| # | Title | Artist | Rating | Length |
|---|
| 1 | Born to Be Wild- producer:
- Gabriel Mekler
- phonographic copyright (℗) by:
- Geffen Records (in 1968), MCA Records, Inc. (in 1968) and UMG Recordings, Inc. (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (number: 129)
- recording of:
- Born to Be Wild
- lyricist and composer:
- Mars Bonfire
- publisher:
- Duchess Music Corporation , Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Steppenwolf | 4.35 | 3:38 |
| 2 | The Stroke | Billy Squier | 3.75 | 3:38 |
| 3 | Cats in the Cradle- engineer and mixer:
- Mark Dodson and Randy Long
- producer:
- Mark Dodson
- bass guitar:
- Cordell Crockett (in 1992)
- drums (drum set):
- Mark Davis (in 1992)
- guitar:
- Klaus Eichstadt (in 1992) and Dave Fortman (in 1992)
- background vocals:
- Jennifer Barry (in 1992)
- lead vocals:
- Whitfield Crane (in 1992)
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1992) and UMG Recordings, Inc. (in 1992)
- cover recording of:
- Cat’s in the Cradle (in 1992)
- writer:
- Sandra Campbell Chapin and Harry F Chapin
- publisher:
- Neue Welt Musikverlag GmbH & Co. KG , Story Songs, Ltd, Warner Bros., Inc. , Warner Chappell Music , Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited
| Ugly Kid Joe | 3.75 | 4:03 |
| 4 | Gamma Ray | Birth Control | | 3:28 |
| 5 | Poison- recording engineer:
- Sir Arthur Payson (from 1988 until 1989)
- synthesizer programming:
- Steve Deutsch
- assistant engineer:
- George Cowan , Ben Fowler, Lolly Grodner, Robert Hart , John Herman , Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
- producer:
- Desmond Child
- mixer:
- Michael Barbiero and Steve Thompson
- additional keyboard:
- Paul Chiten (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
- additional other instruments [special effects]:
- Gregg Mangiafico (from 1988 until 1989)
- bass guitar:
- Hugh McDonald (from 1988 until 1989)
- drums (drum set):
- Bobby Chouinard (from 1988 until 1989)
- guitar:
- John McCurry (from 1988 until 1989)
- keyboard:
- Alan St. John (from 1988 until 1989)
- background vocals:
- Alan St. John (from 1988 until 1989), Michael Anthony (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (from 1988 until 1989)
- lead vocals:
- Alice Cooper (from 1988 until 1989)
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1989), Epic Records (in 1989), Sony BMG Music Entertainment (in 1989), Sony Music Entertainment (in 1989) and Sony Music Entertainment Inc. (in 1989)
- recorded at:
- Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder in Los Angeles, California, United States (from 1988 until 1989)
- recording of:
- Poison (from 1988 until 1989)
- writer:
- Desmond Child, Alice Cooper and John McCurry
- publisher:
- Desmobile Inc., Desmobile Music Co., Inc. , EMI April Music Inc., EMI Music Publishing Australia Pty. Limited , EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc. , Sony Music Publishing , Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal , Universal Music Publishing , Universal Music Publishing Group, Universal Music Publishing Ltd. , Universal PolyGram International Publishing, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB , Warner–Tamerlane Publishing Corp. and Ezra Music Corp. (from 1989 to present)
- sub-publisher:
- シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
| Alice Cooper | 4.45 | 4:30 |
| 6 | Because the Night | Patti Smith | 4.55 | 3:22 |
| 7 | Welcome to Heartlight | Kenny Loggins | | 3:55 |
| 8 | Black Magic Woman- producer:
- Fred Catero and Carlos Santana
- bass guitar:
- David Brown (on 1970-07-04)
- congas:
- Michael Carabello (on 1970-07-04) and Jose Chepito Áreas (on 1970-07-04)
- guitar:
- Carlos Santana (on 1970-07-04)
- keyboard:
- Gregg Rolie (on 1970-07-04)
- membranophone:
- Michael Shrieve (on 1970-07-04)
- timbales:
- Jose Chepito Áreas (on 1970-07-04)
- vocals:
- Gregg Rolie (on 1970-07-04) and Carlos Santana (on 1970-07-04)
- phonographic copyright (℗) by:
- Columbia Records (in 1970), Sony BMG Music Entertainment (in 1970) and Sony Music Entertainment Inc. (in 1970, in 1974)
- recorded at:
- Wally Heider Studios in San Francisco, California, United States (on 1970-07-04)
- cover recording of:
- Black Magic Woman (on 1970-07-04)
- lyricist and composer:
- Peter Green
- publisher:
- Bourne Music Ltd., Copyright Control , King Music Publ. Co. Ltd. and Murbo Music Publishers, Inc.
- recording of:
- Black Magic Woman
- lyricist and composer:
- Peter Green
- publisher:
- Bourne Music Ltd., Copyright Control , King Music Publ. Co. Ltd. and Murbo Music Publishers, Inc.
| Santana | 3.75 | 3:16 |
| 9 | Barracuda- producer:
- Mike Flicker
- acoustic guitar:
- Nancy Wilson (from 1977-02 until 1977-04)
- bass guitar:
- Steve Fossen (from 1977-02 until 1977-04)
- drums (drum set):
- Michael Derosier (from 1977-02 until 1977-04)
- electric guitar:
- Roger Fisher (from 1977-02 until 1977-04)
- guitar and mellotron:
- Howard Leese (from 1977-02 until 1977-04)
- lead vocals:
- Ann Wilson (from 1977-02 until 1977-04)
- arranger:
- Heart
- phonographic copyright (℗) by:
- CBS, Inc. (in 1977), Epic Records (in 1977), Sony BMG Music Entertainment (in 1977) and Sony Music Entertainment Inc. (in 1977)
- recorded at:
- Kaye–Smith Studios in Seattle, Washington, United States (from 1977-02 until 1977-04)
- mixed at:
- Royaltone Studios in North Hollywood, Los Angeles, California, United States and Kaye–Smith Studios in Seattle, Washington, United States (from 1977-02 until 1977-04)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and VH1: 100 Greatest Hard Rock Songs (number: 34)
- recording of:
- Barracuda (from 1977-02 until 1977-04)
- writer:
- Michael Derosier, Roger Fisher , Ann Wilson and Nancy Wilson
- publisher:
- BMG Songs, Inc., IQ Music Ltd., Know Music, Of the Roses Music, Play My Music, Rosebud Music, Strange Euphoria Music, Universal Music Publishing Ltd. , Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Universal/MCA Music Ltd. and Wilsongs
- sub-publisher:
- Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
| Heart | 4.1 | 4:24 |
| 10 | Living After Midnight | Judas Priest | 4.05 | 3:31 |
| 11 | How You Remind Me | Nickelback | 3.65 | 3:44 |
| 12 | Sweet Home Alabama- miscellaneous support:
- Ronnie Van Zant
- engineer and producer:
- Al Kooper
- drums (drum set):
- Bob Burns (in 1973-07)
- electric bass guitar:
- Leon Wilkeson (in 1973-07)
- electric guitar:
- Allen Collins (in 1973-07), Ed King (in 1973-07) and Gary Rossington (in 1973-07)
- keyboard:
- Billy Powell (in 1973-07)
- background vocals:
- Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
- lead vocals:
- Ronnie Van Zant (in 1973-07)
- phonographic copyright (℗) by:
- Geffen Records (in 1974), MCA Records (in 1974), MCA Records Ltd. (in 1974), MCA Records, Inc. (in 1974), UMG Recordings, Inc. (in 1974) and Universal Music (in 1974)
- produced for:
- Sounds of the South Productions
- recorded at:
- Studio One in Doraville, Georgia, United States (in 1973-07)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (number: 398)
- recording of:
- Sweet Home Alabama (in 1973-07)
- miscellaneous support:
- Ronnie Van Zant
- writer:
- Ed King , Gary Rossington and Ronnie Van Zant
- publisher:
- Hustler Inc., Leeds Music Corp., MCA Music Ltd., Universal Music Publishing Ltd. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
| Lynyrd Skynyrd | 4.15 | 4:44 |
| 13 | Turn Me Loose | Loverboy | 4.6 | 5:39 |
| 14 | Radar Love- recording engineer:
- Pieter Nieboer
- executive producer:
- Fred Haayen
- producer:
- Golden Earring
- mixer:
- Damon Lyon-Shaw
- acoustic guitar and electric guitar:
- George Kooymans
- drums (drum set) and percussion:
- Cesar Zuiderwijk
- electric bass guitar and keyboard:
- Rinus Gerritsen
- slide guitar:
- Eelco Gelling
- vocals:
- Barry Hay and George Kooymans
- arranger:
- Golden Earring
- phonographic copyright (℗) by:
- Dutch Record Company (in 1973), Polydor B.V. (in 1973), Red Bullet Productions B.V. (in 1973), Track Records Ltd. (in 1973) and Geffen Records (in 1974)
- produced for:
- Red Bullet Productions
- recorded at:
- Phonogram Studios in Hilversum, Noord-Holland , Netherlands, Kingdom of the Netherlands
- mixed at:
- IBC Studios in London , England, United Kingdom
- recording of:
- Radar Love
- lyricist:
- Barry Hay
- composer:
- George Kooymans
- publisher:
- Dayglow Music , Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music and Sony/ATV Music Publishing
| Golden Earring | 4.3 | 6:25 |
| 15 | Mr. Roboto | Styx | 4.35 | 5:29 |
| 16 | Roll Over Beethoven- engineer:
- Denny Bridges and John Middleton
- producer:
- Jeff Lynne
- bass:
- Michael d’Albuquerque (on 1972-09-08)
- cello:
- Mike Edwards (on 1972-09-08) and Colin Walker (on 1972-09-08)
- drums (drum set) and percussion:
- Bev Bevan (on 1972-09-08)
- guitar, harmonium and Moog:
- Jeff Lynne (on 1972-09-08) and Richard Tandy (on 1972-09-08)
- piano:
- Richard Tandy (on 1972-09-08)
- violin:
- Wilfred Gibson (on 1972-09-08)
- background vocals:
- Michael d’Albuquerque (on 1972-09-08) and Richard Tandy (on 1972-09-08)
- lead vocals:
- Jeff Lynne (on 1972-09-08)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1972, in 2011), Sony Music Entertainment (in 1972) and Sony Music Entertainment Inc. (in 1973)
- recorded at:
- Air Studios in London , England, United Kingdom (on 1972-09-08)
- cover recording of:
- Roll Over Beethoven (on 1972-09-08)
- lyricist and composer:
- Chuck Berry (in 1956-01)
- publisher:
- Arc Music , Arc Music Corp. , Copyright Control , Dualtone Words and Songs, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd.
- sub-publisher:
- Fujipacific Music, Inc. and Rock ’n’ Roll Music
| Electric Light Orchestra | 4.35 | 4:33 |
| 17 | Fortune Teller | Cannata | | 3:45 |
| 18 | Lover Why | Century | 3.5 | 6:02 |
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