Welcome to the Pleasuredome: The Real 80’s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Welcome to the Pleasuredome
recording of:
Welcome to the Pleasuredome
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
Frankie Goes to Hollywood54:21
2Penthouse and Pavement
producer:
B.E.F. and Peter Walsh (UK producer)
bass, guitar and synthesizer:
John Wilson (guitarist; Heaven 17)
percussion, piano and synthesizer and background vocals:
Martyn Ware
percussion, saxophone and synthesizer:
Ian Craig Marsh
lead vocals:
Glenn Gregory
vocals:
Josie James
recording of:
Penthouse and Pavement
lyricist:
Glenn Gregory
composer:
Glenn Gregory, Ian Craig Marsh and Martyn Ware
publisher:
Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 1746:22
3The Tide Is High
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest percussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) and Emil Richards (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
background vocals [girl-group backup vocals]:
The ‘B’ Girls and Deborah Harry
lead vocals:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
cover recording of:
The Tide Is High (in 1980)
additional writer:
Howard Barrett and Tyrone Evans
writer:
John Holt
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
Blondie4.154:32
4Private Idaho
assistant engineer:
Benjamin Armbrister
engineer:
Rhett Davies
executive producer:
Chris Blackwell (Island Records)
producer:
Rhett Davies and The B‐52’s
recorded at:
Compass Point Studios in Nassau, Bahamas (in 1980-04)
recording of:
Private Idaho (in 1980-04)
composer:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland, Cindy Wilson and Ricky Wilson (The B‐52’s)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!) and Rondor Music (London) Ltd.
The B‐52s4.653:33
5Absolute
recording of:
Absolute
lyricist and composer:
Green Gartside
publisher:
Jouissance Music and WB Music Corp. (1929–2019)
Scritti Politti4:18
6Who Needs Love (Like That)
recording of:
Who Needs Love Like That
lyricist and composer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
Erasure3:01
7Blind Vision
assistant engineer:
Linda Randazzo
engineer:
Jay Mark
producer:
John Luongo
bass:
Neil Jason (bassist)
guitar:
David Rhodes (guitarist, singer, and songwriter)
percussion:
Bashiri Johnson
saxophone:
Crispin Cioe and Arno Hecht (American saxophonist)
trombone:
Paul Litteral
trumpet:
Robert Funk (trombonist, trumpet player)
background vocals:
Brenda Jay Nelson (backing singer), Jocelyn Brown and Dolette McDonald
conductor:
James Bion Dolillo
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1983)
recorded at:
Sigma Sound Studios (New York) in New York, New York, United States
recording of:
Blind Vision
writer:
Neil Arthur (singer, songwriter, producer) and Stephen Luscombe
publisher:
Complete Music Ltd. and Cherry Red Music (publisher) (in 1983)
Blancmange53:55
819
producer:
Paul Hardcastle
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985)
music videos:
19 (music video) by Paul Hardcastle
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 73)
recording of:
19
lyricist:
Bill Couturié, Paul Hardcastle and Jonas McCord
composer:
Paul Hardcastle
publisher:
Oval Music and Virgin Music (Publishing) Ltd.
Paul Hardcastle3.63:38
9This Is Not a Love Song
producer and mixer:
Martin Atkins (UK drummer) and John Lydon (Johnny Rotten of the Sex Pistols)
arranger:
Martin Atkins (UK drummer) and John Lydon (Johnny Rotten of the Sex Pistols)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
recording of:
This Is Not a Love Song
writer:
Martin Atkins (UK drummer), Keith Levene and John Lydon (Johnny Rotten of the Sex Pistols)
publisher:
Complete Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Virgin Music Publishing and Warner/Chappell Music Ltd. (1996–2019)
version of:
Love Song
Public Image Ltd.44:10
10A Forest
producer:
Mike Hedges (UK producer/recording engineer) and Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
bass:
Simon Gallup
drums (drum set):
Lol Tolhurst
guitar:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
keyboard:
Matthieu Hartley
vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
phonographic copyright (℗) by:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead)
recording of:
A Forest
lyricist:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
composer:
Simon Gallup, Matthieu Hartley, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Lol Tolhurst
publisher:
APB Music Co.
The Cure3.654:55
11Our Darkness
recording of:
Our Darkness
lyricist and composer:
Anne Clark (English poet, songwriter and electronic musician) and David Harrow (English record producer, DJ, and multimedia artist)
publisher:
BMG 10 Music Ltd., Red Flame Music Ltd. and Virgin Music (Publishers) Ltd.
Anne Clark45:19
12Down in the Park
assistant engineer:
Harvey Ishiki
engineer:
Jon Caffery (producer and engineer)
producer:
Gary Numan
mixer:
Jon Caffery (producer and engineer), Gary Numan and Rikki Sylvan
bass guitar:
Paul Gardiner
drums (drum set):
Jess Lidyard
guitar, keyboard and lead vocals:
Gary Numan
phonographic copyright (℗) by:
Beggars Banquet (in 1979)
recording of:
Down in the Park
lyricist and composer:
Gary Numan
publisher:
Beggars Banquet, Beggars Banquet Music Ltd., Momentum Music Ltd. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Gary Numan4.54:20
13Confusion
engineer:
Michael Johnson (UK recording engineer and producer)
producer:
New Order (UK synth pop band)
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1987)
recording of:
Confusion
writer:
Arthur Baker (American record producer and DJ), Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Shakin’ Baker Music and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
New Order3.354:40
14The Night You Murdered Love
assistant recording engineer and assistant mixer:
Tim Burrell
recording engineer:
Martyn Webster (engineer)
co-producer:
Bernard Edwards (American bassist and record producer)
producer:
Bernard Edwards (American bassist and record producer), Martin Fry and Mark White (ABC/Vice Versa)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
bass:
Brad Lang
double bass:
Danny Thompson (English double bass player)
drums (drum set):
Graham Broad
harmonica:
Judd Lander
keyboard:
David Clayton
percussion:
Pandit Dinesh and Louis Jardim
saxophone:
Howie Casey
strings arranger:
Richard Niles
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1987)
recorded at and mixed at:
Marcus Studios in Bayswater, Westminster, London (Greater London), England, United Kingdom
part of:
The Downloader’s Music Source Book (number: 74)
recording of:
The Night You Murdered Love
writer:
Martin Fry and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Neutron Music and Neutron Music Ltd.
ABC54:43
15Careless Love
recording of:
Careless Love
writer:
Annette Humpe and Inga Humpe
Inga & Anete Humpe4:00
16Fantastic Day
producer:
Bob Sargeant
recording of:
Fantastic Day
lyricist and composer:
Nick Heyward
Haircut 1002.53:12
17Somewhere in My Heart
producer:
Michael Jonzun
recording of:
Somewhere in My Heart
lyricist and composer:
Roddy Frame
publisher:
Complete Music Ltd.
Aztec Camera3.63:55
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