Pure Jazz Chillout

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1Medium
2Medium
#TitleArtistRatingLength
1Let There Be Love
cello:
Hyman Gold (cellist) (on 1961-12-20), Armand Kaproff (on 1961-12-20), Eleanor Slatkin (US cellist, b. Aller) (on 1961-12-20) and William Vandenburg (Session Musician/Cello) (on 1961-12-20)
double bass:
Al McKibbon (double bassist) (on 1961-12-20)
double bass [arco bass]:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (on 1961-12-20)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1961-12-20)
guitar:
Al Hendrickson (on 1961-12-20)
piano:
George Shearing (British jazz pianist) (on 1961-12-20)
vibraphone:
Emil Richards (on 1961-12-20)
viola:
Joseph DiFiore (on 1961-12-20), Alvin Dinkin (on 1961-12-20), Allan Harshman (violist) (on 1961-12-20) and Paul Robyn (on 1961-12-20)
violin:
Victor Arno (on 1961-12-20), Emil Briano (Violinist) (on 1961-12-20), Jacques Gasselin (on 1961-12-20), James Getzoff (American concertmaster and violinist) (on 1961-12-20), Joseph Livoti (violinist) (on 1961-12-20), Dan Lube (on 1961-12-20), Erno Neufeld (on 1961-12-20), Isadore Roman (violin) (on 1961-12-20), Mischa Russell (violinist) (on 1961-12-20), Felix Slatkin (on 1961-12-20), Joseph Stepansky (on 1961-12-20) and Gerald Vinci (American violinist and strings conductor) (on 1961-12-20)
vocals:
Nat King Cole (on 1961-12-20)
conductor:
Ralph Carmichael (on 1961-12-20)
arranger:
Ralph Carmichael
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1962)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1961-12-20)
cover recording of:
Let There Be Love (on 1961-12-20)
lyricist:
Ian Grant (lyricist)
composer:
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
Nat King Cole & The George Shearing Quintet2.52:45
2Fever
double bass [bass]:
Joe Mondragon (on 1958-05-19)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1958-05-19)
finger snaps:
Peggy Lee (jazz vocalist) (on 1958-05-19) and Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-05-19)
vocals:
Peggy Lee (jazz vocalist) (on 1958-05-19)
conductor:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1958-05-19)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
cover recording of:
Fever (on 1958-05-19)
writer:
Eddie Cooley and John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. and Trio Music Company
part of:
The Adjustment Bureau
Peggy Lee4.253:18
3Cry Me a River
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London (in 1955-08)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 15)
recording of:
Cry Me a River (in 1955-08)
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:54
4Ev'ry Time We Say Goodbye
bass:
George Duvivier (on 1961-07-18)
guitar:
Mundell Lowe (on 1961-07-18)
vocals:
Sarah Vaughan (on 1961-07-18)
recorded at:
RKO-Pathé Studios in New York, New York, United States (on 1961-07-18)
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (on 1961-07-18)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sarah Vaughan2:25
5My Funny Valentine
producer:
Richard Bock (record producer)
double bass:
Carson Smith (on 1954-02-15)
drums (drum set):
Bob Neel (on 1954-02-15)
piano:
Russ Freeman (pianist) (on 1954-02-15)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1954-02-15)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (on 1954-02-15)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954) and Blue Note (in 1989)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1954-02-15)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (on 1954-02-15)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Chet Baker2.52:19
6It Ain't Necessarily So
alto saxophone:
Cannonball Adderley (from 1958-07-22 until 1958-08-18)
bass:
Paul Chambers (US jazz bassist) (from 1958-07-22 until 1958-08-18)
bass clarinet:
Danny Bank (reeds) (from 1958-07-22 until 1958-08-18)
bass trombone:
Dick Hixson (trombonist) (from 1958-07-22 until 1958-08-18) and Dick Nixon (from 1958-07-22 until 1958-08-18)
drums (drum set):
Jimmy Cobb (US jazz drummer) (from 1958-07-22 until 1958-08-18)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (from 1958-07-22 until 1958-08-18)
flute:
Phil Bodner (Woodwind player) (from 1958-07-22 until 1958-08-18) and Romeo Penque (from 1958-07-22 until 1958-08-18)
French horn:
Willie Ruff (from 1958-07-22 until 1958-08-18), Gunther Schuller (US horn player, conductor, composer) (from 1958-07-22 until 1958-08-18) and Julius Watkins (from 1958-07-22 until 1958-08-18)
trombone:
Joe Bennett (trombonist) (from 1958-07-22 until 1958-08-18), Jimmy Cleveland (US jazz trombonist) (from 1958-07-22 until 1958-08-18) and Frank Rehak (US jazz trombonist) (from 1958-07-22 until 1958-08-18)
trumpet:
Johnny Coles (US jazz trumpeter) (from 1958-07-22 until 1958-08-18), Miles Davis (jazz trumpeter, bandleader, songwriter) (from 1958-07-22 until 1958-08-18), Bernie Glow (from 1958-07-22 until 1958-08-18), Louis Mucci (trumpetist) (from 1958-07-22 until 1958-08-18) and Ernie Royal (from 1958-07-22 until 1958-08-18)
tuba:
Bill Barber (Jazz tuba player) (from 1958-07-22 until 1958-08-18)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (from 1958-07-22 until 1958-08-18)
performer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1958-07-22 until 1958-08-18)
instrumental cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (from 1958-07-22 until 1958-08-18)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
Miles Davis4:23
7'Round Midnight
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
alto saxophone:
Edmond Gregory (American jazz musician) (on 1947-11-21)
double bass:
Robert Paige (jazz bassist) (on 1947-11-21)
drums (drum set):
Art Blakey (on 1947-11-21)
piano:
Thelonious Monk (on 1947-11-21)
trumpet:
George Taitt (on 1947-11-21)
recorded at:
WOR Studios in New York, New York, United States (on 1947-11-21)
instrumental recording of:
’Round Midnight (on 1947-11-21)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Thelonious Monk3:10
8God Bless the Child
Stanley Turrentine3:58
9Harvest Moon
engineer and mixer:
Danny Kopelson
producer:
Craig Street
acoustic guitar:
Brandon Ross
bass:
Mark Anthony Peterson
percussion:
Cyro Baptista (percussionist)
percussion and whistle:
Dougie Bowne
resonator guitar:
Kevin Breit
background vocals:
The Peepers
vocals:
Cassandra Wilson
arranger:
Brandon Ross
edited at:
Sear Sound in New York, New York, United States
cover recording of:
Harvest Moon
lyricist and composer:
Neil Young (Canadian singer, songwriter & musician)
publisher:
Silver Fiddle Music
Cassandra Wilson4:57
10I Loves You PorgyNina Simone4:02
11I Wish I Knew (How It Would Feel to Be Free)
phonographic copyright (℗) by:
Blue Note (in 1964)
recording of:
I Wish I Knew How It Would Feel to Be Free
writer:
Billy Taylor (jazz/bop pianist) and Richard Lamb
publisher:
Duane Music Inc. and Westminster Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Billy Taylor Trio3:39
12The Girl From Ipanema
percussion:
Naná Vasconcelos (in 1992)
piano:
Eliane Elias (in 1992)
arranger:
Eliane Elias (in 1992)
recording of:
The Girl From Ipanema (in 1992)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. and Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
Eliane Elias6:29
13I Get a Kick Out of You
Nat King Cole3:19
14We Have All the Time in the World
producer:
John Barry (English score composer) and Phil Ramone
lead vocals:
Louis Armstrong
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Metro Goldwyn Mayer (pre‐MGM/UA Entertainment Co. era, 1924–1981)
recording of:
We Have All the Time in the World (from the film “On Her Majesty’s Secret Service”)
lyricist:
Hal David
composer:
John Barry (English score composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI United Partnership Ltd.
part of:
James Bond themes
part of:
On Her Majesty's Secret Service (from the James Bond film)
Louis Armstrong3.53:14
15Yesterday
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone and flute and clarinet:
Phil Woods (US jazz woodwind player) (on 1966-04-08)
baritone saxophone, bass clarinet and flute and bass clarinet:
Danny Bank (reeds) (on 1966-04-08)
double bass:
Bob Cranshaw (on 1966-04-08)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1966-04-08)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1966-04-08)
piano and piano accordion:
McCoy Tyner (jazz pianist) (on 1966-04-08)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1966-04-08)
trombone:
Tom McIntosh (on 1966-04-08)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1966-04-08) and Ernie Royal (on 1966-04-08)
tuba:
Don Butterfield (on 1966-04-08)
conductor:
Oliver Nelson (saxophone, arranger, composer)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-04-08)
instrumental cover recording of:
Yesterday (original by The Beatles) (on 1966-04-08)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
EMI Blackwood Music Inc., Northern Songs, Sony/ATV, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) and Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney) (from 1965 to present)
cover recording of:
Yesterday (original by The Beatles)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
EMI Blackwood Music Inc., Northern Songs, Sony/ATV, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) and Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney) (from 1965 to present)
Lee Morgan5:47
16More Than This
performer:
Norah Jones
cover recording of:
More Than This
lyricist and composer:
Bryan Ferry
publisher:
BMG Platinum Songs US, E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. and E.G. Music Ltd. (publisher) (in 1982)
Charlie Hunter feat. Norah Jones4:10
17Creepin'
recording engineer:
Tom Lazarus (from 2000-04 until 2000-05)
producer:
Don Byron and Hans Wendl
mixer:
Tom Lazarus
acoustic bass guitar:
Jerome Harris (jazz bassist/guitarist) (from 2000-04 until 2000-05)
clarinet:
Don Byron (from 2000-04 until 2000-05)
drums (drum set):
Paulo Braga (from 2000-04 until 2000-05)
piano:
Uri Caine (from 2000-04 until 2000-05)
vocals:
Mark Ledford (from 2000-04 until 2000-05) and Patricia O'Callaghan (from 2000-04 until 2000-05)
performer:
Patricia O'Callaghan (from 2000-04 until 2000-05)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2000-04 until 2000-05)
mixed at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
Don Byron feat. Patricia O'Callaghan4:53
18Slow Bombing the World
Marc Jordan4:29
19Gangsterism on a River
Jason Moran3:38
20Ballad of the Sad Young Man
Renee Rosnes5:16