Louis Prima (FR budget compilation)

~ Release by Louis Prima (see all versions of this release, 1 available)

Annotation

There are multiple inaccuracies in this disc's liner notes, but most importantly, t04 is incorrectly listed as Banana Split For My Baby throughout.

The compilation includes 9 out of 10 tracks from The Wildest!, omitting only Jump, Jive an’ Wail.

Annotation last modified on 2024-05-30 10:53 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Just a Gigolo
producer:
Voyle Gilmore
bass:
Amado Rodrigues (on 1956-04-19)
drums (drum set):
Bobby Morris (on 1956-04-19)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-04-19)
piano:
Willie McCumber Jr. (on 1956-04-19)
tenor saxophone:
Sam Butera (on 1956-04-19)
trombone:
Jimmy 'Little Red' Blount (on 1956-04-19) and Lou Sineaux (on 1956-04-19)
trumpet:
Louis Prima (on 1956-04-19)
vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
Just a Gigolo / I Ain’t Got Nobody (Louis Prima medley) (on 1956-04-19)
lyricist:
Julius Brammer and Roger Graham
composer:
Leonello Casucci and Spencer Williams (US jazz composer, pianist & singer)
arranger:
Louis Prima (in 1956)
translator:
Irving Caesar
publisher:
Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Eschig Max. Soc., Warner/Chappell North America and Wiener Bohème Verlag GmbH
medley of:
Just a Gigolo (English version)
medley of:
I Ain’t Got Nobody
44:41
2Night Train
solo tenor saxophone:
Sam Butera (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
instrumental cover recording of:
Night Train (Jimmy Forrest’s original instrumental version) (on 1956-04-19)
composer:
Jimmy Forrest
is based on:
Happy Go Lucky Local
42:45
3You Rascal You (I’ll Be Glad When You’re Dead)
lead vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
cover recording of:
I’ll Be Glad When You’re Dead, You Rascal You (on 1956-04-19)
lyricist and composer:
Sam Theard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:11
4(Nothing’s Too Good) For My Baby
lead vocals:
Louis Prima (on 1956-04-19) and Keely Smith (on 1956-04-19)
orchestra:
The Witnesses (in 1956-04)
recording of:
(Nothing’s Too Good) For My Baby (on 1956-04-19)
composer:
Ted Eddy, Mack Kay and Frederick Patrick
2:36
5The Lip
producer:
Voyle Gilmore
tenor saxophone:
Sam Butera (on 1956-04-19)
trumpet:
Louis Prima (on 1956-04-19)
lead vocals:
Louis Prima (on 1956-04-19) and Keely Smith (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
The Lip (on 1956-04-19)
writer:
Ted Klages and Vic Knight
2:15
6Buona Sera
producer:
Voyle Gilmore
double bass:
Amato Rodrigues (on 1956-04-19)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-04-19)
piano:
Willie McCumber (on 1956-04-19)
tenor saxophone:
Sam Butera (on 1956-04-19)
trombone:
James Blount, Jr. (on 1956-04-19)
trumpet:
Louis Prima (on 1956-04-19)
vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1956)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
Buona sera (on 1956-04-19)
lyricist:
Carl Sigman
composer:
Peter de Rose
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
translated version of:
Buona sera signorina (italian version for Fred Buscaglione)
42:57
7Body and Soul
solo trombone:
James Blount (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
instrumental cover recording of:
Body and Soul (on 1956-04-19)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
43:21
8Medley: Basin Street Blues / When It’s Sleepy Time Down South
producer:
Voyle Gilmore
tenor saxophone:
Sam Butera (on 1956-04-19)
trumpet and lead vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-04-19)
medley including a recording of:
Basin Street Blues (on 1956-04-19)
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
medley including a recording of:
When It’s Sleepy Time Down South (on 1956-04-19)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music (publisher)
4:10
9That Old Black Magic
producer:
Voyle Gilmore
bass:
Tony Liuzza (on 1958-08-25)
drums (drum set):
Paul Ferrara (on 1958-08-25)
guitar:
Bobby Roberts (1950-60s guitarist, The Witnesses) (on 1958-08-25)
piano:
Willie McCumber Jr. (on 1958-08-25)
tenor saxophone:
Sam Butera (on 1958-08-25)
trombone:
Lou Sino (on 1958-08-25)
trumpet:
Louis Prima (on 1958-08-25)
vocals:
Louis Prima (on 1958-08-25) and Keely Smith (on 1958-08-25)
orchestra:
The Witnesses (on 1958-08-25)
recorded at:
Sahara Theater in Winchester, Nevada, United States (on 1958-08-25)
live cover recording of:
That Old Black Magic (on 1958-08-25)
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 16th Academy Award for Best Original Song (number: 2)
42:56
10It’s Magic
recorded in:
Chicago, Illinois, United States (on 1958-12-03)
producer:
Voyle Gilmore
vocals:
Keely Smith (on 1958-12-03)
orchestra:
Nelson Riddle and His Orchestra (on 1958-12-03)
conductor:
Nelson Riddle (on 1958-12-03)
arranger:
Nelson Riddle
cover recording of:
It’s Magic (on 1958-12-03)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 21st Academy Award for Best Original Song (number: 2)
part of:
Romance on the High Seas
3:45
11I’m in the Mood for Love
edit of:
Don’t Worry ’bout Me / I’m in the Mood for Love (live, 1957-07-26: Harrah’s Club, Lake Tahoe, CA, USA) by Louis Prima & Keely Smith with Sam Butera & the Witnesses
live cover recording of:
I’m in the Mood for Love (on 1957-07-26)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
2:39
12I’ve Got You Under My Skin
producer:
Voyle Gilmore (on 1959-01-02)
tenor saxophone:
Sam Butera (on 1959-01-02)
trumpet:
Louis Prima (on 1959-01-02)
vocals:
Louis Prima (on 1959-01-02) and Keely Smith (on 1959-01-02)
orchestra:
The Witnesses (on 1959-01-02)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1959-01-02)
cover recording of:
I’ve Got You Under My Skin (on 1959-01-02)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
2:37
13I Wish You Love
producer:
Voyle Gilmore
bass:
Ed Gilbert (on 1957-11-14)
cello:
Edgar Lustgarten (on 1957-11-14) and Eleanor Slatkin (US cellist, b. Aller) (on 1957-11-14)
drums (drum set):
Bill Richmond (on 1957-11-14)
flute:
Lee Elliott (Nelson Riddle Orchestra) (on 1957-11-14), Alex Gershonoff (saxophone) (on 1957-11-14) and Harry Klee (on 1957-11-14)
guitar:
Bob Bain (guitarist) (on 1957-11-14)
harp:
Kathryn Julye (on 1957-11-14)
piano:
Jimmy Rowles (on 1957-11-14)
trombone:
Milt Bernhart (on 1957-11-14), Dick Noel (trombone) (on 1957-11-14), Jimmy Priddy (on 1957-11-14), George Roberts (american bass trombone) (on 1957-11-14) and Juan Tizol (on 1957-11-14)
viola:
Alvin Dinkin (on 1957-11-14) and Dave Sterkin (on 1957-11-14)
violin:
Paul Shure (from 1957-11-14 to present), Victor Arno (on 1957-11-14), Victor Bay (on 1957-11-14), Alex Beller (on 1957-11-14), Ben Gill (on 1957-11-14), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1957-11-14), Felix Slatkin (on 1957-11-14) and Marshall Sosson (on 1957-11-14)
vocals:
Keely Smith (on 1957-11-14)
orchestra:
Nelson Riddle and His Orchestra (on 1957-11-14)
conductor:
Nelson Riddle (on 1957-11-14)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-11-14)
cover recording of:
I Wish You Love (on 1957-11-14)
lyricist:
Charles Trenet
writer and translator:
Albert Beach
composer:
Léo Chauliac and Charles Trenet
publisher:
Éditions Salabert France, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music, Inc., Leeds Music, MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), On Backstreet Music Inc. and Universal Music Publishing Group
sub-publisher:
Universal Music Publishing MGB Hong Kong Ltd. Taiwan Branch and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
translated version of:
Que reste-t-il de nos amours ?
3:47
14Oh! Marie
producer:
Voyle Gilmore
tenor saxophone:
Sam Butera (on 1956-04-19)
trumpet and lead vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
Oh Marie (on 1956-04-19)
lyricist and composer:
Eduardo Di Capua
arranger:
Louis Prima
42:26
15Medley: Embraceable You / I Got It Bad and That Ain’t Good
producer:
Voyle Gilmore
bass:
Tony Liuzza (on 1958-02-11)
drums (drum set):
Harvey Lang (on 1958-02-11)
guitar:
Bobby Roberts (1950-60s guitarist, The Witnesses) (on 1958-02-11)
piano:
Willie McCumber Jr. (on 1958-02-11)
tenor saxophone:
Sam Butera (on 1958-02-11)
trombone:
Lou Sino (on 1958-02-11)
trumpet:
Louis Prima (on 1958-02-11)
vocals:
Louis Prima (on 1958-02-11) and Keely Smith (on 1958-02-11)
orchestra:
The Witnesses (on 1958-02-11)
recorded at:
Sahara Theater in Winchester, Nevada, United States (on 1958-02-11)
live medley including a cover recording of:
Embraceable You (on 1958-02-11)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
live medley including a cover recording of:
I Got It Bad (and That Ain’t Good) (on 1958-02-11)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
2:58