The Buddy Holly Collection

~ Release by Buddy Holly (see all versions of this release, 4 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1I’m Gonna Love You Too
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
recording of:
I’m Gonna Love You Too (from 1957-06-29 until 1957-07-01)
writer:
Joe B. Mauldin, Norman Petty and Niki Sullivan
publisher:
MPL (Paul McCartney-related) (ended), Peermusic (UK) Ltd., Southern Music Publishing Company Limited, Wren Music Co. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1957, in 1958)
4.52:16
2Look at Me
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-12-19)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-12-19)
percussion [cardboard box]:
Jerry Allison (on 1957-12-19)
piano:
Vi Petty (on 1957-12-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-12-19)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-12-19)
recording of:
Look at Me (from 1957-05 until 1957-07)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) and Wren Music Co.
52:08
3Little Baby
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-12-19)
drums (drum set):
Jerry Allison (on 1957-12-19)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-12-19)
piano:
C. W. Kendall (on 1957-12-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-12-19)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1957-05 until 1957-07)
recording of:
Little Baby (from 1957-05 until 1957-07)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter), C. W. Kendall and Norman Petty
publisher:
BMG Platinum Songs US, Mellin Music, Peer International Corporation (BMI) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
51:58
4You’ve Got Love
producer:
Norman Petty
bass:
Joe B. Mauldin (from 1957-09-27 until 1957-09-28)
drums (drum set):
Jerry Allison (from 1957-09-27 until 1957-09-28)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-09-27 until 1957-09-28) and Niki Sullivan (from 1957-09-27 until 1957-09-28)
background vocals:
The Picks (American vocal Quartet that backed Buddy Holly) (from 1957-09-28 until 1957-11-27)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-09-27 until 1958-09-28)
phonographic copyright (℗) by:
Geffen Records (in 1957)
recorded at:
Tinker Air Force Base (Tinker Air Force Base) in Oklahoma City, Oklahoma, United States (from 1957-09-27 until 1957-09-28) and Norman Petty Studios in Clovis, New Mexico, United States (from 1957-09-28 until 1957-11-27)
recording of:
You’ve Got Love (from 1957-09-27 until 1957-11-27)
writer:
Roy Orbison, Norman Petty and Johnny Wilson (aka Johnny A. Wilson & Peanuts Wilson)
42:11
5Maybe Baby
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-09-29)
drums (drum set):
Jerry Allison (on 1957-09-29)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-09-29) and Niki Sullivan (on 1957-09-29)
background vocals:
Bob Lapham (from 1957-10-12 until 1957-10-14), Bill Pickering (from 1957-10-12 until 1957-10-14) and John Pickering (vocalist and leader of The Picks) (from 1957-10-12 until 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-09-29)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, United States (on 1957-09-29) and Norman Petty Studios in Clovis, New Mexico, United States (from 1957-10-12 until 1957-10-14)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 14)
recording of:
Maybe Baby (from 1957-09-29 until 1957-10-14)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Melody Lane Pub and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
3.752:04
6Rock Me My Baby
producer:
Norman Petty
bass:
Joe B. Mauldin (from 1957-09-27 until 1957-09-28)
drums (drum set):
Jerry Allison (from 1957-09-27 until 1957-09-28)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-09-27 until 1957-09-28) and Niki Sullivan (from 1957-09-27 until 1957-09-28)
background vocals:
The Picks (American vocal Quartet that backed Buddy Holly) (from 1957-09-28 until 1957-11-27)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-09-27 until 1957-09-28)
recorded at:
Tinker Air Force Base (Tinker Air Force Base) in Oklahoma City, Oklahoma, United States (from 1957-09-27 until 1957-09-28) and Norman Petty Studios in Clovis, New Mexico, United States (from 1957-09-28 until 1957-11-27)
recording of:
Rock Me My Baby (from 1957-09-27 until 1957-11-27)
writer:
Susan Heather and Shorty Long (1950s country/rockabilly artist)
publisher:
Wren Music
41:49
7(You’re So Square) Baby, I Don’t Care
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-12-19)
drums (drum set):
Jerry Allison (on 1957-12-19)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-12-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-12-19)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-12-19)
cover recording of:
(You’re So Square) Baby I Don’t Care (on 1957-12-19)
lyricist:
Jerry Leiber (in 1957)
composer:
Mike Stoller (in 1957)
publisher:
Belinda (London) Ltd. (publisher), Carlin Music Corporation, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
51:37
8Rave On
recorded in:
New York, New York, United States (on 1958-01-25)
producer:
Milton DeLugg, Norman Petty and Bob Thiele (producer & songwriter)
bass:
Joe B. Mauldin (on 1958-01-25, on 1958-01-26)
drums (drum set):
Jerry Allison (on 1958-01-25, on 1958-01-26)
guitar:
Donald Amone (on 1958-01-25), Al Caiola (on 1958-01-25) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-01-26)
piano:
Norman Petty (on 1958-01-25, on 1958-01-26)
background vocals:
Robert Bollinger (on 1958-01-25), Robert Harter (on 1958-01-25), Abby Hoffer (on 1958-01-25), William Marine (on 1958-01-25) and Merril Ostrus (on 1958-01-25)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-01-25, on 1958-01-26)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1958-01-26)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 154)
cover recording of:
Rave On (on 1958-01-26)
writer:
Norman Petty, Bill Tilghman (songwriter) and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) and Wren Music Co.
4.21:50
9Fool’s Paradise
producer:
Norman Petty
bass:
Joe B. Mauldin (in 1958-02)
drums (drum set):
Jerry Allison (in 1958-02)
guitar and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1958-02)
piano:
Vi Petty (in 1958-02)
background vocals:
The Roses (in 1958-02)
phonographic copyright (℗) by:
Geffen Records (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (in 1958-02)
recording of:
Fool’s Paradise (in 1958-02)
writer:
Sonny LeGlaire, Horace Linsley (songwriter) and Norman Petty
publisher:
McCartney Music, Inc. and Southern Music Publ. Co. Ltd.
32:32
10Take Your Time
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1958-02-15)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-02-15)
organ:
Norman Petty (on 1958-02-15)
percussion [cardboard box]:
Jerry Allison (on 1958-02-15)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-02-15)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1958-02-15)
recording of:
Take Your Time (on 1958-02-15)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
31:58
11Well… All Right
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1958-02-12)
cymbal:
Jerry Allison (on 1958-02-12)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-02-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-02-12)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1958-02-12)
recording of:
Well… All Right (on 1958-02-12)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Music Publishing Inc.
42:14
12Think It Over
producer:
Norman Petty
bass:
Joe B. Mauldin (in 1958-02)
drums (drum set):
Jerry Allison (in 1958-02)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1958-02)
piano:
Vi Petty (in 1958-02)
background vocals:
The Roses (in 1958-02)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1958-02)
phonographic copyright (℗) by:
Geffen Records (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (in 1958-02)
recording of:
Think It Over (in 1958-02)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Cedarwood Pub. Co., Inc.
41:48
13Early in the Morning
recorded in:
New York, New York, United States (on 1958-06-19)
producer:
Dick Jacobs (arranger, musician and bandleader)
bass:
Sanford Bloch (Bass player) (on 1958-06-19)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1958-06-19) and Philip Kraus (on 1958-06-19)
guitar:
George Barnes (on 1958-06-19), Al Chernet (on 1958-06-19) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-06-19)
piano:
Ernest Hayes (American pianist, organist and arranger) (on 1958-06-19)
tenor saxophone:
Sam “The Man” Taylor (US jazz/blues saxophonist 1916-1990) (on 1958-06-19)
background vocals:
The Helen Way Singers (on 1958-06-19), Theresa Merritt (on 1958-06-19), Maeretha Stewart (on 1958-06-19), Helen Way (on 1958-06-19) and Harriet Young (on 1958-06-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-06-19)
phonographic copyright (℗) by:
Geffen Records (in 1958)
cover recording of:
Early in the Morning (on 1958-06-19)
writer:
Bobby Darin and Woody Harris
publisher:
Good Music Ltd., Royalty and United Artists Music Co., Inc.
52:07
14Heartbeat
producer:
Norman Petty
bass:
George Atwood (from 1958-05-25 until 1958-05-26)
drums (drum set):
Jerry Allison (from 1958-05-25 until 1958-05-26)
guitar:
Tommy Allsup (from 1958-05-25 until 1958-05-26) and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-05-25 until 1958-05-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-05-25 until 1958-05-26)
phonographic copyright (℗) by:
Geffen Records (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1958-05-25 until 1958-05-26)
recording of:
Heartbeat (from 1958-05-25 until 1958-05-26)
writer:
Bob Montgomery and Norman Petty
publisher:
Melody Lane Publications Inc. and Peermusic (UK) Limited
4.652:09
15It’s So Easy
producer:
Norman Petty
bass:
Joe B. Mauldin (from 1958-06 until 1958-08)
drums (drum set):
Jerry Allison (from 1958-06 until 1958-08)
guitar:
Tommy Allsup (from 1958-06 until 1958-08) and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-06 until 1958-08)
background vocals:
The Roses (from 1958-06 until 1958-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-06 until 1958-08)
phonographic copyright (℗) by:
Geffen Records (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1958-06 until 1958-08)
recording of:
It’s So Easy (from 1958-06 until 1958-08)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Melody Lane Publications Inc., Wren Music Co. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1958)
3.52:11
16Wishing
producer:
Norman Petty
bass:
George Atwood (from 1958-07 until 1958-08)
drums (drum set):
Bo Clarke (from 1958-07 until 1958-08)
guitar:
Tommy Allsup (from 1958-07 until 1958-08) and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-07 until 1958-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-07 until 1958-08)
phonographic copyright (℗) by:
Geffen Records (in 1963)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1958-07 until 1958-08)
recording of:
Wishing (from 1958-07 until 1958-08)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Bob Montgomery
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
42:02
17Love’s Made a Fool of You
producer:
Norman Petty
bass:
George Atwood (from 1958-07 until 1958-08)
drums (drum set):
Bo Clarke (from 1958-07 until 1958-08)
guitar:
Tommy Allsup (from 1958-07 until 1958-08) and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-07 until 1958-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-07 until 1958-08)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1958-07 until 1958-08)
recording of:
Love’s Made a Fool of You (from 1958-07 until 1958-08)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Bob Montgomery
publisher:
Southern Music Ltd. (publisher) (in 1981)
32:02
18Reminiscing
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1958-09-10)
drums (drum set):
Jerry Allison (on 1958-09-10)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-09-10)
tenor saxophone:
King Curtis (saxophonist) (on 1958-09-10)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-09-10)
performer:
The Fireballs (USA 1960s surf rock band) (in 1962)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1962)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1958-09-10)
recording of:
Reminiscing (from 1958-09-10 until 1962)
lyricist and composer:
King Curtis (saxophonist)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) and Nor-Va-Jak Music, Inc
42:01
19True Love Ways
producer:
Dick Jacobs (arranger, musician and bandleader)
bass guitar:
Sanford Bloch (Bass player) (on 1958-10-21)
drums (drum set):
Cliff Leeman (on 1958-10-21)
guitar:
Al Caiola (on 1958-10-21)
harp:
Doris Johnson (harpist) (on 1958-10-21)
piano:
Ernest Hayes (American pianist, organist and arranger) (on 1958-10-21)
tenor saxophone:
Abraham “Boomie” Richman (on 1958-10-21)
violin:
Herbert Bourne (on 1958-10-21), Ray Free (on 1958-10-21), Julius Held (on 1958-10-21), Leo Kruczek (on 1958-10-21), Leonard Posner (on 1958-10-21), Sylvia Shulman (on 1958-10-21), Irving Spice (violinist, concertmaster and strings) (on 1958-10-21) and Paul Winter (violin) (on 1958-10-21)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-10-21)
orchestra:
Dick Jacobs & His Orchestra (on 1958-10-21)
conductor:
Dick Jacobs (arranger, musician and bandleader) (on 1958-10-21)
phonographic copyright (℗) by:
Geffen Records (in 1960) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1960)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1958-10-21)
recording of:
True Love Ways (on 1958-10-21)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
McCartney Music, Melody Lane Publications Inc., Peermusic (UK) Ltd. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
4.52:50
20It Doesn’t Matter Anymore
producer:
Dick Jacobs (arranger, musician and bandleader) and Norman Petty
bass guitar:
Sanford Bloch (Bass player) (on 1958-10-21)
cello:
Maurice Bialkin (on 1958-10-21) and Maurice Brown (jazz cellist) (on 1958-10-21)
drums (drum set):
Cliff Leeman (on 1958-10-21)
guitar:
Al Caiola (on 1958-10-21)
harp:
Doris Johnson (harpist) (on 1958-10-21)
piano:
Ernest Hayes (American pianist, organist and arranger) (on 1958-10-21)
tenor saxophone:
Abraham “Boomie” Richman (on 1958-10-21)
viola:
Howard Kay (Violin player) (on 1958-10-21) and David Schwartz (violist) (on 1958-10-21)
violin:
Herbert Bourne (on 1958-10-21), Ray Free (on 1958-10-21), Julius Held (on 1958-10-21), Leo Kruczek (on 1958-10-21), Leonard Posner (on 1958-10-21), Sylvia Shulman (on 1958-10-21), Irving Spice (violinist, concertmaster and strings) (on 1958-10-21) and Paul Winter (violin) (on 1958-10-21)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-10-21)
orchestra:
Dick Jacobs & His Orchestra (on 1958-10-21)
conductor:
Dick Jacobs (arranger, musician and bandleader) (on 1958-10-21)
phonographic copyright (℗) by:
Geffen Records (in 1959) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1959)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1958-10-21)
recording of:
It Doesn’t Matter Anymore (on 1958-10-21)
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) and Robert Mellin Ltd.
2.752:05
21Raining in My Heart
producer:
Dick Jacobs (arranger, musician and bandleader)
bass guitar:
Sanford Bloch (Bass player) (on 1958-10-21)
cello:
Maurice Bialkin (on 1958-10-21) and Maurice Brown (jazz cellist) (on 1958-10-21)
drums (drum set):
Cliff Leeman (on 1958-10-21)
guitar:
Al Caiola (on 1958-10-21)
harp:
Doris Johnson (harpist) (on 1958-10-21)
piano:
Ernest Hayes (American pianist, organist and arranger) (on 1958-10-21)
tenor saxophone:
Abraham “Boomie” Richman (on 1958-10-21)
viola:
Howard Kay (Violin player) (on 1958-10-21) and David Schwartz (violist) (on 1958-10-21)
violin:
Herbert Bourne (on 1958-10-21), Ray Free (on 1958-10-21), Julius Held (on 1958-10-21), Leo Kruczek (on 1958-10-21), Leonard Posner (on 1958-10-21), Sylvia Shulman (on 1958-10-21), Irving Spice (violinist, concertmaster and strings) (on 1958-10-21) and Paul Winter (violin) (on 1958-10-21)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-10-21)
orchestra:
Dick Jacobs & His Orchestra (on 1958-10-21)
conductor:
Dick Jacobs (arranger, musician and bandleader) (on 1958-10-21)
phonographic copyright (℗) by:
Geffen Records (in 1959) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1959)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1958-10-21)
recording of:
Raining in My Heart (on 1958-10-21)
writer:
Boudleaux Bryant and Felice Bryant
publisher:
Acuff Rose Publications Ltd., House of Bryant Publications, LLC and Sony/ATV Music Publishing (UK) Ltd.
52:50
22Peggy Sue Got Married
recorded in:
New York, United States (in 1959-01)
producer:
Norman Petty
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1959-01)
instruments:
The Fireballs (USA 1960s surf rock band)
background vocals:
The Fireballs (USA 1960s surf rock band)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter)
recording of:
Peggy Sue Got Married (from 1959-01 to present)
composer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
51:51
23Crying, Waiting, Hoping
recorded in:
New York, United States (in 1959-01)
producer:
Norman Petty
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1959-01)
instruments:
The Fireballs (USA 1960s surf rock band)
background vocals:
The Fireballs (USA 1960s surf rock band)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1959-01)
recording of:
Crying, Waiting, Hoping (from 1959-01 to ????)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Peermusic (UK) Limited and Southern Music Pub. Co. Ltd.
32:04
24Learning the Game
recorded in:
New York, United States (in 1959-01)
producer:
Norman Petty
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1959-01)
instruments:
The Fireballs (USA 1960s surf rock band)
background vocals:
The Fireballs (USA 1960s surf rock band)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1959-01)
recording of:
Learning the Game (from 1959-01 to ????)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) and Southern Music Pub. Co. Ltd.
42:04
25What to Do
recorded in:
New York, United States (in 1959-01)
producer:
Norman Petty
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1959-01)
instruments:
The Fireballs (USA 1960s surf rock band)
background vocals:
The Fireballs (USA 1960s surf rock band)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1959-01)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1960) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
recording of:
What to Do (from 1959-01 to ????)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Southern Music (publisher)
3.51:56

Credits

Release

art direction:Vartan (art direction)
photography:John Beecher
Colin Escott
liner notes:Billy Altman (Journalist)
producer:Andy McKaie (task: reissue)
remastering:Erick Labson
compiler:Billy Altman (Journalist)
Andy McKaie
design:DZN
remastered at:MCA Music Media Studios in North Hollywood, Los Angeles, California, United States
Discogs:https://www.discogs.com/release/4540393 [info]
ASIN:US: B000002OPE [info]