Yacht Rock 100

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1That’s Love
recording of:
That's Love
lyricist and composer:
Jim Capaldi
Jim Capaldi3:34
2Shakedown Street
assistant engineer:
Betty Cantor-Jackson, Jeffrey Boden, Bill Candelario, Brett Cohen, John Hagen (engineer), Steve Parish (Grateful Dead roadie), Harry Popick, Ram Rod (Grateful Dead crew member and production assistant), Sue Stephens and Robbie Taylor (technician)
engineer:
Bob Matthews
associate producer and executive producer:
John Kahn
co-producer:
Dan Healy
producer:
Lowell George
harp:
Matt Kelly (US guitarist, associated with Kingfish, Grateful Dead)
percussion:
Jordan Amarantha
phonographic copyright (℗) by:
Grateful Dead Productions (in 1978)
recorded at:
Club Le Front in San Rafael, California, United States (from 1978-07-31 until 1978-08-18)
mixed at:
Club Le Front in San Rafael, California, United States
recording of:
Shakedown Street (from 1978-07-31 until 1978-08-18)
lyricist:
Robert Hunter (American lyricist, non‐performing member of the Grateful Dead)
composer:
Jerry Garcia (guitarist / vocalist in Grateful Dead)
publisher:
Ice Nine Publishing Company, Inc.
Grateful Dead45:00
3Fool (If You Think It’s Over)
engineer:
Justin Shirley‐Smith
producer:
Jon Kelly (engineer at Air London Studios) and Chris Rea
phonographic copyright (℗) by:
Magnet Records Ltd. (in 1988)
recorded at:
Sol Mill Studios (The Sol) in Windsor and Maidenhead, England, United Kingdom (in 2007)
recording of:
Fool (If You Think It’s Over) (in 2007)
lyricist and composer:
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea54:07
4Another Night
Wilson Bros.4:00
5Jealousy (Geyster remix)
recording of:
Jealousy
lyricist and composer:
Michael Franks
publisher:
Mississippi Mud Music Co., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and 大洋音楽 (Taiyō Music)
Michael Franks4:21
6Ride Like the Wind
assistant engineer:
Stuart Gitlin
engineer and mixer:
Chet Himes
producer:
Michael Omartian
acoustic guitar, electric guitar, solo guitar and lead vocals:
Christopher Cross (US singer‐songwriter)
bass guitar:
Andy Salmon
drums (drum set):
Tommy Taylor (US drummer)
electric piano and piano:
Michael Omartian
percussion:
Lenny Castro
synthesizer:
Rob Meurer
background vocals:
Christopher Cross (US singer‐songwriter) and Michael McDonald (R&B & soul singer)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 1979) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
produced for:
Free Flow Productions
recorded at:
Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Ride Like the Wind
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) and Universal Music–MGB Songs
sub-publisher:
Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
Christopher Cross4.14:36
7She’s Gone
recorded in:
New York, New York, United States (in 1973)
producer:
Arif Mardin
bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
drums (drum set):
Bernard “Pretty” Purdie (in 1973)
electric guitar, mellotron and synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
electric piano:
Daryl Hall (in 1973)
guitar:
John Oates (in 1973)
percussion:
Ralph MacDonald (in 1973)
tenor saxophone:
Joe Farrell (in 1973)
lead vocals:
Daryl Hall (in 1973) and John Oates (in 1973)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 336)
recording of:
She’s Gone (in 1973)
lyricist and composer:
Daryl Hall and John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:13
8Must of Got Lost
recording of:
Must of Got Lost
writer:
The J. Geils Band
The J. Geils Band52:58
9Shakedown Cruise
engineer and mixer:
Terry Nelson (recording engineer)
producer:
Ed “Radar” Mashal and Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne)
bass guitar [bass]:
Scott Chambers
boatswain's pipe [bosun's whistle]:
Tom Peer U.S.N.
drums (drum set) [drums]:
Curly Smith (Jo Jo Gunne musician)
guitar:
Bob Webb (vocalist/guitarist with: The Measles, The James Gang, and Jay Ferguson’s band)
guitar [lead guitar]:
Tony Battaglia
piano, synthesizer [synthesizers] and vibraphone [vibes]:
Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne)
background vocals:
Bill Szymczyk
recorded at:
Santa Barbara Sound Studios in Santa Barbara, California, United States
Jay Ferguson4:12
10Baby What a Big Surprise
assistant recording engineer and recording engineer:
Armin Steiner (strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
acoustic guitar and bass:
James William Guercio (in 1977)
additional background vocals:
Tim Cetera (in 1977) and Carl Wilson (Beach Boys) (in 1977)
orchestrator:
Peter Cetera, Dominic Frontiere and James William Guercio
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977, in 1978), Chicago Records Inc. (in 1977) and Rhino Entertainment Company (not for release label use!) (in 2002, in 2007)
recorded at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States
recording of:
Baby, What a Big Surprise (in 1977)
orchestrator:
Dominic Frontiere
lyricist and composer:
Peter Cetera (in 1977)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Island Music Ltd. and Universal Music Publishing MGB Ltd.
Chicago33:06
11Turn It On Salvador
Toy Matinee4:55
12Queen of the Masquerade Ball
engineer and mixer:
Terry Christian (US recording and mixing engineer) and John Guess
producer:
Michael Omartian
lead vocals:
Peter Cetera
recorded at and mixed at:
Lion Share Studios in Los Angeles, California, United States
recording of:
Queen of the Masquerade Ball
writer:
Peter Cetera and Michael Omartian
publisher:
Fall Line Orange Music (in 1986) and See This House Music (in 1986)
Peter Cetera3:54
13Baker Street
assistant engineer:
Stefan Heller
engineer:
Peter R. Vince (engineer, producer)
producer:
The Shadows (British pop/rock band that once backed Cliff Richard)
bass guitar:
Alan Jones (member of the Shadows, 60s Merseybeat group)
drums (drum set) and percussion:
Brian Bennett (Shadows drummer)
guitar:
Hank Marvin (lead guitarist of The Shadows, songwriter) and Bruce Welch (English guitarist, singer, songwriter and producer)
synthesizer:
Dave Lawson (UK keyboardist & composer)
arranger:
The Shadows (British pop/rock band that once backed Cliff Richard)
recorded at:
EMI, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom and The Music Centre in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
instrumental cover recording of:
Baker Street
lyricist and composer:
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) and Universal–Songs of PolyGram International, Inc.
The Shadows4:55
14Night Moves
Marilyn Martin5:19
15Believe It or Not (from “Greatest American Hero”)
vocals:
Joey Scarbury
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1981)
recording of:
Believe It or Not (theme from “The Greatest American Hero”)
lyricist:
Stephen Geyer
composer:
Mike Post
publisher:
Darjen Music, EMI April Music Inc., EMI Blackwood Music Inc., Lokey Publishing and Stephen Cannell Music
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Joey Scarbury43:15
16Kiss Me Like You Mean It
Air Supply4:27
17Don’t Cha Love Me
analog synthesizer [ARP 2600] programming:
Jay Graydon
engineer:
John Guess and Tom Perry (engineer)
producer:
Michael Omartian
mixer:
Tom Perry (engineer)
bass guitar:
Rick “Cheese” Chudacoff
drums (drum set):
Peter Bunetta
flute:
Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
guitar:
Bob Bordy and Brian Ray
keyboard:
George T. Clinton (member of Crackin’) and Michael Omartian
percussion:
Peter Bunetta, Arno Lucas, Michael Omartian and Leslie Smith (funk/soul singer)
solo synthesizer and synthesizer:
George T. Clinton (member of Crackin’)
background vocals:
Julia Tillman Waters, Maxine Willard Waters and Michael Omartian
vocals:
Arno Lucas and Leslie Smith (funk/soul singer)
arranger:
Crackin’ and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Hollywood Sound Recorders in Los Angeles, California, United States
recording of:
Don’t Cha Love Me
writer:
John Carter (US disco songwriter), Arno Lucas, Leslie Smith (funk/soul singer) and Ray White
Crackin’3:49
18Out in the Night
Serge Ponsar6:56
19We’re All Alone
cover recording of:
We’re All Alone
lyricist and composer:
Boz Scaggs
publisher:
BMG Songs, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) and Boz Scaggs Music (publisher) (from 1975 to present)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Frankie Valli4:08
20Magic
producer:
Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974, in 1975, in 2003)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 41)
recording of:
Magic
writer:
Billy Lyall and David Paton (of Pilot)
publisher:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Robbins Music Corp. Ltd.
Pilot4.753:06
21I.G.Y.
additional drums (drum set):
Jeff Porcaro
alto saxophone:
David Tofani
baritone saxophone:
Ronnie Cuber
bass guitar:
Anthony Jackson (US bassist)
drums (drum set):
James Gadson (American drummer)
electric piano:
Greg Phillinganes
guitar:
Hugh McCracken
percussion:
Roger Nichols (US mastering, recording engineer and producer) and Starz Vanderlocket
synthesizer:
Donald Fagen and Rob Mounsey
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi-instrumentalist and composer)
trombone:
Dave Bargeron (US trombonist & tubist)
trumpet:
Randy Brecker
background vocals:
Frank Floyd (US soul disco funk singer), Gordon Grody, Zachary Sanders and Valerie Simpson
lead vocals:
Donald Fagen
arranger:
Donald Fagen
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982)
recording of:
I.G.Y. (What a Beautiful World)
lyricist and composer:
Donald Fagen
publisher:
Freejunket Music
Donald Fagen6:03
22I’d Love You to Want Me
recording of:
I’d Love You to Want Me
lyricist and composer:
Kent LaVoie (American singer-songwriter Roland Kent LaVoie)
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Lobo2.54:04
23You Might Need Somebody
recording of:
You Might Need Somebody
composer:
Nan O’Byrne (American songwriter and composer) and Tom Snow (US keyboardist/songwriter)
Turley Richards3:37
24Too Young
Jack Wagner4:11
25Nice Girls
Eye to Eye5:09
26All in a Game
The Dukes3:03
27Frankie, I’m So Sorry
David Geddes3:18
28Lonely Boy
assistant engineer:
Dennis Kirk and Greg Ladanyi
engineer:
Val Garay
producer:
Peter Asher
bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1976-03 until 1976-10)
bell [Sleigh] and drums (drum set):
Michael Botts (from 1976-03 until 1976-10)
cowbell, piano and tambourine:
Andrew Gold (from 1976-03 until 1976-10)
electric piano and synthesizer [Arp String Ensemble]:
Brock Walsh (singer, producer, songwriter) (from 1976-03 until 1976-10)
guitar:
Dan Dugmore (from 1976-03 until 1976-10)
guitar [Lead Guitar]:
Waddy (from 1976-03 until 1976-10)
handclaps:
Peter Asher (from 1976-03 until 1976-10) and Andrew Gold (from 1976-03 until 1976-10)
background vocals:
Linda Ronstadt (from 1976-03 until 1976-10)
vocals:
Andrew Gold (from 1976-03 until 1976-10)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (from 1976-03 until 1976-10)
recording of:
Lonely Boy (from 1976-03 until 1976-10)
lyricist and composer:
Andrew Gold
publisher:
Luckyu Music
Andrew Gold44:25
29Look Who’s Lonely Now
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
bass:
Abraham Laboriel
guitar:
Steve Lukather and Dean Parks (American session guitarist)
horn:
Gary Grant (brass), Gary Herbig, Jerry Hey, Jim Horn (saxophonist, hornist, flutist and oboist), Charles Loper (American trombonist), Lew McCreary and Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
keyboard:
Leon Pendarvis
membranophone:
Jeff Porcaro
percussion:
Lenny Castro
solo saxophone:
David Sanborn
background vocals:
Paulette Brown, Bill Champlin, Steve George (US keyboardist for Mr. Mister & Pages), Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister) and Carmen Twillie
horn arranger:
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
strings arranger:
Nick de Caro
arranger:
Leon Pendarvis
Randy Crawford3:39
30Change of Heart
Nick Heyward4:25
31She’s Not in Love
engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
Larsen/Feiten Band4:42
32Sue Sad
Patrick Simmons3:19
33Don’t Worry Baby
recording of:
Don’t Worry Baby
lyricist and composer:
John McBurnie
publisher:
Copyright Administration Services Ltd. (Copyright Administration Services Limited) and Victor Music Arts
Vapour Trails3:46
34Lonely Night
Joe Fagin3:37
35So Easy
Aztec Two‐Step51:49
36Survivor
Mickey Thomas4:08
37One Way Ticket
Laura Allan4:01
38Radioland
producer:
Ted Templeman
recording of:
Radioland
writer:
Sumner Mering
Nicolette Larson3:08
39Heart and Soul
recording of:
Heart and Soul
writer:
Simon Byrne and Andrew Howell
The Monkees3:55
40Calico
Tommy James3:11
41Fighting Chance
recording of:
Fighting Chance
composer:
Richard Gower (singer and keyboard player for Racey)
Racey3:48
42Kiss and Run
Jorge Calderón3:16
43Does Our Love (Depend on the Night)
Roger Voudouris3:14
44You Belong to You
Off Broadway3:40
45I Can’t Stand It
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
recording of:
I Can’t Stand It
composer:
Rob Davis (songwriter/producer was in Mud), Les Gray, Dave Mount and Ray Stiles
Mud2:42
46Small Talk Time
Tom Johnston3:54
47Moonlighting
recording of:
Moonlighting (theme for the TV show)
lyricist:
Al Jarreau
composer:
Lee Holdridge
Al Jarreau33:04
48Ventura Highway
assistant engineer:
Chuck Leary
engineer:
Mike Stone (producer and engineer, 1960s–80s)
producer:
America (US folk/soft rock band) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
drums (drum set) and percussion:
Hal Blaine (U.S. studio drummer and percussionist)
guitar:
Gerry Beckley, Dewey Bunnell and Dan Peek
keyboard:
Gerry Beckley and Dan Peek
vocals:
Gerry Beckley, Dewey Bunnell and Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972), Warner Music International (trademark of Warner Music International the company) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Ventura Highway
lyricist and composer:
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
live recording of:
Ventura Highway
lyricist and composer:
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
America43:32
49I Just Can’t Let Go
producer:
David Pack and Michael Verdick
background vocals:
James Ingram (R&B singer) and Michael McDonald (R&B & soul singer)
vocals:
David Pack
recording of:
I Just Can't Let Go
lyricist and composer:
David Pack
publisher:
Art Street Music and EMI Longitude Music
David Pack4:53
50Stay the Night
recording of:
Stay the Night
writer:
Benjamin Orr (co-lead singer for The Cars) and Diane Grey Page
Benjamin Orr4:22
51What Do You Want the Girl to Do
cover recording of:
What Do You Want the Girl to Do?
lyricist and composer:
Allen Toussaint
publisher:
Marsaint Music Inc. (publishing), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Lowell George54:49
52Lost Inside Your Love
Badfinger52:42
53Keep a Light On
additional synthesizer programming:
Ian Underwood
assistant engineer:
Robin Laine and Karen Siegel (engineer)
engineer and mixer:
Frank Wolf (engineer at Skyline Recording)
producer:
Michael Omartian
additional synthesizer:
Michael Omartian
bass guitar:
Mark Leonard
drums (drum set):
Doane Perry
guitar:
Michael Landau
percussion:
Paulinho da Costa (Brazilian percussionist) and Michael Omartian
piano:
Robbie Buchanan (Canadian producer) and Jay Gruska
synthesizer:
Robbie Buchanan (Canadian producer)
additional background vocals:
Bill Champlin, Tommy Funderburk and Jennifer Williams (vocalist)
lead vocals:
Jay Gruska
vocals:
Robbie Buchanan (Canadian producer), Mark Leonard and Doane Perry
strings arranger:
Michael Omartian
arranger:
Maxus and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
produced for:
Lewis Kaplan Enterprises, Inc.
recorded at and mixed at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Keep a Light On
lyricist:
Jay Gruska
composer:
Paul Gordon (musical theatre composer (Jane Eyre)) and Jay Gruska
publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Colgems-EMI Music Inc. (from 1980 to present), J‐88 Music (from 1980 to present), Paul Doll Music (from 1980 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Maxus3:22
54Tickets to Rio
producer:
Brian Elliot (singer‐songwriter, also wrote “Papa Don’t Preach”) and Eric Jacobsen (cellist and conductor)
keyboard and lead vocals:
Brian Elliot (singer‐songwriter, also wrote “Papa Don’t Preach”)
arranger:
Brian Elliot (singer‐songwriter, also wrote “Papa Don’t Preach”) and Jimmie Haskell
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
produced for:
Sweet Reliable Productions
recording of:
Tickets to Rio
lyricist and composer:
Brian Elliot (singer‐songwriter, also wrote “Papa Don’t Preach”)
publisher:
Oh Boy Music Company and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Brian Elliot2:47
55Down in the Bottom
bass and ukulele:
Walter Becker
guitar:
Walter Becker and Dean Parks (American session guitarist)
keyboard:
John Beasley (American jazz pianist) and Donald Fagen
percussion:
Paulinho da Costa (Brazilian percussionist)
saxophone:
Bob Sheppard (American jazz musician)
trombone:
Bruce Paulson
vocals:
Walter Becker
recording of:
Down in the Bottom
lyricist and composer:
Walter Becker
Walter Becker34:16
56Why I Came to California
co-producer:
Marty Paich
producer:
Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
recording of:
Why I Came to California
writer:
Janis Siegel and Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Morton St. Publishing, ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Leon Ware4:09
57Sensitive Soul
edit of:
Sensitive Soul by Jerry Corbetta
recording of:
Sensitive Soul
writer:
Jerry Corbetta and Bob Crewe
publisher:
Corbetta Music, Heart’s Delight Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Jerry Corbetta3:23
58Through the Fire
recording of:
Through the Fire (in 1984)
writer:
David Foster (Canadian music producer, arranger and composer), Tom Keane (keyboards, of The Keane Brothers) and Cynthia Weil
publisher:
Bravo and Encore Music, Dyad Music Ltd., Peermusic III, Ltd. (BMI), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), TomJon Music Publishing Company, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Chaka Khan4:43
59One Love Too Late
recording engineer:
Phil Kaye and Roger Nichols (US mastering, recording engineer and producer)
synthesizer programming:
Ian Underwood
assistant engineer:
John Banuelos, Dennis Eveland and Cecilia Perna
producer:
Steve Barri
mixer:
Phil Kaye
arranger:
Michael Omartian
recorded at and mixed at:
Jennifudy Studios in North Hollywood, Los Angeles, California, United States
Patty Weaver4:13
60Savannah Sunny Sunday
Galdston & Thom5:40
61I Want Something to Find Me
Brenda Russell3:05
62Hello It’s Me
phonographic copyright (℗) by:
Bearsville Records Inc. (in 1972)
recording of:
Hello, It’s Me
lyricist and composer:
Todd Rundgren
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Todd Rundgren53:52
63Goodbye Girl
acoustic guitar, bass guitar and piano:
David Gates (singer/songwriter, lead singer of Bread)
drums (drum set):
Mike Botts
electric guitar:
Dean Parks (American session guitarist)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977)
recording of:
Goodbye Girl
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
David Gates2:49
64We’ll Never Have to Say Goodbye Again (single version)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975)
recording of:
We’ll Never Have to Say Goodbye Again
lyricist and composer:
Jeffrey Comanor
publisher:
BMG Sapphire Songs, Chicken Key Music, Faizilu Publishing, Reservoir 416, Sutjujo Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック (Fujipacific Music, Inc.) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
England Dan & John Ford Coley2:52
65Yachting Types
Yachts2:44
66Baby I’m‐a Want You
lead vocals:
David Gates (singer/songwriter, lead singer of Bread)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
recording of:
Baby I’m‐a Want You
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher) and Screen Gems–EMI Music Ltd.
Bread42:23
67Ride Captain Ride
producer:
Richard Podolor
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 32)
recording of:
Ride Captain Ride
lyricist:
Frank “Skip” Konte (US keyboardist)
composer:
Mike Pinera
publisher:
Atlantic (Warner Music imprint) and ATM Music
Blues Image4.53:46
68High Sierra
Keith Carradine4:06
69Suzy
Terence Boylan2:51
70Break the Chain
Jim Messina3:06
71Where Have You Been All My Life
Fotomaker3:37
72Still the One
lead vocals:
Larry Hoppen
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1976) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1976)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 18)
recording of:
Still the One
writer:
Johanna Hall and John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
Siren Songs
Orleans53:53
73I Love a Rainy Night
recording of:
I Love a Rainy Night
writer:
David Malloy (American country music and pop songwriter, record producer and A&R executive), Eddie Rabbitt (US country singer & songwriter) and Even Stevens (singer / songwriter)
Eddie Rabbitt53:11
74Crazy in the Night
assistant engineer:
David Cafe and Neil Rawle
engineer:
Richard Lush
producer:
Richard Lush and Sherbs (Australian rock band)
bass:
Tony Mitchell (bass, songwriter, Australia)
drums (drum set):
Alan Sandow
guitar:
Harvey James
keyboard:
Garth Porter
lead vocals:
Daryl Braithwaite
recorded at:
Paradise Studios (Sydney) in Sydney, New South Wales, Australia
The Sherbs3:52
75Lookin’ Out
Brian Briggs3:30
76Fantasy
recording of:
Fantasy
writer:
Barry Goldberg (blues rock keyboardist and producer) and Will Jennings
publisher:
Irving Music (BMI)
Cilla Black3:19
77She’s Not for You
recording engineer and mixer:
Kent Nebergall
producer:
Joey Carbone and Richie Zito
bass guitar:
Dennis Belfield
drums (drum set):
Carlos Vega
guitar:
Richie Zito
keyboard:
Joey Carbone
percussion:
Joey Carbone and Lenny Castro
lead vocals:
John O’Banion
arranger:
Richie Zito
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1981)
produced for:
Carbone and Zito Productions, Inc.
recording of:
She’s Not for You
lyricist and composer:
Richie Zito
publisher:
Richie Zito Music, Sixty‐Ninth Street Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
John O’Banion4:07
78She’s Gone
recorded in:
New York, New York, United States (in 1973)
producer:
Arif Mardin
bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
drums (drum set):
Bernard “Pretty” Purdie (in 1973)
electric guitar, mellotron and synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
electric piano:
Daryl Hall (in 1973)
guitar:
John Oates (in 1973)
percussion:
Ralph MacDonald (in 1973)
tenor saxophone:
Joe Farrell (in 1973)
lead vocals:
Daryl Hall (in 1973) and John Oates (in 1973)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 336)
recording of:
She’s Gone (in 1973)
lyricist and composer:
Daryl Hall and John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:15
79Good as It Can Be
Eric Kaz2:40
80Sail Away
producer:
Van Dyke Parks
arranger:
Van Dyke Parks
recording of:
Sail Away
writer:
Larry Millas, Jim Peterik, Joe Thomas (Producer/composer/piano player) and Brian Wilson (Beach Boys co‐founder)
Brian Wilson & Van Dyke Parks5:16
81Cool Fool
producer:
David Malloy (American country music and pop songwriter, record producer and A&R executive)
recording of:
Cool Fool
writer:
Bruce Roberts (American singer-songwriter) and Allee Willis
publisher:
Fedora Music, Irving Music (BMI), Reservoir Media Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bruce Roberts4:25
82What a Fool Believes
cover recording of:
What a Fool Believes
writer:
Ken Loggins and Mike McDonald (R&B & soul singer)
publisher:
Milk Money Music (in 1978) and Snug Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Matt Bianco4:25
83Do It Again
bass guitar:
Keni Burke
Terry Callier4:53
84All the Love You Give Me
Mark Farner4:49
85Atlantic Liner
Chunky, Novi & Ernie3:45
86One Good Friend
Roger Tillison2:40
87Night Time in the Switching Yard
engineer:
Dennis Kirk and Greg Ladanyi
producer:
Jackson Browne (American singer-songwriter) and Waddy Wachtel
bass guitar:
Bob Glaub
cowbell:
Greg Ladanyi
drums (drum set) and percussion:
Jeff Porcaro
guitar:
Danny Kortchmar (Danny Kootch)
guitar family and synthesizer:
Waddy Wachtel
synthesizer:
Warren Zevon
background vocals:
The Gentlemen Boys
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978)
recording of:
Nighttime in the Switching Yard
writer:
Jorge Calderón, David Lindell, Waddy Wachtel and Warren Zevon
Warren Zevon34:19
88You Are the Woman
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
You Are the Woman
writer:
Rick Roberts (member of Firefall & The Flying Burrito Brothers)
Firefall2.52:46
89Dream Weaver
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
recorded at and mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 25)
recording of:
Dream Weaver (Gary Wright)
lyricist and composer:
Gary Wright (US singer/keyboardist) (in 1975)
publisher:
High Wave Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and WB Music Corp.
Gary Wright44:16
90Marina del Rey
producer:
Gary Katz
lead vocals:
Marc Jordan (US‐born Canadian singer‐songwriter)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recording of:
Marina Del Rey
lyricist and composer:
Marc Jordan (US‐born Canadian singer‐songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Mortgage Music, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Marc Jordan3:12
91Steal Away Again
Julie Felix4:02
92Just When I Needed You Most
producer:
Del Newman (British conductor, orchestrator, arranger)
phonographic copyright (℗) by:
Bearsville Records Inc. (in 1979) and Rhino Records, Inc. (company credits only; not for release label use!) (in 1979)
recording of:
Just When I Needed You Most
lyricist and composer:
Randy VanWarmer
publisher:
Fourth Floor Music Inc. (US publisher), Terraform Music (publisher), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Randy VanWarmer4:02
93The Air That I Breathe
co-engineer:
Alan Rouse
engineer:
Tony Clark (engineer, Abbey Road)
producer:
John Farrar
arranger:
John Fiddy (songwriter/singer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
cover recording of:
The Air That I Breathe
writer:
Albert Hammond and Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
The Air That I Breathe
writer:
Albert Hammond and Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Olivia Newton‐John3:52
94I Can’t Tell You Why
drum machine programming:
Shai (R&B soul quartet)
producer:
Paul Brown (smooth jazz performer/producer) and Larry Carlton
mixer:
Paul Brown (smooth jazz performer/producer)
editor:
Stewart Whitmore
additional keyboard:
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
guitar:
Larry Carlton
keyboard:
Shai (R&B soul quartet)
vocals:
Shai (R&B soul quartet)
arranger:
Shai (R&B soul quartet)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
Larry Carlton4:28
95Say Goodbye to Hollywood
vocals:
Bette Midler
cover recording of:
Say Goodbye to Hollywood
lyricist and composer:
Billy Joel (American singer-songwriter and pianist)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Songs Ltd., Home Grown Music (formerly Home Grown Music Network), Tin Pan Tunes, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Joelsongs (in 1976) and CBS Songs Ltd. (in 1981)
Bette Midler3:02
96You’re Moving Out Today
recording of:
You're Moving out Today
writer:
Carole Bayer Sager, Bette Midler and Bruce Roberts (American singer-songwriter)
Carole Bayer Sager4.353:35
97How Long
recording of:
How Long
lyricist and composer:
J.D. Souther
J.D. Souther3:23
98Just the Way It Is, Baby
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1990), WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1990) and Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1991)
recording of:
Just the Way It Is, Baby
writer:
Phil Solem and Danny Wilde (The Rembrandts, Great Buildings & The Quick)
publisher:
Poppy‐Due Music (publisher; do NOT use as release label), Tiger God Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and WB Music Corp. (1929–2019)
The Rembrandts44:04
99Midnight at the Oasis
engineer:
Lee Herschberg and Donn Landee
producer:
Joe Boyd (US producer, founder of Hannibal Records) and Lenny Waronker
mixer:
Lee Herschberg
acoustic guitar:
David Nichtern
bass guitar:
Freebo
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos)
electric guitar:
Amos Garrett
piano:
Mark T. Jordan
spoken vocals:
Greg Prestopino
vocals:
Maria Muldaur
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Midnight at the Oasis
lyricist and composer:
David Nichtern
publisher:
Space Potato Music (in 1974)
Maria Muldaur43:50
100Love Is the Answer
recording engineer and mixer:
Billy Sherwood
producer:
Bob Kulick and Billy Sherwood
bass guitar, drums (drum set), percussion and background vocals:
Billy Sherwood
guitar:
Gary Hoey
lead vocals:
Todd Rundgren
recorded at and mixed at:
Office Studios in Van Nuys, California, United States
recording of:
Love Is the Answer
lyricist and composer:
Todd Rundgren
publisher:
Earmark Music Inc., Fiction Music Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Utopia4:18

Credits

Release

copyrighted (©) by:Warner Music Group (holding company – file NO releases) (in 2020)
X5 Music Group (in 2020)
phonographic copyright (℗) by:Warner Music Group (holding company – file NO releases) (in 2020)
X5 Music Group (in 2020)
stream for free:https://open.spotify.com/album/5JIz7ERaS0emrETI56hZ1X [info]
https://www.deezer.com/album/150464242 [info]
streaming page:Amazon Music US [info]
https://tidal.com/album/142728156 [info]