Louis Armstrong at the Crescendo 1955

~ Release by Louis Armstrong & His All‐Stars (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1When It's Sleepy Time Down South
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
When It’s Sleepy Time Down South (on 1955-01-21)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music (publisher)
3:27
2Back Home Again in Indiana
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Indiana (Back Home Again in Indiana) (on 1955-01-21)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
4:22
3The Gypsy
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
4:41
4Someday You'll Be Sorry
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
recording of:
Someday (on 1955-01-21)
composer:
Louis Armstrong
live recording of:
Someday You’ll Be Sorry (in 1955)
writer:
Louis Armstrong
4:54
5Tin Roof Blues
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Tin Roof Blues (original instrumental version) (on 1955-01-21)
composer:
Georg Brunis, Paul Mares, Ben Pollack, Leon Roppolo and Mel Stitzel
5:12
6The Bucket's Got a Hole in It
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21) and Barney Bigard (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
My Bucket’s Got a Hole in It (on 1955-01-21)
lyricist and composer:
Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1933)
3:07
7Rose Room
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Rose Room (on 1955-01-21)
lyricist:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (in 1917)
composer:
Art Hickman (in 1917)
publisher:
EMI Music Publishing (do not use as a release label!), Miller Music (publisher), Paul Rodriguez Music Ltd, Universal Music Publishing Group and Warner/Chappell Music, Inc.
live instrumental recording of:
Rose Room (on 1955-01-21)
lyricist:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (in 1917)
composer:
Art Hickman (in 1917)
publisher:
EMI Music Publishing (do not use as a release label!), Miller Music (publisher), Paul Rodriguez Music Ltd, Universal Music Publishing Group and Warner/Chappell Music, Inc.
6:10
8Perdido
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Perdido (original instrumental version) (on 1955-01-21)
composer:
Juan Tizol
live recording of:
Perdido (with lyrics) (on 1955-01-21)
lyricist:
Ervin Drake (Songwriter) (in 1944) and Hans J. Lengsfelder (in 1944)
composer:
Juan Tizol (in 1941)
arranger:
Les Harris (Sr., arranger)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
version of:
Perdido (original instrumental version)
3:56
9Blues for Bass
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
4:23
10Me and Brother Bill
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Me and Brother Bill (on 1955-01-21)
writer:
[traditional] (special purpose artist)
3:34
11When You're Smiling
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
When You’re Smiling (the Whole World Smiles With You) (on 1955-01-21)
lyricist:
Mark Fisher (early 20th century songwriter) and Joe Goodwin
composer:
Larry Shay
publisher:
Mills Music, Inc.
3:37
12'Tain't What You Do
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Trummy Young (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
It Ain’t What You Do (It’s the Way That You Do It) (on 1955-01-21)
writer:
Sy Oliver and Trummy Young
2:57
13Lover Come Back to Me
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Velma Middleton (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live cover recording of:
Lover, Come Back to Me (from "The New Moon") (on 1955-01-21)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
3:14
14Don't Fence Me In
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21) and Velma Middleton (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Don’t Fence Me In (on 1955-01-21)
lyricist:
Robert Fletcher (US poet) (in 1934) and Cole Porter (composer) (in 1934)
composer:
Cole Porter (composer) (in 1934)
publisher:
Warner Bros., Inc. (not for release label use!)
5:24
15Basin Street Blues
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Basin Street Blues (on 1955-01-21)
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
5:16
16When It's Sleepy Time Down South #2
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
When It’s Sleepy Time Down South (on 1955-01-21)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music (publisher)
1:56
17Medley: Shadrack/When the Saints Go Marching In
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live medley including a recording of:
Shadrack (on 1955-01-21)
writer:
R. McGimsey
live medley including a recording of:
When the Saints Go Marching In (Louis Armstrong’s version) (on 1955-01-21)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Louis Armstrong
version of:
When the Saints Go Marching In
7:03
18C’est si bon
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
recording of:
C’est si bon (It's So Good, English version) (on 1955-01-21)
lyricist:
André Hornez (in 1947)
composer:
Henri Betti (songwriter and pianist) (in 1947)
translator:
Jerry Seelen (screenwriter, lyricist. songwriter) (in 1949)
publisher:
Éditions Beuscher Arpège
translated version of:
C’est si bon (original French version)
2:25
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