EMI Eminence: The Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

SPARS： DDD

Annotation last modified on 2025-06-22 15:38 UTC.

Tracklist

1▶CD: Masses
2▶CD: Miserere
3▶CD: Flute Concertos
4▶CD: Brandenburg Concertos I–V
5▶CD: Playing Organs of Bach’s Time, Volume One
6▶CD: Playing Organs of Bach’s Time, Volume Two
7▶CD: Baroque Recital
8▶CD: Rosetti Horn Concertos
9▶CD: Mozart Serenade no. 10
10▶CD: Mozart Requiem
11▶CD: Violin Concertos
12▶CD: The Five Cello Sonatas (Vol. 1)
13▶CD: The Five Cello Sonatas (Vol. 2)
14▶CD: Piano Concertos no. 4 & no. 5
15▶CD: Symphonies nos. 5 & 7
16▶CD: Symphony no. 9 “Choral”
17▶CD: Schubert Recital
18▶CD: Octet in F major
19▶CD: A Midsummer Night’s Dream
20▶CD: Wagner
21▶CD: Violin Concertos
23▶CD: Bruch Lalo
24▶CD: Saint‐Saens Debussy
25▶CD: Chausson Tchaikovsky
26▶CD: Tchaikovsky
27▶CD: Dvorak Serenades
28▶CD: Dvorak Symphonies nos. 9 & 7
29▶CD: The Dream of Gerontius CD1
30▼CD: The Dream of Gerontius CD2
#TitleArtistRatingLength
1The Dream of Gerontius, Op.38, Part 2: Introduction
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
Sir Edward Elgar2:06
2The Dream of Gerontius, Op.38, Part 2: I went to sleep (Soul of Gerontius)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part II, I. I went to sleep (cues 1–15)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar2:55
3The Dream of Gerontius, Op.38, Part 2: Another marvel.....My work is done (Soul/Angel)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
Sir Edward Elgar3:45
4The Dream of Gerontius, Op.38, Part 2: It Is a member of that family (Soul/Angel)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part II, II. It is a member of that family (cues 16–28)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar5:56
5The Dream of Gerontius, Op.38, Part 2: But hark!....Low-born clods of brute earth (Soul/Angel/Chorus)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
Sir Edward Elgar1:34
6The Dream of Gerontius, Op.38, Part 2: Dispossessed, Aside thrust (Chorus)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
Sir Edward Elgar3:55
7The Dream of Gerontius, Op.38, Part 2: I see not those false spirits (Soul/Angel)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits (cues 55–70)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar1:48
8The Dream of Gerontius, Op.38, Part 2: There was a mortal....Praise to the Holiest (Angel/semi-chorus/chorus)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
Sir Edward Elgar6:00
9The Dream of Gerontius, Op.38, Part 2: But hark! a grand mysterious harmony (Soul/Angel/chorus)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part II, V. But hark! a grand mysterious harmony (cues 71–101)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar1:20
10The Dream of Gerontius, Op.38, Part 2: Parise to the Holiest (Chorus)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
Sir Edward Elgar7:23
11The Dream of Gerontius, Op.38, Part 2: Thy judgement now is near (Angel/Soul)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part II, VI. Thy judgment now is near (cues 102–113)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar2:14
12The Dream of Gerontius, Op.38, Part 2: Jesu! by that shudd'ring dread (Angel of the Agony/Soul/semi-chorus/chorus)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
Sir Edward Elgar5:48
13The Dream of Gerontius, Op.38, Part 2: Praise to His Name!....Take me away (Angel/Soul/chorus)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (on 1993-01-16, on 1993-01-19)
Sir Edward Elgar5:21
14The Dream of Gerontius, Op.38, Part 2: Softly and gently (Angel/Chorus/semi-chorus)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part II, VIII. Softly and gently, dearly-ransomed soul (cues 127–137)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar6:38
31▶CD: Violin Concerto / Introduction and Allegro
32▶CD: String Quartet / Piano Quintett
33▶CD: Mahler Symphony no. 4
34▶CD: Mahler Symphony no. 5
35▶CD: Paris: Le Sacre du printemps
36▶CD: Richard Strauss Lieder Recital
37▶CD: Don Juan / Till Eulenspiegel / Tod und Verklärung
38▶CD: Job: A Masque for Dancing / The Lark Ascending / Five Variants of Dives and Lazarus
39▶CD: Oboe Concerto / English Folksongs / Suite Partita / Fantasia on “Greensleeves” / Fantasia on a Theme by Thomas Tallis
40▶CD: Ralph Vaughan Williams Delius Piano Concertos
41▶CD: A Sea Symphony
42▶CD: A London Symphony / Symphony no. 8
43▶CD: Rachmaninov
44▶CD: Symphony no. 3 / Symphonic Dances
45▶CD: Symphonies nos. 1 & 2 / Siesta
46▶CD: Choral Music
47▶CD: Serenade for Tenor, Horn, and Strings / Les Illuminations / Nocturne
48▶CD: Arvo Pärt
49▶CD: Tasmin Little Virtuoso Violin
50▶CD: Favourite Anthems (Vasari Singers)
51▶CD: 20th Century Choral Music

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2013)
Discogs:https://www.discogs.com/release/4439753 [info]
ASIN:US: B00APPSH9G [info]