Rogue One: A Star Wars Story

~ Release by Michael Giacchino (see all versions of this release, 13 available)

Annotation

Matrix/runout: Sony DADC [Universal logo] 8734817 35 A00
Mastering SID code: IFPI L555
Mould SID code: IFPI 945Q

Annotation last modified on 2022-06-16 20:11 UTC.

Tracklist

1CD
#TitleRatingLength
1He’s Here for Us
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
He’s Here for Us
composer:
Michael Giacchino (American score composer)
publisher:
Wampa Tauntaun Music
part of:
Rogue One: A Star Wars Story
23:22
2A Long Ride Ahead
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
A Long Ride Ahead
composer:
Michael Giacchino (American score composer)
publisher:
Wampa Tauntaun Music
part of:
Rogue One: A Star Wars Story
1.53:58
3Wobani Imperial Labor Camp
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Wobani Imperial Labor Camp
composer:
Michael Giacchino (American score composer)
publisher:
Wampa Tauntaun Music
part of:
Rogue One: A Star Wars Story
20:57
4Trust Goes Both Ways
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Trust Goes Both Ways
composer:
Michael Giacchino (American score composer)
publisher:
Bantha Music, Wampa Tauntaun Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
quotes music from:
Binary Sunset (Star Wars, Episode IV: A New Hope)
part of:
Rogue One: A Star Wars Story
22:47
5When Has Become Now
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
When Has Become Now
composer:
Michael Giacchino (American score composer)
publisher:
Wampa Tauntaun Music
part of:
Rogue One: A Star Wars Story
1.52:01
6Jedha Arrival
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Jedha Arrival
composer:
Michael Giacchino (American score composer)
publisher:
Wampa Tauntaun Music
part of:
Rogue One: A Star Wars Story
1.52:50
7Jedha City Ambush
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Jedha City Ambush
composer:
Michael Giacchino (American score composer)
publisher:
Wampa Tauntaun Music
part of:
Rogue One: A Star Wars Story
1.52:21
8Star‐Dust
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Star‐Dust
composer:
Michael Giacchino (American score composer)
publisher:
Wampa Tauntaun Music
part of:
Rogue One: A Star Wars Story
1.53:49
9Confrontation on Eadu
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Confrontation on Eadu
composer:
Michael Giacchino (American score composer)
publisher:
Wampa Tauntaun Music
part of:
Rogue One: A Star Wars Story
1.58:07
10Krennic’s Aspirations
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Krennic’s Aspirations
composer:
Michael Giacchino (American score composer)
publisher:
Bantha Music, Wampa Tauntaun Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
quotes music from:
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme)
part of:
Rogue One: A Star Wars Story
1.54:18
11Rebellions Are Built on Hope
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Rebellions Are Built on Hope
composer:
Michael Giacchino (American score composer)
publisher:
Wampa Tauntaun Music
part of:
Rogue One: A Star Wars Story
1.52:58
12Rogue One
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Rogue One
composer:
Michael Giacchino (American score composer)
publisher:
Bantha Music, Wampa Tauntaun Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Rogue One: A Star Wars Story
22:06
13Cargo Shuttle SW‐0608
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Cargo Shuttle SW‐0608
composer:
Michael Giacchino (American score composer)
publisher:
Wampa Tauntaun Music
part of:
Rogue One: A Star Wars Story
1.54:01
14Scrambling the Rebel Fleet
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Scrambling the Rebel Fleet
composer:
Michael Giacchino (American score composer)
publisher:
Bantha Music, Wampa Tauntaun Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Rogue One: A Star Wars Story
1.51:34
15AT‐ACT Assault
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
AT‐ACT Assault
composer:
Michael Giacchino (American score composer)
publisher:
Bantha Music, Wampa Tauntaun Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Rogue One: A Star Wars Story
1.52:57
16The Master Switch
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
The Master Switch
composer:
Michael Giacchino (American score composer)
publisher:
Bantha Music, Wampa Tauntaun Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Rogue One: A Star Wars Story
1.54:04
17Your Father Would Be Proud
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Your Father Would Be Proud
composer:
Michael Giacchino (American score composer)
publisher:
Wampa Tauntaun Music
part of:
Rogue One: A Star Wars Story
1.54:53
18Hope
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Hope
composer:
Michael Giacchino (American score composer)
publisher:
Bantha Music, Wampa Tauntaun Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Rogue One: A Star Wars Story
1.51:40
19Jyn Erso & Hope Suite
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Jyn Erso & Hope Suite
composer:
Michael Giacchino (American score composer)
publisher:
Wampa Tauntaun Music
part of:
Rogue One: A Star Wars Story
1.55:53
20The Imperial Suite
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
The Imperial Suite
composer:
Michael Giacchino (American score composer)
publisher:
Wampa Tauntaun Music
part of:
Rogue One: A Star Wars Story
22:31
21Guardians of the Whills Suite
recording engineer:
Adam Michalak (US film score engineer)
engineer:
Vincent Cirilli and Greg Loskorn (American sound engineer)
producer:
Michael Giacchino (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Joel Iwataki
editor:
Warren Brown (editor, engineer), Stephen M. Davis and John Finklea (Music Editor)
conductor:
Tim Simonec
orchestrator:
Bill Ross (composer, orchestrator, arranger, conductor), Brad Dechter, Jeff Kryka (orchestrator), Tim Simonec and Chris Tilton
phonographic copyright (℗) by:
Lucasfilm Ltd. (in 2016)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Guardians of the Whills Suite
composer:
Michael Giacchino (American score composer)
publisher:
Bantha Music, Wampa Tauntaun Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Rogue One: A Star Wars Story
1.52:53

Credits

Release

manufactured in:EU (Europe)
liner notes:Michael Giacchino (American score composer) (in 2016-11)
mastering:Patricia Sullivan (mastering engineer at Bernie Grundman Mastering)
design:Steve Sterling (graphic designer)
rights society:BIEM (international rights organization representing member societies from 58 countries)
SDRM (Société pour l’administration du droit de reproduction mécanique, French mechanical reproduction rights society)
manufactured by:Sony DADC (company; use on releases if exact pressing location is not known)
copyrighted (©) by and phonographic copyright (℗) by:Lucasfilm Ltd. (in 2016)
licensed to:Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only)
mastered at:Bernie Grundman Mastering (Los Angeles) in Hollywood, Los Angeles, California, United States
Discogs:https://www.discogs.com/release/9514614 [info]