Ultimate Seventies: 1976

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Rock’n Me
assistant engineer:
Win Kutz (engineer/producer)
engineer:
Mike Fusaro
executive producer:
John Palladino
producer:
Steve Miller (leader of Steve Miller Band)
mixer:
Jim Gaines
bass:
Lonnie Turner
drums (drum set):
Gary Mallaber
guitar and lead vocals [vocals]:
Steve Miller (leader of Steve Miller Band)
phonographic copyright (℗) by:
Sailor Records (Steve Miller label), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1976), Sailor Productions (in 2006) and Haworth Enterprises (in 2016)
recorded at:
CBS Studios (San Francisco) in San Francisco, California, United States
mixed at:
Kaye–Smith Studios in Seattle, Washington, United States
recording of:
Rock’n Me
lyricist and composer:
Steve Miller (leader of Steve Miller Band)
publisher:
P and P Songs Limited and Sailor Music
Steve Miller Band4.653:10
2Takin’ It to the Streets
recording of:
Takin’ It to the Streets
lyricist and composer:
Michael McDonald (R&B & soul singer)
publisher:
Tauripin Tunes
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The Doobie Brothers4.53:48
3Fooled Around and Fell in Love
producer:
Elvin Bishop and Bill Szymczyk
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1975)
recording of:
Fooled Around and Fell in Love
lyricist and composer:
Elvin Bishop
Elvin Bishop4.52:59
4Sara Smile
producer:
Chris Bond (producer, active circa 1970s) and Daryl Hall & John Oates
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1975)
recording of:
Sara Smile
lyricist:
Daryl Hall and John Oates
composer:
Daryl Hall
publisher:
Unichappell Music, Inc.
Daryl Hall and John Oates4.253:12
5Say You Love Me
recording engineer:
Keith Olsen (US producer and engineer)
engineer:
David DeVore
producer:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Mick Fleetwood, Christine McVie, John McVie, Stevie Nicks and Keith Olsen (US producer and engineer)
acoustic guitar, banjo, electric guitar, guitar and resonator guitar:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1975-02)
bass guitar:
John McVie (in 1975-02)
drums (drum set) [drums] and percussion:
Mick Fleetwood (in 1975-02)
keyboard [keyboards] and synthesizer:
Christine McVie (in 1975-02)
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1975-02), Christine McVie (in 1975-02) and Stevie Nicks (in 1975-02)
phonographic copyright (℗) by:
Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1975)
recording of:
Say You Love Me (in 1975-02)
lyricist and composer:
Christine McVie
publisher:
Universal Music Careers
Fleetwood Mac4.354:01
6Play That Funky Music
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
edit of:
Play That Funky Music (album version) by Wild Cherry (1970s US funk rock band, known for “Play That Funky Music”)
recording of:
Play That Funky Music (in 1976)
lyricist and composer:
Robert W. Parissi (Rob Parissi)
publisher:
Bema Music (publisher), RWP Music, Sweet City Records Inc. and Universal/MCA Music Ltd. (not for release label use!)
Wild Cherry4.153:18
7You Should Be Dancing
co-producer:
Albhy Galuten and Karl Richardson
producer:
Bee Gees
additional guest percussion:
Stephen Stills (from 1976-01 until 1976-06)
bass:
Maurice Gibb (from 1976-01 until 1976-06)
brass [Boneroo Horns]:
Neal Bonsanti (from 1976-01 until 1976-06), Peter Graves (trombonist) (from 1976-01 until 1976-06), Ken Faulk (trumpet player) (from 1976-01 until 1976-06), Bill Purse (songwriter, keyboard player, producer and horn chart arranger) (from 1976-01 until 1976-06) and Whit Sidener (from 1976-01 until 1976-06)
drums (drum set):
Dennis Bryon (Welsh drummer, author) (from 1976-01 until 1976-06)
guitar [rhythm guitar] and lead vocals:
Barry Gibb (from 1976-01 until 1976-06)
keyboard and synthesizer:
Blue Weaver (from 1976-01 until 1976-06)
percussion:
Joe Lala (from 1976-01 until 1976-06)
solo electric guitar:
Alan Kendall (from 1976-01 until 1976-06)
background vocals:
Maurice Gibb (from 1976-01 until 1976-06) and Robin Gibb (from 1976-01 until 1976-06)
phonographic copyright (℗) by:
Barry Gibb (in 1976), Maurice Gibb (in 1976) and Robin Gibb (in 1976)
phonographic copyright (℗) by:
Robert Stigwood Organisation Ltd. (from 1976 to present, in 1976), Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1976), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1976) and RSO Records Inc. (US company that owned the RSO label, not the label itself.) (in 1976)
recording of:
You Should Be Dancing (from 1976-01 until 1976-06)
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music, Casserole Music Corp. (from 1976 to present) and Unichappell Music (from 1976 to present)
The Bee Gees4.654:18
8Show Me the Way
recording of:
Show Me the Way
lyricist and composer:
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and United Artists Music Co., Inc.
Peter Frampton3.53:37
9Don’t Go Breaking My Heart
recorded in:
Toronto, Ontario, Canada (in 1976-05)
producer:
Gus Dudgeon
bongos, congas and tambourine:
Ray Cooper (percussionist) (in 1976-05)
drums (drum set):
Roger Pope (in 1976-05)
electric bass guitar:
Kenny Passarelli (Bass, piano) (in 1976-05)
electric guitar:
Davey Johnstone (in 1976-05)
Rhodes piano [Fender Rhodes electric piano]:
James Newton Howard (American score composer) (in 1976-05)
background vocals:
Curt Boettcher (in 1976-05), Cidny Bullens (American singer-songwriter) (in 1976-05) and Kiki Dee (in 1976-05)
guest vocals:
Kiki Dee (in 1976-05)
lead vocals:
Elton John (English singer, songwriter, pianist, and composer) (in 1976-05)
orchestrator:
James Newton Howard (American score composer)
phonographic copyright (℗) by:
This Record Co. Ltd. (copyright holder)
recording of:
Don’t Go Breaking My Heart (in 1976-05)
lyricist:
Carte Blanche (aka. Bernie Taupin, Onions)
composer:
Ann Orson (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd. (publisher), Rocket Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Universal–Songs of PolyGram International, Inc.
Elton John and Kiki Dee3.64:26
10Tonight’s the Night (Gonna Be Alright)
producer:
Tom Dowd
tenor saxophone:
Jerry Jumonville
spoken vocals [multilingual vocal appliances]:
B. E.
vocals:
Rod Stewart
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1976, in 2009) and Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1993)
recorded at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States and Muscle Shoals Sound Studio in Sheffield, Alabama, United States
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 21)
recording of:
Tonight’s the Night (Gonna Be Alright)
lyricist and composer:
Rod Stewart
publisher:
Intersong USA, Inc. (publisher)
Rod Stewart43:55
11Love to Love You Baby
recording of:
Love to Love You Baby
writer:
Pete Bellotte (English lyricist and producer), Giorgio Moroder and Donna Summer (soul/disco diva)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sweet Summer Night Music, Warner Chappell and WB Music Corp. (1929–2019)
Donna Summer54:57
12Still the One
lead vocals:
Larry Hoppen
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1976) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1976)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 18)
recording of:
Still the One
writer:
Johanna Hall and John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
Siren Songs
Orleans53:57
13Hello Old Friend
recording of:
Hello Old Friend
lyricist and composer:
Eric Clapton
Eric Clapton53:05
14Get Closer
engineer:
Joe Bogan (Recording- and mixing engineer)
producer:
Louie Shelton
background vocals:
Carol Carmichael, Donnie Shelton, Shirley Matthews (Canadian pop singer), Merna Matthews and Carolyn Willis
solo soprano vocals:
Carolyn Willis
performer:
Seals & Crofts
strings arranger:
David Paich
arranger:
Gene Page
recording of:
Get Closer (in 1976)
writer:
Dash Crofts and Jim Seals
Seals and Crofts53:59
1550 Ways to Leave Your Lover
recording engineer:
Glenn Berger and Burt Szerlip
engineer:
Phil Ramone
producer:
Phil Ramone and Paul Simon (of Simon & Garfunkel)
acoustic guitar:
Paul Simon (of Simon & Garfunkel)
bass guitar [bass]:
Tony Levin (US rock bassist/Chapman Stick)
drums (drum set):
Steve Gadd (drummer)
electric guitar:
Hugh McCracken and John Tropea
organ:
Kenny Ascher
percussion:
Ralph MacDonald
background vocals:
Patti Austin, Valerie Simpson and Phoebe Snow
vocals:
Paul Simon (of Simon & Garfunkel)
phonographic copyright (℗) by:
Paul Simon (of Simon & Garfunkel) (in 1975, in 1981, in 2004)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975) and Warner Music H.K. Ltd. (in 1997)
recording of:
50 Ways to Leave Your Lover
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), DeShufflin Limited (in 1975) and Paul Simon Music (in 1975)
Paul Simon3.853:40
16That’ll Be the Day
engineer:
Val Garay
producer:
Peter Asher
bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
drums (drum set):
Michael Botts
electric guitar:
Andrew Gold and Waddy Wachtel
handclaps:
Linda Ronstadt
wood block:
Peter Asher
background vocals:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) and Andrew Gold
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1976)
cover recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Linda Ronstadt52:34
17Welcome Back
recording of:
Welcome Back (70’s Song by John Sebastian)
lyricist and composer:
John Sebastian
John Sebastian52:54
18Dream Weaver
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
recording of:
Dream Weaver (Gary Wright)
lyricist and composer:
Gary Wright (US singer/keyboardist) (in 1975)
publisher:
High Wave Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and WB Music Corp.
Gary Wright53:44
19All by Myself
assistant engineer:
Joey Barbaria
engineer:
Jack Sherdel
producer:
Jimmy Ienner (producer)
lead vocals:
Eric Carmen (from 1975-08 until 1975-09)
arranger:
Eric Carmen
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975) and Arista Records, LLC (holding company - file NO releases here!) (in 1975)
produced for:
CAM Productions (US)
recorded at:
O.D.O. Sound Studios in New York, New York, United States (from 1975-08 until 1975-09)
recording of:
All by Myself (from 1975-08 until 1975-09)
lyricist:
Eric Carmen
composer:
Eric Carmen and Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (ended), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
is based on:
Let’s Pretend
is based on:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen4.254:55
20The Rubberband Man
The Spinners4.653:33

Credits

Release group

part of:Ultimate Seventies (A Compilation of the Seventies) (number: 1976) (order: 7)