Tout Pavarotti

~ Release by Luciano Pavarotti (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Di Quella Pira ('Le Trouvere' De Verdi)
2:14
2Fuor Del Mar ('Idomeneo' De Mozart)
5:23
3La Rivedra Nell'Estasi ('Un Bal Masque' De Verdi)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 3b Sortita di Riccardo “La rivedrà nell'estasi” (Riccardo, Samuel, Tom, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
2:06
4Cielo E Mar ('La Gioconda' De Ponchielli)
tenor vocals:
Luciano Pavarotti (tenor) (in 1969)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969)
conductor:
Leone Magiera (conductor, pianist) (in 1969)
recording of:
La Gioconda: Atto II. “Cielo e mar!” (Enzo) (in 1969)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
5:10
5M'Appari ('Martha' De Flotow)
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-06)
tenor vocals [Lionel]:
Luciano Pavarotti (tenor) (in 1973-05)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1973-05, in 1973-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-05, in 1973-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1973-05)
recording of:
Martha: Atto III. “M’apparì tutt’amor” (Lionel) (in 1973-05)
composer:
Friedrich von Flotow (composer) (in 1849)
librettist:
Friedrich Wilhelm Riese
translated version of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
recording of:
Martha: Atto III. “M’apparì tutt’amor” (Lionel) (in 1973-06)
composer:
Friedrich von Flotow (composer) (in 1849)
librettist:
Friedrich Wilhelm Riese
translated version of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
recording of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
composer:
Friedrich von Flotow (composer)
librettist:
Friedrich Wilhelm Riese
part of:
Martha: Akt III
3:33
6A Te O Cara ('Les Puraitains' De Bellini)
recording of:
I Puritani: Atto I, scena 3. N°7 “A te, o cara, amor talora” (Arturo, Giorgio, Walton, Elvira, Coro)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto I
6:40
7Pourquoi Me Reveiller ('Werther' De Massenet)
recording engineer:
James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
tenor vocals [Werther]:
Luciano Pavarotti (tenor) (in 1979-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1979-06)
recording of:
Werther : Acte III. « Toute mon âme est là ! » – « Pourquoi me réveiller ? » (Werther) (in 1979-06)
composer:
Jules Massenet (French Romantic composer)
librettist:
Édouard Blau (Librettist), Georges Hartmann (librettist) and Paul Milliet (Librettist)
part of:
Werther : Acte III (Charlotte et Werther)
3:09
8O Paradiso ('L'Africana' De Meyerbeer)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
New York Philharmonic
conductor:
Zubin Mehta (conductor)
recording of:
L’africana: Atto IV. “Mi batte il cor” … “O Paradiso”
composer:
Giacomo Meyerbeer (composer)
librettist:
Eugène Scribe
translated version of:
L'Africaine: Acte IV. "Pays merveilleux" ... "Ô Paradis"
3:36
9Dai Campi, Dai Prati ('Mefistofele' De Boito)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Oliviero de Fabritiis (conductor and composer)
recording of:
Mefistofele: Atto I, Scena IIa. “Dai campi, dai prati” (Faust)
composer and librettist:
Arrigo Boito (librettist, composer)
part of:
Mefistofele: Atto I
2:45
10Vesti La Giubba ('Paillasse' De Leoncavallo)
tenor vocals and tenor vocals [Canio]:
Luciano Pavarotti (tenor)
orchestra:
Wiener Volksopernorchester
conductor:
Leone Magiera (conductor, pianist)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
3:43
11Addio Alla Madre ('Cavalleria Rusticana' De Mascagni)
tenor vocals:
Luciano Pavarotti (tenor)
recording of:
Cavalleria rusticana: “Mamma, quel vino è generoso, è certo” (Turiddu, Lucia, Donne) (Addio alla madre)
composer:
Pietro Mascagni (composer & conductor) (in 1890)
librettist:
Guido Menasci (Italian librettist, 19th-20th c.) and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
5:16
12Amor Ti Vieta ('Fedora' De Giordano)
recording engineer:
James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
tenor vocals [Loris]:
Luciano Pavarotti (tenor) (in 1979-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06) and Nicola Rescigno (conductor) (in 1979-06)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1979-06)
recording of:
Fedora: Atto II. “Amor ti vieta” (Loris, Borov, Fedora, Olga) (in 1979-06)
composer:
Umberto Giordano (Italian opera composer) (in 1898)
librettist:
Arturo Colautti
part of:
Fedora: Atto II
1:51
13Ch'Ella Mi Creda ('La Fille Du Far West' De Puccini)
recording engineer:
James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
tenor vocals [Johnson]:
Luciano Pavarotti (tenor) (in 1979-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1979-06)
recording of:
La fanciulla del West: Atto III. “Ch’ella mi creda libero e lontano” (Johnson, Rance) (in 1979-06)
composer:
Giacomo Puccini (Italian composer) (in 1910)
librettist:
Guelfo Civinini (Italian librettist) and Carlo Zangarini
part of:
La fanciulla del West: Atto III
2:09
14Donna Non Vidi Mai ('Manon Lescaut' De Puccini)
recording engineer:
James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
tenor vocals [Des Grieux]:
Luciano Pavarotti (tenor) (in 1979-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1979-06)
recording of:
Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux) (in 1979-06)
composer:
Giacomo Puccini (Italian composer) (in 1893)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto I
2:42
15Ah La Paterna Mano ('Mcbeth' De Verdi)
3:44
16Torna A Surriento (De Curtis)
recording of:
Torna a Surriento
lyricist:
Giambattista De Curtis
composer:
Ernesto De Curtis (composer) (in 1902)
publisher:
PolyGram Music Publishing Ltd.
3:15