| # | Title | Artist | Rating | Length |
|---|
| 1 | Oh, Pretty Woman (Pretty Woman)- producer:
- Fred Foster
- 12 string guitar [12 string guitar Epiphone] and lead vocals:
- Roy Orbison (on 1964-08-01)
- double bass [upright bass]:
- Bob Moore (on 1964-08-01)
- drums (drum set):
- Buddy Harman (on 1964-08-01)
- guitar:
- Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (on 1964-08-01)
- harmonica:
- Charlie McCoy (on 1964-08-01)
- percussion:
- Paul Garrison (on 1964-08-01)
- piano:
- Floyd Cramer (on 1964-08-01)
- saxophone:
- Boots Randolph (on 1964-08-01)
- vocals:
- Roy Orbison
- phonographic copyright (℗) by:
- Orbison Records, Orbison Records, Inc. and Monument Record Corp. (in 1964)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 20), Billboard: The 500 Best Pop Songs (number: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (number: 222)
- recording of:
- Oh, Pretty Woman (on 1964-08-01)
- lyricist and composer:
- Bill Dees and Roy Orbison
- publisher:
- Acuff-Rose Music Limited , Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. , Acuff-Rose Publications, Inc. (on 1964-08-26) and Acuff-Rose (in 1972)
| Roy Orbison | 4.2 | 2:57 |
| 2 | Green Onions (Quadrophenia) | Booker T. & the MG’s | 3.95 | 2:53 |
| 3 | Stuck in the Middle With You (Reservoir Dogs) | Stealers Wheel | 4 | 3:25 |
| 4 | Everybody’s Talkin’ (Midnight Cowboy) | Harry Nilsson | 3.9 | 2:50 |
| 5 | We Have All the Time in the World (On Her Majesty’s Secret Service) | Louis Armstrong | 3.5 | 3:15 |
| 6 | For the Love of a Princess (Braveheart) | James Horner & London Symphony Orchestra | 4.5 | 4:05 |
| 7 | Jaws (Jaws) | The City of Prague Philharmonic Orchestra | | 2:14 |
| 8 | Love Song for a Vampire (Bram Stoker’s Dracula) | Annie Lennox | 2 | 4:19 |
| 9 | Thank You (Sliding Doors) | Dido | 4.15 | 3:38 |
| 10 | Pure Shores (The Beach) | All Saints | | 4:09 |
| 11 | Elastic Heart (The Hunger Games: Catching Fire)- additional recording engineer:
- Rob Kleiner
- membranophone programming:
- Diplo and Andrew Swanson
- additional engineer:
- Alex Pasco
- engineer:
- Diplo , Greg Kurstin and Andrew Swanson
- co-producer:
- Greg Kurstin
- executive producer:
- Sia
- producer:
- Diplo
- assistant mixer:
- Delbert Bowers and Chris Galland
- mixer:
- Manny Marroquin
- bass, guitar, mellotron, membranophone and piano:
- Greg Kurstin
- phonographic copyright (℗) by:
- Monkey Puzzle Records (in 2015)
- recorded at:
- Hot Closet Studios in Los Angeles, California, United States
- mixed at:
- Larrabee Studios in North Hollywood, Los Angeles, California, United States
- engineered at:
- Echo Studio in Los Feliz, Los Angeles, California, United States and Mad Decent in Atwater, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 2015 (number: 52)
- recording of:
- Elastic Heart
- writer:
- Sia Furler , Andrew Swanson and Thomas Wesley Pentz
| Sia | 4.5 | 4:17 |
| 12 | The Living Daylights (The Living Daylights) | a‐ha | 3 | 4:47 |
| 13 | Fame (Fame) | Irene Cara | 5 | 3:49 |
| 14 | Soul Bossa Nova (Austin Powers) | Quincy Jones and His Orchestra | 4 | 2:46 |
| 15 | Harlem Shuffle (Baby Driver) | Bob & Earl | 2 | 2:46 |
| 16 | Loco in Acapulco (Buster) | The Four Tops | | 3:29 |
| 17 | La Bamba (La Bamba) | Los Lobos | 4.15 | 2:53 |
| 18 | Love Is in the Air (Ballroom mix) (Strictly Ballroom) | John Paul Young | | 4:14 |
| 19 | You Never Can Tell (Pulp Fiction) | Chuck Berry | 4.15 | 2:41 |
| 20 | Jailhouse Rock (Jailhouse Rock) | Elvis Presley | 3.55 | 2:28 |
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