The Ultimate Soul Collection, Volume 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1The Tracks of My Tears
recording of:
The Tracks of My Tears
writer:
Warren “Pete” Moore, Smokey Robinson and Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd.
Smokey Robinson & The Miracles2:53
2Please Please Please
recording of:
Please, Please, Please
lyricist and composer:
James Brown (The Godfather of Soul) and Johnny Terry (bass vocals, member of James Brown & The Famous Flames)
publisher:
Intersong Music, Intersong Music Ltd. and Jadar Music Corp.
James Brown2:45
3I’ve Been Loving You Too Long
recording of:
I’ve Been Loving You Too Long
writer:
Jerry Butler (soul singer) (in 1965) and Otis Redding (in 1965)
publisher:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) and Wildwood Music Ltd.
Otis Redding3:15
4Could It Be I’m Falling in Love
recording of:
Could It Be I’m Falling in Love
writer:
Melvin Steals and Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners4:11
5Best Thing That Ever Happened to Me
cover recording of:
Best Thing That Ever Happened to Me
lyricist and composer:
James D. Weatherly (American singer/songwriter)
recording of:
Best Thing That Ever Happened to Me
lyricist and composer:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips43:45
6Up on the Roof
recorded in:
New York, New York, United States (on 1962-06-28)
producer:
Leiber and Stoller (songwriting team)
double bass [bass]:
George Duvivier (on 1962-06-28)
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (on 1962-06-28)
guitar:
Don Arnone (on 1962-06-28), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1962-06-28), Bob Bushnell (on 1962-06-28) and Al Casamenti (on 1962-06-28)
keyboard:
Ernie Hayes (American pianist, organist and arranger) and Carole King (on 1962-06-28)
percussion:
George Devens (on 1962-06-28) and Bobby Rosengarden (on 1962-06-28)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1962-06-28) and Frank Saracco (on 1962-06-28)
trumpet:
Jimmy Nottingham (on 1962-06-28) and Jimmy Sedlar (on 1962-06-28)
baritone vocals:
Dock Green (on 1962-06-28)
bass vocals:
Tommy Evans (US r&b bass vocalist for The Drifters) (on 1962-06-28)
lead vocals:
Rudy Lewis (on 1962-06-28)
tenor vocals:
Charlie Thomas (The Drifters) (on 1962-06-28)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (on 1962-06-28)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor) and Bert Keyes (piano, soul/funk producer/writer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 2), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 113) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 375)
recording of:
Up on the Roof (on 1962-06-28)
lyricist:
Gerry Goffin and Carole King
composer:
Carole King
publisher:
Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Drifters52:38
7634–5789
recorded in:
Memphis, Tennessee, United States (on 1965-12-20)
producer:
Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-12-20)
bass guitar [bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-12-20)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-12-20)
guitar:
Steve Cropper (on 1965-12-20)
piano:
Isaac Hayes (on 1965-12-20)
tenor saxophone:
Charles “Packy” Axton (on 1965-12-20) and Andrew Love (on 1965-12-20)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-12-20)
vocals:
Wilson Pickett (on 1965-12-20)
recording of:
634‒5789 (Soulsville, U.S.A.) (on 1965-12-20)
writer:
Steve Cropper and Eddie Floyd
Wilson Pickett2:59
8Got to Get You Off My Mind
recording of:
Got to Get You Off My Mind (Solomon Burke)
writer:
Dolores Burke, Solomon Burke, J.B. Moore (producer, composer) and Josephine Burke Moore
publisher:
Cotillion Music Inc. (BMI)
Solomon Burke1:58
9It Tears Me Up
recording of:
It Tears Me Up
writer:
Spooner Oldham and Dan Penn (songwriter, soul singer)
publisher:
Screen Gems–EMI Music Ltd.
Percy Sledge2:49
10When Something Is Wrong With My Baby
recording of:
When Something Is Wrong With My Baby
composer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Rondor, Rondor Music, Rondor Music (Australia) Pty Ltd, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell and Warner Chappell Music (publisher as Warner/Chappell Music)
Sam & Dave3:17
11Ain’t No Sunshine
recording engineer:
Bill Halverson (in 1971) and Bill Lazarus (in 1971)
producer:
Booker T. Jones
mixer:
John Golden (mastering engineer)
acoustic guitar:
Stephen Stills (in 1971)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
electric bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
lead vocals:
Bill Withers (in 1971)
strings arranger:
Booker T. Jones
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1971) and Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
part of:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 280) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 309)
recording of:
Ain’t No Sunshine (in 1971)
lyricist and composer:
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Bill Withers4.52:05
12(You Make Me Feel Like) a Natural Woman
recording engineer:
Tom Dowd (on 1967-02-16)
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-02-16)
drums (drum set):
Gene Chrisman (on 1967-02-16)
piano:
Spooner Oldham (on 1967-02-16)
trumpet:
Bernie Glow (on 1967-02-16), Melvin Lastie (on 1967-02-16) and Joe Newman (US jazz trumpeter) (on 1967-02-16)
choir vocals:
Carolyn Franklin (on 1967-02-16), Erma Franklin (on 1967-02-16) and The Sweet Inspirations (on 1967-02-16)
vocals:
Aretha Franklin (on 1967-02-16)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-16)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 10) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 90)
cover recording of:
(You Make Me Feel Like) A Natural Woman (on 1967-02-16)
lyricist:
Gerry Goffin
additional writer:
Jerry Wexler
composer:
Carole King
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin4.22:45
13I’m So Proud
recording of:
I’m So Proud
lyricist and composer:
Curtis Mayfield
publisher:
EMI Waterford Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Curtom Publishing Co Inc (from 1964 to ????)
The Impressions2:50
14Hey Girl Don’t Bother Me
recording of:
Hey Girl Don’t Bother Me
lyricist and composer:
Ray Whitley (60s/70s songwriter)
publisher:
BMG Music Publishing Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Tams22:24
15Respect Yourself
edit of:
Respect Yourself by The Staple Singers
recording of:
Respect Yourself
lyricist and composer:
Luther Ingram and Sir Mack Rice
publisher:
Irving Music (BMI) (in 1988) and Klondike Enterprises (publisher) (in 1988)
The Staple Singers53:30
16Give Me Just a Little More Time
phonographic copyright (℗) by:
Invictus (American record label founded by Holland–Dozier–Holland, based in Detroit, Michigan) (in 1970)
recording of:
Give Me Just a Little More Time (Dunbar/Wayne)
writer:
Lamont Dozier, Ronald Dunbar (Songwriter, A&R director and record producer), Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
Holland Group Productions Inc. and Universal/MCA Music Ltd. (not for release label use!)
Chairmen of the Board4.652:41
17Mercy Mercy
Don Covay2:26
18Soul Dressing
recording of:
Soul Dressing
composer:
Steve Cropper, Al Jackson, Jr. (Booker T & The MGs drummer), Booker T. Jones and Lewie Steinberg
publisher:
Al Jackson Jr. Music and Irving Music (BMI)
Booker T. & the MG’s2:31
19The Ghetto
recording of:
The Ghetto
writer:
Donny Hathaway and Leroy Hutson
Donny Hathaway6:52
20Be Thankful for What You’ve Got
recording of:
Be Thankful for What You Got
lyricist and composer:
William DeVaughn
publisher:
Delicious Apple Music Corp., EMI Jemaxal Music Inc., H&R Lastrada Music, Melomega Music, Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Tunes, LLC (ASCAP)
William DeVaughn3:46
21Oh Girl
recording of:
Oh Girl
lyricist and composer:
Eugene Record
publisher:
Unichappell Music, Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Chi‐Lites3:38
22Lovin’ You
producer:
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) and Stevie Wonder
bass guitar:
Reggie McBride
congas:
Kwasi "Rocki" Dzidzornu
cymbal, drums (drum set), harmonica and piano:
El Toro Negro
drums (drum set) [drum kit]:
Ollie E. Brown (US drummer, session musician & record producer) and El Toro Negro
guitar:
Marlo Henderson and Michael Sembello
background vocals:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) and Yvonne Wright
vocals:
Minnie Riperton
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recording of:
Lovin’ You
writer:
Minnie Riperton and Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:20