Greatest Hits, Vol. 2

~ Veröffentlichung von Ella Fitzgerald (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1The Music Goes Round and Round
cover recording of:
The Music Goes Round and Round (by E. Farley, M. Riley, R. Hodgson)
Texter:
Red Hodgson (in 1935)
Komponist(in):
Edward Farley (US trumpeter, multi-instrumentalist & composer) (in 1935) und Mike Riley (US jazz trombonist & songwriter) (in 1935)
2:28
2Good Morning Heartache
cover recording of:
Good Morning Heartache
Texter:
Ervin Drake (Songwriter)
Komponist(in):
Dan Fisher (U.S. songwriter ("Good Morning Heartache"), author, producer) und Irene Higginbotham
publisher:
Fisher Music Corp., Lindabet Music, Inc. und Universal/MCA Music (music publisher; do not use as release label!)
4:19
3Born to Be Blue
recording of:
Born to Be Blue
Verfasser(in):
Mel Tormé (“The Velvet Fog”) und Robert Wells (songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und PW 3 ASCAP Songs
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) (beendet), Universal Music Publishing France (not for release label use!) und ロックンロール ミュージック (Rock ’n’ Roll Music)
2:43
4Clap Hands, Here Comes Charlie!
recording of:
Clap Hands, Here Comes Charley
Texter:
Ballard MacDonald und Billy Rose (lyricist and Broadway producer)
Komponist(in):
Ballard MacDonald (in 1925), Joseph Meyer (US songwriter) (in 1925) und Billy Rose (lyricist and Broadway producer) (in 1925)
publisher:
Lawrence Wright Music Co., Ltd. (am 1937-03-24)
2:44
5Spring Can Really Hang You Up the Most
cover recording of:
Spring Can Really Hang You Up the Most
Texter:
Fran Landesman
Komponist(in):
Tommy Wolf (US pianist/composer)
publisher:
Wolfland
6:15
6Someone to Watch Over Me
recorded in:
New York, New York, Vereinigte Staaten (am 1950-09-12)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-09-12)
cover recording of:
Someone to Watch Over Me (Oh, Kay!) (am 1950-09-12)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
3:15
7My One and Only
recorded in:
New York, New York, Vereinigte Staaten (am 1950-09-11)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-09-11)
cover recording of:
My One and Only (from “Funny Face”) (am 1950-09-11)
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
3:16
8But Not for Me
recorded in:
New York, New York, Vereinigte Staaten (am 1950-09-12)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-09-12)
cover recording of:
But Not for Me (am 1950-09-12)
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28), New World Music Co. (in 1930) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
3:14
9Looking for a Boy
recorded in:
New York, New York, Vereinigte Staaten (am 1950-09-11)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1950-09-11)
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-09-11)
cover recording of:
Looking for a Boy (am 1950-09-11)
Texter:
Ira Gershwin (in 1925)
Komponist(in):
George Gershwin (composer) (in 1925)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis ????)
Teil von:
Tip-Toes
3:08
10I’ve Got a Crush on You
recorded in:
New York, New York, Vereinigte Staaten (am 1950-09-11)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-09-11)
cover recording of:
I’ve Got a Crush on You (am 1950-09-11)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (beendet), Warner Bros. Music Corp. (beendet), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Treasure Girl (1928 musical)
3:15
11How Long Has This Been Going On
recorded in:
New York, New York, Vereinigte Staaten (am 1950-09-11)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-09-11)
cover recording of:
How Long Has This Been Going On? (Funny Face, 1957 film) (am 1950-09-11)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
Teil von:
My One and Only (1983 Broadway musical)
Teil von:
Rosalie
3:16
12Maybe
recorded in:
New York, New York, Vereinigte Staaten (am 1950-09-12)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1950-09-12)
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-09-12)
cover recording of:
Maybe (am 1950-09-12)
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
New World Music Corp. (in 1926)
Teil von:
Oh, Kay! (1926 musical)
3:26
13Soon
recorded in:
New York, New York, Vereinigte Staaten (am 1950-09-12)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1950-09-12)
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-09-12)
cover recording of:
Soon (am 1950-09-12)
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co Ltd. und New World Music Corp. (in 1929)
Teil von:
My One and Only (1983 Broadway musical)
Teil von:
Strike up the Band (1927 Gershwin musical)
2:45
14This Could Be the Start of Something
cover recording of:
This Could Be the Start of Something Big
Texter:
Steve Allen (US actor, musician & comedian)
Komponist(in):
Steve Allen (US actor, musician & comedian) (in 1956)
publisher:
Meadowlane Music, Inc.
2:34
15I’ve Got the World on a String
cover recording of:
I’ve Got the World on a String
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3:46
16You’re Driving Me Crazy
cover recording of:
You’re Driving Me Crazy
Texter:
Walter Donaldson
Komponist(in):
Walter Donaldson (in 1930)
publisher:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC und Tobago Music Co.
3:29
17Just in Time
cover recording of:
Just in Time (Bells Are Ringing)
Texter:
Betty Comden (in 1956) und Adolph Green (in 1956)
Komponist(in):
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Bells Are Ringing (stage musical)
2:01
18Take the a Train
cover recording of:
Take the “A” Train (version with lyrics by Sherrill)
Texter:
Joya Sherrill (in 1944)
Komponist(in):
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Take the “A” Train (original instrumental version)
9:00
19Stairway to the Stars
cover recording of:
Stairway to the Stars
Texter:
Mitchell Parish
Komponist(in):
Matty Malneck und Frank Signorelli
publisher:
EMI United Partnership Ltd. und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
3:57
20You’ll Have to Swing It
cover recording of:
You'll Have to Swing It (Mr Paganini)
Verfasser(in):
Sam Coslow
4:07
21Satin Doll
cover recording of:
Satin Doll
Texter:
Johnny Mercer (in 1953)
Komponist(in):
Billy Strayhorn (in 1953)
zusätzliche(r) Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) und WB Music Corp. (1929–2019)
2:54
22Blue Moon
cover recording of:
Blue Moon
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
3:24
23Baby, Won’t You Please Come Home
cover recording of:
Baby Won’t You Please Come Home
Verfasser(in):
Charles Warfield und Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) und Universal/MCA Music Ltd. (not for release label use!)
3:45
24Air Mail Special
cover recording of:
Good Enough to Keep (Air Mail Special)
Komponist(in):
Charlie Christian, Benny Goodman (clarinetist and bandleader) und James R. Mundy
publisher:
Peter Maurice Music, PW 3 ASCAP Songs, Regent Music Corp. und Rytvoc, Inc. (ASCAP)
5:24
25When Your Lover Has Gone
cover recording of:
When Your Lover Has Gone
Texter und Komponist(in):
Einar Aaron Swan
publisher:
Remick Music Corp. und Warner Bros., Inc. (Warner Bros. Music Division)
3:00
26Don’t Be That Way
cover recording of:
Don’t Be That Way
Texter:
Mitchell Parish
Komponist(in):
Benny Goodman (clarinetist and bandleader) und Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation und The Songwriters Guild
Teil von:
New York, New York (1977 musical film soundtrack)
3:49
27Love Me or Leave Me
cover recording of:
Love Me or Leave Me
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
2:51
28Hear Music
cover recording of:
I Hear Music (Dancing on a Dime)
Texter:
Frank Loesser
Komponist(in):
Burton Lane
2:20
29What Am I Here For
cover recording of:
What Am I Here For
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
2:44
30I’m Gonna Go Fishin
cover recording of:
I’m Gonna Go Fishin’
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Peggy Lee (jazz vocalist)
Medley von:
Jag ska ut och fiska
3:00
31I Won’t Dance
cover recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”)
Texter:
Jimmy McHugh (songwriter) und Dorothy Fields (American librettist and lyricist) (in 1935)
Komponist(in):
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
basiert auf:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
3:33
32Only Have Eyes for You
cover recording of:
I Only Have Eyes for You
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
Teil von:
Dames (film)
Teil von:
Twins (1988)
2:39
33The Gentleman Is a Dope
cover recording of:
The Gentleman Is a Dope (Allegro)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
Teil von:
Allegro (Rodgers & Hammerstein musical)
4:01
34Mean to Me
cover recording of:
Mean to Me
Texter:
Roy Turk
Komponist(in):
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. und Pencil Mark Music (ASCAP)
2:56
35Alone Together
cover recording of:
Alone Together
Texter:
Howard Dietz (librettist)
Verfasser(in):
Schwartz & Dietz (Howard Dietz and Arthur Schwartz (lyricist and composer respectively))
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Warner Bros. Music (publisher; do NOT use as release label) und Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:46
36Rough Ridin
recording of:
Rough Ridin'
Verfasser(in):
Ella Fitzgerald (American jazz singer), Hank Jones (piano) und William J. Tennyson, Jr.
2:51
37Broadway
cover recording of:
Broadway
Verfasser(in):
Bill Bird (US composer mostly known for co-writing "Broadway" in 1940), Teddy McRae und William Henri Woode
publisher:
Rayven Music
2:44
38Pick Yourself Up
cover recording of:
Pick Yourself Up (from “Swing Time”)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jerome Kern
Teil von:
Swing Time (film)
2:09
39You Can Depend on Me
cover recording of:
You Can Depend on Me
Komponist(in):
Charles Carpenter, Louis Dunlap und Earl Hines (jazz pianist and bandleader)
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
3:33
40Runnin Wild
cover recording of:
Runnin’ Wild
Texter:
Joe Grey (in 1922) und Leo Wood (American songwriter & lyricist; 1882—1929) (in 1922)
Komponist(in):
Arthur Harrington Gibbs (in 1922)
2:42
41Show Me the Way to Get Out of This World
cover recording of:
Show Me the Way to Get Out of This World
Verfasser(in):
Les Clark und Matt Dennis (American singer, pianist, band leader)
2:44
42I’ll Always Be in Love With You
cover recording of:
I’ll Always Be in Love With You
Texter:
Bud Green (bis 1929)
Komponist(in):
Herman Ruby (bis 1929) und Sam H. Stept (bis 1929)
2:51
43Hallelujah, I Love Him So
cover recording of:
Hallelujah, I Love Her So
Texter und Komponist(in):
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Progressive Music (publisher), Unichappell Music und Unichappell Music, Inc.
2:36
44I Can’t Face the Music
cover recording of:
I Can’t Face the Music
Texter:
Ted Koehler
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist)
5:02
45No Moon at All
cover recording of:
No Moon at All
Texter:
Redd Evans
Komponist(in):
David Mann (American songwriter)
publisher:
Mann David Music Company, Music Sales Corporation (American copyright holder in both popular and classical music) und Rytvoc, Inc. (ASCAP)
2:37
46Laughing on the Outside
cover recording of:
Laughing on the Outside (Crying on the Inside)
Texter:
Ben Raleigh
Komponist(in):
Bernie Wayne
publisher:
Gower Music, Inc.
4:54
47After You’ve Gone
cover recording of:
After You’ve Gone
Texter:
Henry Creamer (Lyricist) (in 1918)
Komponist(in):
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. und Morley Music Corp.
Teil von:
For Me and My Gal (1942 movie)
4:08
48Sweet and Slow
cover recording of:
Sweet and Slow
Texter und Komponist(in):
Fats Waller
Verfasser(in):
Al Dubin und Harry Warren (US composer and lyricist)
3:17
49Georgia on My Mind
cover recording of:
Georgia on My Mind
Nationalhymne von:
Georgia, Vereinigte Staaten (vom 1979 bis heute)
Texter:
Stuart Gorrell (in 1930)
Komponist(in):
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (vom 1930 bis heute) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (vom 1930 bis heute)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Arrangement von:
Georgia on My Mind (Solo piano arrangement)
3:31
50Can’t Get Started
cover recording of:
I Can’t Get Started
Texter:
Ira Gershwin
Komponist(in):
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:34
51Street of Dreams
cover recording of:
Street of Dreams
Texter:
Sam M. Lewis (1930s lyricist) (in 1932)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
publisher:
EMI Miller Catalog, Inc. und Miller Music Corp.
3:13
52Imagination
cover recording of:
Imagination
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
3:48
53The Very Thought of You
vocals:
Ella Fitzgerald (American jazz singer) (in 1962)
conductor:
Nelson Riddle (in 1962)
cover recording of:
The Very Thought of You (in 1962)
Texter und Komponist(in):
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) und Warner Bros. Music (publisher; do NOT use as release label)
2:47
54It’s a Blue World
cover recording of:
It’s a Blue World
Verfasser(in):
George Forrest (American composer and lyricist) und Robert Wright (US stage & screen composer & lyricist)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
Teil von:
The 13th Academy Award for Best Original Song (Nummer: 2)
2:45
55Darn That Dream
cover recording of:
Darn That Dream
Texter:
Eddie DeLange (in 1939)
Komponist(in):
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
Teil von:
Swingin’ the Dream
2:33
56He’s Funny That Way
cover recording of:
She’s Funny That Way
Texter:
Richard A. Whiting (in 1928)
Komponist(in):
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. und Ross Jungnickel, Inc.
3:15
57I Wished on the Moon
cover recording of:
I Wished on the Moon
Texter:
Dorothy Parker
Komponist(in):
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:45
58It’s a Pity to Say Good Night
cover recording of:
It’s a Pity to Say Goodnight
Texter und Komponist(in):
Billy Reid (UK orchestra leader and songwriter)
2:36
59Body and Soul
cover recording of:
Body and Soul
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:43
60I’m Glad There Is You
cover recording of:
I’m Glad There Is You
Verfasser(in):
Jimmy Dorsey und Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. und Mayfair Music Corp.
3:08
61What Is There to Say
cover recording of:
What Is There to Say?
Texter:
Yip Harburg
Komponist(in):
Vernon Duke
publisher:
BMG Songs, Next Decade Entertainment und T.B. Harms Co.
3:22
62People Will Say We’re in Love
cover recording of:
People Will Say We’re in Love
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company und Williamson Music, Inc.
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
3:11
63Please Be Kind
cover recording of:
Please Be Kind
Texter:
Sammy Cahn (in 1938)
Komponist(in):
Saul Chaplin (in 1938)
publisher:
Harms, Inc.
3:34
64My One and Only Love
cover recording of:
My One and Only (from “Funny Face”)
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
3:14
65Until the Real Thing Comes Along
recorded in:
New York, New York, Vereinigte Staaten (am 1954-03-29)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1954-03-29)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1954-03-29)
vocals:
Ella Fitzgerald (American jazz singer) (am 1954-03-29)
cover recording of:
Until the Real Thing Comes Along (am 1954-03-29)
Texter und Komponist(in):
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner und Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) und WB Music Corp. (1929–2019)
2:56
66Makin’ Whoopee
cover recording of:
Makin’ Whoopee!
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
Übersetzer:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. und WB Music Corp. (1929–2019)
3:05
67Stardust
cover recording of:
Stardust (the jazz standard)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
4:01
68My Heart Belongs to Daddy
cover recording of:
My Heart Belongs to Daddy
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. und Chappell Music Ltd.
2:38
69You Leave Me Breathless
recorded in:
New York, New York, Vereinigte Staaten (am 1954-03-30)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1954-03-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1954-03-30)
cover recording of:
You Leave Me Breathless (from the film “Cocoanut Grove”) (am 1954-03-30)
Texter:
Ralph Freed
Komponist(in):
Friedrich Hollaender
3:04
70Baby, What Else Can I Do
cover recording of:
Baby, What Else Can I Do?
Texter:
Walter Hirsch
Komponist(in):
Gerald Marks
3:48
71Nice Work If You Can Get It
cover recording of:
Nice Work If You Can Get It
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
2:37
72Black Coffee
cover recording of:
Black Coffee (1948 song)
Texter:
Paul Francis Webster (in 1948)
Komponist(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. und Webster Music Co.
3:31
73Angel Eyes
cover recording of:
Angel Eyes (1946 jazz standard)
Texter:
Earl Brent (in 1946)
Komponist(in):
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music), Onyx Music Corporation und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:30
74I Cried for You
cover recording of:
I Cried for You
Texter:
Arthur Freed
Komponist(in):
Gus Arnheim und Abe Lyman
publisher:
Arthur Freed Music, CBS Miller Catalog, Inc. und Miller Music Corp.
3:29
75I Can’t Give You Anything but Love, Baby
cover recording of:
I Can’t Give You Anything but Love, Baby
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3:30
76Then You’ve Never Been Blue
cover recording of:
Then You’ve Never Been Blue
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Ted Fio Rito
3:12
77Hadn’t Anyone Till You
cover recording of:
I Hadn’t Anyone Till You
Texter und Komponist(in):
Ray Noble
publisher:
Bourne Co. (not for release label use, this is a music publisher)
2:51
78My Melancholy Baby
cover recording of:
My Melancholy Baby
Texter:
George A. Norton (in 1912)
Komponist(in):
Ernie Burnett (in 1911)
publisher:
Francis, Day & Hunter Ltd. und Shapiro, Bernstein & Co., Inc.
Version von:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
2:59
79Misty
cover recording of:
Misty
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) und WB Music Corp. (1929–2019)
basiert auf:
Misty (original instrumental work)
2:54
80September Song
cover recording of:
September Song (catch-all for versions outside the theatrical context)
Texter:
Maxwell Anderson
Komponist(in):
Kurt Weill (composer)
publisher:
Chappell & Co., DeSylva, Brown and Henderson, Inc., Hampshire House Publishing Corp., Kurt Weill Foundation for Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Arrangement von:
Knickerbocker Holiday: September Song
3:42
81One for My Baby (and One More for the Road)
cover recording of:
One for My Baby (and One More for the Road)
Texter:
Johnny Mercer (in 1943)
Komponist(in):
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. und Harwin Music
Teil von:
The Sky’s the Limit (1943 film)
4:19
82Who’s Sorry Now
cover recording of:
Who’s Sorry Now? (1923 song)
Texter:
Bert Kalmar (in 1923) und Harry Ruby (in 1923)
Komponist(in):
Ted Snyder (in 1923)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (am 1923-03-07) und Mills Music Corporation (in 1929)
3:29
83I’m Getting Sentimental Over You
cover recording of:
I’m Getting Sentimental Over You
Texter:
Ned Washington
Komponist(in):
George Bassman
publisher:
Catharine Hinen Music, EMI Mills Music Inc. (ASCAP-affiliated), Mills Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
2:38
84Reach for Tomorrow
2:27
85Thanks for the Memory
cover recording of:
Thanks for the Memory
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Ralph Rainger
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Paramount Music Corporation
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1938 winner)
2:29
86It Might as Well Be Spring
recorded in:
New York, New York, Vereinigte Staaten (am 1955-04-01)
vocals:
Ella Fitzgerald (American jazz singer) (am 1955-04-01)
Orchester:
André Previn and His Orchestra (am 1955-04-01)
conductor:
André Previn (pianist, conductor, composer, arranger) (am 1955-04-01)
cover recording of:
It Might as Well Be Spring (State Fair) (am 1955-04-01)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
Komponist(in):
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1945 winner)
Teil von:
State Fair (1945 film soundtrack)
Teil von:
State Fair (1962 film soundtrack)
Teil von:
State Fair
2:42
87You’ll Never Know
cover recording of:
You’ll Never Know
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (beendet), EMI Blackwood Music Inc. und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
ワーナー・チャペル音楽出版 (Warner/Chappell Music Japan), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1943 winner)
3:10
88I Can’t Get Started
cover recording of:
I Can’t Get Started
Texter:
Ira Gershwin
Komponist(in):
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:07
89Moanin Low
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-11-15)
Gitarre:
Perry Botkin
Klavier:
Buddy Cole
Kontrabass:
Phil Stephens (bass and tuba player)
Posaune:
Joe Howard (american trombone player), Wendell Mayhew und Ted Vesely
Saxophon:
Warren Baker, Dave Harris (tenor saxo) und Matty Matlock
Schlagzeug:
Nick Fatool
Trompete:
Ziggy Elman, Bobby Guy und Red Nichols
vocals:
Ella Fitzgerald (American jazz singer) (am 1953-11-15)
conductor:
John Scott Trotter (am 1953-11-15)
live cover recording of:
Moanin’ Low (am 1953-11-15)
Texter:
Howard Dietz (librettist)
Komponist(in):
Ralph Rainger
publisher:
Warner Bros., Inc. (Warner Bros. Music Division)
cover recording of:
Moanin’ Low
Texter:
Howard Dietz (librettist)
Komponist(in):
Ralph Rainger
publisher:
Warner Bros., Inc. (Warner Bros. Music Division)
2:42
90Taking a Chance on Love
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-27)
Gitarre:
Perry Botkin
Klavier:
Buddy Cole
Kontrabass:
Phil Stephens (bass and tuba player)
Posaune:
Joe Howard (american trombone player), Wendell Mayhew und Ted Vesely
Saxophon:
Warren Baker, Dave Harris (tenor saxo) und Matty Matlock
Schlagzeug:
Nick Fatool
Trompete:
Ziggy Elman, Bobby Guy und Red Nichols
vocals:
Ella Fitzgerald (American jazz singer) (am 1954-01-27)
conductor:
John Scott Trotter (am 1954-01-27)
live cover recording of:
Taking a Chance on Love (am 1954-01-27)
Texter:
Ted Fetter und John Latouche
Komponist(in):
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. und Taking a Chance on Love Music Company
Teil von:
Cabin in the Sky
33:08
91That Old Black Magic
cover recording of:
That Old Black Magic
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Harold Arlen (in 1942)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
2:30
92Old Devil Moon
cover recording of:
Old Devil Moon (from “Finian’s Rainbow”)
Texter:
Yip Harburg
Komponist(in):
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) und Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
Teil von:
Finian’s Rainbow (1947 Broadway musical)
2:59
93Between the Devil and the Deep Blue Sea
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-04-27)
vocals:
Ella Fitzgerald (American jazz singer) (am 1955-04-27)
Orchester:
Benny Carter and His Orchestra (am 1955-04-27)
conductor:
Benny Carter (am 1955-04-27)
cover recording of:
Between the Devil and the Deep Blue Sea (am 1955-04-27)
Texter:
Ted Koehler
Komponist(in):
Harold Arlen
publisher:
Mills Music, S.A. Music Co. und Ted Koehler Music Co.
2:17
94Then I’ll Be Tired of You
cover recording of:
Then I’ll Be Tired of You
Texter:
Yip Harburg
Komponist(in):
Arthur Schwartz
3:14
95I Never Had a Chance
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-15)
Produzent(in):
Norman Granz
vocals:
Ella Fitzgerald (American jazz singer) (am 1957-10-15)
Orchester:
Frank De Vol and His Orchestra (am 1957-10-15)
conductor:
Frank De Vol (am 1957-10-15)
cover recording of:
I Never Had a Chance (am 1957-10-15)
Texter und Komponist(in):
Irving Berlin
32:47
96Close Your Eyes
cover recording of:
Close Your Eyes
Texter und Komponist(in):
Bernice Petkere (in 1933)
publisher:
Bernice Petkere Music Company, CBS Miller Catalog, Inc. und Sherman, Clay & Co. (in 1933)
2:58
97We’ll Be Together Again
cover recording of:
We’ll Be Together Again
Texter:
Frankie Laine
Komponist(in):
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:21
98Lover, Come Back to Me
cover recording of:
Lover, Come Back to Me (from "The New Moon")
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Verfasser(in):
Sigmund Romberg
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The New Moon: Act II
2:00
99You’re Blase
cover recording of:
You’re Blasé
Texter:
Bruce Sievier
Komponist(in):
Ord Hamilton
3:59
100Night Wind
cover recording of:
Night Wind
Verfasser(in):
Bob Rothberg (tin-pan alley songwriter)
Komponist(in):
Dave Pollock
3:19

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