyricist: Sam Coslow and Irving Taylor composer: Sam Coslow and Ken Lane publisher: Sands Music Corp. and フジパシフィックミュージック (Fujipacific Music, Inc.) sub-publisher: Warner Chappel Music Belgium NV	Dean Martin	5	2:44
22	It Was a Very Good Year recorded in: Hollywood, Los Angeles, California, United States (on 1965-04-22) recording engineer: Lowell Frank (engineer) (on 1965-04-22) producer: Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) bass: Meyer "Mike" Rubin (US bassist 1930s - 1960s) bassoon: Lloyd Hildebrand (Woodwind, Bassoon, Clarinet player) cello: Armand Kaproff clarinet: Clyde Hylton, Harry Klee and Wayne Songer (clarinetist and saxophonist) drums (drum set): Nick Fatool guitar: Vincent Terri (Jazz Guitarist) harp: Kathryn Thompson (harpist) oboe: Arnold Koblentz (Oboe player) and Melinda Eckels piano: Bill Miller (pianist) viola: Alvin Dinkin, Lou Kievman (violist) and Paul Robyn vocals: Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1965-04-22) conductor: Gordon Jenkins (on 1965-04-22) arranger: Gordon Jenkins (in 1965) cover recording of: It Was a Very Good Year (on 1965-04-22) lyricist and composer: Ervin Drake (Songwriter) publisher: Memory Lane Music (publishing company), Reedlands Music Corp. and The Songwriters Guild	Frank Sinatra	5	4:25
23	Girl Don’t Come recording of: Girl Don’t Come lyricist and composer: Chris Andrews (UK singer-songwriter) publisher: Glissando Music Ltd.	Sandie Shaw		2:10
24	Thou Shalt Not Steal	Dick & Dee Dee		1:59
25	Good Lovin’	The Olympics		2:30
26	I’m a Fool	Dino, Desi & Billy		2:46
27	Houston cover recording of: Houston lyricist and composer: Lee Hazlewood	Dean Martin		2:41
28	The Vatican Rag engineer: Don Geis producer: Jimmy Hilliard piano: Tom Lehrer (in 1965-07) vocals: Tom Lehrer (in 1965-07) recorded at: hungry i in San Francisco, California, United States (in 1965-07) live recording of: The Vatican Rag (in 1965-07) lyricist and composer: Tom Lehrer part of: Tomfoolery	Tom Lehrer	4	2:13
29	Tiny Bubbles	Don Ho		2:41
30	That’s Life recording of: That’s Life lyricist: Kelly Gordon and Dean Kay composer: Dean Kay publisher: Four Star Television Music Co., Lichelle Music Company, PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)	Frank Sinatra		3:05
31	These Boots Are Made for Walkin’ engineer: Eddie Brackett producer: Lee Hazlewood vocals: Nancy Sinatra conductor: Billy Strange arranger: Billy Strange part of: Billboard: The 500 Best Pop Songs (as of October 2023) (number: 109) recording of: These Boots Are Made for Walkin’ lyricist and composer: Lee Hazlewood publisher: Criterion Music Corp. (in 1966) version of: Boots (original melody)	Nancy Sinatra	4.05	2:41
32	They’re Coming to Take Me Away, Ha‐Haaa! recording of: They’re Coming to Take Me Away, Ha-Haaa! lyricist and composer: Jerry Samuels publisher: ATV Music Ltd.	Napoleon XIV	3.5	2:11
33	Purple Haze engineer: Dave Siddle (De Lane Lea) (engineer) (on 1967-01-11) and Eddie Kramer (Olympic) (engineer) (on 1967-02-03) producer: Chas Chandler drums (drum set): Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (from 1967-01-11 until 1967-02-03) electric bass guitar and background vocals: Noel Redding (from 1967-01-11 until 1967-02-03) electric guitar: Jimi Hendrix (from 1967-01-11 until 1967-02-03) vocals: Jimi Hendrix (from 1967-01-11 until 1967-02-03) phonographic copyright (℗) by: Polydor International GmbH (not for release label use!) (in 1968) and Experience Hendrix, L.L.C. (in 2010) recorded at: De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (on 1967-01-11) and Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (on 1967-02-03, from 1967-02-03 until 1967-02-08) produced at: Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (on 1967-01-11) part of: Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 17) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 250) recording of: Purple Haze (from 1967-01-11 until 1967-02-03) lyricist and composer: Jimi Hendrix publisher: Bella Godiva Music, Chappell Music (UK), Chappell Musikverlag GmbH, Experience Hendrix, L.L.C., Interworld Music Ltd., Sea-Lark Enterprises, Inc. and Yameta Co. Ltd. quotes music from: The Ballad of Jimi Hendrix	The Jimi Hendrix Experience	4.45	2:51
34	The Golden Road (to Unlimited Devotion) recording of: The Golden Road (to Unlimited Devotion) writer: Jerry Garcia (guitarist / vocalist in Grateful Dead), Bill Kreutzmann, Phil Lesh, Ron “Pigpen” McKernan and Bob Weir publisher: Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ice Nine Publishing Company, Inc. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)	Grateful Dead		2:10
35	I Had Too Much to Dream (Last Night) producer: Dave Hassinger recording of: I Had Too Much to Dream (Last Night) writer: Nancie Mantz and Annette Tucker	The Electric Prunes	4	2:57
36	Double Yellow Line	The Music Machine		2:12
37	Just Dropped In (to See What Condition My Condition Is In) producer: Mike Post lead vocals: Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur) arranger: Mike Post phonographic copyright (℗) by: Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1998) recording of: Just Dropped In (to See What Condition My Condition Was In) lyricist, writer and composer: Mickey Newbury (American songwriter) publisher: Acuff-Rose Publications, Inc. (BMI) cover recording of: Just Dropped In (to See What Condition My Condition Was In) lyricist, writer and composer: Mickey Newbury (American songwriter) publisher: Acuff-Rose Publications, Inc. (BMI)	Kenny Rogers & The First Edition	4.35	3:19
38	If You’re a Viper	Jim Kweskin & The Jug Band		1:59
39	Sit Down, I Think I Love You	The Mojo Men		2:21
40	Pata Pata	Miriam Makeba		3:00
41	59th Street Bridge Song (Feelin’ Groovy) producer: Lenny Waronker cover recording of: The 59th Street Bridge Song (Feelin’ Groovy) lyricist and composer: Paul Simon (of Simon & Garfunkel)	Harpers Bizarre		2:36
42	It’s a Happening World	The Tokens		2:38
43	Never My Love recording of: Never My Love writer: Dick Addrisi and Don Addrisi publisher: Universal Music (plain logo: “Universal Music”), Universal Music Careers, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell North America, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)	The Association		3:08
44	If Ever I Would Leave You (From Camelot)	Franco Nero		5:53
45	While Drifting	The San Sebastian Strings		1:44
46	Magic Hollow	The Beau Brummels		2:51
47	Some Velvet Morning producer: Lee Hazlewood vocals: Lee Hazlewood and Nancy Sinatra recording of: Some Velvet Morning lyricist and composer: Lee Hazlewood publisher: Carlin Music Corporation	Lee Hazlewood & Nancy Sinatra	4.6	3:39
48	The All Golden	Van Dyke Parks		3:47
49	Crystal Liaison	The Fugs		3:06
50	Don’t Think Twice, It’s Alright	Ramblin’ Jack Elliott		3:49
51	Morning Girl	The Neon Philharmonic		2:11
52	Tip Toe Thru’ the Tulips With Me cover recording of: Tiptoe Through the Tulips lyricist: Al Dubin composer: Joe Burke (American composer)	Tiny Tim		1:59
53	Classical Gas recording of: Classical Gas composer: Mason Williams (US classical guitarist, composer, writer, comedian & poet)	Mason Williams		3:03
54	Oh Well recording of: Oh Well lyricist and composer: Peter Green (former member of Fleetwood Mac) publisher: Crosstown Downtown Songs, Fleetwood Music, Leosong (publisher), Palan Music America, Rachel Music, Rachel Music Ltd. and Melodie der Welt (publisher) (in 1989)	Fleetwood Mac		9:00
55	Spirit in the Sky producer: Erik Jacobsen phonographic copyright (℗) by: Reprise Records (in 1969), Seven Arts Records, Inc. (not a label) (in 1969) and Transtone Productions (in 1970) part of: Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 5), Billboard Year-End Hot 100 singles of 1970 (number: 22) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 333) recording of: Spirit in the Sky (in 1969) lyricist and composer: Norman Greenbaum publisher: Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) and Westminster Music Ltd.	Norman Greenbaum	4.05	3:59
56	But It’s Alright recording of: But It’s Alright writer: J.J. Jackson (soul/R&B singer/songwriter Jerome Louis Jackson) and Pierre Tubbs	J.J. Jackson		2:51
57	Stay With Me	Lorraine Ellison		3:28
58	I’ve Gotta Be Me cover recording of: I’ve Gotta Be Me lyricist and composer: Walter Marks	Sammy Davis Jr.		2:54
59	Leaving on a Jet Plane	Peter, Paul & Mary		3:27
60	Box of Rain recording of: Box of Rain lyricist: Robert Hunter (American lyricist, non‐performing member of the Grateful Dead) composer: Phil Lesh publisher: Ice Nine Publishing Company, Inc.	Grateful Dead		5:17
61	Fire and Rain engineer: Bill Lazerus (in 1969-12) producer: Peter Asher (in 1969-12) acoustic guitar and lead vocals: James Taylor (singer-songwriter and guitarist) (in 1969-12) double bass: Bobby ‘Wild, Wild’ West (in 1969-12) drums (drum set): Russ Kunkel (session drummer) (in 1969-12) piano: Carole King (in 1969-12) phonographic copyright (℗) by: Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1969) recorded at: Sunset Sound in Hollywood, Los Angeles, California, United States (in 1969-12) part of: Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 146) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 227) recording of: Fire and Rain (in 1969-12) lyricist and composer: James Taylor (singer-songwriter and guitarist) publisher: Country Road Music, Inc. (ASCAP-affiliated) (ended), EMI Blackwood Music Inc. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)	James Taylor	4.3	3:23
62	If You Could Read My Mind recording engineer: Gary Brandt and Lee Herschberg producer: Lenny Waronker and Joe Wissert mixer: Lee Herschberg vocals: Gordon Lightfoot strings arranger: Nick de Caro phonographic copyright (℗) by: Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1970) part of: Huffington Post: 100 Best Canadian Songs Ever (number: 8) recording of: If You Could Read My Mind lyricist and composer: Gordon Lightfoot publisher: ATV Kirshner (publisher) (ended), Early Morning Music (ended), Laetrec Music (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)	Gordon Lightfoot	4.6	3:49
63	Rock Gently recording of: Rock Gently lyricist and composer: Rod McKuen	Rod McEuen		2:59
64	She’s a Lady recording of: She’s a Lady lyricist and composer: John Sebastian publisher: United Artists Music	John Sebastian		1:45
65	P.F. Sloan	Jimmy Webb		4:03
66	Vehicle	The Ides of March		2:54
67	Express Yourself producer: Charles Wright phonographic copyright (℗) by: Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2022) part of: Billboard Year-End Hot 100 singles of 1970 (number: 57) recording of: Express Yourself lyricist and composer: Charles Wright (in 1970)	Charles Wright & the Watts 103rd Street Rhythm Band	4.5	3:51
68	Speed King engineer: Andy Knight (UK engineer) producer: Deep Purple drums (drum set): Ian Paice (from 1969-10 until 1970-04) electric bass guitar: Roger Glover (from 1969-10 until 1970-04) electric guitar: Ritchie Blackmore (from 1969-10 until 1970-04) Hammond organ: Jon Lord (from 1969-10 until 1970-04) lead vocals: Ian Gillan (from 1969-10 until 1970-04) recorded at: IBC Studios in London (Greater London), England, United Kingdom (from 1969-10 until 1970-04) recording of: Speed King (from 1969-10 until 1970-04) writer: Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice publisher: EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, HEC Music, Henrees Music co. and EMI Music Publishing Japan C.F. division (until 2021-06-30) sub-publisher: イーエムアイ音楽出版ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present) is based on: Ricochet	Deep Purple	3.25	5:00
69	Locomotive Breath engineer: John Burns (engineer/producer for Genesis) executive producer: Terry Ellis (UK producer & band manager) producer: Ian Anderson (of Jethro Tull) and Terry Ellis (UK producer & band manager) acoustic guitar and flute and lead vocals: Ian Anderson (of Jethro Tull) (on 1971-02-12) bass guitar and treble recorder / alto recorder: Jeffrey Hammond Hammond (on 1971-02-12) drums (drum set) and percussion: Clive Bunker (on 1971-02-12) electric guitar and soprano recorder: Martin Barre (on 1971-02-12) Hammond organ, piano, piano accordion and synthesizer and mellotron, organ and piano: John Evan (on 1971-02-12) conductor: Dee Palmer (aka David Palmer, of Jethro Tull) (on 1971-02-12) remixer: Robin Black (engineer) orchestrator: Dee Palmer (aka David Palmer, of Jethro Tull) phonographic copyright (℗) by: Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1971) recorded at: Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1971-02-12) remixed at: Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom recording of: Locomotive Breath (on 1971-02-12) lyricist and composer: Ian Anderson (of Jethro Tull)	Jethro Tull	4.45	4:23
70	Stay With Me producer: Faces (successor of “Small Faces”, members Rod Stewart, Ron Wood) and Glyn Johns bass guitar: Ronnie Lane drums (drum set): Kenney Jones (drummer for Small Faces, Faces, and The Who) guitar: Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) Wurlitzer electric piano: Ian McLagan lead vocals: Rod Stewart phonographic copyright (℗) by: Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971) recording of: Stay With Me writer: Rod Stewart and Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) publisher: EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Bros. Music Co., Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)	Faces	4.5	4:39
71	Bang a Gong (Get It On) engineer: Roy Thomas Baker (producer), Malcolm Cecil, Rik Pekkonen and Martin Rushent producer: Tony Visconti drums (drum set): Bill Legend (from 1971-03 until 1971-06) electric bass guitar: Steve Currie (from 1971-03 until 1971-06) electric guitar and lead vocals: Marc Bolan (from 1971-03 until 1971-06) keyboard: Rick Wakeman (from 1971-03 until 1971-06) percussion: Mickey Finn (musician and T. Rex member) (from 1971-03 until 1971-06) background vocals: Howard Kaylan (from 1971-03 until 1971-06) and Mark Volman (from 1971-03 until 1971-06) phonographic copyright (℗) by: Essex Music International Ltd. (in 1971), Straight Ahead Productions Ltd. (in 1971, in 2001) and Tarantula Productions (in 1971) part of: Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 22), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 41) recording of: Get It On (Bang a Gong) (from 1971-03 until 1971-06) lyricist and composer: Marc Bolan publisher: Essex Music International, Essex Music International, Inc., Essex Musikförlaget, Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. and Westminster Music Ltd.	T. Rex	4.65	4:24
72	I’m Eighteen engineer: Brian Christian executive producer: Jack Richardson producer: Bob Ezrin and Jack Richardson bass guitar: Dennis Dunaway (original bass player for Alice Cooper) drums (drum set): Neal Smith (former Alice Cooper drummer) guitar: Michael Bruce (of Alice Cooper) and Glen Buxton (American guitarist) harmonica and lead vocals: Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) keyboard: Michael Bruce (of Alice Cooper) and Bob Ezrin background vocals: Michael Bruce (of Alice Cooper), Dennis Dunaway (original bass player for Alice Cooper) and Neal Smith (former Alice Cooper drummer) arranger: Alice Cooper (1964–1975 American rock band) and Bob Ezrin phonographic copyright (℗) by: WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974) recorded at: RCA Mid-America in Chicago, Illinois, United States music videos: I’m Eighteen (live, 1971: German TV music show, Beat Club) by Alice Cooper (1964–1975 American rock band) part of: Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 482) recording of: I’m Eighteen writer: Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Dennis Dunaway (original bass player for Alice Cooper) and Neal Smith (former Alice Cooper drummer) publisher: Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, EMI Blackwood Music Inc., Ezra Music Corp., Famous Chappell, Opus 19 Music, Primary Wave Music Publishing, Third Palm Music, Universal Music Publishing Group and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) sub-publisher: フジパシフィックミュージック (Fujipacific Music, Inc.) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)	Alice Cooper	4.2	2:57
73	Back Street Luv recording of: Back Street Luv writer: Ian Eyre, Sonja Kristina (Sonja Kristina Linwood) and Darryl Way	Curved Air		3:35
74	Song to the Siren engineer: Stan Agol producer: Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) 12 string guitar: Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1970-09-16) vocals: Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1970-09-16) recorded at: The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (on 1970-09-16) recording of: Song to the Siren (on 1970-09-16) lyricist: Larry Beckett and Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) composer: Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) arranger: Cul de Sac (Boston-based instrumental rock group) publisher: Carlin Music Corporation, Third Story Music, Inc. and Tim Buckley Music	Tim Buckley	5	3:26
75	Surf’s Up recording of: Surf's Up composer: Van Dyke Parks and Brian Wilson (Beach Boys co‐founder)	The Beach Boys		4:11
76	I Don’t Want to Talk About It	Crazy Horse		5:19
77	You Can Close Your Eyes recording of: You Can Close Your Eyes lyricist and composer: James Taylor (singer-songwriter and guitarist) publisher: Country Road Music, Inc. (ASCAP-affiliated)	James Taylor		2:29
78	Heart of Gold recording engineer: Elliot Mazer (on 1971-02-08) producer: Elliot Mazer and Neil Young (Canadian singer, songwriter & musician) acoustic guitar and lead vocals: Neil Young (Canadian singer, songwriter & musician) (on 1971-02-08) bass: Tim Drummond (on 1971-02-08) drums (drum set): Kenny Buttrey (on 1971-02-08) guitar: Teddy Irwin (guitarist) (on 1971-02-08) pedal steel guitar: Ben Keith (on 1971-02-08) guest background vocals: Linda Ronstadt (on 1971-02-08) and James Taylor (singer-songwriter and guitarist) (on 1971-02-08) guest performer: The Stray Gators phonographic copyright (℗) by: Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) and Reprise Records (in 2022) recorded at: Quadrafonic Sound Studio in Nashville, Tennessee, United States (on 1971-02-08) part of: Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 259) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 297) recording of: Heart of Gold (on 1971-02-08) lyricist and composer: Neil Young (Canadian singer, songwriter & musician) publisher: Hipgnosis Songs Fund Limited, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and Silver Fiddle Music (in 1971)	Neil Young	4.35	3:07
79	Willin’ recording engineer and mixer: Donn Landee producer: Ted Templeman bass guitar: Roy Estrada drums (drum set) and percussion: Richie Hayward guest steel guitar: Sneaky Pete Kleinow guitar and lead vocals: Lowell George keyboard: Bill Payne background vocals: Roy Estrada and Richie Hayward phonographic copyright (℗) by: Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) recording of: Willin’ lyricist and composer: Lowell George publisher: Naked Snake Music	Little Feat		2:55
80	Love Me Like a Man recording engineer: Kendall “Do the Dog” Pacios engineer: Nick Jameson and Kendall “Do the Dog” Pacios producer: Michael Cuscuna acoustic guitar: Bonnie Raitt (in 1972-06) drums (drum set): Dennis Whitted (in 1972-06) fretless bass [Fender fretless bass]: Freebo (in 1972-06) vocals: Bonnie Raitt (in 1972-06) remixer: Nick Jameson and Kendall “Do the Dog” Pacios recorded at: Bearsville Studios in Bearsville, New York, United States (in 1972-06) recording of: Love Me Like a Man (in 1972-06) additional lyricist: Bonnie Raitt lyricist and composer: Chris Smither (folk musician) publisher: Homunculus Music and Poppy Music version of: Love You Like a Man	Bonnie Raitt	3	3:10
81	The Poor Ditching Boy producer: Richard Thompson (UK folk rock singer/songwriter/guitarist) and John Wood (UK producer) acoustic guitar and guitar: Richard Thompson (UK folk rock singer/songwriter/guitarist) Appalachian dulcimer and Appalachian dulcimer [dulcimer]: Andy Roberts (UK folk singer/songwriter) bass guitar: Pat Donaldson drums (drum set): Timi Donald fiddle: Sue Draheim and Barry Dransfield violin: Sue Draheim vocals: Richard Thompson (UK folk rock singer/songwriter/guitarist) recorded at: Sound Techniques in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom recording of: The Ditching Boy writer: Richard Thompson (UK folk rock singer/songwriter/guitarist) publisher: Warlock Music Ltd. sub-publisher: Pubco	Richard Thompson		3:02
82	Spare Me a Little of Your Love recording of: Spare Me a Little of Your Love lyricist and composer: Christine McVie	Fleetwood Mac		3:44
83	Summer Breeze producer: Louie Shelton phonographic copyright (℗) by: Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) and Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1972) part of: Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 10) recording of: Summer Breeze lyricist: James Seals composer: Dash Crofts and James Seals publisher: Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)	Seals & Crofts	4.35	3:24
84	A Horse With No Name engineer: Robin Black (engineer) and Ken Scott (UK record producer & engineer) additional producer: America (US folk/soft rock band) and Jeff Dexter producer: America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Ian Samwell mixer: George Martin (producer, arranger, composer, conductor, audio engineer, and musician) 12 string guitar: Gerry Beckley (in 1971) acoustic guitar and lead vocals: Dewey Bunnell (in 1971) bass guitar: Dan Peek (in 1971) drums (drum set): Kim Haworth (in 1971) percussion: Ray Cooper (percussionist) (in 1971) phonographic copyright (℗) by: Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971, in 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011) recorded at: Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971) recording of: A Horse With No Name (in 1971) lyricist and composer: Dewey Bunnell publisher: Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)	America	4.25	4:07
85	Sanctuary	Dion		2:49
86	Sail Away engineer and mixer: Lee Herschberg producer: Russ Titelman and Lenny Waronker piano: Randy Newman (American singer‐songwriter and score composer) violin: Louis Kauffman conductor: Emil Newman arranger: Randy Newman (American singer‐songwriter and score composer) part of: Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 264) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 275) recording of: Sail Away lyricist and composer: Randy Newman (American singer‐songwriter and score composer) publisher: Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972) and WB Music Corp. (1929–2019) (in 1972)	Randy Newman		2:52
87	City of New Orleans cover recording of: City of New Orleans lyricist and composer: Steve Goodman (folk musician) publisher: Sony/ATV Tunes LLC (ASCAP)	Arlo Guthrie		4:30
88	On Your Way Down	Allen Toussaint		3:59
89	Low Yo Yo Stuff	Captain Beefheart & His Magic Band		3:39
90	Virginia Plain engineer: Andy Hendriksen (in 1972-03) producer: Peter Sinfield bass: Rik Kenton (production music composer) (in 1972-03) arranger: Roxy Music phonographic copyright (℗) by: E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1972), Virgin EG Records Ltd. (in 1972), Virgin EMI Records (division of Universal Music UK, 2013–2020) (in 1999) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999) recorded at: Command Studios in London (Greater London), England, United Kingdom (in 1972-03) part of: TV Cream: Real 100 Best Singles Ever (number: 3) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 348) recording of: Virginia Plain (in 1972-03) lyricist and composer: Bryan Ferry arranger: Roxy Music publisher: BMG Music Publishing Ltd., BMG Songs Ltd., Careers‐BMG Music Publishing, E.G. Music Inc., E.G. Music Ltd. (publisher), TRO-Total Music, Inc. and Buggane Music, Ltd. (in 1972)	Roxy Music	3.65	2:57
91	Smoke on the Water recorded in: Montreux, Vaud (Canton of Vaud), Switzerland (in 1971-12) assistant engineer: Jeremy Gee engineer: Martin Birch producer: Deep Purple drums (drum set): Ian Paice (in 1971-12) electric bass guitar: Roger Glover (in 1971-12) electric guitar: Ritchie Blackmore (in 1971-12) Hammond organ: Jon Lord (in 1971-12) lead vocals: Ian Gillan (in 1971-12) phonographic copyright (℗) by: Deep Purple (Overseas) Ltd. (in 1973) recorded at: Rolling Stones Mobile Studio in United Kingdom (in 1971-12) part of: SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (number: 8), SWR1 Hitparade 2008 (Baden-Württemberg) (number: 10), SWR1 Hitparade 2009 (Baden-Württemberg) (number: 10), SWR1 Hitparade 2012 (Baden-Württemberg) (number: 10), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 11), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 13), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 34) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock recording of: Smoke on the Water (in 1971-12) writer: Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice publisher: B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music and Henrees Music co. sub-publisher: EMI Music Publishing France, EMI Music Publishing Scandinavia AB, EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)	Deep Purple	4.15	5:40
92	School’s Out engineer: Roy Cicala and Shelly Yakus producer: Bob Ezrin drums (drum set): Neil Smith (former Alice Cooper drummer) electric bass guitar: Dennis Dunaway (original bass player for Alice Cooper) electric guitar: Michael Bruce (of Alice Cooper) and Glen Buxton (American guitarist) guitar and background vocals: Reggie Vincent keyboard: Michael Bruce (of Alice Cooper) and Bob Ezrin lead vocals: Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) phonographic copyright (℗) by: Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972, in 1974) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972) produced for: Alive Enterprises Incorporated and Nimbus 9 Productions recorded at: The Record Plant (New York) in Midtown Manhattan, New York, New York, United States part of: VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 293) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 319) recording of: School’s Out writer: Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Dennis Dunaway (original bass player for Alice Cooper) and Neal Smith (former Alice Cooper drummer) publisher: Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) sub-publisher: フジパシフィックミュージック (Fujipacific Music, Inc.) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)	Alice Cooper	4.2	3:29
93	Bertha recording of: Bertha lyricist: Robert Hunter (American lyricist, non‐performing member of the Grateful Dead) composer: Jerry Garcia (guitarist / vocalist in Grateful Dead) publisher: Ice Nine Publishing Company, Inc.	Grateful Dead		5:40
94	Blue Sky engineer: Howard Albert and Ron Albert producer: Tom Dowd acoustic guitar and slide guitar: Duane Allman (from 1971-09 until 1971-12) bass: Berry Oakley (US bassist, The Allman Brothers Band) (from 1971-09 until 1971-12) drums (drum set): Jai Johanny Johanson (from 1971-09 until 1971-12) drums (drum set) and tambourine: Butch Trucks (from 1971-09 until 1971-12) electric piano and organ and background vocals: Gregg Allman (from 1971-09 until 1971-12) guitar and lead vocals: Dickey Betts (from 1971-09 until 1971-12) arranger: The Allman Brothers Band phonographic copyright (℗) by: PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1972) recorded at: Criteria Studios in Miami, Florida, United States (from 1971-09 until 1971-12) recording of: Blue Sky (from 1971-09 until 1971-12) lyricist and composer: Dickey Betts publisher: F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc. and Warner Chappell Music, Inc.	The Allman Brothers Band	4	5:10
95	Hello It’s Me recording of: Hello, It’s Me lyricist and composer: Todd Rundgren publisher: Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)	Todd Rundgren		4:38
96	Suavecito recording of: Suavecito writer: Richard Bean (US singer and timbal percussionist), Pablo Tellez and Abel Zarate	Malo		6:34
97	Waiting for the Rain	Wendy Waldman		2:29
98	Andalucia producer: Chris Thomas (UK record producer / remixer) recording of: Andalucia lyricist and composer: John Cale (The Velvet Underground founder) publisher: John Cale Music, Inc.	John Cale		3:52
99	In My Hour of Darkness recording of: In My Hour of Darkness composer: Emmylou Harris and Gram Parsons	Gram Parsons		3:43
100	Morning Sun	Jesse Colin Young		4:02
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Credits

Release

Discogs:	https://www.discogs.com/release/4116951 [info]
ASIN:	US: B001IZID3M [info]

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Release information

Format:: USB Flash Drive
Length:: 21:12:51

Additional details

Type:: Album + Compilation
Packaging:: Other
Status:: Official
Language:: English
Script:: Latin
Data quality:: Normal

Labels

Warner Bros. Records
8-431548

Release events

United States
2008-12-09

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Last updated on 2022-02-19 14:00 UTC