Time for Heroes: The Best of The Libertines

~ Release by The Libertines (see all versions of this release, 4 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1Up the Bracket
engineer:
Nick Terry (sound engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 2002)
mixed at:
Sony Music Studios (London) in London (Greater London), England, United Kingdom
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 47)
recording of:
Up the Bracket
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
4.52:40
2Time for Heroes
engineer:
Nick Terry (sound engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 2002)
mixed at:
Sony Music Studios (London) in London (Greater London), England, United Kingdom
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 6)
recording of:
Time for Heroes
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3.352:39
3Mayday
engineer:
Nick Terry (sound engineer)
producer:
Bernard Butler
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recording of:
Mayday
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
1:04
4Don’t Look Back Into the Sun
engineer:
Nick Terry (sound engineer)
producer:
Bernard Butler
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2003)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 5)
recording of:
Don’t Look Back Into the Sun
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) (in 2003)
4.52:58
5Tell the King
engineer:
Nick Terry (sound engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 2002)
mixed at:
Sony Music Studios (London) in London (Greater London), England, United Kingdom
recording of:
Tell the King
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
43:24
6What Katie Did
assistant engineer:
Iain Gore
engineer and mixer:
Bill Price (UK producer/engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2004)
recorded at:
Metropolis (London) in London (Greater London), England, United Kingdom (in 2004)
recording of:
What Katie Did
writer:
Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
4.53:51
7Can’t Stand Me Now
assistant engineer:
Iain Gore
engineer and mixer:
Bill Price (UK producer/engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2004)
recorded at:
Metropolis (London) in London (Greater London), England, United Kingdom (in 2004)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 13)
recording of:
Can’t Stand Me Now
writer:
Carl Barât, Peter Doherty (Libertines) and Mark Hammerton
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3.83:25
8What a Waster
engineer:
Nick Terry (sound engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recording of:
What a Waster
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
52:59
9The Delaney
producer:
The Libertines (British indie rock band)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recorded at:
Nomis Studios in London (Greater London), England, United Kingdom
recording of:
The Delaney
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
2:42
10Boys in the Band
engineer:
Nick Terry (sound engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 2002)
mixed at:
Sony Music Studios (London) in London (Greater London), England, United Kingdom
recording of:
Boys in the Band
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
43:43
11Death on the Stairs
engineer:
Nick Terry (sound engineer)
producer:
Bernard Butler
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2003)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom
recording of:
Death on the Stairs
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) (in 2003)
3:44
12I Get Along
engineer:
Nick Terry (sound engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 2002)
mixed at:
Sony Music Studios (London) in London (Greater London), England, United Kingdom
recording of:
I Get Along
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
2:52
13What Became of the Likely Lads
recording of:
What Became of the Likely Lads
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
43:23