Best 100 Music of the Eighties

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1She Blinded Me With Science
drum machine and other instruments [wave computer] programming:
Thomas Dolby
producer:
Thomas Dolby and Tim Friese‐Greene
guest Moog [Moog bass]:
Matthew Seligman (in 1982-08)
violin:
Simon House (in 1982-08)
background vocals:
Robert John “Mutt” Lange (Robert John Lange) (in 1982-08) and Miriam Stockley (in 1982-08)
spoken vocals:
Magnus Pyke (in 1982-08)
vocals:
Thomas Dolby (in 1982-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
recorded at:
Odyssey Studio (London) in London (Greater London), England, United Kingdom (in 1982-08)
mixed at:
Odyssey Studio (London) in London (Greater London), England, United Kingdom
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 76)
recording of:
She Blinded Me With Science (in 1982-08)
lyricist:
Thomas Dolby and Tim Kerr (songwriter working with Thomas Dolby)
composer:
Thomas Dolby
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Participation Music Inc.
Thomas Dolby43:40
2Politics of Dancing
recording of:
The Politics of Dancing
lyricist and composer:
Paul Fishman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambo Music Limited and Metric Music Ltd.
Re‐Flex6:36
3Only the Lonely
producer:
Val Garay
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982)
recording of:
Only the Lonely
lyricist and composer:
Martha Davis (of The Motels)
The Motels4.53:15
4Don’t Shed a Tear
recording of:
Don’t Shed a Tear
writer:
Rob Friedman and Eddie Schwartz
Paul Carrack3:42
5Imagination
recording of:
Imagination
lyricist and composer:
Neville Keighley
Belouis Some33:33
6In a Big Country
producer:
Steve Lillywhite
recording of:
In a Big Country
lyricist:
Stuart Adamson
composer:
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) and Bruce Watson (member of Big Country)
publisher:
10 Music Ltd., Big Country Music Ltd., BMG Gold Songs, EMI 10 Music and Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1983)
Big Country6:25
7The Promise
producer:
Michael Brauer (engineer) and Ben Rogan
mixer:
Michael Brauer (engineer)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 9)
recording of:
The Promise
writer:
Clive Farrington, Michael Floreale and Andrew Mann
When in Rome53:39
8Tears Run Rings
recording of:
Tears Run Rings
lyricist and composer:
Marc Almond (English pop singer and songwriter)
Marc Almond4:18
9Mary’s Prayer
producer:
Dave Bascombe
performer:
Danny Wilson (Scottish pop group) (in 1987)
produced at:
Marcus Studios in Bayswater, Westminster, London (Greater London), England, United Kingdom and Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Mary’s Prayer (in 1987)
lyricist and composer:
Gary Clark (Scottish singer/producer; ex‐Danny Wilson, ex‐Transister, ex‐King L)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (, in 1988)
Danny Wilson33:46
10All Stood Still
recording of:
All Stood Still
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
Ultravox3:42
11The Future So Bright
engineer and producer:
Dennis Herring
recorded at and mixed at:
Dustbowl Studios in Los Angeles, California, United States
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 42)
recording of:
The Future's So Bright, I Gotta Wear Shades
lyricist and writer:
Pat MacDonald (singer, songwriter, guitarist for Timbuk3)
publisher:
Bugle Songs Ltd. (publishing label formerly known as Illegal Music Ltd.) and IRS Songs
Timbuk 353:23
12Karma Chameleon
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
recording of:
Karma Chameleon
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and BMG VM Music Ltd. (from 2013-05 to present)
Culture Club3:51
13Every Rose Has Its Thorns
engineer:
Duane Baron
producer:
Tom Werman
mixer:
Duane Baron, John Purdell and Tom Werman
bass guitar:
Bobby Dall
drums (drum set):
Rikki Rockett
guitar:
C.C. DeVille
lead vocals:
Bret Michaels
performer:
Poison (US glam metal band)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1988), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1988), Enigma (1980s US rock & alternative) (in 1988) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1996)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 34)
recording of:
Every Rose Has Its Thorn
writer:
Bobby Dall, C.C. DeVille, Bret Michaels and Rikki Rockett
publisher:
Cyanide Publishing, Sweet Cyanide Music, Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Songs Inc.
Poison44:19
14Is This Love
producer:
Mike Stone (producer and engineer, 1960s–80s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
produced for:
Mike Stone Enterprises
recording of:
Is This Love (Whitesnake song)
writer:
David Coverdale and John Sykes
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB, WB Music Corp. (1929–2019), Whitesnake Music Ltd., Whitesnake Music Overseas Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Whitesnake33:56
15Could It Be I’m Falling in Love
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985)
music videos:
Could It Be I’m Falling in Love by David Grant (pop singer) & Jaki Graham
cover recording of:
Could It Be I’m Falling in Love
writer:
Melvin Steals and Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
recording of:
Could It Be I’m Falling in Love
writer:
Melvin Steals and Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
David Grant & Jaki Graham4.354:16
16Solid
recording of:
Solid
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Nick‐O‐Val Music Co. Inc.
Ashford & Simpson35:10

Credits

Release

ASIN:US: B000WDXRT6 [info]