Knights, Maids and Miracles: The Spring of Middle Ages

~ Release by La Reverdie (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Laude novella sia cantata (late 13th century)
recording engineer, producer and editor:
Pere Casulleras (Catalan sound engineer, photographer and producer)
lute:
Claudia Caffagni (in 1992-03)
other instruments [symphonia]:
Paolo Zerbinatti (in 1992-03)
percussion:
Doron Sherwin (US classical vocalist & cornet player) (in 1992-03)
rebec:
Elisabetta de Mircovich (in 1992-03)
recorder:
Livia Caffagni (in 1992-03)
vocals:
Claudia Caffagni (in 1992-03), Livia Caffagni (in 1992-03), Doron Sherwin (US classical vocalist & cornet player) (in 1992-03) and Elisabetta de Mircovich (in 1992-03)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (in 1992-03)
recorded at:
Chiesa di San Vigilio (Col San Martino, Treviso) in Farra di Soligo, Treviso, Veneto, Italy (in 1992-03)
recording of:
Laude novella sia cantata (in 1992-03)
composer:
[anonymous] (special purpose artist)
part of:
Laudario di Cortona (Codex musicae from the 13th century) (number: 2)
[anonymous]5:17
2Qualis est dilectus tuus
recording engineer, producer and editor:
Pere Casulleras (Catalan sound engineer, photographer and producer)
lute:
Claudia Caffagni (in 1992-03)
vielle:
Livia Caffagni (in 1992-03)
vocals:
Doron Sherwin (US classical vocalist & cornet player) (in 1992-03) and Elisabetta de Mircovich (in 1992-03)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (in 1992-03)
recorded at:
Chiesa di San Vigilio (Col San Martino, Treviso) in Farra di Soligo, Treviso, Veneto, Italy (in 1992-03)
recording of:
Qualis est dilectus (in 1992-03)
composer:
Forest (English composer, early 15th century)
John Forest2:43
3Edi beo thu hevene quene (13th century)
recording engineer, producer and editor:
Pere Casulleras (Catalan sound engineer, photographer and producer)
cornett:
Doron Sherwin (US classical vocalist & cornet player) (in 1992-03)
harp and rebec:
Elisabetta de Mircovich (in 1992-03)
lute:
Claudia Caffagni (in 1992-03)
vielle:
Livia Caffagni (in 1992-03)
vocals:
Doron Sherwin (US classical vocalist & cornet player) (in 1992-03) and Elisabetta de Mircovich (in 1992-03)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (in 1992-03)
recorded at:
Chiesa di San Vigilio (Col San Martino, Treviso) in Farra di Soligo, Treviso, Veneto, Italy (in 1992-03)
recording of:
Edi Beo Thu, Hevene Quene (13th c. Middle English song in praise of the Virgin Mary) (in 1992-03)
composer:
[anonymous] (special purpose artist)
[anonymous]3:20
4Procurans odium (13th century)
recording engineer, producer and editor:
Pere Casulleras (Catalan sound engineer, photographer and producer)
cornett:
Doron Sherwin (US classical vocalist & cornet player) (in 1992-03)
recorder:
Livia Caffagni (in 1992-03)
vocals:
Elisabetta de Mircovich (in 1992-03)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (in 1992-03)
recorded at:
Chiesa di San Vigilio (Col San Martino, Treviso) in Farra di Soligo, Treviso, Veneto, Italy (in 1992-03)
recording of:
Procurans odium (in 1992-03)
part of:
Carmina Amoris Infelicis, Carmina Burana (number: 12) and Carmina Moralia et Divina
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]2:30
5Patrie pacis / Patria gaudentium (late 14th century)
recording engineer, producer and editor:
Pere Casulleras (Catalan sound engineer, photographer and producer)
cornett:
Doron Sherwin (US classical vocalist & cornet player) (in 1992-03)
lute:
Claudia Caffagni (in 1992-03)
organ [portative organ]:
Elisabetta de Mircovich (in 1992-03)
vielle:
Livia Caffagni (in 1992-03)
vocals:
Doron Sherwin (US classical vocalist & cornet player) (in 1992-03)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (in 1992-03)
recorded at:
Chiesa di San Vigilio (Col San Martino, Treviso) in Farra di Soligo, Treviso, Veneto, Italy (in 1992-03)
[anonymous]2:31
6Eya martyr Stephane (mid 15th century)
recording engineer, producer and editor:
Pere Casulleras (Catalan sound engineer, photographer and producer)
lute:
Claudia Caffagni (in 1992-03)
organ [portative organ]:
Elisabetta de Mircovich (in 1992-03)
percussion:
Doron Sherwin (US classical vocalist & cornet player) (in 1992-03)
vielle:
Livia Caffagni (in 1992-03)
vocals:
Doron Sherwin (US classical vocalist & cornet player) (in 1992-03) and Elisabetta de Mircovich (in 1992-03)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (in 1992-03)
recorded at:
Chiesa di San Vigilio (Col San Martino, Treviso) in Farra di Soligo, Treviso, Veneto, Italy (in 1992-03)
[anonymous]2:27
7Dulcis amor
recording engineer, producer and editor:
Pere Casulleras (Catalan sound engineer, photographer and producer)
vocals:
Elisabetta de Mircovich (in 1992-03)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (in 1992-03)
recorded at:
Chiesa di San Vigilio (Col San Martino, Treviso) in Farra di Soligo, Treviso, Veneto, Italy (in 1992-03)
recording of:
Dulcis Amor (in 1992-03)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Philipp Groth and Michael Popp
[anonymous]3:49
8Acunt vont / Amor qui cor / Kyrie (13th century)
recording engineer, producer and editor:
Pere Casulleras (Catalan sound engineer, photographer and producer)
cornett:
Doron Sherwin (US classical vocalist & cornet player) (in 1992-03)
lute:
Claudia Caffagni (in 1992-03)
vielle:
Livia Caffagni (in 1992-03)
vocals:
Doron Sherwin (US classical vocalist & cornet player) (in 1992-03) and Elisabetta de Mircovich (in 1992-03)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (in 1992-03)
recorded at:
Chiesa di San Vigilio (Col San Martino, Treviso) in Farra di Soligo, Treviso, Veneto, Italy (in 1992-03)
[anonymous]3:41
9Amis tout dous
recording engineer, producer and editor:
Pere Casulleras (Catalan sound engineer, photographer and producer)
cornett:
Doron Sherwin (US classical vocalist & cornet player) (in 1992-03)
lute:
Claudia Caffagni (in 1992-03)
vielle:
Livia Caffagni (in 1992-03)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (in 1992-03)
recorded at:
Chiesa di San Vigilio (Col San Martino, Treviso) in Farra di Soligo, Treviso, Veneto, Italy (in 1992-03)
recording of:
Amis tous dous (Rondeau) (in 1992-03)
writer:
P. des Molins (14th century composer) (from 1300 until 1399)
Pierre des Molins1:39
10Ma douce amour
recording engineer, producer and editor:
Pere Casulleras (Catalan sound engineer, photographer and producer)
lute:
Claudia Caffagni (in 1992-03)
vielle:
Livia Caffagni (in 1992-03)
vocals:
Elisabetta de Mircovich (in 1992-03)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (in 1992-03)
recorded at:
Chiesa di San Vigilio (Col San Martino, Treviso) in Farra di Soligo, Treviso, Veneto, Italy (in 1992-03)
recording of:
Ma douce amour (in 1992-03)
lyricist and composer:
Johannes Symonis Hasprois (French composer, fl. 1378-1428)
Johannes Symonis Hasprois1:58
11Tres douls amis (mid 14th century)
recording engineer, producer and editor:
Pere Casulleras (Catalan sound engineer, photographer and producer)
cornett:
Doron Sherwin (US classical vocalist & cornet player) (in 1992-03)
lute:
Claudia Caffagni (in 1992-03)
rebec:
Elisabetta de Mircovich (in 1992-03)
vielle:
Livia Caffagni (in 1992-03)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (in 1992-03)
recorded at:
Chiesa di San Vigilio (Col San Martino, Treviso) in Farra di Soligo, Treviso, Veneto, Italy (in 1992-03)
[anonymous]2:10
12Questa fanciulla Amor
recording engineer, producer and editor:
Pere Casulleras (Catalan sound engineer, photographer and producer)
cornett:
Doron Sherwin (US classical vocalist & cornet player) (in 1992-03)
lute:
Claudia Caffagni (in 1992-03)
vielle:
Livia Caffagni (in 1992-03)
vocals:
Elisabetta de Mircovich (in 1992-03)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (in 1992-03)
recorded at:
Chiesa di San Vigilio (Col San Martino, Treviso) in Farra di Soligo, Treviso, Veneto, Italy (in 1992-03)
recording of:
Questa fanciulla, amor (in 1992-03)
composer:
Francesco Landini (Italian composer, singer, organist & poet, ca. 1325-1397)
Francesco Landini3:34
13Questa fanciulla Amor [codex Reina] (early 15th century)
recording engineer, producer and editor:
Pere Casulleras (Catalan sound engineer, photographer and producer)
cornett:
Doron Sherwin (US classical vocalist & cornet player) (in 1992-03)
lute:
Claudia Caffagni (in 1992-03)
vielle:
Livia Caffagni (in 1992-03)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (in 1992-03)
recorded at:
Chiesa di San Vigilio (Col San Martino, Treviso) in Farra di Soligo, Treviso, Veneto, Italy (in 1992-03)
[anonymous]2:57
14Quan je voy (mid 14th century)
recording engineer, producer and editor:
Pere Casulleras (Catalan sound engineer, photographer and producer)
cornett:
Doron Sherwin (US classical vocalist & cornet player) (in 1992-03)
lute:
Claudia Caffagni (in 1992-03)
rebec:
Elisabetta de Mircovich (in 1992-03)
recorder:
Livia Caffagni (in 1992-03)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (in 1992-03)
recorded at:
Chiesa di San Vigilio (Col San Martino, Treviso) in Farra di Soligo, Treviso, Veneto, Italy (in 1992-03)
recording of:
Quan ye voy le duç tens venir (Codice Panciatichi 26 della Biblioteca Nazionale Centrale di Firenze) (in 1992-03)
composer:
XIIIth cent. anonymous ([anonymous], special purpose artist)
[anonymous]2:39
15Con dolce brama
recording engineer, producer and editor:
Pere Casulleras (Catalan sound engineer, photographer and producer)
lute:
Claudia Caffagni (in 1992-03)
vielle:
Livia Caffagni (in 1992-03)
vocals:
Doron Sherwin (US classical vocalist & cornet player) (in 1992-03) and Elisabetta de Mircovich (in 1992-03)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (in 1992-03)
recorded at:
Chiesa di San Vigilio (Col San Martino, Treviso) in Farra di Soligo, Treviso, Veneto, Italy (in 1992-03)
recording of:
Con dolce brama (in 1992-03)
composer:
Maestro Piero (Italian medieval composer, fl. 1340-1350)
Magister Piero1:41
16Go hert
recording engineer, producer and editor:
Pere Casulleras (Catalan sound engineer, photographer and producer)
cornett:
Doron Sherwin (US classical vocalist & cornet player) (in 1992-03)
lute:
Claudia Caffagni (in 1992-03)
rebec:
Elisabetta de Mircovich (in 1992-03)
vielle:
Livia Caffagni (in 1992-03)
vocals:
Doron Sherwin (US classical vocalist & cornet player) (in 1992-03) and Elisabetta de Mircovich (in 1992-03)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (in 1992-03)
recorded at:
Chiesa di San Vigilio (Col San Martino, Treviso) in Farra di Soligo, Treviso, Veneto, Italy (in 1992-03)
recording of:
Go hert, hurt wyth adversitee (in 1992-03)
composer:
Richard Neville (15th century composer)
Richard Neville3:32
17Ain graserin durch kulen tau
recording engineer, producer and editor:
Pere Casulleras (Catalan sound engineer, photographer and producer)
percussion:
Claudia Caffagni (in 1992-03)
rebec:
Elisabetta de Mircovich (in 1992-03)
vocals:
Doron Sherwin (US classical vocalist & cornet player) (in 1992-03)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (in 1992-03)
recorded at:
Chiesa di San Vigilio (Col San Martino, Treviso) in Farra di Soligo, Treviso, Veneto, Italy (in 1992-03)
recording of:
Ain graserin (in 1992-03)
writer:
Oswald von Wolkenstein (German composer & poet, c. 1377-1445)
Oswald von Wolkenstein3:18
18Trew on wam ys all my tryst
recording engineer, producer and editor:
Pere Casulleras (Catalan sound engineer, photographer and producer)
cornett:
Doron Sherwin (US classical vocalist & cornet player) (in 1992-03)
lute:
Claudia Caffagni (in 1992-03)
rebec:
Elisabetta de Mircovich (in 1992-03)
recorder:
Livia Caffagni (in 1992-03)
vocals:
Elisabetta de Mircovich (in 1992-03)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (in 1992-03)
recorded at:
Chiesa di San Vigilio (Col San Martino, Treviso) in Farra di Soligo, Treviso, Veneto, Italy (in 1992-03)
[anonymous]1:47
19A poste messe
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
cornett:
Doron Sherwin (US classical vocalist & cornet player) (from 1993-07-24 until 1993-07-27)
recorder:
Livia Caffagni (from 1993-07-24 until 1993-07-27)
vocals:
Elisabetta de Mircovich (from 1993-07-24 until 1993-07-27)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1993-07-24 until 1993-07-27)
recorded at:
Cité des Congrès: Grand Auditorium in Nantes, Loire-Atlantique, Pays-de-la-Loire, France (from 1993-07-24 until 1993-07-27)
recording of:
A poste messe (caccia) (from 1993-07-24 until 1993-07-27)
lyricist:
Niccolò Soldanieri
composer:
Lorenzo da Firenze (Italian 14th century composer)
Lorenzo da Firenze3:29
20Or sus, vous dormés trop (late 14th century)
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
lute:
Claudia Caffagni (from 1993-07-24 until 1993-07-27)
vielle:
Livia Caffagni (from 1993-07-24 until 1993-07-27)
vocals:
Elisabetta de Mircovich (from 1993-07-24 until 1993-07-27)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1993-07-24 until 1993-07-27)
recorded at:
Cité des Congrès: Grand Auditorium in Nantes, Loire-Atlantique, Pays-de-la-Loire, France (from 1993-07-24 until 1993-07-27)
[anonymous]4:17
21De luscinia (attrib.)
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
lyre [cithara teutonica]:
Ella de Mircovich (from 1993-07-24 until 1993-07-27)
vocals:
Claudia Caffagni (from 1993-07-24 until 1993-07-27), Livia Caffagni (from 1993-07-24 until 1993-07-27), Elisabetta de Mircovich (from 1993-07-24 until 1993-07-27) and Ella de Mircovich (from 1993-07-24 until 1993-07-27)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1993-07-24 until 1993-07-27)
recorded at:
Cité des Congrès: Grand Auditorium in Nantes, Loire-Atlantique, Pays-de-la-Loire, France (from 1993-07-24 until 1993-07-27)
Fulbert de Chartres6:39
22Sì dolce non sonò
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
cornett:
Doron Sherwin (US classical vocalist & cornet player) (from 1993-07-24 until 1993-07-27)
lute:
Claudia Caffagni (from 1993-07-24 until 1993-07-27)
rebec:
Elisabetta de Mircovich (from 1993-07-24 until 1993-07-27)
vielle:
Livia Caffagni (from 1993-07-24 until 1993-07-27)
vocals:
Doron Sherwin (US classical vocalist & cornet player) (from 1993-07-24 until 1993-07-27)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1993-07-24 until 1993-07-27)
recorded at:
Cité des Congrès: Grand Auditorium in Nantes, Loire-Atlantique, Pays-de-la-Loire, France (from 1993-07-24 until 1993-07-27)
Francesco Landini4:48
23Segugi a corde (attrib.)
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
vocals:
Doron Sherwin (US classical vocalist & cornet player) (from 1993-07-24 until 1993-07-27), Elisabetta de Mircovich (from 1993-07-24 until 1993-07-27) and Ella de Mircovich (from 1993-07-24 until 1993-07-27)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1993-07-24 until 1993-07-27)
recorded at:
Cité des Congrès: Grand Auditorium in Nantes, Loire-Atlantique, Pays-de-la-Loire, France (from 1993-07-24 until 1993-07-27)
Magister Piero3:09
24Qui vult psallere (13th century)
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
harp:
Elisabetta de Mircovich (from 1993-07-24 until 1993-07-27) and Ella de Mircovich (from 1993-07-24 until 1993-07-27)
lute:
Claudia Caffagni (from 1993-07-24 until 1993-07-27)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1993-07-24 until 1993-07-27)
recorded at:
Cité des Congrès: Grand Auditorium in Nantes, Loire-Atlantique, Pays-de-la-Loire, France (from 1993-07-24 until 1993-07-27)
[anonymous]1:37
25Pantheon abluiter / Apollinis eclipsatur / Zodiacum signis lustrantibus (attrib.)
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
lute:
Claudia Caffagni (from 1993-07-24 until 1993-07-27)
vielle:
Livia Caffagni (from 1993-07-24 until 1993-07-27)
vocals:
Doron Sherwin (US classical vocalist & cornet player) (from 1993-07-24 until 1993-07-27), Elisabetta de Mircovich (from 1993-07-24 until 1993-07-27) and Ella de Mircovich (from 1993-07-24 until 1993-07-27)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1993-07-24 until 1993-07-27)
recorded at:
Cité des Congrès: Grand Auditorium in Nantes, Loire-Atlantique, Pays-de-la-Loire, France (from 1993-07-24 until 1993-07-27)
Bernard de Cluny2:34
26O tu chara sciença
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
percussion:
Doron Sherwin (US classical vocalist & cornet player) (from 1993-07-24 until 1993-07-27)
rebec:
Elisabetta de Mircovich (from 1993-07-24 until 1993-07-27)
vielle:
Livia Caffagni (from 1993-07-24 until 1993-07-27)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1993-07-24 until 1993-07-27)
recorded at:
Cité des Congrès: Grand Auditorium in Nantes, Loire-Atlantique, Pays-de-la-Loire, France (from 1993-07-24 until 1993-07-27)
Giovanni da Firenze2:28
27Musica son / Già furon / Ciascun vuoli
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
vocals:
Doron Sherwin (US classical vocalist & cornet player) (from 1993-07-24 until 1993-07-27), Elisabetta de Mircovich (from 1993-07-24 until 1993-07-27) and Ella de Mircovich (from 1993-07-24 until 1993-07-27)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1993-07-24 until 1993-07-27)
recorded at:
Cité des Congrès: Grand Auditorium in Nantes, Loire-Atlantique, Pays-de-la-Loire, France (from 1993-07-24 until 1993-07-27)
Francesco Landini3:04
28Are post libamina / Nunc surgunt in populo
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
cornett:
Doron Sherwin (US classical vocalist & cornet player) (from 1993-07-24 until 1993-07-27)
lute:
Claudia Caffagni (from 1993-07-24 until 1993-07-27)
vielle:
Livia Caffagni (from 1993-07-24 until 1993-07-27)
vocals:
Elisabetta de Mircovich (from 1993-07-24 until 1993-07-27)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1993-07-24 until 1993-07-27)
recorded at:
Cité des Congrès: Grand Auditorium in Nantes, Loire-Atlantique, Pays-de-la-Loire, France (from 1993-07-24 until 1993-07-27)
medley including a recording of:
Ave Post Libamina (from 1993-07-24 until 1993-07-27)
writer:
Maysheut (French medieval composer, fl. 14th century) (in 1400)
Matheus de Sancto Johanne1:32
29S' i', Monocordo Gentil
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
harp:
Ella de Mircovich (from 1993-07-24 until 1993-07-27)
lute:
Claudia Caffagni (from 1993-07-24 until 1993-07-27)
vocals:
Ella de Mircovich (from 1993-07-24 until 1993-07-27)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1993-07-24 until 1993-07-27)
recorded at:
Cité des Congrès: Grand Auditorium in Nantes, Loire-Atlantique, Pays-de-la-Loire, France (from 1993-07-24 until 1993-07-27)
Donato da Firenza3:15
30Non più doglie ebbe Dido
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
lute:
Claudia Caffagni (from 1993-07-24 until 1993-07-27)
vocals:
Doron Sherwin (US classical vocalist & cornet player) (from 1993-07-24 until 1993-07-27) and Ella de Mircovich (from 1993-07-24 until 1993-07-27)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1993-07-24 until 1993-07-27)
recorded at:
Cité des Congrès: Grand Auditorium in Nantes, Loire-Atlantique, Pays-de-la-Loire, France (from 1993-07-24 until 1993-07-27)
Andrea da Firenze5:18
31Chose Tassin
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
cornett and percussion:
Doron Sherwin (US classical vocalist & cornet player) (from 1993-07-24 until 1993-07-27)
harp:
Elisabetta de Mircovich (from 1993-07-24 until 1993-07-27) and Ella de Mircovich (from 1993-07-24 until 1993-07-27)
lute:
Claudia Caffagni (from 1993-07-24 until 1993-07-27)
rebec:
Elisabetta de Mircovich (from 1993-07-24 until 1993-07-27)
vielle:
Livia Caffagni (from 1993-07-24 until 1993-07-27)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1993-07-24 until 1993-07-27)
recorded at:
Cité des Congrès: Grand Auditorium in Nantes, Loire-Atlantique, Pays-de-la-Loire, France (from 1993-07-24 until 1993-07-27)
recording of:
Chose Tassin (estampie, Codex Montpellier) (from 1993-07-24 until 1993-07-27)
composer:
Tassinus (Minstrel 13th century)
Tassinus6:07
32Nu sculon herigean
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
lyre [cithara teutonica]:
Ella de Mircovich (from 1993-07-24 until 1993-07-27)
vocals:
Ella de Mircovich (from 1993-07-24 until 1993-07-27)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1993-07-24 until 1993-07-27)
recorded at:
Cité des Congrès: Grand Auditorium in Nantes, Loire-Atlantique, Pays-de-la-Loire, France (from 1993-07-24 until 1993-07-27)
Caedmon2:14
33In omnem terram
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
vocals:
Claudia Caffagni (from 1993-07-24 until 1993-07-27), Livia Caffagni (from 1993-07-24 until 1993-07-27), Elisabetta de Mircovich (from 1993-07-24 until 1993-07-27) and Ella de Mircovich (from 1993-07-24 until 1993-07-27)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1993-07-24 until 1993-07-27)
recorded at:
Cité des Congrès: Grand Auditorium in Nantes, Loire-Atlantique, Pays-de-la-Loire, France (from 1993-07-24 until 1993-07-27)
[anonymous]3:39
34Alleluja / Cantabant Sancti (2nd half of the 11th century)
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
vocals:
Claudia Caffagni (from 1993-07-24 until 1993-07-27), Livia Caffagni (from 1993-07-24 until 1993-07-27), Elisabetta de Mircovich (from 1993-07-24 until 1993-07-27) and Ella de Mircovich (from 1993-07-24 until 1993-07-27)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1993-07-24 until 1993-07-27)
recorded at:
Cité des Congrès: Grand Auditorium in Nantes, Loire-Atlantique, Pays-de-la-Loire, France (from 1993-07-24 until 1993-07-27)
[anonymous]2:36
35Laus Trinitati
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
other instruments [symphonia]:
Claudia Caffagni (from 1993-07-24 until 1993-07-27)
rebec:
Elisabetta de Mircovich (from 1993-07-24 until 1993-07-27)
vielle:
Livia Caffagni (from 1993-07-24 until 1993-07-27)
vocals:
Claudia Caffagni (from 1993-07-24 until 1993-07-27), Livia Caffagni (from 1993-07-24 until 1993-07-27), Elisabetta de Mircovich (from 1993-07-24 until 1993-07-27) and Ella de Mircovich (from 1993-07-24 until 1993-07-27)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1993-07-24 until 1993-07-27)
recorded at:
Cité des Congrès: Grand Auditorium in Nantes, Loire-Atlantique, Pays-de-la-Loire, France (from 1993-07-24 until 1993-07-27)
recording of:
Symphonia armonie celestium revelationum: Laus Trinitati (from 1993-07-24 until 1993-07-27)
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen3:38
36Ysaias cecini / Tytire tu patule (13th century)
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
vocals:
Claudia Caffagni (from 1993-07-24 until 1993-07-27), Livia Caffagni (from 1993-07-24 until 1993-07-27), Elisabetta de Mircovich (from 1993-07-24 until 1993-07-27) and Ella de Mircovich (from 1993-07-24 until 1993-07-27)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1993-07-24 until 1993-07-27)
recorded at:
Cité des Congrès: Grand Auditorium in Nantes, Loire-Atlantique, Pays-de-la-Loire, France (from 1993-07-24 until 1993-07-27)
[anonymous]2:39
37Alma polis religio / Axe poli cum artica
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
cornett:
Doron Sherwin (US classical vocalist & cornet player) (from 1993-07-24 until 1993-07-27)
harp:
Elisabetta de Mircovich (from 1993-07-24 until 1993-07-27)
lute:
Claudia Caffagni (from 1993-07-24 until 1993-07-27)
vielle:
Livia Caffagni (from 1993-07-24 until 1993-07-27)
vocals:
Elisabetta de Mircovich (from 1993-07-24 until 1993-07-27) and Ella de Mircovich (from 1993-07-24 until 1993-07-27)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1993-07-24 until 1993-07-27)
recorded at:
Cité des Congrès: Grand Auditorium in Nantes, Loire-Atlantique, Pays-de-la-Loire, France (from 1993-07-24 until 1993-07-27)
Egidius de Aurelia4:19
38Lo Signore ringraçando (late 13th Century)
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
harp and rebec:
Elisabetta de Mircovich (from 1993-07-24 until 1993-07-27)
lute:
Claudia Caffagni (from 1993-07-24 until 1993-07-27)
other instruments [symphonia]:
Ella de Mircovich (from 1993-07-24 until 1993-07-27)
percussion:
Doron Sherwin (US classical vocalist & cornet player) (from 1993-07-24 until 1993-07-27)
vielle:
Livia Caffagni (from 1993-07-24 until 1993-07-27)
vocals:
Claudia Caffagni (from 1993-07-24 until 1993-07-27), Livia Caffagni (from 1993-07-24 until 1993-07-27), Doron Sherwin (US classical vocalist & cornet player) (from 1993-07-24 until 1993-07-27), Elisabetta de Mircovich (from 1993-07-24 until 1993-07-27) and Ella de Mircovich (from 1993-07-24 until 1993-07-27)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1993-07-24 until 1993-07-27)
recorded at:
Cité des Congrès: Grand Auditorium in Nantes, Loire-Atlantique, Pays-de-la-Loire, France (from 1993-07-24 until 1993-07-27)
[anonymous]6:13
39Versus de Herico duce
recording engineer:
Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
lyre [cithara teutonica]:
Ella de Mircovich (from 1995-04-18 until 1995-04-22)
vocals:
Claudia Caffagni (from 1995-04-18 until 1995-04-22), Livia Caffagni (from 1995-04-18 until 1995-04-22), Elisabetta de Mircovich (from 1995-04-18 until 1995-04-22) and Ella de Mircovich (from 1995-04-18 until 1995-04-22)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1995-04-18 until 1995-04-22)
recorded at:
Abbazia di Santa Maria in Silvis in Sesto al Reghena, Pordenone, Friuli-Venezia Giulia, Italy (from 1995-04-18 until 1995-04-22)
Paolino d'Aquileia10:09
40O lilium convallium / Submersus iacet Pharao (10th century, Aquileia)
recording engineer:
Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
harp:
Elisabetta de Mircovich (from 1995-04-18 until 1995-04-22)
lyre [cithara teutonica]:
Ella de Mircovich (from 1995-04-18 until 1995-04-22)
vocals:
Claudia Caffagni (from 1995-04-18 until 1995-04-22), Elisabetta de Mircovich (from 1995-04-18 until 1995-04-22) and Ella de Mircovich (from 1995-04-18 until 1995-04-22)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1995-04-18 until 1995-04-22)
recorded at:
Abbazia di Santa Maria in Silvis in Sesto al Reghena, Pordenone, Friuli-Venezia Giulia, Italy (from 1995-04-18 until 1995-04-22)
[anonymous]3:25
41Tres enemics e dos mals seignors ai
recording engineer:
Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
harp:
Elisabetta de Mircovich (from 1995-04-18 until 1995-04-22) and Ella de Mircovich (from 1995-04-18 until 1995-04-22)
vocals:
Elisabetta de Mircovich (from 1995-04-18 until 1995-04-22)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1995-04-18 until 1995-04-22)
recorded at:
Abbazia di Santa Maria in Silvis in Sesto al Reghena, Pordenone, Friuli-Venezia Giulia, Italy (from 1995-04-18 until 1995-04-22)
Uc de Saint Circ9:27
42Gewan ich ze minnen ie guoten wan
recording engineer:
Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
vielle:
Livia Caffagni (from 1995-04-18 until 1995-04-22) and Elisabetta de Mircovich (from 1995-04-18 until 1995-04-22)
vocals:
Doron Sherwin (US classical vocalist & cornet player) (from 1995-04-18 until 1995-04-22)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1995-04-18 until 1995-04-22)
recorded at:
Abbazia di Santa Maria in Silvis in Sesto al Reghena, Pordenone, Friuli-Venezia Giulia, Italy (from 1995-04-18 until 1995-04-22)
Rudolf von Fenis5:14
43En mort d'En Joan de Cucanh (ca. 1272)
recording engineer:
Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
harp:
Ella de Mircovich (from 1995-04-18 until 1995-04-22)
lute:
Claudia Caffagni (from 1995-04-18 until 1995-04-22)
percussion:
Doron Sherwin (US classical vocalist & cornet player) (from 1995-04-18 until 1995-04-22)
recorder:
Livia Caffagni (from 1995-04-18 until 1995-04-22)
vielle:
Elisabetta de Mircovich (from 1995-04-18 until 1995-04-22) and Claudia Pasetto (violist) (from 1995-04-18 until 1995-04-22)
vocals:
Ella de Mircovich (from 1995-04-18 until 1995-04-22)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1995-04-18 until 1995-04-22)
recorded at:
Abbazia di Santa Maria in Silvis in Sesto al Reghena, Pordenone, Friuli-Venezia Giulia, Italy (from 1995-04-18 until 1995-04-22)
[anonymous]5:55
44Lux purpurata radiis / Diligite iusticiam
recording engineer:
Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
lute:
Claudia Caffagni (from 1995-04-18 until 1995-04-22)
rebec:
Elisabetta de Mircovich (from 1995-04-18 until 1995-04-22)
vielle:
Livia Caffagni (from 1995-04-18 until 1995-04-22)
vocals:
Doron Sherwin (US classical vocalist & cornet player) (from 1995-04-18 until 1995-04-22), Elisabetta de Mircovich (from 1995-04-18 until 1995-04-22) and Ella de Mircovich (from 1995-04-18 until 1995-04-22)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1995-04-18 until 1995-04-22)
recorded at:
Abbazia di Santa Maria in Silvis in Sesto al Reghena, Pordenone, Friuli-Venezia Giulia, Italy (from 1995-04-18 until 1995-04-22)
Jacopo da Bologna2:22
45O in Italia felice Liguria
recording engineer:
Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
lute:
Claudia Caffagni (from 1995-04-18 until 1995-04-22)
vielle:
Livia Caffagni (from 1995-04-18 until 1995-04-22)
vocals:
Elisabetta de Mircovich (from 1995-04-18 until 1995-04-22) and Ella de Mircovich (from 1995-04-18 until 1995-04-22)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1995-04-18 until 1995-04-22)
recorded at:
Abbazia di Santa Maria in Silvis in Sesto al Reghena, Pordenone, Friuli-Venezia Giulia, Italy (from 1995-04-18 until 1995-04-22)
Jacopo da Bologna2:26
46O in Italia felice Liguria (arr. S. Doron for recorder and cornet)
recording engineer:
Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
cornett:
Doron Sherwin (US classical vocalist & cornet player) (from 1995-04-18 until 1995-04-22)
recorder:
Livia Caffagni (from 1995-04-18 until 1995-04-22)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1995-04-18 until 1995-04-22)
recorded at:
Abbazia di Santa Maria in Silvis in Sesto al Reghena, Pordenone, Friuli-Venezia Giulia, Italy (from 1995-04-18 until 1995-04-22)
Jacopo da Bologna2:56
47Nel bel giardino che l'Adige
recording engineer:
Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
cornett:
Doron Sherwin (US classical vocalist & cornet player) (from 1995-04-18 until 1995-04-22)
rebec:
Elisabetta de Mircovich (from 1995-04-18 until 1995-04-22)
recorder:
Livia Caffagni (from 1995-04-18 until 1995-04-22)
vielle:
Claudia Pasetto (violist) (from 1995-04-18 until 1995-04-22)
vocals:
Elisabetta de Mircovich (from 1995-04-18 until 1995-04-22) and Ella de Mircovich (from 1995-04-18 until 1995-04-22)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1995-04-18 until 1995-04-22)
recorded at:
Abbazia di Santa Maria in Silvis in Sesto al Reghena, Pordenone, Friuli-Venezia Giulia, Italy (from 1995-04-18 until 1995-04-22)
Jacopo da Bologna4:57
48Pyrance la Bella Yguana (arr. E. de Mircovich for chamber ensemble)
recording engineer:
Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
harp:
Ella de Mircovich (from 1995-04-18 until 1995-04-22)
lute:
Claudia Caffagni (from 1995-04-18 until 1995-04-22)
percussion:
Doron Sherwin (US classical vocalist & cornet player) (from 1995-04-18 until 1995-04-22)
rebec:
Elisabetta de Mircovich (from 1995-04-18 until 1995-04-22)
recorder:
Livia Caffagni (from 1995-04-18 until 1995-04-22)
vielle:
Claudia Pasetto (violist) (from 1995-04-18 until 1995-04-22)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1995-04-18 until 1995-04-22)
recorded at:
Abbazia di Santa Maria in Silvis in Sesto al Reghena, Pordenone, Friuli-Venezia Giulia, Italy (from 1995-04-18 until 1995-04-22)
Elisabetta de Mircovich3:24
49Nell'acqua chiara
recording engineer:
Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
vocals:
Doron Sherwin (US classical vocalist & cornet player) (from 1995-04-18 until 1995-04-22), Elisabetta de Mircovich (from 1995-04-18 until 1995-04-22) and Ella de Mircovich (from 1995-04-18 until 1995-04-22)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1995-04-18 until 1995-04-22)
recorded at:
Abbazia di Santa Maria in Silvis in Sesto al Reghena, Pordenone, Friuli-Venezia Giulia, Italy (from 1995-04-18 until 1995-04-22)
Vincenzo da Rimini2:53
50La nobil scala (Madrigal: 12th century, Venice)
recording engineer:
Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
lute:
Claudia Caffagni (from 1995-04-18 until 1995-04-22)
rebec:
Elisabetta de Mircovich (from 1995-04-18 until 1995-04-22)
vielle:
Claudia Pasetto (violist) (from 1995-04-18 until 1995-04-22)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1995-04-18 until 1995-04-22)
recorded at:
Abbazia di Santa Maria in Silvis in Sesto al Reghena, Pordenone, Friuli-Venezia Giulia, Italy (from 1995-04-18 until 1995-04-22)
[anonymous]2:31
51Ave Corpus Sanctum / Adolescens protomartir / Ave Corpus Sanctum
recording engineer:
Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
trumpet [slide trumpet]:
Mauro Morini (from 1995-04-18 until 1995-04-22)
vocals:
Doron Sherwin (US classical vocalist & cornet player) (from 1995-04-18 until 1995-04-22), Elisabetta de Mircovich (from 1995-04-18 until 1995-04-22) and Ella de Mircovich (from 1995-04-18 until 1995-04-22)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1995-04-18 until 1995-04-22)
recorded at:
Abbazia di Santa Maria in Silvis in Sesto al Reghena, Pordenone, Friuli-Venezia Giulia, Italy (from 1995-04-18 until 1995-04-22)
Marchetto da Padova3:14
52Imperial sedendo
recording engineer:
Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
vocals:
Elisabetta de Mircovich (from 1995-04-18 until 1995-04-22) and Ella de Mircovich (from 1995-04-18 until 1995-04-22)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1995-04-18 until 1995-04-22)
recorded at:
Abbazia di Santa Maria in Silvis in Sesto al Reghena, Pordenone, Friuli-Venezia Giulia, Italy (from 1995-04-18 until 1995-04-22)
Bartolino da Padova4:49
53Imperial sedendo (early 15th century, Italy)
recording engineer:
Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
harp:
Ella de Mircovich (from 1995-04-18 until 1995-04-22)
lute:
Claudia Caffagni (from 1995-04-18 until 1995-04-22)
vielle:
Livia Caffagni (from 1995-04-18 until 1995-04-22)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1995-04-18 until 1995-04-22)
recorded at:
Abbazia di Santa Maria in Silvis in Sesto al Reghena, Pordenone, Friuli-Venezia Giulia, Italy (from 1995-04-18 until 1995-04-22)
[anonymous]4:31
54Rondeau sans texte (attrib.)
recording engineer:
Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
cornett:
Doron Sherwin (US classical vocalist & cornet player) (from 1995-04-18 until 1995-04-22)
harp:
Ella de Mircovich (from 1995-04-18 until 1995-04-22)
lute:
Claudia Caffagni (from 1995-04-18 until 1995-04-22)
rebec:
Elisabetta de Mircovich (from 1995-04-18 until 1995-04-22)
vielle:
Livia Caffagni (from 1995-04-18 until 1995-04-22)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1995-04-18 until 1995-04-22)
recorded at:
Abbazia di Santa Maria in Silvis in Sesto al Reghena, Pordenone, Friuli-Venezia Giulia, Italy (from 1995-04-18 until 1995-04-22)
Matteo da Perugia3:20
55Strenua quem duxit / Gaudeat et tanti
recording engineer:
Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
lute:
Claudia Caffagni (from 1995-04-18 until 1995-04-22)
vielle:
Livia Caffagni (from 1995-04-18 until 1995-04-22)
vocals:
Doron Sherwin (US classical vocalist & cornet player) (from 1995-04-18 until 1995-04-22), Elisabetta de Mircovich (from 1995-04-18 until 1995-04-22) and Ella de Mircovich (from 1995-04-18 until 1995-04-22)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1995-04-18 until 1995-04-22)
recorded at:
Abbazia di Santa Maria in Silvis in Sesto al Reghena, Pordenone, Friuli-Venezia Giulia, Italy (from 1995-04-18 until 1995-04-22)
Antonio da Cividale2:48
56Wyth right al my hert (15th century, England)
recording engineer:
Klaus L. Neumann
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
vocals:
Doron Sherwin (US classical vocalist & cornet player) (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
[anonymous]1:20
57Tir na mBan
recording engineer:
Klaus L. Neumann
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
vielle:
Livia Caffagni (from 1997-03-01 until 1997-03-05), Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05) and Claudia Pasetto (violist) (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
recording of:
Tir na mBan (from 1997-03-01 until 1997-03-05)
composer:
Elisabetta de Mircovich
Elisabetta de Mircovich3:08
58Se Genevre, Tristan
recording engineer:
Klaus L. Neumann and Charlotte Gilart de Kéranflec'h (Sound engineer) (from 1997-03-01 until 1997-03-05)
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
lute:
Claudia Caffagni (from 1997-03-01 until 1997-03-05)
vielle:
Livia Caffagni (from 1997-03-01 until 1997-03-05)
vocals:
Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
recording of:
Se Geneive, Tristan (from 1997-03-01 until 1997-03-05)
writer:
Johannes Cuvelier (14th century composer (fl. 1372 – after 1387))
Johannes Cuvelier7:23
59Lamento di Tristano, Rotta (14th century, Italy)
recording engineer:
Klaus L. Neumann and Charlotte Gilart de Kéranflec'h (Sound engineer) (from 1997-03-01 until 1997-03-05)
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
harp [gothic harp]:
Ella de Mircovich (from 1997-03-01 until 1997-03-05)
lute:
Claudia Caffagni (from 1997-03-01 until 1997-03-05)
percussion:
Doron Sherwin (US classical vocalist & cornet player) (from 1997-03-01 until 1997-03-05)
recorder:
Livia Caffagni (from 1997-03-01 until 1997-03-05)
vielle:
Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05) and Claudia Pasetto (violist) (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
recording of:
Lamento di Tristano / La Rotta (From a document in the British Library in London (Ms.29987)) (from 1997-03-01 until 1997-03-05)
composer:
[anonymous] (special purpose artist)
[anonymous]7:00
60Tre fontane (14th century)
recording engineer:
Klaus L. Neumann and Charlotte Gilart de Kéranflec'h (Sound engineer) (from 1997-03-01 until 1997-03-05)
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
harp [gothic harp]:
Ella de Mircovich (from 1997-03-01 until 1997-03-05)
lute:
Claudia Caffagni (from 1997-03-01 until 1997-03-05)
percussion:
Doron Sherwin (US classical vocalist & cornet player) (from 1997-03-01 until 1997-03-05)
recorder:
Livia Caffagni (from 1997-03-01 until 1997-03-05)
vielle:
Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05) and Claudia Pasetto (violist) (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
recording of:
Tre fontane (From a document in the British Library in London (Ms.29987)) (from 1997-03-01 until 1997-03-05)
composer:
[anonymous] (special purpose artist)
[anonymous]8:24
61Deus tuorum militum / De flore martyrum / Ave Rex (early 14th century)
recording engineer:
Klaus L. Neumann
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
vocals:
Doron Sherwin (US classical vocalist & cornet player) (from 1997-03-01 until 1997-03-05), Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05) and Ella de Mircovich (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
[anonymous]1:33
62Ave miles celestis curie / Ave Rex patrone patrie / Ave Rex (early 14th century)
recording engineer:
Klaus L. Neumann
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
lute:
Claudia Caffagni (from 1997-03-01 until 1997-03-05)
rebec:
Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05)
vielle:
Livia Caffagni (from 1997-03-01 until 1997-03-05) and Claudia Pasetto (violist) (from 1997-03-01 until 1997-03-05)
vocals:
Doron Sherwin (US classical vocalist & cornet player) (from 1997-03-01 until 1997-03-05), Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05) and Ella de Mircovich (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
[anonymous]2:08
63Nobilis humilis Magne martir (12th century, Orkney Isles)
recording engineer:
Klaus L. Neumann and Charlotte Gilart de Kéranflec'h (Sound engineer) (from 1997-03-01 until 1997-03-05)
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
vocals:
Claudia Caffagni (from 1997-03-01 until 1997-03-05), Livia Caffagni (from 1997-03-01 until 1997-03-05), Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05) and Ella de Mircovich (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
recording of:
Hymn to St Magnus “Nobilis humilis” (from 1997-03-01 until 1997-03-05)
composer:
[anonymous] (special purpose artist)
part of:
Codex Upsalensis C233
[anonymous]3:22
64Quene note (attrib.) (arr. Doron Sherwin)
recording engineer:
Klaus L. Neumann and Charlotte Gilart de Kéranflec'h (Sound engineer) (from 1997-03-01 until 1997-03-05)
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
harp [gothic harp]:
Ella de Mircovich (from 1997-03-01 until 1997-03-05)
lute:
Claudia Caffagni (from 1997-03-01 until 1997-03-05)
percussion:
Doron Sherwin (US classical vocalist & cornet player) (from 1997-03-01 until 1997-03-05)
rebec:
Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05)
recorder:
Livia Caffagni (from 1997-03-01 until 1997-03-05)
vielle:
Claudia Pasetto (violist) (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
arranger:
Doron Sherwin (US classical vocalist & cornet player) (in 1997)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
recording of:
Quene Note (Bodleian MS. Digby 167) (from 1997-03-01 until 1997-03-05)
composer:
Frankes (ca. 1470) ([anonymous], special purpose artist)
Frankes5:03
65Di novo è giunto un chavalier errante
recording engineer:
Klaus L. Neumann
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
lute:
Claudia Caffagni (from 1997-03-01 until 1997-03-05)
vielle:
Livia Caffagni (from 1997-03-01 until 1997-03-05)
vocals:
Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05) and Ella de Mircovich (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
Jacopo da Bologna2:26
66S'on me regarde / Prenés i garde / Hé mi enfant (13th century, France)
recording engineer:
Klaus L. Neumann and Charlotte Gilart de Kéranflec'h (Sound engineer) (from 1997-03-01 until 1997-03-05)
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
vocals:
Claudia Caffagni (from 1997-03-01 until 1997-03-05), Livia Caffagni (from 1997-03-01 until 1997-03-05), Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05) and Ella de Mircovich (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
recording of:
S'on me regarde/Prennés i garde/Hé, mi enfant (Mo 256) (from 1997-03-01 until 1997-03-05)
part of:
Montpellier Codex (number: 256)
[anonymous]1:50
67Seguendo'l canto
recording engineer:
Klaus L. Neumann and Charlotte Gilart de Kéranflec'h (Sound engineer) (from 1997-03-01 until 1997-03-05)
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
cornett:
Doron Sherwin (US classical vocalist & cornet player) (from 1997-03-01 until 1997-03-05)
harp [gothic harp]:
Ella de Mircovich (from 1997-03-01 until 1997-03-05)
lute:
Claudia Caffagni (from 1997-03-01 until 1997-03-05)
vielle:
Livia Caffagni (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
recording of:
Seguendo 'l canto d'un uccel selvaggio (from 1997-03-01 until 1997-03-05)
composer:
Donato da Cascia (also "Donato da Firenze" ; benedictan monk and composer.)
Donato da Firenza3:12
68Nel bosco sença foglie
recording engineer:
Klaus L. Neumann
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
vocals:
Doron Sherwin (US classical vocalist & cornet player) (from 1997-03-01 until 1997-03-05), Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05) and Ella de Mircovich (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
Giovanni da Firenze2:28
69Ave Maris Stella (15th century, Italy)
recording engineer:
Klaus L. Neumann and Charlotte Gilart de Kéranflec'h (Sound engineer) (from 1997-03-01 until 1997-03-05)
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
lute:
Claudia Caffagni (from 1997-03-01 until 1997-03-05)
vocals:
Doron Sherwin (US classical vocalist & cornet player) (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
recording of:
Ave maris stella (from 1997-03-01 until 1997-03-05)
lyricist:
[anonymous] (special purpose artist)
composer:
Sir James MacMillan (Scottish composer and conductor) (in 2011)
[anonymous]1:28
70Crist et Sainte Marie
recording engineer:
Klaus L. Neumann
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
bell:
Doron Sherwin (US classical vocalist & cornet player) (from 1997-03-01 until 1997-03-05)
harp [gothic harp]:
Ella de Mircovich (from 1997-03-01 until 1997-03-05)
other instruments [symphonia]:
Livia Caffagni (from 1997-03-01 until 1997-03-05)
vielle:
Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05) and Claudia Pasetto (violist) (from 1997-03-01 until 1997-03-05)
vocals:
Claudia Caffagni (from 1997-03-01 until 1997-03-05) and Ella de Mircovich (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
recording of:
Sainte Marië Viërgenë / Crist & St. Marië / St. Nicholas (from 1997-03-01 until 1997-03-05)
composer:
St. Godrich
San Godric di Finchale5:30
71Sainte Marie Viergene
recording engineer:
Klaus L. Neumann
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
harp [romanesque harp]:
Ella de Mircovich (from 1997-03-01 until 1997-03-05)
vocals:
Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
partial recording of:
Sainte Marië Viërgenë / Crist & St. Marië / St. Nicholas (from 1997-03-01 until 1997-03-05)
composer:
St. Godrich
San Godric di Finchale3:14
72Prima cedit femina / Mulierum hodie / Mulierum (13th century)
recording engineer:
Klaus L. Neumann
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
vocals:
Claudia Caffagni (from 1997-03-01 until 1997-03-05), Livia Caffagni (from 1997-03-01 until 1997-03-05) and Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
[anonymous]1:23
73Ave mutter kuniginne
recording engineer:
Klaus L. Neumann and Charlotte Gilart de Kéranflec'h (Sound engineer) (from 1997-03-01 until 1997-03-05)
producer:
Michel Bernstein (French record producer) and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
cornett and percussion:
Doron Sherwin (US classical vocalist & cornet player) (from 1997-03-01 until 1997-03-05)
lute:
Claudia Caffagni (from 1997-03-01 until 1997-03-05)
other instruments [symphonia]:
Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05)
vielle:
Livia Caffagni (from 1997-03-01 until 1997-03-05) and Claudia Pasetto (violist) (from 1997-03-01 until 1997-03-05)
vocals:
Claudia Caffagni (from 1997-03-01 until 1997-03-05), Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05) and Ella de Mircovich (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
recording of:
Ave mütter künniginne (Ave mater o Maria) (from 1997-03-01 until 1997-03-05)
writer:
Oswald von Wolkenstein (German composer & poet, c. 1377-1445)
Oswald von Wolkenstein3:53
74Nox
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Richard Lorber (producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
harp:
Ella de Mircovich (from 2000-10-09 until 2000-10-14)
psaltery:
Claudia Caffagni (from 2000-10-09 until 2000-10-14)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 2000-10-09 until 2000-10-14)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 2000-10-09 until 2000-10-14)
Doron Sherwin1:24
75Victimæ pascali laudes
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Richard Lorber (producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
vocals:
Claudia Caffagni (from 2000-10-09 until 2000-10-14), Livia Caffagni (from 2000-10-09 until 2000-10-14), Elisabetta de Mircovich (from 2000-10-09 until 2000-10-14) and Ella de Mircovich (from 2000-10-09 until 2000-10-14)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 2000-10-09 until 2000-10-14)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 2000-10-09 until 2000-10-14)
Wipo of Burgundy1:46
76Mors a primi patris / Mors, que stimulo / Mors morsu nata / Mors
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Richard Lorber (producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
vocals:
Elena Bertuzzi (from 2000-10-09 until 2000-10-14), Claudia Caffagni (from 2000-10-09 until 2000-10-14), Elisabetta de Mircovich (from 2000-10-09 until 2000-10-14) and Ella de Mircovich (from 2000-10-09 until 2000-10-14)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 2000-10-09 until 2000-10-14)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 2000-10-09 until 2000-10-14)
Pérotin1:56
77Occasum
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Richard Lorber (producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
psaltery:
Claudia Caffagni (from 2000-10-09 until 2000-10-14)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 2000-10-09 until 2000-10-14)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 2000-10-09 until 2000-10-14)
Claudia Caffagni2:27
78Pange melos lacrimosum (13th century, France)
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Richard Lorber (producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
percussion:
Doron Sherwin (US classical vocalist & cornet player) (from 2000-10-09 until 2000-10-14)
rebec:
Elisabetta de Mircovich (from 2000-10-09 until 2000-10-14)
vielle:
Livia Caffagni (from 2000-10-09 until 2000-10-14)
vocals:
Elisabetta de Mircovich (from 2000-10-09 until 2000-10-14) and Ella de Mircovich (from 2000-10-09 until 2000-10-14)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 2000-10-09 until 2000-10-14)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 2000-10-09 until 2000-10-14)
[anonymous]4:03
79Balaam inquit / Huic plascuit tres Magi (13th century, France)
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Richard Lorber (producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
vocals:
Claudia Caffagni (from 2000-10-09 until 2000-10-14), Livia Caffagni (from 2000-10-09 until 2000-10-14), Elisabetta de Mircovich (from 2000-10-09 until 2000-10-14) and Ella de Mircovich (from 2000-10-09 until 2000-10-14)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 2000-10-09 until 2000-10-14)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 2000-10-09 until 2000-10-14)
[anonymous]2:49
80Iam nubes dissolvitur / Solem (13th century, France)
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Richard Lorber (producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
vocals:
Claudia Caffagni (from 2000-10-09 until 2000-10-14), Livia Caffagni (from 2000-10-09 until 2000-10-14), Elisabetta de Mircovich (from 2000-10-09 until 2000-10-14) and Ella de Mircovich (from 2000-10-09 until 2000-10-14)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 2000-10-09 until 2000-10-14)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 2000-10-09 until 2000-10-14)
[anonymous]2:24
81An doz mois de mai / Crux forma (13th century, France)
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Richard Lorber (producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
vocals:
Elena Bertuzzi (from 2000-10-09 until 2000-10-14), Elisabetta de Mircovich (from 2000-10-09 until 2000-10-14) and Ella de Mircovich (from 2000-10-09 until 2000-10-14)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 2000-10-09 until 2000-10-14)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 2000-10-09 until 2000-10-14)
[anonymous]2:20
82A la clarté qui tout / Et illiminare (13th century, France)
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Richard Lorber (producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
bell:
Doron Sherwin (US classical vocalist & cornet player) (from 2000-10-09 until 2000-10-14)
harp:
Ella de Mircovich (from 2000-10-09 until 2000-10-14)
psaltery:
Claudia Caffagni (from 2000-10-09 until 2000-10-14)
rebec:
Elisabetta de Mircovich (from 2000-10-09 until 2000-10-14)
vielle:
Livia Caffagni (from 2000-10-09 until 2000-10-14)
vocals:
Elisabetta de Mircovich (from 2000-10-09 until 2000-10-14)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 2000-10-09 until 2000-10-14)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 2000-10-09 until 2000-10-14)
[anonymous]2:33
83Porta preminentie / Porta penitentie / Portas (13th century, France)
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Richard Lorber (producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
vocals:
Elena Bertuzzi (from 2000-10-09 until 2000-10-14), Claudia Caffagni (from 2000-10-09 until 2000-10-14), Livia Caffagni (from 2000-10-09 until 2000-10-14), Doron Sherwin (US classical vocalist & cornet player) (from 2000-10-09 until 2000-10-14), Elisabetta de Mircovich (from 2000-10-09 until 2000-10-14) and Ella de Mircovich (from 2000-10-09 until 2000-10-14)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 2000-10-09 until 2000-10-14)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 2000-10-09 until 2000-10-14)
[anonymous]2:54
84Miri it is hwile sumer ilasts (Merry It Is While Summer Lasts) (13th century, England)
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Richard Lorber (producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
harp:
Ella de Mircovich (from 2000-10-09 until 2000-10-14)
other instruments [symphonia]:
Elisabetta de Mircovich (from 2000-10-09 until 2000-10-14)
percussion:
Doron Sherwin (US classical vocalist & cornet player) (from 2000-10-09 until 2000-10-14)
psaltery:
Claudia Caffagni (from 2000-10-09 until 2000-10-14)
vielle:
Livia Caffagni (from 2000-10-09 until 2000-10-14)
vocals:
Claudia Caffagni (from 2000-10-09 until 2000-10-14), Livia Caffagni (from 2000-10-09 until 2000-10-14), Elisabetta de Mircovich (from 2000-10-09 until 2000-10-14) and Ella de Mircovich (from 2000-10-09 until 2000-10-14)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 2000-10-09 until 2000-10-14)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 2000-10-09 until 2000-10-14)
[anonymous]7:11
85Salve mater gracie / Do way Robin (13th century, England)
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Richard Lorber (producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
psaltery:
Claudia Caffagni (from 2000-10-09 until 2000-10-14)
vocals:
Elisabetta de Mircovich (from 2000-10-09 until 2000-10-14) and Ella de Mircovich (from 2000-10-09 until 2000-10-14)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 2000-10-09 until 2000-10-14)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 2000-10-09 until 2000-10-14)
[anonymous]1:51
86Rosa fragrans (13th century, England)
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Richard Lorber (producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
bell:
Doron Sherwin (US classical vocalist & cornet player) (from 2000-10-09 until 2000-10-14)
harp:
Claudia Caffagni (from 2000-10-09 until 2000-10-14), Elisabetta de Mircovich (from 2000-10-09 until 2000-10-14) and Ella de Mircovich (from 2000-10-09 until 2000-10-14)
vocals:
Elena Bertuzzi (from 2000-10-09 until 2000-10-14), Elisabetta de Mircovich (from 2000-10-09 until 2000-10-14) and Ella de Mircovich (from 2000-10-09 until 2000-10-14)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 2000-10-09 until 2000-10-14)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 2000-10-09 until 2000-10-14)
[anonymous]3:24
87Mors et vita duello
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Richard Lorber (producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
lute:
Claudia Caffagni (from 2000-10-09 until 2000-10-14)
percussion:
Doron Sherwin (US classical vocalist & cornet player) (from 2000-10-09 until 2000-10-14)
rebec:
Elisabetta de Mircovich (from 2000-10-09 until 2000-10-14)
recorder:
Livia Caffagni (from 2000-10-09 until 2000-10-14)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 2000-10-09 until 2000-10-14)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 2000-10-09 until 2000-10-14)
Elisabetta de Mircovich4:13
88Caligo terrae scinditur / Virgo Maria (14th century, England)
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Richard Lorber (producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
cornett [mute cornett]:
Doron Sherwin (US classical vocalist & cornet player) (from 2000-10-09 until 2000-10-14)
harp:
Ella de Mircovich (from 2000-10-09 until 2000-10-14)
lute:
Claudia Caffagni (from 2000-10-09 until 2000-10-14)
vielle:
Livia Caffagni (from 2000-10-09 until 2000-10-14)
vocals:
Doron Sherwin (US classical vocalist & cornet player) (from 2000-10-09 until 2000-10-14), Elisabetta de Mircovich (from 2000-10-09 until 2000-10-14) and Ella de Mircovich (from 2000-10-09 until 2000-10-14)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 2000-10-09 until 2000-10-14)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 2000-10-09 until 2000-10-14)
[anonymous]3:39
89Anglia tibi turbidas spera lucem (14th century, England)
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Richard Lorber (producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
lute:
Claudia Caffagni (from 2000-10-09 until 2000-10-14)
percussion:
Doron Sherwin (US classical vocalist & cornet player) (from 2000-10-09 until 2000-10-14)
rebec:
Elisabetta de Mircovich (from 2000-10-09 until 2000-10-14)
vielle:
Livia Caffagni (from 2000-10-09 until 2000-10-14)
vocals:
Claudia Caffagni (from 2000-10-09 until 2000-10-14), Livia Caffagni (from 2000-10-09 until 2000-10-14), Doron Sherwin (US classical vocalist & cornet player) (from 2000-10-09 until 2000-10-14), Elisabetta de Mircovich (from 2000-10-09 until 2000-10-14) and Ella de Mircovich (from 2000-10-09 until 2000-10-14)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 2000-10-09 until 2000-10-14)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 2000-10-09 until 2000-10-14)
[anonymous]4:34
90Ich spur ain lufft aus kulem tufft
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Richard Lorber (producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
harp:
Ella de Mircovich (from 2000-10-09 until 2000-10-14)
lute:
Claudia Caffagni (from 2000-10-09 until 2000-10-14)
vielle:
Livia Caffagni (from 2000-10-09 until 2000-10-14)
vocals:
Elisabetta de Mircovich (from 2000-10-09 until 2000-10-14)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 2000-10-09 until 2000-10-14)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 2000-10-09 until 2000-10-14)
Oswald von Wolkenstein4:20
91Resvellies vous et faites chiere lye a 3
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Richard Lorber (producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
cornett [mute cornett]:
Doron Sherwin (US classical vocalist & cornet player) (from 2000-10-09 until 2000-10-14)
harp:
Ella de Mircovich (from 2000-10-09 until 2000-10-14)
lute:
Claudia Caffagni (from 2000-10-09 until 2000-10-14)
rebec:
Elisabetta de Mircovich (from 2000-10-09 until 2000-10-14)
vielle:
Livia Caffagni (from 2000-10-09 until 2000-10-14)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 2000-10-09 until 2000-10-14)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 2000-10-09 until 2000-10-14)
recording of:
Resvelliés vous et faites chiere lye (from 2000-10-09 until 2000-10-14)
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Du Fay2:57
92Resvellies vous et faites chiere lye a 3 (after G. Dufay)
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Richard Lorber (producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
harp:
Ella de Mircovich (from 2000-10-09 until 2000-10-14)
lute:
Claudia Caffagni (from 2000-10-09 until 2000-10-14)
rebec:
Elisabetta de Mircovich (from 2000-10-09 until 2000-10-14)
vielle:
Livia Caffagni (from 2000-10-09 until 2000-10-14)
vocals:
Doron Sherwin (US classical vocalist & cornet player) (from 2000-10-09 until 2000-10-14)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 2000-10-09 until 2000-10-14)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 2000-10-09 until 2000-10-14)
Guillaume Du Fay2:56
93Lux
recording engineer:
Michel Bernstein (French record producer) and Charlotte Gilart de Kéranflec'h (Sound engineer)
producer:
Michel Bernstein (French record producer) and Richard Lorber (producer)
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
bell:
Claudia Caffagni (from 2000-10-09 until 2000-10-14)
cornett [mute cornett]:
Doron Sherwin (US classical vocalist & cornet player) (from 2000-10-09 until 2000-10-14)
harp:
Ella de Mircovich (from 2000-10-09 until 2000-10-14)
recorder:
Livia Caffagni (from 2000-10-09 until 2000-10-14)
vocals:
Elena Bertuzzi (from 2000-10-09 until 2000-10-14) and Elisabetta de Mircovich (from 2000-10-09 until 2000-10-14)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 2000-10-09 until 2000-10-14)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 2000-10-09 until 2000-10-14)
Doron Sherwin3:39