Bach 333: Instrumental & supplement (first half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: Brandenburg Concertos 1-6 (Goebel)
2▶CD: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
3▶CD: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
4▶CD: Orchestral Suites 1-3 (Goebel)
5▶CD: Orchestral Suites 2-4 (Goebel / Hogwood)
6▶CD: Orchestral Suites 1-4 (Pinnock)
7▶CD: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
8▶CD: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
9▶CD: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
10▶CD: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
11▶CD: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
12▶CD: Brandenburg Concertos (Landmark Performances 1935-1964)
13▶CD: Brandenburg Concertos (Landmark Performances 1967-2013)
14▶CD: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
15▶CD: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
16▶CD: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
17▶CD: Concertos (Alternative Instrumentations)
18▶CD: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
19▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
20▶CD: Suites for "Lute"
21▶CD: Cello Suites 1, 3, 5 (Watkin)
22▶CD: Cello Suites 2, 4, 6 (Watkin)
23▶CD: Violin Sonatas BWV 1014-1018
24▶CD: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
25▶CD: 5 Flute Sonatas / Partita for Solo Flute
26▶CD: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
27▶CD: Musical Offering / Canons (Goebel)
28▶CD: The Art of Fugue (Accademia Bizantina, Dantone)
29▶CD: The Art of Fugue (Aimard)
30▼CD: The Art of Fugue (1742) (Gilbert)
#TitleRatingLength
1The Art of Fugue, BWV 1080 (Earlier (1742) version of the autograph score): Fuga 1 [1]
producer:
Gerd Ploebsch
harpsichord:
Kenneth Gilbert (harpsichordist, organist & musicologist) (in 1989-01)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Musée des beaux-arts de Chartres in Chartres, Eure-et-Loir, Centre-Val de Loire (Centre-Loire Valley), France (in 1989-01)
recording of:
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 (in 1989-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
3:21
2The Art of Fugue, BWV 1080 (Earlier (1742) version of the autograph score): Fuga 2 [3]
producer:
Gerd Ploebsch
harpsichord:
Kenneth Gilbert (harpsichordist, organist & musicologist) (in 1989-01)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Musée des beaux-arts de Chartres in Chartres, Eure-et-Loir, Centre-Val de Loire (Centre-Loire Valley), France (in 1989-01)
recording of:
Die Kunst der Fuge, BWV 1080: III. Contrapunctus 3 (in 1989-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/3)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
2:59
3The Art of Fugue, BWV 1080 (Earlier (1742) version of the autograph score): Fuga 3 [2]
producer:
Gerd Ploebsch
harpsichord:
Kenneth Gilbert (harpsichordist, organist & musicologist) (in 1989-01)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Musée des beaux-arts de Chartres in Chartres, Eure-et-Loir, Centre-Val de Loire (Centre-Loire Valley), France (in 1989-01)
recording of:
Die Kunst der Fuge, BWV 1080: II. Contrapunctus 2 (in 1989-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
2:26
4The Art of Fugue, BWV 1080 (Earlier (1742) version of the autograph score): Fuga 4 [5]
producer:
Gerd Ploebsch
harpsichord:
Kenneth Gilbert (harpsichordist, organist & musicologist) (in 1989-01)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Musée des beaux-arts de Chartres in Chartres, Eure-et-Loir, Centre-Val de Loire (Centre-Loire Valley), France (in 1989-01)
recording of:
Die Kunst der Fuge, BWV 1080: V. Contrapunctus 5 (in 1989-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/5)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
3:38
5The Art of Fugue, BWV 1080 (Earlier (1742) version of the autograph score): Fuga 5 [9]
producer:
Gerd Ploebsch
harpsichord:
Kenneth Gilbert (harpsichordist, organist & musicologist) (in 1989-01)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Musée des beaux-arts de Chartres in Chartres, Eure-et-Loir, Centre-Val de Loire (Centre-Loire Valley), France (in 1989-01)
recording of:
Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4 alla Duodecima (in 1989-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/9)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
3:04
6The Art of Fugue, BWV 1080 (Earlier (1742) version of the autograph score): Fuga 6 [ ]
producer:
Gerd Ploebsch
harpsichord:
Kenneth Gilbert (harpsichordist, organist & musicologist) (in 1989-01)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Musée des beaux-arts de Chartres in Chartres, Eure-et-Loir, Centre-Val de Loire (Centre-Loire Valley), France (in 1989-01)
recording of:
Die Kunst der Fuge, BWV 1080: X. Contrapunctus 10 a 4 alla Decima (in 1989-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/10)
version of:
Die Kunst der Fuge, BWV 1080: Contrapunctus a 4
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
revision of:
Die Kunst der Fuge, BWV 1080.1: Contrapunctus 10 (1742 autograph, early version)
3:44
7The Art of Fugue, BWV 1080 (Earlier (1742) version of the autograph score): Fuga 7 [6]
producer:
Gerd Ploebsch
harpsichord:
Kenneth Gilbert (harpsichordist, organist & musicologist) (in 1989-01)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Musée des beaux-arts de Chartres in Chartres, Eure-et-Loir, Centre-Val de Loire (Centre-Loire Valley), France (in 1989-01)
recording of:
Die Kunst der Fuge, BWV 1080: VI. Contrapunctus 6 a 4 in Stylo Francese (in 1989-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/6)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
4:07
8The Art of Fugue, BWV 1080 (Earlier (1742) version of the autograph score): Fuga 8 [7]
producer:
Gerd Ploebsch
harpsichord:
Kenneth Gilbert (harpsichordist, organist & musicologist) (in 1989-01)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Musée des beaux-arts de Chartres in Chartres, Eure-et-Loir, Centre-Val de Loire (Centre-Loire Valley), France (in 1989-01)
recording of:
Die Kunst der Fuge, BWV 1080: VII. Contrapunctus 7 a 4 per Augmentationem et Diminutionem (in 1989-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/7)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
4:49
9The Art of Fugue, BWV 1080 (Earlier (1742) version of the autograph score): Canon In Hypodiapason, perpetuus [16]
producer:
Gerd Ploebsch
harpsichord:
Kenneth Gilbert (harpsichordist, organist & musicologist) (in 1989-01)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Musée des beaux-arts de Chartres in Chartres, Eure-et-Loir, Centre-Val de Loire (Centre-Loire Valley), France (in 1989-01)
recording of:
Die Kunst der Fuge, BWV 1080: XV. Canon alla Ottava (or "Canon in Hypodiapason" (1742 manuscript)) (in 1989-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/15)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
2:46
10The Art of Fugue, BWV 1080 (Earlier (1742) version of the autograph score): Fuga 10 [8]
producer:
Gerd Ploebsch
harpsichord:
Kenneth Gilbert (harpsichordist, organist & musicologist) (in 1989-01)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Musée des beaux-arts de Chartres in Chartres, Eure-et-Loir, Centre-Val de Loire (Centre-Loire Valley), France (in 1989-01)
recording of:
Die Kunst der Fuge, BWV 1080: VIII. Contrapunctus 8 a 3 (in 1989-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/8)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
5:35
11The Art of Fugue, BWV 1080 (Earlier (1742) version of the autograph score): Fuga 11 [11]
producer:
Gerd Ploebsch
harpsichord:
Kenneth Gilbert (harpsichordist, organist & musicologist) (in 1989-01)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Musée des beaux-arts de Chartres in Chartres, Eure-et-Loir, Centre-Val de Loire (Centre-Loire Valley), France (in 1989-01)
recording of:
Die Kunst der Fuge, BWV 1080: XI. Contrapunctus 11 a 4 (in 1989-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/11)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
7:03
12The Art of Fugue, BWV 1080 (Earlier (1742) version of the autograph score): Canon In Hypodiatesseron, al roverscio e per augemntationem, perpetuus [15]
producer:
Gerd Ploebsch
harpsichord:
Kenneth Gilbert (harpsichordist, organist & musicologist) (in 1989-01)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Musée des beaux-arts de Chartres in Chartres, Eure-et-Loir, Centre-Val de Loire (Centre-Loire Valley), France (in 1989-01)
recording of:
Die Kunst der Fuge, BWV 1080.1: Canon in Hypodiateßeron al roverscio e per augmentationem, perpetuus (1742 autograph, early version) (in 1989-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
3:56
13The Art of Fugue, BWV 1080 (Earlier (1742) version of the autograph score): Fuga 13.1 (inversus) [12a]
producer:
Gerd Ploebsch
harpsichord:
Kenneth Gilbert (harpsichordist, organist & musicologist) (in 1989-01)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Musée des beaux-arts de Chartres in Chartres, Eure-et-Loir, Centre-Val de Loire (Centre-Loire Valley), France (in 1989-01)
recording of:
Die Kunst der Fuge, BWV 1080: XII, 2. Contrapunctus inversus 12 a 4 (Forma inversa) (in 1989-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/12,2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
3:07
14The Art of Fugue, BWV 1080 (Earlier (1742) version of the autograph score): Fuga 13.2 (rectus) [12b]
producer:
Gerd Ploebsch
harpsichord:
Kenneth Gilbert (harpsichordist, organist & musicologist) (in 1989-01)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Musée des beaux-arts de Chartres in Chartres, Eure-et-Loir, Centre-Val de Loire (Centre-Loire Valley), France (in 1989-01)
recording of:
Die Kunst der Fuge, BWV 1080: XII, 1. Contrapunctus inversus a 4 (Forma recta) (in 1989-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/12,1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
3:08
15The Art of Fugue, BWV 1080 (Earlier (1742) version of the autograph score): Fuga 14.1 (inversus) [13a]
producer:
Gerd Ploebsch
harpsichord:
Kenneth Gilbert (harpsichordist, organist & musicologist) (in 1989-01)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Musée des beaux-arts de Chartres in Chartres, Eure-et-Loir, Centre-Val de Loire (Centre-Loire Valley), France (in 1989-01)
recording of:
Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa) (in 1989-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/13,2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
2:29
16The Art of Fugue, BWV 1080 (Earlier (1742) version of the autograph score): Fuga 14.2 (rectus) [13b]
producer:
Gerd Ploebsch
harpsichord:
Kenneth Gilbert (harpsichordist, organist & musicologist) (in 1989-01)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Musée des beaux-arts de Chartres in Chartres, Eure-et-Loir, Centre-Val de Loire (Centre-Loire Valley), France (in 1989-01)
recording of:
Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta) (in 1989-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/13,1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
2:38
17The Art of Fugue, BWV 1080 (Earlier (1742) version of the autograph score): Alio modo Fuga a 2 Clav.
producer:
Chris Sayers (producer)
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (in 1995) and Christophe Rousset (French harpsichordist & conductor) (in 1995)
balance engineer:
Simon Eadon (classical music engineer)
recorded at:
Conservatoire national supérieur de musique et de danse de Paris (since 1990, Parc de la Villette) in Paris, Île-de-France, France (in 1995)
recording of:
Die Kunst der Fuge, BWV 1080: XVIII, 2. Alio modo. Fuga à 2 Claviere
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/18,2)
arrangement of:
Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
2:11
18The Art of Fugue, BWV 1080 (Earlier (1742) version of the autograph score): Fuga (inversa) a 2 Clav.
producer:
Chris Sayers (producer)
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (in 1995) and Christophe Rousset (French harpsichordist & conductor) (in 1995)
balance engineer:
Simon Eadon (classical music engineer)
recorded at:
Conservatoire national supérieur de musique et de danse de Paris (since 1990, Parc de la Villette) in Paris, Île-de-France, France (in 1995)
recording of:
Die Kunst der Fuge, BWV 1080: XVIII, 2. Alio modo. Fuga à 2 Claviere
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/18,2)
arrangement of:
Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
2:21
19The Art of Fugue, BWV 1080 (Earlier (1742) version of the autograph score): Contrapunctus 14 a 4 (Fuga a 3 Soggetti) (completed by Davitt Moroney)
producer:
Michel Bernard (engineer / producer)
harpsichord:
Davitt Moroney (cembalist) (in 1985-01)
balance engineer:
Jean-François Pontefract (engineer)
recorded at:
Salle Adyar in Paris, Île-de-France, France (in 1985-01)
recording of:
Die Kunst der Fuge, BWV 1080: XIX. Fuga a 3 [4] Soggetti
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/19)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
10:54
20Wenn wir in höchsten Nöten sein, BWV 668a
producer and balance engineer:
Matthias Erb (producer)
organ:
Christian Schmitt (organist) (in 2017-11)
recorded at:
Stadtkirche St. Petri (Freiburg) in Freiberg, Sachsen (Saxony), Germany (in 2017-11)
recording of:
Wenn wir in höchsten Nöten sein, BWV 668.1 (former BWV 668a, published in Art of the Fugue) (in 2017-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 668.1) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 668a)
revision of:
Wenn wir in höchsten Nöten sein, BWV 641
4:53
31▶CD: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]