Best Mozart 100

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 8 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleRatingLength
1Der Schauspieldirektor, K. 486: Overture
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (from 1981-06-15 until 1981-06-16)
conductor:
Sir Neville Marriner (conductor) (from 1981-06-15 until 1981-06-16)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1981-06-15 until 1981-06-16)
recording of:
Der Schauspieldirektor, K. 486 (Erik Smith reconstruction): Ouvertüre (from 1981-06-15 until 1981-06-16)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Johann Gottlieb Stephanie ('The Younger')
part of:
Der Schauspieldirektor, K. 486
3:43
2Idomeneo, K. 366: "Fuor del mar ho un mar in seno" (Idomeneo)
tenor vocals:
Ian Bostridge (tenor) (from 2001-07 until 2001-08)
orchestra:
Scottish Chamber Orchestra (from 2001-07 until 2001-08)
conductor:
Charles Mackerras (Australian conductor) (from 2001-07 until 2001-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2002)
recorded at:
Usher Hall in Edinburgh, Scotland, United Kingdom (from 2001-07 until 2001-08)
recording of:
Idomeneo, rè di Creta, K. 366: Act II, Scene III. No. 12 Aria "Fuor del mar" (Idomeneo) (from 2001-07 until 2001-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act II
6:15
3Idomeneo, K. 366: "Zeffiretti lusinghieri" (Ilia)
soprano vocals:
Lisa Milne (soprano) (from 2001-07 until 2001-08)
orchestra:
Scottish Chamber Orchestra (from 2001-07 until 2001-08)
conductor:
Charles Mackerras (Australian conductor) (from 2001-07 until 2001-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2002)
recorded at:
Usher Hall in Edinburgh, Scotland, United Kingdom (from 2001-07 until 2001-08)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene I. No. 19 Aria "Zeffiretti lusinghieri" (Ilia) (from 2001-07 until 2001-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
4:56
4Die Entführung aus dem Serail, K. 384: "Konstanze, dich wieder zu sehen, dich!" (Belmonte)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) and Helmut Storjohann (German producer)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1966-02)
conductor:
Josef Krips (conductor/violinist) (in 1966-02)
balance engineer:
Ernst Rothe (engineer) (in 1966-02)
recorded at:
Theater an der Wien in Mariahilf, Wien (Vienna), Austria (in 1966-02)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. No. 4 Rezitativ und Arie "Konstanze, dich wieder zu sehen!" (Belmonte) / "O wie ängstlich, o wie feurig" (Belmonte) (in 1966-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
4:58
5Die Entführung aus dem Serail, K. 384: "Martern aller Arten" (Konstanze)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) and Helmut Storjohann (German producer)
soprano vocals and soprano vocals [Konstanze]:
Anneliese Rothenberger (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1966-02)
conductor:
Josef Krips (conductor/violinist) (in 1966-02)
balance engineer:
Ernst Rothe (engineer) (in 1966-02)
recorded at:
Theater an der Wien in Mariahilf, Wien (Vienna), Austria (in 1966-02)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) (in 1966-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
8:47
6Die Entführung aus dem Serail, K. 384: "Welche Wonne, welche Lust" (Blonde)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) and Helmut Storjohann (German producer)
soprano vocals and soprano vocals [Blonde]:
Lucia Popp (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1966-02)
conductor:
Josef Krips (conductor/violinist) (in 1966-02)
balance engineer:
Ernst Rothe (engineer) (in 1966-02)
recorded at:
Theater an der Wien in Mariahilf, Wien (Vienna), Austria (in 1966-02)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VI. No. 12 Arie "Welche Wonne, welche Lust" (Blonde) (in 1966-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
2:30
7Die Entführung aus dem Serail, K. 384: "Vivat Bacchus" (Osmin & Pedrillo)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) and Helmut Storjohann (German producer)
bass vocals:
Gottlob Frick (operatic bass) and Gerhard Unger (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1966-02)
conductor:
Josef Krips (conductor/violinist) (in 1966-02)
balance engineer:
Ernst Rothe (engineer) (in 1966-02)
recorded at:
Theater an der Wien in Mariahilf, Wien (Vienna), Austria (in 1966-02)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. No. 14 Duett "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin) (in 1966-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
2:07
8Die Entführung aus dem Serail, K. 384: "O, wie will ich triumphieren" (Osmin)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) and Helmut Storjohann (German producer)
bass vocals:
Gottlob Frick (operatic bass)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (in 1966-02)
conductor:
Josef Krips (conductor/violinist) (in 1966-02)
balance engineer:
Ernst Rothe (engineer) (in 1966-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recorded at:
Theater an der Wien in Mariahilf, Wien (Vienna), Austria (in 1966-02)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin) (in 1966-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin) (in 1966)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
3:36
9Die Zauberflöte, K. 620: Overture
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Bernard Haitink (conductor)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
6:49
10Die Zauberflöte, K. 620: "Der Vogelfänger bin ich ja" (Papageno)
baritone vocals [Papageno]:
Wolfgang Brendel (baritone) (from 1981-04-01 until 1981-04-13)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
performer:
Bavarian RSO (Bavarian Radio Symphony Orchestra)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
2:47
11Die Zauberflöte, K. 620: "Dies Bildnis ist bezaubernd schön" (Tamino)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1981-04-01 until 1981-04-13)
tenor vocals [Tamino]:
Siegfried Jerusalem (tenor) (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
4:01
12Die Zauberflöte, K. 620: "Bei Männern" (Pamina & Papageno)
baritone vocals [Papageno]:
Wolfgang Brendel (baritone) (from 1981-04-01 until 1981-04-13)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1981-04-01 until 1981-04-13)
soprano vocals [Pamina]:
Lucia Popp (soprano) (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
3:11
13Die Zauberflöte, K. 620: "Schnelle Füße" (Pamina, Papageno & Monostatos)
baritone vocals [Papageno]:
Wolfgang Brendel (baritone) (from 1981-04-01 until 1981-04-13)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1981-04-01 until 1981-04-13)
soprano vocals [Pamina]:
Lucia Popp (soprano) (from 1981-04-01 until 1981-04-13)
tenor vocals [Monostatos]:
Heinz Zednik (tenor) (from 1981-04-01 until 1981-04-13)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
3:11
14Die Zauberflöte, K. 620: "O Isis und Osiris" (Sarastro & Chorus)
bass vocals [Sarastro]:
Roland Bracht (bass-baritone) (from 1981-04-01 until 1981-04-13)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:51
15Die Zauberflöte, K. 620: "Der Hölle Rache" (Queen of Night)
soprano vocals [Königin der Nacht]:
Edita Gruberová (soprano) (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:48
16Die Zauberflöte, K. 620: "Ach, ich fühl's" (Pamina)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1981-04-01 until 1981-04-13)
soprano vocals [Pamina]:
Lucia Popp (soprano) (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden“ (Pamina) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:11
17Die Zauberflöte, K. 620: "Ein Mädchen oder Weibchen" (Papageno)
baritone vocals [Papageno]:
Wolfgang Brendel (baritone) (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:10
18Die Zauberflöte, K. 620: "Pa-pa-pa-pa-Papagena!" (Papagena & Papageno)
baritone vocals:
Wolfgang Brendel (baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals:
Brigitte Linder (soprano)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:35
19O du eselhafter Martin, K. 560
orchestra:
Convivium musicum München
conductor:
Xaver Mayer (conductor)
recording of:
Canon for 4 Voices in 1 in F major, K. 560: "O du eselhafter Martin"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 560) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 560b)
2:44
20Bona nox, bist a rechta Ox, K. 561
orchestra:
Convivium musicum München
conductor:
Xaver Mayer (conductor)
recording of:
Canon for 4 Voices in 1 in A major, K. 561: Canon. "Bona nox! bist a rechta Ox"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 561) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 561)
1:21
21Essen und trinken, K. 234
orchestra:
Convivium musicum München
conductor:
Xaver Mayer (conductor)
recording of:
Canon for 3 Voices in 1 in G major, K. 382e / KV 234: Allegro. "Essen, Trinken, das erhält"
composer:
Wenzel Trnka
previously attributed to:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 234) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 382e)
1:36
4▶CD
5▶CD
6▶CD

Credits

Release

ASIN:UK: B000AYQDZW [info]

Release group

part of:100 Best (EMI Classics) (order: 3)