Greatest Hits: The Singles

~ Release by Blur (see all versions of this release, 1 available)

Tracklist

1Medium
#TitleRatingLength
1She’s So High
producer:
Damon Albarn, Alex James (UK bassist for Blur/Fat Les), Steve Lovell (record producer and musical director; aka Bernard Gazda) and Steve Power
bass guitar:
Alex James (UK bassist for Blur/Fat Les)
drums (drum set):
Dave Rowntree
guitar:
Damon Albarn and Graham Coxon
keyboard and lead vocals:
Damon Albarn
background vocals:
Graham Coxon
phonographic copyright (℗) by:
Food Ltd. (in 1990) and Food Records Ltd. (in 1990)
recording of:
She’s So High
lyricist:
Damon Albarn
composer:
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) and Dave Rowntree
publisher:
MCA Music Ltd. and MCA Music Publishing Ltd.
3.554:42
2Bang
producer:
Stephen Street (famous producer, songwriter)
bass guitar:
Alex James (UK bassist for Blur/Fat Les)
drums (drum set):
Dave Rowntree
guitar and background vocals:
Graham Coxon
keyboard and lead vocals:
Damon Albarn
phonographic copyright (℗) by:
Food Ltd. (in 1991)
recording of:
Bang
lyricist:
Damon Albarn
composer:
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) and Dave Rowntree
publisher:
MCA Music Ltd.
3.153:34
3There’s No Other Way
producer:
Stephen Street (famous producer, songwriter)
bass guitar:
Alex James (UK bassist for Blur/Fat Les)
drums (drum set):
Dave Rowntree
guitar and background vocals:
Graham Coxon
keyboard and lead vocals:
Damon Albarn
phonographic copyright (℗) by:
Food Ltd. (in 1991)
recording of:
There’s No Other Way
lyricist:
Damon Albarn
composer:
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) and Dave Rowntree
publisher:
MCA Music Ltd. and Wixen Music UK Ltd.
4.453:21
4Popscene
producer:
Steve Lovell (record producer and musical director; aka Bernard Gazda)
recording of:
Popscene
lyricist:
Damon Albarn
composer:
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) and Dave Rowntree
publisher:
MCA Music Ltd.
3.53:16
5For Tomorrow
recording of:
For Tomorrow
lyricist:
Damon Albarn
composer:
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) and Dave Rowntree
4:16
6Chemical World
recording of:
Chemical World
lyricist:
Damon Albarn
composer:
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) and Dave Rowntree
4:03
7Sunday Sunday
engineer:
John Smith (UK producer/engineer)
producer:
Steve Lovell (record producer and musical director; aka Bernard Gazda)
mixer:
סיימון ויינשטוק
acoustic guitar [acoustic guitars], electric guitar [electric guitars], slide guitar and background vocals:
Graham Coxon
alto saxophone, baritone saxophone, cornet, tenor saxophone, trombone and trumpet:
The Kick Horns
bass guitar:
Alex James (UK bassist for Blur/Fat Les)
drums (drum set) [salvation drums]:
Dave Rowntree
organ [bingo organ]:
Damon Albarn
vocals:
Damon Albarn
guest performer:
Kick Horns
performer:
Kick Horns
phonographic copyright (℗) by:
Food Ltd. (in 1993)
recording of:
Sunday Sunday
lyricist:
Damon Albarn
composer:
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) and Dave Rowntree
publisher:
MCA Music Ltd.
4.352:34
8Girls & Boys
engineer:
John Smith (UK producer/engineer)
producer:
Stephen Street (famous producer, songwriter)
phonographic copyright (℗) by:
Food Ltd. (in 1994)
recorded at:
Maison Rouge in London (Greater London), England, United Kingdom (from 1993-11 until 1994-01)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 236)
recording of:
Girls & Boys (from 1993-11 until 1994-01)
lyricist:
Damon Albarn
composer:
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) and Dave Rowntree
publisher:
MCA Music Ltd.
4.54:48
9To the End
additional engineer:
Stephen Hague
engineer:
John Smith (UK producer/engineer)
producer:
Blur (UK alternative rock band), Stephen Hague and John Smith (UK producer/engineer)
guest accordion:
Stephen Hague
guest strings:
Leo Payne (violin), Chris Pitsillides, Audrey Riley and Chris Tombling (violinist)
guest background vocals [chanteuse]:
Lætitia Sadier
phonographic copyright (℗) by:
Food Ltd. (in 1994)
engineered at:
RAK Studios in London (Greater London), England, United Kingdom
recording of:
To the End (Original, sung in English)
lyricist:
Damon Albarn
composer:
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) and Dave Rowntree
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
44:02
10Parklife
engineer:
John Smith (UK producer/engineer)
producer:
Stephen Street (famous producer, songwriter)
guest spoken vocals:
Phil Daniels (from 1993-11 until 1994-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994) and Food Ltd. (in 1994)
recorded at:
Maison Rouge in London (Greater London), England, United Kingdom (from 1993-11 until 1994-01)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 41)
recording of:
Parklife (from 1993-11 until 1994-01)
lyricist:
Damon Albarn
composer:
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) and Dave Rowntree
publisher:
EMI Blackwood Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
3.853:04
11End of a Century
engineer:
John Smith (UK producer/engineer)
producer:
Stephen Street (famous producer, songwriter)
guest flugelhorn:
Roddy Lorimer (from 1993-11 until 1994-01)
guest instruments:
Kick Horns (from 1993-11 until 1994-01)
guest trombone:
Richard Edwards (trombonist) (from 1993-11 until 1994-01)
phonographic copyright (℗) by:
Food Ltd. (in 1994)
recorded at:
Maison Rouge in London (Greater London), England, United Kingdom (from 1993-11 until 1994-01)
recording of:
End of a Century (from 1993-11 until 1994-01)
lyricist:
Damon Albarn
composer:
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) and Dave Rowntree
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
3.152:42
2Medium