| # | Title | Artist | Rating | Length |
|---|
| 1 | Summertime | The Sundays | | 3:33 |
| 2 | Damage | You Am I | | 3:27 |
| 3 | Steal My Kisses | Ben Harper | 4.75 | 4:06 |
| 4 | Fake Plastic Trees- recording engineer:
- Jonny Greenwood
- sound engineer:
- Jim Warren
- assistant engineer:
- Guy Massey and Shelley Saunders
- engineer:
- Chris Brown , Nigel Godrich , John Leckie and Jim Warren
- producer:
- John Leckie
- mixer:
- John Leckie, Paul Q. Kolderee, Radiohead and Sean Slade
- editor:
- Chris Blair
- bass guitar:
- Colin Greenwood (from 1994-02 until 1994-11)
- cello:
- Caroline Lavelle (from 1994-02 until 1994-11)
- drums (drum set) and percussion:
- Philip Selway (from 1994-02 until 1994-11)
- guitar:
- Jonny Greenwood (from 1994-02 until 1994-11), Ed O’Brien (from 1994-02 until 1994-11) and Thom Yorke (from 1994-02 until 1994-11)
- organ and synthesizer:
- Jonny Greenwood (from 1994-02 until 1994-11)
- piano:
- Jonny Greenwood (from 1994-02 until 1994-11) and Thom Yorke (from 1994-02 until 1994-11)
- viola and violin:
- John Matthias (from 1994-02 until 1994-11)
- background vocals:
- Ed O’Brien (from 1994-02 until 1994-11)
- vocals:
- Thom Yorke (from 1994-02 until 1994-11)
- strings arranger:
- Jonny Greenwood and Thom Yorke
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1995)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (from 1994-02 until 1994-11), RSK in London , England, United Kingdom (from 1994-02 until 1994-11) and The Manor in Oxfordshire, England, United Kingdom (from 1994-02 until 1994-11)
- mixed at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom and Fort Apache in Cambridge, Massachusetts, United States
- edited at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom
- music videos:
- Fake Plastic Trees by Radiohead
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 109) and Rolling Stone: 500 Greatest Songs of All Time (number: 377)
- recording of:
- Fake Plastic Trees (from 1994-02 until 1994-11)
- writer:
- Colin Greenwood , Jonny Greenwood , Ed O’Brien , Philip Selway and Thom Yorke
- publisher:
- Warner Chappell Music Ltd.
| Radiohead | 4.5 | 4:52 |
| 5 | What It’s Like | Everlast | 5 | 4:35 |
| 6 | Into Your Arms | The Lemonheads | 4.5 | 2:44 |
| 7 | Protection | Massive Attack | 3.6 | 7:53 |
| 8 | Beautiful Sharks | Something for Kate | 3 | 3:51 |
| 9 | Cry Myself Blind | Primal Scream | 5 | 4:30 |
| 10 | She’s in Fashion | Suede | 3.5 | 4:53 |
| 11 | Love Will Tear Us Apart | Joy Division | | 3:11 |
| 12 | Thank You (for Loving Me at My Worst) | The Whitlams | 3.5 | 3:59 |
| 13 | Deep Inside of You | Third Eye Blind | 3.25 | 4:09 |
| 14 | Waterfall | The Stone Roses | | 3:36 |
| 15 | Wonderwall- recording engineer:
- Owen Morris
- producer:
- Noel Gallagher and Owen Morris
- acoustic guitar [rhythm guitar]:
- Paul Arthurs
- bass guitar, ebow, electric guitar [lead guitar], mellotron, piano and background vocals:
- Noel Gallagher
- drums (drum set) and percussion:
- Alan White
- tambourine and lead vocals:
- Liam Gallagher
- phonographic copyright (℗) by:
- Big Brother Recordings, Ltd. (in 1995)
- recorded at:
- Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom
- music videos:
- Wonderwall by Oasis
- part of:
- triple j’s Hottest 100 (number: 1995), Indie 88: Top 500 Indie Rock Songs (number: 12), NME: Greatest “Indie” Anthems Ever: 2007 (number: 27), triple j’s Hottest 100 (number: 2013 (Twenty Years)), Billboard: The 500 Best Pop Songs (number: 48) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 95)
- recording of:
- Wonderwall
- lyricist and composer:
- Noel Gallagher
- publisher:
- Copyright Control , Creation Songs Ltd, Dead Leg Music, Sony Music Publishing , Sony/ATV, Sony/ATV Music Publishing and Sony/ATV Music Publishing Ltd.
| Oasis | 4.3 | 4:16 |
| 16 | Grace | Jeff Buckley | 3.85 | 5:22 |
| 17 | Ana’s Song (Open Fire) | Silverchair | 4.2 | 3:41 |
| 18 | Classic Girl | Jane’s Addiction | 3.75 | 4:58 |
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