| # | Title | Artist | Rating | Length |
|---|
| 1 | Listen to the Music | The Doobie Brothers | 5 | 3:27 |
| 2 | Never Let Her Slip Away | Andrew Gold | 5 | 3:22 |
| 3 | Killing Me Softly With His Song | Roberta Flack | 3.55 | 4:47 |
| 4 | Disco Inferno (single edit) | The Trammps | 4.35 | 3:12 |
| 5 | Everybody Dance (edit version) | Chic | | 3:58 |
| 6 | Bang a Gong (Get It On)- engineer:
- Roy Thomas Baker , Malcolm Cecil, Rik Pekkonen and Martin Rushent
- producer:
- Tony Visconti
- drums (drum set):
- Bill Legend (from 1971-03 until 1971-06)
- electric bass guitar:
- Steve Currie (from 1971-03 until 1971-06)
- electric guitar and lead vocals:
- Marc Bolan (from 1971-03 until 1971-06)
- keyboard:
- Rick Wakeman (from 1971-03 until 1971-06)
- percussion:
- Mickey Finn (from 1971-03 until 1971-06)
- background vocals:
- Howard Kaylan (from 1971-03 until 1971-06) and Mark Volman (from 1971-03 until 1971-06)
- phonographic copyright (℗) by:
- Essex Music International Ltd. (in 1971), Straight Ahead Productions Ltd. (in 1971, in 2001) and Tarantula Productions (in 1971)
- part of:
- Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 22), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and NME: 50 Greatest Guitar Riffs of All Time (number: 41)
- recording of:
- Get It On (from 1971-03 until 1971-06)
- lyricist and composer:
- Marc Bolan
- publisher:
- Essex Music International, Essex Music International, Inc., Essex Musikförlaget, Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. and Westminster Music Ltd.
| T. Rex | 4.65 | 4:22 |
| 7 | Tiger Feet | Mud | 5 | 3:50 |
| 8 | Cold as Ice- associate engineer:
- Jimmy Douglass , Michael Getlin, Kevin Herron and Randy Mason
- engineer:
- Gary Lyons
- co-producer:
- Mick Jones and Ian McDonald
- producer:
- Gary Lyons and John Sinclair
- mixer:
- Jimmy Douglass , Mick Jones and Ian McDonald
- bass guitar:
- Ed Gagliardi
- drums (drum set):
- Dennis Elliott
- guitar:
- Mick Jones and Ian McDonald
- horn:
- Ian McDonald
- keyboard:
- Al Greenwood and Ian McDonald
- synthesizer:
- Al Greenwood
- background vocals:
- Ed Gagliardi , Mick Jones , Ian Lloyd and Ian McDonald
- lead vocals:
- Lou Gramm
- vocals:
- Ed Gagliardi , Mick Jones and Ian McDonald
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1977), WEA International Inc. (in 1977) and Rhino Entertainment Company (in 2009)
- recording of:
- Cold as Ice
- writer:
- Lou Gramm and Mick Jones
- publisher:
- Intersong Music Ltd., MVA Music, Somerset Songs Publishing Inc., Universal Music Publishing Pty Ltd. , Warner/Chappell Music Ltd. , WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Warner/Chappell Music Japan, Synch division , Fuji Pacific Music inc. (until 2014-12-31), Yamaha Music Publishing (until 2017-03-31), Fujipacific Music, Inc. (from 2015-01-01 to present) and Yamaha Music Entertainment Holdings, Inc. (from 2017-04-01 to present)
| Foreigner | 4 | 3:20 |
| 9 | Grease | Frankie Valli | 4.5 | 3:27 |
| 10 | You’re So Vain- recording engineer:
- Robin Geoffrey Cable (from 1972-09 until 1972-10)
- engineer:
- Robin Geoffrey Cable
- producer:
- Richard Perry
- bass:
- Klaus Voorman (from 1972-09 until 1972-10)
- drums (drum set):
- Jim Gordon (from 1972-09 until 1972-10)
- guitar:
- Jimmy Ryan (from 1972-09 until 1972-10)
- percussion:
- Richard Perry (from 1972-09 until 1972-10)
- piano and lead vocals:
- Carly Simon (from 1972-09 until 1972-10)
- additional background vocals:
- Carly Simon (from 1972-09 until 1972-10) and Doris Troy (from 1972-09 until 1972-10)
- background vocals:
- Mick Jagger (from 1972-09 until 1972-10)
- strings arranger:
- Carly Simon
- orchestrator:
- Paul Buckmaster
- phonographic copyright (℗) by:
- Elektra Records (in 1972), Elektra/Asylum Records (in 1972), Elektra Entertainment (in 1978), WEA International Inc. (in 1984) and Rhino Entertainment Company (in 2015)
- recorded at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom (from 1972-09 until 1972-10)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 100), Billboard: The 500 Best Pop Songs (number: 140) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 495)
- recording of:
- You’re So Vain (from 1972-09 until 1972-10)
- lyricist and composer:
- Carly Simon
- publisher:
- C’est Music, Quackenbush Music, Ltd. , Universal Music Corporation and Universal Music Publishing Group
| Carly Simon | 4.55 | 4:18 |
| 11 | Baker Street (radio edit)- bass:
- Gary Taylor (in 1977)
- drums (drum set):
- Henry Spinetti (in 1977)
- guitar [lead guitar]:
- Hugh Burns (in 1977)
- guitar [rhythm guitar]:
- Nigel Jenkins (in 1977)
- keyboard:
- Tommy Eyre (in 1977)
- percussion:
- Glen LeFleur (in 1977)
- saxophone:
- Raphael Ravenscroft (in 1977)
- lead vocals:
- Gerry Rafferty (in 1977)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1978, in 1980), Parlophone Records Ltd. (in 1978) and United Artists Music and Records Group, Inc. (in 1978)
- recorded at:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (in 1977)
- edit of:
- Baker Street by Gerry Rafferty
- recording of:
- Baker Street (in 1977)
- lyricist and composer:
- Gerry Rafferty
- publisher:
- B Music, Belfern Ltd., EMI Music Publishing , EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. , Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. , Universal Songs and Universal–Songs of PolyGram International, Inc.
| Gerry Rafferty | 4.15 | 4:09 |
| 12 | Guitar Man | Bread | 4 | 3:44 |
| 13 | Kid | Pretenders | 5 | 3:05 |
| 14 | Just What I Needed | The Cars | 4.3 | 3:46 |
| 15 | Can’t Get Enough | Bad Company | 3.55 | 4:14 |
| 16 | You Make Me Feel Like Dancing (single version) | Leo Sayer | 5 | 3:39 |
| 17 | I Saw the Light | Todd Rundgren | 5 | 3:00 |
| 18 | The Air That I Breathe- engineer:
- Mike Jarratt and Alan Parsons
- producer:
- The Hollies and Ron Richards
- vocals:
- Allan Clarke (from 1973-11-15 until 1973-11-22), Tony Hicks (from 1973-11-15 until 1973-11-22) and Terry Sylvester (from 1973-11-15 until 1973-11-22)
- phonographic copyright (℗) by:
- EMI Records Ltd. , Sony BMG Music Entertainment (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) and Polydor International GmbH (in 1974)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (from 1973-11-15 until 1973-11-22)
- cover recording of:
- The Air That I Breathe (from 1973-11-15 until 1973-11-22)
- writer:
- Albert Hammond and Mike Hazlewood
- publisher:
- April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. , ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| The Hollies | 4.5 | 4:04 |
| 19 | She’s Gone | Daryl Hall & John Oates | 3.65 | 5:13 |
| 20 | Every 1’s a Winner | Hot Chocolate | 4.35 | 4:04 |
| 21 | Rock Your Baby | George McCrae | | 6:24 |
| 22 | I’m Every Woman (Lew Hahn remix) | Chaka Khan | | 4:05 |
| 23 | You’ve Got a Friend | James Taylor | 4.4 | 4:29 |
| 24 | Cat’s in the Cradle- producer:
- Paul Leka
- arranger:
- Paul Leka
- phonographic copyright (℗) by:
- Elektra Records , Elektra/Asylum/Nonesuch Records and WEA International Inc. (in 1974)
- recorded at:
- Connecticut Recording Studios in Connecticut, United States
- recording of:
- Cat’s in the Cradle
- writer:
- Sandra Campbell Chapin and Harry F Chapin
- publisher:
- Neue Welt Musikverlag GmbH & Co. KG , Story Songs, Ltd, Warner Bros., Inc. , Warner Chappell Music , Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited
| Harry Chapin | 3.8 | 3:46 |
| 25 | The Man With the Child in His Eyes- engineer:
- Jon Kelly
- executive producer:
- David Gilmour
- producer:
- Andrew Powell
- piano, background vocals and lead vocals:
- Kate Bush (in 1975-06)
- arranger:
- Andrew Powell
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1977, in 1978), EMI Records USA (in 1977, in 1978), EMI‐USA Records (in 1977, in 1978) and EMI France (in 1995)
- recorded at:
- AIR London Studios in London , England, United Kingdom (from 1977-07 until 1977-08)
- recording of:
- The Man With the Child in His Eyes (in 1975-06)
- publisher:
- Kate Bush (from 1978 to present)
- lyricist and composer:
- Kate Bush
- arranger:
- Stefan Lievestro
- premiered at:
- Saturday Night Live: Season 4, Episode 8 (1978-12-09 – 1978-12-10)
- publisher:
- Beechwood Music Corp., Castle , Ed. Itaipu, EMI Music Publishing , EMI Music Publishing Ltd. (, from 1978 to present) and Kate Bush Music Ltd.
| Kate Bush | 3.65 | 2:41 |
| 26 | Undercover Angel | Alan O’Day | | 3:31 |
| 27 | You Are My Love | Liverpool Express | | 3:15 |
| 28 | I’d Really Love to See You Tonight | England Dan & John Ford Coley | 5 | 2:39 |
| 29 | Dance With Me | Orleans | 5 | 3:01 |
| 30 | If You Could Read My Mind | Gordon Lightfoot | 4.6 | 3:49 |
| 31 | Magic | Pilot | 4.75 | 3:06 |
| 32 | December, 1963 (Oh What a Night!)- recording engineer:
- Steve Maslow
- producer:
- Bob Gaudio
- mixer:
- Val Garay
- bass:
- Don Ciccone
- drums (drum set):
- Gerry Polci
- guitar:
- John Paiva
- keyboard:
- Bob Gaudio and Lee Shapiro
- piano:
- Bob Gaudio
- vocals:
- Bob Gaudio, Don Ciccone, Frankie Valli , Gerry Polci and John Paiva
- brass [horns] arranger and strings arranger:
- Lee Shapiro
- phonographic copyright (℗) by:
- WEA International Inc.
- recorded at:
- Sound Factory in Los Angeles, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 64)
- recording of:
- December, 1963 (Oh, What a Night)
- lyricist:
- Bob Gaudio and Judy Parker
- composer:
- Bob Gaudio
- publisher:
- EMI Songs, EMI Songs Australia, Jobete Music Co., Inc. and Seasons Music Co.
| Frankie Valli & The Four Seasons | 3.6 | 3:21 |
| 33 | Welcome Back (them from “Welcome Back, Kotter”) | John Sebastian | 5 | 2:52 |
| 34 | That’s the Way (I Like It) (edited version) | KC & the Sunshine Band | 4.3 | 3:04 |
| 35 | Pick Up the Pieces | Average White Band | | 3:59 |
| 36 | I Got The… | Labi Siffre | | 6:25 |
| 37 | Street Player | Chicago | | 9:11 |
| 38 | Black Night- drums (drum set):
- Ian Paice (in 1970-05)
- electric bass guitar:
- Roger Glover (in 1970-05)
- electric guitar:
- Ritchie Blackmore (in 1970-05)
- Hammond organ:
- Jon Lord (in 1970-05)
- lead vocals:
- Ian Gillan (in 1970-05)
- recorded at:
- De Lane Lea Studios in Soho, Westminster, London , England, United Kingdom (in 1970-05)
- recording of:
- Black Night (in 1970-05)
- writer:
- Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
- publisher:
- EMI Music Publishing , Glenwood Music Corp., HEC Music and Henrees Music co.
- sub-publisher:
- EMI Music Publishing France, EMI Music Publishing Japan C.F. division (until 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Deep Purple | 4.45 | 3:27 |
| 39 | The Rubberband Man | The Spinners | 4.65 | 3:33 |
| 40 | Then Came You | The Spinners & Dionne Warwick | 4.5 | 3:59 |
| 41 | Sailing | Rod Stewart | 3.35 | 4:39 |
| 42 | Willin’ | Little Feat | | 2:55 |
| 43 | Sister Golden Hair | America | 4.1 | 3:17 |
| 44 | Jealous Mind | Alvin Stardust | 5 | 2:42 |
| 45 | Wishing on a Star (edit) | Rose Royce | 4 | 3:59 |
| 46 | Light My Fire | Shirley Bassey | 2.5 | 3:29 |
| 47 | Supernatural Thing | Ben E. King | 4 | 3:24 |
| 48 | The Mexican (edit) | Babe Ruth | | 3:27 |
| 49 | I’m Gonna Run Away From You (radio edit) | Tami Lynn | | 2:49 |
| 50 | Dancing in the City | Marshall Hain | | 3:47 |
| 51 | Midnight at the Oasis | Maria Muldaur | 4 | 3:50 |
| 52 | Breezin’- recording engineer:
- Al Schmitt (from 1976-01-06 until 1976-01-08)
- assistant engineer:
- Don Henderson
- assistant producer:
- Noel Newbolt
- producer:
- Tommy LiPuma
- mixer:
- Al Schmitt
- bass guitar and guitar [rhythm guitar]:
- Phil Upchurch (from 1976-01-06 until 1976-01-08)
- clavinet and piano:
- Jorge Dalto (from 1976-01-06 until 1976-01-08)
- drums (drum set):
- Harvey Mason (from 1976-01-06 until 1976-01-08)
- guitar [lead guitar]:
- George Benson (from 1976-01-06 until 1976-01-08)
- Minimoog [mini-moog] and electric piano:
- Ronnie Foster (from 1976-01-06 until 1976-01-08)
- percussion:
- Ralph MacDonald (from 1976-01-06 until 1976-01-08)
- conductor:
- Claus Ogerman (from 1976-01-06 until 1976-01-08)
- orchestrator:
- Claus Ogerman
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1976)
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (from 1976-01-06 until 1976-01-08)
- mixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- cover recording of:
- Breezin’ (from 1976-01-06 until 1976-01-08)
- composer:
- Bobby Womack
- publisher:
- Unart Music Corp. (ended), ABKCO Music, Inc. , EMI Unart Catalog Inc., Tracebob Music Co., フジパシフィックミュージック SBK事業部 , ヤマハミュージックエンタテインメントホールディングス and 日本アブコ音楽出版
| George Benson | 4 | 5:42 |
| 53 | Until You Come Back to Me (That’s What I Am Going to Do)- engineer:
- Lew Hahn
- producer:
- Aretha Franklin, Arif Mardin and Jerry Wexler
- mixer:
- Arif Mardin
- bass:
- Chuck Rainey (on 1973-09-07)
- drums (drum set):
- Bernard “Pretty” Purdie (on 1973-09-07)
- electric piano:
- Donny Hathaway (on 1973-09-07)
- guitar:
- Hugh McCracken (on 1973-09-07)
- organ:
- Richard Tee (on 1973-09-07)
- piano and lead vocals:
- Aretha Franklin (on 1973-09-07)
- solo flute:
- Joe Farrell (on 1973-09-07)
- synthesizer:
- Ken Bichel (on 1973-09-07)
- background vocals:
- Margaret Branch (on 1973-09-07), Ann S. Clark (on 1973-09-07) and Pat Smith (on 1973-09-07)
- arranger:
- Arif Mardin
- phonographic copyright (℗) by:
- WEA International Inc. (in 1973) and Atlantic Recording Corporation (in 1974)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1973-09-07)
- recording of:
- Until You Come Back to Me (That’s What I’m Gonna Do) (on 1973-09-07)
- writer:
- Morris Broadnax , Clarence Paul and Stevie Wonder
- publisher:
- Blackbull Music, Jobete Music , Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau and Stone Agate Music
| Aretha Franklin | 4.35 | 3:26 |
| 54 | Cindy Incidentally | Faces | 4 | 2:39 |
| 55 | Tush | ZZ Top | 4.65 | 2:14 |
| 56 | Wishing Well | Blackfoot | 5 | 3:13 |
| 57 | Psycho Killer- additional engineer:
- Matt Cohen
- engineer:
- Ed Stasium
- executive producer:
- Karen Ahmed and Robin Hurley
- producer:
- Tony Bongiovi, Lance Quinn and Talking Heads
- bass guitar:
- Tina Weymouth (from 1976 until 1977)
- drums (drum set):
- Chris Frantz (from 1976 until 1977)
- guitar:
- David Byrne (from 1976 until 1977) and Jerry Harrison (from 1976 until 1977)
- guitar and keyboard and keyboard:
- Jerry Harrison (from 1976 until 1977)
- lead vocals:
- David Byrne (from 1976 until 1977)
- vocals:
- Jerry Harrison (from 1976 until 1977)
- phonographic copyright (℗) by:
- Sire Records Inc. (in 1977)
- recorded at:
- Sundragon Studios in Flatiron District, New York, New York, United States (from 1976 until 1977)
- mixed at:
- Mediasound Studios in New York, New York, United States (in 2005)
- samples from:
- Lexicon Valley #190, "Beyond the Five Ws" by John McWhorter
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 108)
- recording of:
- Psycho Killer (from 1976 until 1977)
- lyricist:
- David Byrne , Chris Frantz and Tina Weymouth
- composer:
- David Byrne
- publisher:
- Bleu Disque Music Co., Inc. , Index Music, Inc., Warner Bros. Music Ltd. and Warner Chappell Music
| Talking Heads | 4.05 | 4:21 |
| 58 | Milk and Alcohol | Dr. Feelgood | 4.2 | 2:49 |
| 59 | Elected | Alice Cooper | 3.9 | 4:05 |
| 60 | Pretty Vacant- engineer:
- Bill Price
- producer:
- Bill Price and Chris Thomas
- recorded at:
- Wessex Sound Studios in Highbury, Islington, London , England, United Kingdom (in 1977-03)
- part of:
- NME: 50 Greatest Guitar Riffs of All Time (number: 34)
- live recording of:
- Pretty Vacant
- writer:
- Steve Jones , John Lydon , Glen Matlock and Paul Thomas Cook
- publisher:
- A Thousand Miles Long, Inc., Arista Music, Inc., Careers Music, Inc., Rotten Music Ltd , Stephen Philip Jones, Warner/Chappell Music Ltd. and WB Music Corp.
| Sex Pistols | 3.7 | 3:18 |
| 61 | No More Heroes (radio edit) | The Stranglers | 5 | 2:57 |
| 62 | Whole Lotta Love- producer:
- Mickie Most
- arranger:
- John Cameron
- instrumental cover recording of:
- Whole Lotta Love
- additional lyricist:
- Willie Dixon
- writer:
- John Bonham, John Paul Jones , Jimmy Page and Robert Plant
- publisher:
- Flames of Albion Music, Inc., Succubus Music Ltd., Superhype Music, Inc., Superhype Publishing, Inc. and WB Music Corp.
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
- is based on:
- You Need Love
- cover recording of:
- Whole Lotta Love
- additional lyricist:
- Willie Dixon
- writer:
- John Bonham, John Paul Jones , Jimmy Page and Robert Plant
- publisher:
- Flames of Albion Music, Inc., Succubus Music Ltd., Superhype Music, Inc., Superhype Publishing, Inc. and WB Music Corp.
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
- is based on:
- You Need Love
- recording of:
- Whole Lotta Love
- additional lyricist:
- Willie Dixon
- writer:
- John Bonham, John Paul Jones , Jimmy Page and Robert Plant
- publisher:
- Flames of Albion Music, Inc., Succubus Music Ltd., Superhype Music, Inc., Superhype Publishing, Inc. and WB Music Corp.
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
- is based on:
- You Need Love
| CCS | 5 | 3:33 |
| 63 | Venus | Television | 5 | 3:49 |
| 64 | Wear It Out | Stargard | 4 | 5:14 |
| 65 | 2‐4‐6‐8 Motorway | Tom Robinson Band | 4 | 3:18 |
| 66 | Werewolves of London | Warren Zevon | 4.9 | 3:28 |
| 67 | Journey | Duncan Browne | 5 | 3:22 |
| 68 | Softly Whispering I Love You | The Congregation | 2 | 3:02 |
| 69 | Jesus Was a Cross Maker | Judee Sill | | 3:30 |
| 70 | Wonderous Stories- assistant engineer:
- David Richards
- engineer:
- John Timperley
- executive producer:
- Brian Lane
- producer:
- Yes
- bass guitar:
- Chris Squire (from 1976 until 1977)
- drums (drum set) and percussion:
- Alan White (from 1976 until 1977)
- Moog [Polymoog]:
- Rick Wakeman (from 1976 until 1977)
- Portuguese guitar [Vachalia] and electric guitar:
- Steve Howe (from 1976 until 1977)
- background vocals:
- Steve Howe (from 1976 until 1977) and Chris Squire (from 1976 until 1977)
- lead vocals:
- Jon Anderson (from 1976 until 1977)
- arranger:
- Yes
- phonographic copyright (℗) by:
- Atlantic (in 1977), Atlantic Recording Corporation (in 1977) and WEA International Inc. (in 1977)
- recorded at:
- Mountain Recording Studios in Montreux, Vaud , Switzerland (from 1976 until 1977)
- partial recording of:
- Wonderous Stories (from 1976 until 1977)
- lyricist and composer:
- Jon Anderson
- publisher:
- Rondor Music (London) Ltd., Topographic Music , Warner Bros. Music , Warner Bros. Music Ltd. , Warner Chappell Music , Warner Chappell Music Ltd. , Warner Chappell Music, Inc., Warner/Chappell North America Limited and Topographic Music, Ltd. (in 1977)
| Yes | 4.35 | 3:49 |
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