Deutsche Harmonia Mundi - 50 CD Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD: Amor Oriental - Händel alla turca
2CD: The Masque of Alfred
3CD: Hamburger Sinfonien, WQ 182, 3-5 / Concerti WQ 165 & 43, 4
4CD: Concerti · Ciaccona · Partita
5CD: Aus dem Notenbüchlein für Anna Magdalena Bach
6CD: Orgelwerke
7CD: Barocke Trompetenmusik
8CD: Sonatas for fortepiano and violin
9CD: Sonatas for fortepiano and violin
10CD: Sonatas for fortepiano and violin
11CD: Beethoven: Chorfantasie / Liszt: Beethoven-Kantate
12CD: String Quintets Op.11, 4-6
13CD: Codex Engelberg 314
14CD: Concerti Grossi Op. 6 Nos. 1-6
15CD: Dixit
16CD: The Eton Choirbook
17CD: Floregium Musicale
18CD: Der Messias
19CD: Der Messias
20CD: Sämtliche Bläsersonaten Volume I
21CD: Sämtliche Bläsersonaten Volume II
22CD: Süße Stille, sanfte Quelle
23CD: Venus & Adonis / Cantatas and Sonatas
24CD: Haydn: Grosse Orgelmesse / Mozart: Te Deum
25CD: L'infedeltà costante, Operati Arias & Overtures
26CD: Kapsbergiana
27CD: Lava: Opera Arias from 18th Century Napoli
28CD: Lotti: Missa Sapientiae / Bach: Magnificat, BWV 243a
29CD: Metamorphosis
30CD: Madrigali Amorosi
31CD: Vespro della Beata Vergine
32CD: Vespro della Beata Vergine
33CD: Flute & Oboe Quartets
34CD: Requiem
35CD: Streichquintette K 174 & 406
36CD: Musik in Sanssouci
37CD: Nova Cantica: Latin Songs of the High Middle Ages
38CD: Instrumental music
#TitleArtistRatingLength
1The Fairy Queen: I. Prelude in g - Hornpipe in g
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
The Fairy Queen, Z. 629: First Musick, no. 1. Prelude (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
recording of:
The Fairy Queen, Z. 629: First Musick, no. 2. Hornpipe (Hornpipe in g) (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
Henry Purcell2:31
2The Fairy Queen: II. Air in B - Rondeau in B
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
The Fairy Queen, Z. 629: Second Musick, no. 3. Air (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
recording of:
The Fairy Queen, Z. 629: Second Musick, no. 4. Rondeau (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
Henry Purcell2:24
3The Fairy Queen: III. Overture in D
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
The Fairy Queen, Z. 629: Act I, no. 5. Overture (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
Henry Purcell1:20
4The Fairy Queen: IV. Prelude in C - Entry Dance in C - Dance for the Fairies in G
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
partial recording of:
The Fairy Queen, Z. 629 (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
premiered at:
Dorset Garden Theatre in London (Greater London), England, United Kingdom (on 1692-05-02)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 629)
recording of:
The Fairy Queen, Z. 629: Act II, no. 10. Prelude (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
Henry Purcell3:35
5The Fairy Queen: V. Overture in G - Air in G - Prelude in g
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
partial recording of:
The Fairy Queen, Z. 629 (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
premiered at:
Dorset Garden Theatre in London (Greater London), England, United Kingdom (on 1692-05-02)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 629)
recording of:
The Fairy Queen, Z. 629: Act III, no. 20. A Song in Two Parts and Chorus: "If Love's a Sweet Passion" (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
recording of:
The Fairy Queen, Z. 629: Act III, no. 21. Overture: Symphony While the Swans Come Forward (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
Henry Purcell5:33
6The Fairy Queen: VI. Hornpipe in d
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
The Fairy Queen, Z. 629: First Musick, no. 2. Hornpipe (Hornpipe in g) (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
Henry Purcell1:50
7The Fairy Queen: VII. Symphony: Canzona - Largo - Allegro - Adagio - Allegro
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
The Fairy Queen, Z. 629: Act IV, no. 30. Symphony (Canzona, Largo, Allegro, Adagio) (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
Henry Purcell6:28
8Dido and Aeneas: I. Overture in c - Air in c - The Triumphing Dance in C
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Overture (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer) (in 1689)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626
Henry Purcell7:04
9Dido and Aeneas: II. Ritornelle in d - Air
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 22. Ritornelle (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus) (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell3:04
10Dido and Aeneas: III. Echo Dance of Furies in F
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:51
11Dido and Aeneas: IV. The Sailors' Dance in B
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:51
12Dido and Aeneas: V. The Witches' Dance in B
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:38
13Dido and Aeneas: VI. Chacony
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
Dido and Aeneas, Z. 626: Act I. Guitar Dance (interstitial, unnumbered, after Act I, 10) (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell4:26
14King Arthur: I. Overture in d - Air in d - Overture in D
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
King Arthur, Z. 628: Act I, Scene I, 1. Overture (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act I
recording of:
King Arthur, Z. 628: Act I, Scene I, 2. Air (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act I
recording of:
King Arthur, Z. 628: Act I, Scene I, 3. Overture (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act I
Henry Purcell5:33
15King Arthur: II. Symphony in g - Air in G - Hornpipe in g
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
instrumental recording of:
King Arthur, Z. 628: Act II, Scene II, 14. “How blest are shepherds, how happy their lasses” (Shepherd and chorus) (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
recording of:
King Arthur, Z. 628: Act II, Scene II. Symphony (interstitial, comes before Act II, 15. “Shepherd, shepherd, leave decoying”) (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act II
recording of:
King Arthur, Z. 628: Act III, 28. Third Act Tune: Hornpipe (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
Henry Purcell3:59
16King Arthur: III. Air in d - Air in a - Song Tune in a
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
King Arthur, Z. 628: Act II, 17. Second Act Tune: Air (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act II
recording of:
King Arthur, Z. 628: Act IV, Scene II, 31. Fourth Act Tune: Air (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act IV
Henry Purcell3:38
17King Arthur: IV. Symphony in C - Trumpet Tune in C
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
King Arthur, Z. 628: Act V, Scene II, 32. Trumpet Tune (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
recording of:
King Arthur, Z. 628: Act V, Scene II, 34. Symphony (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
Henry Purcell2:58
18King Arthur: V. Frost Dance in c - Hornpipe in G
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
King Arthur, Z. 628: Act III, 18. Prelude (before Act III, 19. “What ho! Thou genius of this isle”) (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
partial instrumental recording of:
King Arthur, Z. 628: Act V, Scene II, 37. “Your hay it is mow’d, and your corn is reap’d” (Comus, peasants) (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell2:33
19King Arthur: VI. Passacaglia in g
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
partial instrumental recording of:
King Arthur, Z. 628: Act IV, Scene II, 30. Passacaglia – “How happy the lover” (Tenor, Nymphs, and Sylvans) (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act IV
Henry Purcell3:20
20Abdelazer: I. Overture in d
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: I. Overture (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell3:07
21Abdelazer: II. Rondeau in d
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell1:26
22Abdelazer: III. Aire in D - Aire in G
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: III. Air in D (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
recording of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: IV. Air in G (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell2:30
23Abdelazer: IV. Minuett in G - Aire in g
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: V. Minuett in G (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
recording of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: VI. Air in g (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell2:04
24Abdelazer: V. Jigg in G
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: VII. Jigg in g (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell1:24
25Abdelazer: VI. Hornpipe in B - Aire in g
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (from 1991-03-17 until 1991-03-21)
conductor:
Thomas Hengelbrock (German violinist and conductor) (from 1991-03-17 until 1991-03-21)
phonographic copyright (℗) by:
harmonia mundi, D‐7800 Freiburg (for copyrights use only) (in 1991)
recorded at:
Reformierte Kirche Arlesheim in Arlesheim, Basel-Landschaft (Basel-Land), Switzerland (from 1991-03-17 until 1991-03-21)
recording of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: IX. Air in g (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
recording of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: VIII. Hornpipe (from 1991-03-17 until 1991-03-21)
composer:
Henry Purcell (Baroque composer)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell1:47
39CD: Festliche Opernsuiten in Versailles
40CD: Die schöne Müllerin
41CD: Symphoniæ Sacræ III (1650)
42CD: Symphoniæ Sacræ III (1650)
43CD: Souvenirs & Caprices
44CD: Lieder nach Gedichten von Heinrich Heine
45CD: Sinfonies & Concertos
46CD: Concertos for Viola da gamba
47CD: Blockflötenkonzerte: Telemann - Graupner - Schultze
48CD: Il Violino: Bach · Beracini · Westhoff
49CD: Abu Hassan
50CD: Ouvertures & Suites

Credits

Release

distributed by:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
copyrighted (©) by:Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (in 2014)
ASIN:US: B00NX4NMGO [info]
Allmusic:https://www.allmusic.com/album/release/mr0004307500 [info]