INTEGRAL John Coltrane 1959 – 1962

~ Release by John Coltrane (see all versions of this release, 1 available)

Tracklist

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2▶Digital Media
3▼Digital Media
#TitleRatingLength
23Little Old Lady
recording engineer:
Tom Dowd (on 1959-11-24) and Phil Iehle (on 1959-11-24)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-11-24)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-11-24)
piano:
Wynton Kelly (on 1959-11-24)
tenor saxophone:
John Coltrane (on 1959-11-24)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-11-24)
instrumental cover recording of:
Little Old Lady (on 1959-11-24)
lyricist:
Stanley Adams (US lyricist & songwriter) and Hoagy Carmichael
composer:
Hoagy Carmichael
4:27
24Village Blues
recording engineer:
Tom Dowd (on 1960-10-21) and Phil Iehle (on 1960-10-21)
producer:
Nesuhi Ertegun
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-21)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-21)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-21)
tenor saxophone:
John Coltrane (on 1960-10-21)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-21)
recording of:
Village Blues (on 1960-10-21)
composer:
John Coltrane
publisher:
Jowcol Music
5:23
25My Shining Hour
recording engineer:
Tom Dowd (on 1959-12-02) and Phil Iehle (on 1959-12-02)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-12-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-12-02)
piano:
Wynton Kelly (on 1959-12-02)
tenor saxophone:
John Coltrane (on 1959-12-02)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-12-02)
instrumental cover recording of:
My Shining Hour (The Sky’s the Limit) (on 1959-12-02)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (ended), Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Harwin Music Corporation
part of:
The 16th Academy Award for Best Original Song (number: 2)
part of:
The Sky’s the Limit (1943 film)
4:52
26Fifth House
recording engineer:
Tom Dowd (on 1959-12-02) and Phil Iehle (on 1959-12-02)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-12-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-12-02)
piano:
Wynton Kelly (on 1959-12-02)
tenor saxophone:
John Coltrane (on 1959-12-02)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-12-02)
recording of:
Fifth House (on 1959-12-02)
composer:
John Coltrane
publisher:
Jowcol Music
4:41
27Harmonique
recording engineer:
Tom Dowd (on 1959-12-02) and Phil Iehle (on 1959-12-02)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-12-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-12-02)
piano:
Wynton Kelly (on 1959-12-02)
tenor saxophone:
John Coltrane (on 1959-12-02)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-12-02)
recording of:
Harmonique (on 1959-12-02)
composer:
John Coltrane
4:12
28Like Sonny
recording engineer:
Tom Dowd (on 1959-12-02) and Phil Iehle (on 1959-12-02)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-12-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-12-02)
piano:
Wynton Kelly (on 1959-12-02)
tenor saxophone:
John Coltrane (on 1959-12-02)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-12-02)
recording of:
Like Sonny (on 1959-12-02)
composer:
John Coltrane
named after artist:
Sonny Rollins (American saxophonist)
publisher:
Jowcol Music
5:53
29I’ll Wait and Pray
recording engineer:
Tom Dowd (on 1959-11-24) and Phil Iehle (on 1959-11-24)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-11-24)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-11-24)
piano:
Wynton Kelly (on 1959-11-24)
tenor saxophone:
John Coltrane (on 1959-11-24)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-11-24)
instrumental cover recording of:
I’ll Wait and Pray (on 1959-11-24)
writer:
Jerry Valentine (trombone, aka Jerry Valentine) and George Treadwell
3:34
30Some Other Blues
recording engineer:
Tom Dowd (on 1959-12-02) and Phil Iehle (on 1959-12-02)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-12-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-12-02)
piano:
Wynton Kelly (on 1959-12-02)
tenor saxophone:
John Coltrane (on 1959-12-02)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-12-02)
recording of:
Some Other Blues (on 1959-12-02)
composer:
John Coltrane
5:35
31Cherryco
producer:
Nesuhi Ertegun
double bass:
Charlie Haden (American jazz bassist) (on 1960-06-28)
drums (drum set):
Ed Blackwell (on 1960-06-28)
tenor saxophone:
John Coltrane (on 1960-06-28)
trumpet:
Don Cherry (jazz trumpeter) (on 1960-06-28)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-06-28)
recording of:
Cherryco (on 1960-06-28)
composer:
Don Cherry (jazz trumpeter)
publisher:
Eternal River Music (publisher for Don Cherry)
6:47
32Focus on Sanity
producer:
Nesuhi Ertegun
double bass:
Percy Heath (on 1960-07-08)
drums (drum set):
Ed Blackwell (on 1960-07-08)
tenor saxophone:
John Coltrane (on 1960-07-08)
trumpet:
Don Cherry (jazz trumpeter) (on 1960-07-08)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-07-08)
cover recording of:
Focus on Sanity (on 1960-07-08)
composer:
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer)
publisher:
MJQ Music, Inc.
12:14
33The Blessing
producer:
Nesuhi Ertegun
double bass:
Charlie Haden (American jazz bassist) (on 1960-06-28)
drums (drum set):
Ed Blackwell (on 1960-06-28)
soprano saxophone:
John Coltrane (on 1960-06-28)
trumpet:
Don Cherry (jazz trumpeter) (on 1960-06-28)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-06-28)
cover recording of:
The Blessing (on 1960-06-28)
composer:
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer)
7:52
34The Invisible
producer:
Nesuhi Ertegun
double bass:
Percy Heath (on 1960-07-08)
drums (drum set):
Ed Blackwell (on 1960-07-08)
soprano saxophone and tenor saxophone:
John Coltrane (on 1960-07-08)
trumpet:
Don Cherry (jazz trumpeter) (on 1960-07-08)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-07-08)
cover recording of:
Invisible (on 1960-07-08)
composer:
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer)
publisher:
Carl Fischer Music
4:12
35Bemsha Swing
producer:
Nesuhi Ertegun
double bass:
Percy Heath (on 1960-07-08)
drums (drum set):
Ed Blackwell (on 1960-07-08)
tenor saxophone:
John Coltrane (on 1960-07-08)
trumpet:
Don Cherry (jazz trumpeter) (on 1960-07-08)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-07-08)
cover recording of:
Bemsha Swing (instrumental) (on 1960-07-08)
composer:
Denzil Best and Thelonious Monk
publisher:
Bayes Music Corporation, Bocu Music Ltd., Embassy Music Corporation, Second Floor Music and Thelonious Music
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and 日音 Synch事業部 (NICHION, INC. Synch Division)
5:07
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Credits