Reggae Classics of Bob Marley & Gregory Isaacs

~ Release by Bob Marley & The Wailers (see all versions of this release, 1 available)

Tracklist

1▼CD: Reggae Classics Of Bob Marley
#TitleRatingLength
1Soul Rebel
producer:
Arthur Jenkins (in 1968) and Johnny Nash (US reggae/pop singer-songwriter) (in 1968)
lead vocals:
Bob Marley (Jamaican reggae artist)
arranger:
Arthur Jenkins
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1968-09)
recording of:
Soul Rebel (in 1968-09)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Because Éditions, Blue Mountain Music, Cayman Music Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fifty Six Hope Road Music Limited, Jamrec Music, Odnil Music and Rondor Music (London) Ltd.
43:46
2Rainbow Country
recording of:
Rainbow Country (in 1975)
writer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry (aka The Upsetter)
publisher:
Blue Mountain Music Ltd.
55:46
3Soon Come
2:15
4Lively Up Yourself
recording of:
Lively Up Yourself
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc, Odnil Music Ltd. (from 1974 to present), Blue Mountain Music (in 1974) and Fifty Six Hope Road Music Limited (in 1974)
2:52
5Natural Mystic
recording of:
Natural Mystic (in 1975)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
3.85:42
6Rebel's Hop
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Clement “Coxsone” Dodd, Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry (aka The Upsetter)
bass:
Lloyd Parks (Jamaican bassist) (in 1970-12)
drums (drum set):
Carlton “Carly” Barrett (in 1970-12)
guitar:
Alva “Reggie” Lewis (in 1970-12), Peter Tosh (in 1970-12) and Rannie “Bop” Williams (in 1970-12)
keyboard:
Glen Adams (in 1970-12)
percussion:
Uziah “Sticky” Thompson (in 1970-12)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1970-12)
tenor vocals [harmony vocals]:
Peter Tosh (in 1970-12) and Bunny Wailer (in 1970-12)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Studio 17 in Jamaica (in 1970-12)
recording of:
Rebel’s Hop (in 1970-12)
writer:
Bob Marley (Jamaican reggae artist), Curtis Mayfield, Barrett Strong and Norman Whitfield
publisher:
Jamrec Music and Rondor Music (London) Ltd.
medley of:
Cloud Nine
medley of:
Keep On Moving
medley of:
Rude Boy
2:39
7Small Axe
edit of:
Small Axe (1970 studio session) by Bob Marley & The Wailers
recording of:
Small Axe (in 1970-09)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Fifty Six Hope Road
4.63:43
8Duppy Conqueror
performer:
The Upsetters (Lee Perry's reggae house band)
recording of:
Duppy Conqueror (in 1970-09)
writer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry (aka The Upsetter)
publisher:
Bronjo Music, Cayman Music Inc and Rondor Music (London) Ltd.
3:29
9Mr. Brown
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Lee “Scratch” Perry (aka The Upsetter)
publisher:
Trojan Records
recorded at:
Studio 17 in Jamaica
recording of:
Mr. Brown (in 1971-01)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Rondor Music (London) Ltd.
43:30
10How Many Times
edit of:
How Many Times (1968 re-recording) by The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
recording of:
How Many Times (Bob Marley song) (in 1968-06)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
EMI April Music Inc. and Shakat Music Publishing
2:24
11Cheer Up
engineer:
Carlton Lee
producer:
Leslie Kong
publisher:
Trojan Records
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (on 1970-05-19)
recording of:
Cheer Up (on 1970-05-19)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc
3.852:02
12Go Tell It on the Mountain
engineer:
Carlton Lee
producer:
Leslie Kong
bass:
Jackie Jackson (reggae bassist) (in 1970-05)
drums (drum set):
Paul Douglas (JM reggae percussionist) (in 1970-05)
guitar:
Hux Brown (JM ska, rocksteady, reggae guitarist) (in 1970-05) and Peter Tosh (in 1970-05)
organ:
Winston Wright (Jamaican piano and keyboard player) (in 1970-05)
piano:
Gladstone Anderson (Jamaican keyboardist, aka "Gladdy") (in 1970-05)
lead vocals:
Peter Tosh (in 1970-05)
tenor vocals [harmony vocals]:
Bob Marley (Jamaican reggae artist) (in 1970-05) and Bunny Wailer (in 1970-05)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1970-05)
recording of:
Go, Tell It on the Mountain (catch-all for arrangements) (in 1970-05)
lyricist and composer:
[traditional] (special purpose artist)
arrangement of:
Go, Tell It on the Mountain
3.53:14
13You Can't Do That to Me
recording of:
The World is Changing (in 1968)
writer:
Bob Marley (Jamaican reggae artist), Jimmy Norman and Al Pyfrom
2:50
14Soul Captives
engineer:
Carlton Lee
producer:
Leslie Kong (in 1970-05)
bass:
Jackie Jackson (reggae bassist) (in 1970-05)
drums (drum set):
Paul Douglas (JM reggae percussionist) (in 1970-05)
guitar:
Hux Brown (JM ska, rocksteady, reggae guitarist) (in 1970-05) and Peter Tosh (in 1970-05)
organ:
Winston Wright (Jamaican piano and keyboard player) (in 1970-05)
piano:
Gladstone Anderson (Jamaican keyboardist, aka "Gladdy") (in 1970-05)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1970-05)
tenor vocals [harmony vocals]:
Peter Tosh (in 1970-05) and Bunny Wailer (in 1970-05)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1970-05)
recording of:
Soul Captives (in 1970-05)
writer:
Bob Marley (Jamaican reggae artist)
publisher:
Fifty Six Hope Road Music Limited and Primary Wave/Blue Mountain
52:03
15Reaction
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Clement “Coxsone” Dodd, Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry (aka The Upsetter)
bass:
Lloyd Parks (Jamaican bassist) (in 1970-11)
drums (drum set):
Carlton “Carly” Barrett (in 1970-11)
guitar:
Alva “Reggie” Lewis (in 1970-11) and Rannie “Bop” Williams (in 1970-11)
keyboard:
Glen Adams (in 1970-11)
percussion:
Uziah “Sticky” Thompson (in 1970-11)
lead vocals:
Bob Marley (Jamaican reggae artist)
tenor vocals [harmony vocals]:
Peter Tosh (in 1970-11) and Bunny Wailer (in 1970-11)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Studio 17 in Jamaica (in 1970-11)
recording of:
Reaction (in 1970-11)
writer:
Bob Marley (Jamaican reggae artist)
publisher:
Blue Mountain Music, Jamrec Music and Rondor Music (London) Ltd.
3.82:42
16Riding High
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry (aka The Upsetter)
lead vocals:
Bunny Wailer (in 1971-02)
recorded at:
Studio 17 in Jamaica (in 1971-02)
recording of:
Riding High (in 1971-02)
lyricist and composer:
Lee “Scratch” Perry (aka The Upsetter)
publisher:
Bronjo Music
42:47
17It's Alright
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Lee “Scratch” Perry (aka The Upsetter)
bass:
Lloyd Parks (Jamaican bassist) (in 1970-11)
drums (drum set):
Carlton “Carly” Barrett (in 1970-11)
guitar:
Alva “Reggie” Lewis (in 1970-11) and Rannie “Bop” Williams (in 1970-11)
keyboard:
Glen Adams (in 1970-11)
percussion:
Uziah “Sticky” Thompson (in 1970-11)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1970-11)
tenor vocals [harmony vocals]:
Peter Tosh (in 1970-11) and Bunny Wailer (in 1970-11)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Studio 17 in Jamaica
recording of:
It’s Alright (in 1970-11)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Blue Mountain Music, Jamrec Music and Rondor Music (London) Ltd.
52:35
18Try Me
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer) (in 1970-08)
producer:
Clement “Coxsone” Dodd, Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry (aka The Upsetter)
lead vocals:
Bob Marley (Jamaican reggae artist)
publisher:
Trojan Records
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1970-08)
edit of:
Try Me (longer mix) by Bob Marley & The Wailers
recording of:
Try Me (in 1970-08)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Blue Mountain Music, Jamrec Music and Rondor Music (London) Ltd.
52:46
19Touch Me
producer:
Arthur Jenkins (in 1968) and Johnny Nash (US reggae/pop singer-songwriter) (in 1968)
lead vocals:
Bob Marley (Jamaican reggae artist)
arranger:
Arthur Jenkins
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica
recording of:
Touch Me (in 1968)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
3:06
20Back Out
producer:
Leslie Kong (in 1970-05)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1970-05)
recording of:
Back Out (in 1970-05)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Fifty Six Hope Road Music Limited and Primary Wave/Blue Mountain
42:12
21400 Years
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Clement “Coxsone” Dodd, Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry (aka The Upsetter)
bass:
Lloyd Parks (Jamaican bassist) (in 1970-11)
drums (drum set):
Carlton “Carly” Barrett (in 1970-11)
guitar:
Alva “Reggie” Lewis (in 1970-11) and Ranford “Rannie Bop” Williams (in 1970-11)
keyboard:
Glen Adams (in 1970-11)
percussion:
Uziah “Sticky” Thompson (in 1970-11)
lead vocals:
Peter Tosh (in 1970-11)
tenor vocals [harmony vocals]:
Bob Marley (Jamaican reggae artist) (in 1970-11) and Bunny Wailer (in 1970-11)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Studio 17 in Jamaica (in 1970-11)
recording of:
Four Hundred Years (in 1970-11)
writer:
Lee “Scratch” Perry (aka The Upsetter) and Peter Tosh
publisher:
Jamrec Music and Rondor Music (London) Ltd.
2:32
22Can't You See
engineer:
Carlton Lee
producer:
Leslie Kong
bass:
Jackie Jackson (reggae bassist) (in 1970-05)
drums (drum set):
Paul Douglas (JM reggae percussionist) (in 1970-05)
guitar:
Hux Brown (JM ska, rocksteady, reggae guitarist) (in 1970-05) and Peter Tosh (in 1970-05)
organ:
Winston Wright (Jamaican piano and keyboard player) (in 1970-05)
piano:
Gladstone Anderson (Jamaican keyboardist, aka "Gladdy") (in 1970-05)
additional tenor vocals [harmony vocals]:
Bob Marley (Jamaican reggae artist) (in 1970-05) and Bunny Wailer (in 1970-05)
lead vocals:
Peter Tosh
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1970-05)
recording of:
Can’t You See (in 1970-05)
lyricist and composer:
Peter Macintosh
writer:
Peter Tosh
2:44
23All in One Medley: Bend Down Low, Nice Time, One Love, Simmer Down, It Hurts to Be Alone, Lonesome Feeling, Love and Affection, Put It On, Duppy Conqueror
producer:
Lee “Scratch” Perry (aka The Upsetter)
lead vocals:
Bob Marley (Jamaican reggae artist)
publisher:
Trojan Records
recording of:
All in One (in 1971-01)
writer:
Al Anderson (Bob Marley & The Wailers guitarist), Junior Braithwaite, Bob Marley (Jamaican reggae artist), Lee “Scratch” Perry (aka The Upsetter) and Bunny Wailer
publisher:
Cayman Music Inc
medley of:
Bend Down Low
medley of:
Nice Time
medley of:
One Love / People Get Ready
medley of:
Simmer Down
medley of:
It Hurts to Be Alone
medley of:
Lonesome Feeling
medley of:
Love & Affection
medley of:
Put It On
medley of:
Duppy Conqueror
3:32
2▶CD: Reggae Classics of Gregory Isaacs