Cantatas 50, 34, 147

~ Release by J.S. Bach; Gillian Fisher, David James, Ian Partridge, Michael George, The Sixteen, Harry Christophers (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Cantata No. 50: Nun ist das Heil und die Kraft
choir vocals:
The Sixteen (UK choir)
orchestra:
The Sixteen (UK choir)
conductor:
Harry Christophers (conductor)
recording of:
Kantate, BWV 50 "Nun ist das Heil und die Kraft": Coro "Nun ist das Heil und die Kraft" (in 1990)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 50)
Johann Sebastian Bach3:51
2Chorale Prelude: Vater unser im Himmelreich
organ:
Paul Nicholson (harpsichordist & organist)
recording of:
Vater unser im Himmelreich (catch-all for unspecified BWV) (in 1990)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
Johann Sebastian Bach1:28
3Cantata No. 34: Chorus - O ewiges Feuer, o Ursprung der Liebe
choir vocals:
The Sixteen (UK choir)
orchestra:
The Sixteen (UK choir)
conductor:
Harry Christophers (conductor)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": I. Coro "O ewiges Feuer, o Ursprung der Liebe" (in 1990)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach7:20
4Cantata No. 34: Recit (Tenor) - Herr! unsre Herzen
tenor vocals:
Ian Partridge (tenor)
orchestra:
The Sixteen (UK choir)
conductor:
Harry Christophers (conductor)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": II. Recitativo (Tenore) "Herr, unsre Herzen halten dir" (in 1990)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach0:48
5Cantata No. 34: Aria (Alto) - Wohl euch, ihr auserwählten Seelen
alto vocals:
David James (countertenor)
orchestra:
The Sixteen (UK choir)
conductor:
Harry Christophers (conductor)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Alto) "Wohl euch, ihr auserwählten Seelen" (in 1990)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach5:55
6Cantata No. 34: Recit (Bass) - Erwählt sich Gott
bass vocals:
Michael George (operatic bass)
orchestra:
The Sixteen (UK choir)
conductor:
Harry Christophers (conductor)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": IV. Recitativo (Basso) "Erwählt sich Gott die heilgen Hütten" (in 1990)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach0:32
7Cantata No. 34: Chorus - Friede über Israel
choir vocals:
The Sixteen (UK choir)
orchestra:
The Sixteen (UK choir)
conductor:
Harry Christophers (conductor)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": V. Coro "Friede über Israel" (in 1990)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach2:15
8Chorale Prelude: Allein Gott in der Höh' sei Ehr'
organ:
Paul Nicholson (harpsichordist & organist)
recording of:
Choralbearbeitung, BWV 675 "Allein Gott in der Höh sei Ehr" (in 1990)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Clavier-Übung III (German Organ Mass (BWV 669–678), Catechism Chorales (BWV 679–689)) (number: 7), Bach Compendium (number: BC K 7) and Bach-Werke-Verzeichnis (number: BWV 675)
is based on:
Allein Gott in der Höh sei Ehr (Choral)
Johann Sebastian Bach2:42
9Cantata No. 147: Chorus - Herz und Mund und Tat und Leben
choir vocals:
The Sixteen (UK choir)
orchestra:
The Sixteen (UK choir)
conductor:
Harry Christophers (conductor)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (in 1990)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach4:20
10Cantata No. 147: Recit (Tenor) - Gebenedeiter Mund!
tenor vocals:
Ian Partridge (tenor)
orchestra:
The Sixteen (UK choir)
conductor:
Harry Christophers (conductor)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, II. Recitativo (Tenore) „Gebenedeiter Mund!“ (in 1990)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach1:49
11Cantata No. 147: Aria (Alto) - Schäme dich, o Seele, nicht
alto vocals:
David James (countertenor)
orchestra:
The Sixteen (UK choir)
conductor:
Harry Christophers (conductor)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, III. Aria (Alto) „Schäme dich, o Seele, nicht“ (in 1990)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:47
12Cantata No. 147: Recit (Bass) - Verstockung kann Gewaltige verblenden
bass vocals:
Michael George (operatic bass)
orchestra:
The Sixteen (UK choir)
conductor:
Harry Christophers (conductor)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, IV. Recitativo (Basso) „Verstockung kann Gewaltige verblenden“ (in 1990)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach1:39
13Cantata No. 147: Aria (Soprano) - Bereite dir, Jesu, noch itzo die Bahn
soprano vocals:
Gillian Fisher (soprano)
orchestra:
The Sixteen (UK choir)
conductor:
Harry Christophers (conductor)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, V. Aria (Soprano) „Bereite dir, Jesu, noch itzo die Bahn“ (in 1990)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach5:26
14Cantata No. 147: Chorale - Wohl mir, dass ich Jesum habe
choir vocals:
The Sixteen (UK choir)
orchestra:
The Sixteen (UK choir)
conductor:
Harry Christophers (conductor)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, VI. Choral „Wohl mir, dass ich Jesum habe“ (in 1990)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:41
15Cantata No. 147: Aria (Tenor) - Hilf, Jesu, hilf
tenor vocals:
Ian Partridge (tenor)
orchestra:
The Sixteen (UK choir)
conductor:
Harry Christophers (conductor)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VII. Aria (Tenore) „Hilf, Jesu, hilf, dass ich auch dich bekenne“ (in 1990)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:08
16Cantata No. 147: Recit (Alto) - Der höchsten Allmacht Wunderhand
alto vocals:
David James (countertenor)
orchestra:
The Sixteen (UK choir)
conductor:
Harry Christophers (conductor)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VIII. Recitativo (Alto) „Der höchsten Allmacht Wunderhand“ (in 1990)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:35
17Cantata No. 147: Aria (Bass) - Ich will van Jesu Wunden singen
bass vocals:
Michael George (operatic bass)
orchestra:
The Sixteen (UK choir)
conductor:
Harry Christophers (conductor)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, IX. Aria (Basso) „Ich will von Jesu Wundern singen“ (in 1990)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:54
18Cantata No. 147: Chorale - Jesus bleibet meine Freude
choir vocals:
The Sixteen (UK choir)
orchestra:
The Sixteen (UK choir)
conductor:
Harry Christophers (conductor)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1990)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:47