Complete Edition

~ Release by J.S. Bach (see all versions of this release, 2 available)

Annotation

A blue/gold patterned box with 157 CDs in paper sleeves + 2 DVDs & 1 DVD-ROM.
The booklet for disc 9 indicates that it is BWV 1044, BWV 1055R, and BWV 1064R, The works actually included in the disc are BWV 1044, BWV 1060R and BWV 1064 R - see discussion at https://musicbrainz.org/edit/41547456

Annotation last modified on 2016-11-04 20:20 UTC.

Tracklist

1CD: Brandenburg Concertos 1–3 BWV 1046-1048
2CD: Brandenburg Concertos 4–6 BWV1049-1051
3CD: Orchestral Suites 1 & 2 BWV 1066 & 1067
4CD: Orchestral Suites 3 & 4 BWV 1068 & 1069
5CD: Violin Concertos BWV 1041, 1042, 1043 & 1060
6CD: Harpsichord Concertos BWV 1052-1055
7CD: Harpsichord Concertos BWV 1056-1058, 1060 & 1065
8CD: Concertos for Two and Three Harpsichords BWV 1061-1064
9CD: Triple Concerto BWV 1044, Concerto for Oboe D'amore BWV 1055R, Concerto for 3 Violins BWV 1064
10CD: Sonatas and Partitas for Solo Violin BWV 1001-1003
11CD: Sonatas and Partitas for Solo Violin BWV 1004-1006
12CD: Cello Suites 1, 3 & 5
13CD: Cello Suites 2, 4 & 6
14CD: Flute Sonatas BWV 1013, 1030, 1032 & 1034-1035
15CD: Flute Sonatas BWV 1038-1039 / Ein Musikalisches Opfer
16CD: Lute Works BWV 995-997
17CD: Lute Works BWV 998-1000
18CD: Viola da Gamba Sonatas
19CD: Musikalisches Opfer
20CD: Violin Sonatas BWV 1014-1016
21CD: Violin Sonatas BWV 1017-1019
22CD: Notenbüchlein für Anna Magdalena Bach
23CD: Violin Sonatas BWV 1021 & 1023 / Trio Sonatas BWV 1038 & 1039
24CD: The Well-Tempered Clavier Book I Nos. 1-12
25CD: The Well-Tempered Clavier Book I Nos. 13-24
26CD: The Well-Tempered Clavier Book II Nos. 1-12
27CD: The Well-Tempered Clavier Book II Nos. 13-24
28CD: Keyboard Partitas 1, 2, & 6
29CD: Keyboard Partitas 3, 4 & 5
30CD: Keyboard Works 1700-1710
31CD: Keyboard Works 1700-1710
32CD: Keyboard Works 1700-1710
33CD: Italian Concerto BWV 971 / French Overture BWV 831 / Chromatic Fantasy and Fugue BWV 903
34CD: Goldberg Variations BWV 988
35CD: English Suites 1, 2 & 3
36CD: English Suites 4, 5 & 6
37CD: Concerto Transcriptions
38CD: Concerto Transcriptions
39CD: French Suites 1, 2 & 3
40CD: French Suites 4, 5 & 6
41CD: Toccatas
42CD: Die Kunst Der Fuge: beginning
43CD: Die Kunst der Fuge: conclusion
44CD: Sonatas, Suites & Fantasias
45CD: Suites, Fantasias, Preludes & Fuges
46CD: Inventions & Sinfonias
47CD: Cantatas BWV 80, 82 & 61
48CD: Cantatas BWV 16, 170 & 133
49CD: Cantatas BWV 97, 132 & 72
50CD: Cantatas BWV 113 & 42
51CD: Cantatas BWV 33, 56 & 37
52CD: Cantatas BWV 92, 54 & 44
53CD: Cantatas BWV 111, 159, 165 & 22
54CD: Cantatas BWV 114, 57 & 155
55CD: Cantatas BWV 98, 188 & 23
56CD: Cantatas BWV 135, 86, 85 & 167
57CD: Cantatas BWV 172, 182 & 90
58CD: Cantatas BWV 106, 199 & 161
59CD: Cantatas BWV 99, 35 & 17
60CD: Cantatas BWV 123, 87 & 173
61CD: Cantatas BWV 117, 153 & 168
62CD: Cantatas BWV 130, 138 & 81
63CD: Cantatas BWV 149, 69 & 169
64CD: Cantatas BWV 45, 150 & 122
65CD: Cantatas BWV 116, 13 & 144
66CD: Cantatas BWV 102, 7 & 196
67CD: Cantatas BWV 46, 107 & 179
68CD: Cantatas BWV 6, 163 & 96
69CD: Cantatas BWV 178, 156 & 27
70CD: Cantatas BWV 115, 55 & 94
71CD: Cantatas BWV 26, 164 & 139
72CD: Cantatas BWV 103, 185 & 2
73CD: Cantatas BWV 60, 78 & 151
74CD: Cantatas BWV 128, 154 & 62
75CD: Cantatas BWV 192, 93, 145 & 171
76CD: Cantatas BWV 8, 186 & 3
77CD: Cantatas BWV 198 & 110
78CD: Cantatas BWV 73, 125 & 157
79CD: Cantatas BWV 9, 91 & 47
80CD: Cantatas BWV 152, 121 & 166
81CD: Cantatas BWV 36, 184, & 129
82CD: Cantatas BWV 140, 88 & 79
83CD: Cantatas BWV 194, 176 & 89
84CD: Cantatas BWV 100, 108 & 18
85CD: Cantatas BWV 40, 84 & 30
86CD: Cantatas BWV 136, 187 & 49
87CD: Cantatas BWV 195, 1 & 63
88CD: Cantatas BWV 51, 32 & 14
89CD: Cantatas BWV 109, 58 & 162
90CD: Cantatas BWV 104, 83, 50 & 183
91CD: Cantatas BWV 5, 38 & 20
92CD: Cantatas 146, 28 & 48
93CD: Cantatas BWV 39, 143, 175 & 65
94CD: Cantatas BWV 180, 197 & 52
95CD: Cantatas BWV 137, 25, 119 & 43
96CD: Cantatas BWV 75, 59, & 21
97CD: Cantatas 101, 127, 95 & 124
98CD: Cantatas 12, 74 & 177
99CD: Cantatas BWV 71, 76 & 10
100CD: Cantatas BWV 64, 134 & 105
101CD: Cantatas BWV 4, 158, 131 & 70
102CD: Cantatas BWV 147, 181 & 66
103CD: Cantatas BWV 148, 174, 112 & 68
104CD: Cantatas BWV 77, 24, 126 & 67
105CD: Cantatas BWV 34, 31 & 19
106CD: Cantatas BWV 41, 29 & 120
107CD: Mass in B minor, BWV 232
108CD: Mass in B minor, BWV 232
109CD: Missae Breves BWV 233 & 234
110CD: Missae Breves BWV 235 & 236
111CD: Sacred Songs and Arias From Musicalisches Gesangbuch G.C. Schemelli BWV 439 - 507
112CD: Sacred Songs and Arias From Musicalisches Gesangbuch G.C. Schemelli BWV 439 - 507
113CD: Motets BWV 225 - 230
114CD: Easter Oratorio BWV 249
115CD: Secular Cantatas BWV 36C, 209 & 203
116CD: Secular Cantata BWV 201
117CD: Wedding Cantatas BWV 202 & 210
118CD: Secular Cantatas BWV 204 & 208
#TitleArtistRatingLength
1Was Mir Behagt, Ist Nur Die Muntre Jagd, BWV 208: I. Recitativo (Soprano): Was mir behagt, ist nur die muntre Jagd
soprano vocals [Soprano I]:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: I. Recitativo (Sopran I) “Was mir behagt, ist nur die muntre Jagd!” (from 1976-10 until 1976-11)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:48
2Was Mir Behagt, Ist Nur Die Muntre Jagd, BWV 208: II. Aria (Soprano): Jagen ist die Lost
soprano vocals [Soprano I]:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: II. Aria (Sopran I) “Jagen ist die Lust de Göter” (from 1976-10 until 1976-11)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:20
3Was Mir Behagt, Ist Nur Die Muntre Jagd, BWV 208: III. Recitativo (Tenore): Wie, schönste Göttin
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: III. Recitativo (Tenor) “Wie? Schönste Göttin! Wie?” (from 1976-10 until 1976-11)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach1:13
4Was Mir Behagt, Ist Nur Die Muntre Jagd, BWV 208: IV. Aria (Tenore): Willst du dich nicht mehr ergetzen
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IV. Aria (Tenor) “Willst du dich nicht mehr ergötzen” (from 1976-10 until 1976-11)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach5:11
5Was Mir Behagt, Ist Nur Die Muntre Jagd, BWV 208: V. Recitativo (Soprano): Ich liebe dich zwar noch!
soprano vocals [Soprano I]:
Edith Mathis (soprano)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: V. Recitativo (Sopran I, Tenor) “Ich liebe dich zwar noch!” (from 1976-10 until 1976-11)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:42
6Was Mir Behagt, Ist Nur Die Muntre Jagd, BWV 208: VI. Recitativo (Basso): Ich, der ich sonst ein Gott
bass vocals:
Theo Adam (German classical bass-baritone)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VI. Recitativo (Bass) “Ich, der ich sonst ein Gott in diesen Feldern bin” (from 1976-10 until 1976-11)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:40
7Was Mir Behagt, Ist Nur Die Muntre Jagd, BWV 208: VII. Aria (Basso): Ein Fürst ist seines Landes Pan
bass vocals:
Theo Adam (German classical bass-baritone)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VII. Aria (Bass) “Ein Fürst ist seines Landes Pan!” (from 1976-10 until 1976-11)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach3:09
8Was Mir Behagt, Ist Nur Die Muntre Jagd, BWV 208: VIII. Recitativo (Soprano): Soll dann der Pales Opfer hier das letzte sein
soprano vocals [Soprano II]:
Arleen Augér (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VIII. Recitativo (Sopran II) “Soll denn der Pales Opfer hier das letzte sein?” (from 1976-10 until 1976-11)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:52
9Was Mir Behagt, Ist Nur Die Muntre Jagd, BWV 208: IX. Aria (Soprano): Schafe können sicher weiden
soprano vocals [Soprano II]:
Arleen Augér (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (from 1976-10 until 1976-11)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Classic 100: Piano (2025) (number: 38)
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach4:56
10Was Mir Behagt, Ist Nur Die Muntre Jagd, BWV 208: X. Recitativo (Soprano): So stimmt mit ein
soprano vocals [Soprano I]:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: X. Recitativo (Sopran I) “So stimmt mit ein” (from 1976-10 until 1976-11)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:14
11Was Mir Behagt, Ist Nur Die Muntre Jagd, BWV 208: XI. Coro (Soprano I & II, Tenore, Basso): Lebe, Sonne dieser Erden
bass vocals:
Theo Adam (German classical bass-baritone)
soprano vocals [Soprano I]:
Edith Mathis (soprano)
soprano vocals [Soprano II]:
Arleen Augér (soprano)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XI. Chorus (Aria a 4) “Lebe, Sonne dieser Erdem” (from 1976-10 until 1976-11)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:57
12Was Mir Behagt, Ist Nur Die Muntre Jagd, BWV 208: XII. Duetto (Soprano, Tenore): Entzücket uns beide, ihr Strahlen der Freude
soprano vocals [Soprano I]:
Edith Mathis (soprano)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XII. Duetto (Sopran I, Tenor) “Entzücket uns beide” (from 1976-10 until 1976-11)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:00
13Was Mir Behagt, Ist Nur Die Muntre Jagd, BWV 208: XIII. Aria (Soprano): Weil die wollenreichen Herden
soprano vocals [Soprano II]:
Arleen Augér (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XIII. Aria (Sopran II) “Weil die wollenreichen Herden” (from 1976-10 until 1976-11)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach1:38
14Was Mir Behagt, Ist Nur Die Muntre Jagd, BWV 208: XIV. Aria (Basso): Ihr Felder und Auen
bass vocals:
Theo Adam (German classical bass-baritone)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XIV. Aria (Bass) “Ihr felder und Auen, laßt grünend euch schauen” (from 1976-10 until 1976-11)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:52
15Was Mir Behagt, Ist Nur Die Muntre Jagd, BWV 208: XV. Coro (Soprano I & II, Tenore, Basso): Ihr lieblichste Blicke, ihr freudige Stunden
bass vocals:
Theo Adam (German classical bass-baritone)
soprano vocals [Soprano I]:
Edith Mathis (soprano)
soprano vocals [Soprano II]:
Arleen Augér (soprano)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XV. Chorus “Ihr lieblichste Bliche! ihr freudige Stunden” (from 1976-10 until 1976-11)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach4:16
16Ich Bin In Mir Vergnügt, BWV 204: I. Recitativo (Soprano): Ich bin in mir vergnügt
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": I. Recitativo (Sopran) "Ich bin in mir vergnügt" (from 1976-11-05 until 1976-11-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach1:59
17Ich Bin In Mir Vergnügt, BWV 204: II. Aria (Soprano): Ruhig und in sich zufrieden
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": II. Aria (Sopran) "Ruhig und in sich zufrieden" (from 1976-11-05 until 1976-11-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach6:54
18Ich Bin In Mir Vergnügt, BWV 204: III. Recitativo (Soprano): Ihr Seelen, die ihr außer euch stets in der Irre lauft
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": III. Recitativo (Sopran) "Ihr Seelen, die ihr außer euch stets in die Irre lauft" (from 1976-11-05 until 1976-11-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach2:04
19Ich Bin In Mir Vergnügt, BWV 204: IV. Aria (Soprano): Die Schätzbarkeit der weiten Erden
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": IV. Aria (Sopran) "Die Schätzbarkeit der weiten Erden" (from 1976-11-05 until 1976-11-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach5:16
20Ich Bin In Mir Vergnügt, BWV 204: V. Recitativo (Soprano): Schwer ist es zwar, viel Eitles zu besitzen
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": V. Recitativo (Sopran) "Schwer ist es zwar, viel Eitles zu besitzen" (from 1976-11-05 until 1976-11-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach2:10
21Ich Bin In Mir Vergnügt, BWV 204: VI. Aria (Soprano): Meine Seele sei vergnügt
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": VI. Aria (Sopran) "Meine Seele sei vergnügt" (from 1976-11-05 until 1976-11-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach7:29
22Ich Bin In Mir Vergnügt, BWV 204: VII. Recitativo (Soprano): Ein edler Mensch ist Perlenmuscheln gleich
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": VII. Recitativo (Sopran) "Ein edler Mensch ist Perlenmuscheln gleich" (from 1976-11-05 until 1976-11-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach2:15
23Ich Bin In Mir Vergnügt, BWV 204: VIII. Aria (Soprano): Himmlische Vergnügsamkeit
soprano vocals:
Edith Mathis (soprano)
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Studio Christuskirche (Berlin) in Berlin, Germany
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": VIII. Aria (Sopran) "Himmlische Vergnügsamkeit" (from 1976-11-05 until 1976-11-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach5:57
119CD: Secular Cantatas BWV 205 & 207
120CD: Secular Cantatas BWV 206 & 215
121CD: Secular Cantatas BWV 211 & 212
122CD: Secular Cantatas BWV 213 & 214
123CD: Matthäus-Passion BWV 244 Part 1
124CD: Matthäus-Passion BWV 244 Part 2 - beginning
125CD: Matthäus-Passion BWV 244 Part 2 - conclusion
126CD: Johannes-Passion BWV 245 beginning
127CD: Johannes-Passion BWV 245 conclusion
128CD: Markus-Passion BWV 247 Part 1
129CD: Markus-Passion BWV 247 Part 2
130CD: Weihnachts-Oratorium BWV 248
131CD: Weihnachts-Oratorium BWV 248
132CD: Ascension Oratorio BWV 11, Ich habe genug BWV 82a
133CD: Tilge, Höchster, Meine Sünden BWV 1083 (After Pergolesi's Stabat Mater)
134CD: Magnificat BWV 243, Chorales
135CD: Chorales (From the Breitkopf Edition '389 Choräle')
136CD: Chorales (From the Breitkopf Edition '389 Choräle')
137CD: Chorales
138CD: Chorales
139CD: Chorales
140CD: Chorales
141CD: Leipzig Chorales BWV 651-661
142CD: Leipzig Chorales BWV 662-668, Schübler Chorales BWV 645-650
143CD: Preludes & Fugues BWV 531 & 532, Concerto BWV 592, Chorales
144CD: Organ Works
145CD: Orgelbüchlein - beginning
146CD: Orgelbüchlein - conclusion, kleine Præludien & Fugen BWV 553-560
147CD: Organ Works
148CD: Organ Works
149CD: Neumeister Chorales - beginning
150CD: Neumeister Chorales - conclusion, Trio Sonata BWV 527, Passacaglia & Fugue BWV 582
151CD: Fantasia & Fugue BWV 537 / Prelude & Fuge BWV 544 / Partite Sopra "Sei Gegrüsset" / Chorale Preludes
152CD: Organ Works
153CD: Organ Works
154CD: Organ Works
155CD: Clavierübung III - beginning
156CD: Clavierübung III - conclusion, Toccata BWV 566, Concerto BWV 596, Trio Sonata BWV 529
157CD: Organ Works
158DVD-Video: Matthäus-Passion BWV 244
159DVD-Video: Johannes-Passion BWV 245
160Data DVD: Complete scores of Bach's works, booklet notes, and sung texts. Brilliant Classics Catalogue