The Classic 100: Baroque & Before; Volume 1

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD: Volume I CD1
#	Title	Artist	Rating	Length
1	Messiah, HWV56 - highlights: No. 1 Sinfony orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 1. Symphony composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		3:08
2	Messiah, HWV56 - highlights: No. 2 (Tenor) Comfort ye tenor vocals [tenor]: Paul McMahon (Australian tenor) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		3:13
3	Messiah, HWV56 - highlights: No. 3 (Tenor) Ev'ry valley tenor vocals [tenor]: Paul McMahon (Australian tenor) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		3:23
4	Messiah, HWV56 - highlights: No. 4 (Chorus) And the glory of the Lord choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		2:20
5	Messiah, HWV56 - highlights: No. 5 (Bass) Thus saith the Lord bass vocals [bass]: Teddy Tahu Rhodes (baritone) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		1:25
6	Messiah, HWV56 - highlights: No. 6 (Countertenor) But who may abide countertenor vocals [countertenor]: Christopher Field (countertenor) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 6. Air “But who may abide” composer: George Frideric Handel (German‐British baroque composer) version of: Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		4:37
7	Messiah, HWV56 - highlights: No. 12 (Chorus) For unto us a child is born choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		3:36
8	Messiah, HWV56 - highlights: No. 14a (Soprano) There were shepherds soprano vocals [soprano]: Sara Macliver (soprano) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		0:21
9	Messiah, HWV56 - highlights: No. 14b (Soprano) And lo, the angel of the Lord soprano vocals [soprano]: Sara Macliver (soprano) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		0:21
10	Messiah, HWV56 - highlights: No. 15 (Soprano) And the angel said to them soprano vocals [soprano]: Sara Macliver (soprano) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part I	George Frideric Handel		0:41
11	Messiah, HWV56 - highlights: No. 16 (Soprano) And suddenly there was with the angel soprano vocals [soprano]: Sara Macliver (soprano) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part I	George Frideric Handel		0:17
12	Messiah, HWV56 - highlights: No. 17 (Chorus) Glory To God choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		1:56
13	Messiah, HWV56 - highlights: No. 18 (Soprano) Rejoice greatly soprano vocals [soprano]: Sara Macliver (soprano) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 18: Air “Rejoice greatly, O daughter of Zion” (Soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1741) version of: Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		4:38
14	Messiah, HWV56 - highlights: No. 19 (Alto) Then shall the eyes of the blind alto vocals [alto]: Alexandra Sherman orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 19. Recitativo “Then shall the eyes of the blind” (Contralto) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		0:26
15	Messiah, HWV56 - highlights: No. 20 (Alto, Soprano) He shall feed His flock alto vocals [alto]: Alexandra Sherman soprano vocals [soprano]: Sara Macliver (soprano) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part I	George Frideric Handel		5:56
16	Messiah, HWV56 - highlights: No. 23 (Alto) He was despised alto vocals [alto]: Alexandra Sherman orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		4:48
17	Messiah, HWV56 - highlights: No. 24 (Chorus) Surely He hath borne our griefs choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		1:36
18	Messiah, HWV56 - highlights: No. 40 (Bass) Why do the nations bass vocals [bass]: Teddy Tahu Rhodes (baritone) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		2:24
19	Messiah, HWV56 - highlights: No. 41 (Chorus) Let us break their bonds asunder choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		1:31
20	Messiah, HWV56 - highlights: No. 44 (Chorus) Hallelujah! choir vocals: Cantillation countertenor vocals [countertenor]: Christopher Field (countertenor) conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” composer: George Frideric Handel (German‐British baroque composer) (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II	George Frideric Handel		3:35
21	Messiah, HWV56 - highlights: No. 45 (Soprano) I know that my Redeemer liveth soprano vocals [soprano]: Sara Macliver (soprano) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		6:34
22	Messiah, HWV56 - highlights: No. 47 (Bass) Behold, I tell you a mystery bass vocals [bass]: Teddy Tahu Rhodes (baritone) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		0:46
23	Messiah, HWV56 - highlights: No. 48 (Bass) The trumpet shall sound bass vocals [bass]: Teddy Tahu Rhodes (baritone) orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		8:37
24	Messiah, HWV56 - highlights: No. 53 (Chorus) Worthy is the Lamb choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		3:25
25	Messiah, HWV56 - highlights: No. 52 (Chorus) Amen choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker (Australian conductor) recording of: Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		3:58

2▶CD: Volume I CD2

3▶CD: Volume I CD3

4▶CD: Volume 1 CD4

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purchase for mail-order:	https://www.ebay.com.au/p/12050172749 [info]
other databases:	https://trove.nla.gov.au/work/230317071 [info] https://trove.nla.gov.au/work/250191946 [info] https://trove.nla.gov.au/work/252771306 [info] https://www.worldcat.org/title/893310978 [info] https://www.worldcat.org/title/893311265 [info] https://www.worldcat.org/title/1304261780 [info]
Allmusic:	https://www.allmusic.com/album/release/mr0004205842 [info]

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included in:	The Classic 100: Baroque & Before

The Classic 100: Baroque & Before; Volume 1

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