50 Chefs d'œuvre de la musique classique (Logo Universal music France LC00173 près du CB)

~ Release by Various Artists (see all versions of this release, 3 available)

Annotation

Vous avez au bout des doigts certains des chefs-d’œuvre essentiels de la musique. Voici un panorama exhaustif d’œuvres célèbres des plus grands compositeurs. Baroche - Classique - Romantique - Opéra, Nous avons rassemblé les oeuvres indispensables en une collection unique interprétée par les meilleurs musiciens, directeurs d'orchestres et voix.
Nb: J'ai essayé de retrouver les orchestres et directeurs associés à ces titres. Tout n'est peut être pas parfait.

Annotation last modified on 2020-05-01 17:13 UTC.

Tracklist

1▶CD
2▶CD
3▼CD
#TitleArtistRatingLength
1Requiem : "Lacrimosa"
organ:
Friedemann Winklhofer (organist)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra)
conductor:
Christian Thielemann (German conductor)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart3:29
2Messa da requiem : Dies irae
choir vocals:
Ernst‐Senff‐Chor
vocals:
Ernst‐Senff‐Chor (in 1989)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Carlo Maria Giulini (conductor) (in 1989)
performer:
Berliner Philharmoniker (Berlin Philharmonic Orchestra), Ernst‐Senff‐Chor, Carlo Maria Giulini (conductor) and Ernst Senff
recording of:
Messa da requiem: IIa. Dies irae: Dies irae (coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi2:44
3Pavane
vocals:
Tanglewood Festival Chorus
orchestra:
Boston Symphony Orchestra
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:50
4Prélude à l'après-midi d'un faune
recording engineer and editor:
Joachim Niss
engineer and balance engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Karl Faust (producer)
flute:
Doriot Anthony Dwyer (US flautist) (from 1971-02-01 until 1971-02-02)
orchestra:
Orchestre Symphonique de Boston (from 1971-02-01 until 1971-02-02)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1971-02-01 until 1971-02-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) and Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1971)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1971-02-01 until 1971-02-02)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (from 1971-02-01 until 1971-02-02)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy9:36
5Le Clavier bien tempéré : "Prélude n°1"
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Wilhelm Kempff (pianist) (in 1976-05)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1976-05)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 1976-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 1977)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach1:30
6Requiem : "Pie Jesu"
organ:
Timothy Farrell (organist)
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré4:06
7Turandot : "Nessun dorma!"
choir vocals:
London Voices
tenor vocals:
Roberto Alagna (tenor)
vocals:
Roberto Alagna (tenor) and London Voices
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Mark Elder (conductor)
chorus master:
Terry Edwards (British choir director)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini3:29
8Toccata et fugue en ré mineur : "Toccata"
organ:
Helmut Walcha (German organist)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Classic 100: Piano (2025) (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565
Johann Sebastian Bach2:41
9Cantate "Herz und Mund und Tat und Leben" : "Jésus que ma joie demeure"
vocals:
Mikaeli kammarkör (Swedish chamber choir) and Nathalie Stutzmann (contralto and conductor)
orchestra:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:58
10Suite bergamasque : "Clair de lune"
piano:
Tamás Vásáry (Hungarian pianist and conductor)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
part of:
Classic 100: Piano (2004) (number: 3)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy5:18
11Concerto pour piano n°21 en ut majeur : "Andante"
piano:
Anda Géza (Geza Anda, pianist)
orchestra:
Camerata Salzburg (Austrian chamber orchestra)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:17
12Le Beau Danube bleu (Extrait)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
partial recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss3:38
13Bagatelle en la mineur : "Lettre à Élise"
piano:
Анатолий Угорский (Anatol Ugorski, pianist)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven4:02
14Die Zauberflöte (La Flûte enchantée) : "Der Hölle Rache kocht in meinem Herzen" (Air de la reine de la nuit)
soprano vocals:
Patricia Petibon (soprano)
orchestra:
Concerto Köln
conductor:
Daniel Harding (conductor)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:11
15Le Messie : "Hallelujah"
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (in 1972-11)
vocals:
The John Alldis Choir
orchestra:
London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) and London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel4:02
16Canon et gigue en ré majeur : "Canon"
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1980-09)
conductor:
Reinhard Goebel (violinist and conductor) (in 1980-09)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1980-09)
partial recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon and Gigue in D major, P. 37, T. 377: I. Canon)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel3:13
17Symphonie n°9 avec chœur : "Hymne à la joie, finale" (Extrait)
bass vocals:
Karl Ridderbusch (operatic bass) (in 1970)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1970)
mezzo-soprano vocals:
Tatiana Troyanos (mezzo-soprano) (in 1970)
soprano vocals:
Gwyneth Jones (soprano) (in 1970)
tenor vocals:
Jess Thomas (tenor) (in 1970)
vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor) (in 1970)
recording of:
Ode an die Freude (Ode to Joy)
anthem of:
Europe (from 1972-01-19 to present)
composer:
Ludwig van Beethoven (German composer) (in 1824)
is based on:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven2:59

Credits

Release

ASIN:FR: B00Q5MH9LU [info]