Tag “general classical”

Recordings tagged as “general classical”

143 recordings found

• 3 - Nottumo ("Coppélia") by Berlin Radio Symphony Orchestra (East Berlin, 1923–), Heinz Fricke (conductor)
• 3 - Turandot: Act III. "Nessun dorma" (Calaf) by Plácido Domingo (tenor), Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Nello Santi (conductor)
• 2 - Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » by Julia Migenes (mezzo-soprano), Chœur de Radio France, Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France), Lorin Maazel (conductor)
• 2 - Carmen Suite no. 1: VI. Les Toréadors by Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect), London Festival Orchestra (Alfred Scholz pseudonym), Nemzeti Filharmonikus zenekar (Hungarian National Philharmonic), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Emil Edlinger, Alfred Scholz, János Sándor
• 2 - Carmen: Micaela's Aria « Je dis que rien ne m’épouvante » by Angela Gheorghiu (Romanian soprano), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Giuseppe Sinopoli (conductor)
• 2 - Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito (excerpt) by Jenő Jandó (pianist), Budapesti Filharmóniai Társaság Zenekara (Budapest Philharmonic Orchestra), András Ligeti (violinist and conductor)
• 2 - Così fan tutte, K. 588: Atto I. “Soave sia il vento” by Jules Bastin (Belgian 20th century operatic bass), Frederica von Stade (mezzo-soprano), Kiri Te Kanawa (soprano), Orchestre philharmonique de Strasbourg (Strasbourg Philharmonic Orchestra), Alain Lombard (conductor)
• 2 - Dido and Aeneas: Act III, Scene II. "When I am laid in earth" (Dido) by Véronique Gens (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 2 - L'elisir d'amore: “Una furtiva lagrima” by Roberto Alagna (tenor), English Chamber Orchestra, Marcello Viotti (conductor)
• 2 - La bohème: “Che gelida manina!” by José Carreras (Spanish tenor), James Conlon (conductor), Orchestre National de France (National Orchestra of France, RTF / ORTF / Radio France)
• 2 - La Bohème: “O soave fanciulla” by José Carreras (Spanish tenor), Barbara Hendricks (soprano), Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France), James Conlon (conductor)
• 2 - La bohème: Act I. "Si, mi chiamano Mimì" (Mimì) by Barbara Hendricks (soprano), José Carreras (Spanish tenor), Gino Quilico (baritone), Angela Maria Blasi (soprano), Chœur de Radio France, Maîtrise de Radio France, Orchestre National de France (National Orchestra of France, RTF / ORTF / Radio France), James Conlon (conductor)
• 2 - Largo by Jennifer Larmore (mezzo-soprano), Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra), Jesús López Cobos (conductor)
• 2 - Le nozze di Figaro, K. 492: Arietta "Voi, che sapete che cosa è amor" by Cecillia Bartolli (mezzo‐soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Daniel Barenboim (pianist and conductor)
• 2 - Madama Butterfly: One Fine Day by Cristina Gallardo‐Domâs (soprano), Münchner Rundfunkorchester (The Munich Radio Orchestra), Maurizio Barbacini
• 2 - Manon Lescaut: Atto I, scena 5. “Donna non vidi mai” by José Cura (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Plácido Domingo (tenor)
• 2 - Pearl Fishers Duet by Jerry Hadley (tenor), Thomas Hampson (baritone), Orchestra of the Welsh National Opera, Carlo Rizzi (conductor)
• 2 - Rigoletto: “La donna è mobile” by Richard Leech (operatic tenor), Orchestra of the Welsh National Opera, Carlo Rizzi (conductor)
• 2 - Samson and Delilah: “Softly Awakes my Heart” by Olga Borodina (mezzo-soprano), José Cura (tenor), London Symphony Orchestra, Sir Colin Davis (English conductor)
• 2 - Tosca: “Vissi d'arte” by Kiri Te Kanawa (soprano), Orchestre de l’Opéra de Lyon, Kent Nagano (conductor)
• 2 - Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod by London Symphony Orchestra, Sir Adrian Boult (conductor)
• 2 - Werther: “Pourquoi me réveiller?“ by Jerry Hadley (tenor), Anne Sofie von Otter (mezzo-soprano), Orchestre de l’Opéra de Lyon, Kent Nagano (conductor)
• 1 - "New World" Symphony no. 9 in E minor, op. 95: I. Adagio - Allegro molto by Berlin Philharmonic Orchestra, Klaus Tennstedt (conductor)
• 1 - 1812 Overture, op. 49 (excerpt: Finale) by Israel Philharmonic Orchestra (Israeli orchestra), Zubin Mehta (conductor)
• 1 - Aida: “Celeste Aida” by Plácido Domingo (tenor), Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Nello Santi (conductor)
• 1 - Aida: Grand March by Norbert Balatsch (baritone, chorus master and conductor), Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
• 1 - Allegro from Spring Four Seasons by Piero Toso (violinist), Claudio Scimone (conductor)
• 1 - Besame mucho by Erich Kunzel (conductor) and the Cincinnati Pops Orchestra
• 1 - Brazil by Erich Kunzel (conductor) and the Cincinnati Pops Orchestra
• 1 - Carioca by Erich Kunzel (conductor) and the Cincinnati Pops Orchestra
• 1 - Carmen: Flower Song by Plácido Domingo (tenor), Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France), Lorin Maazel (conductor)
• 1 - Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna by London Philharmonic Choir, London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Zubin Mehta (conductor)
• 1 - Cavalleria rusticana: Intermezzo by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Riccardo Muti (conductor)
• 1 - Chiquita Banana Song by Erich Kunzel (conductor) and the Cincinnati Pops Orchestra
• 1 - Cielito lindo by Erich Kunzel (conductor) and the Cincinnati Pops Orchestra
• 1 - Clair de lune (from Suite bergamasque) by Dame Moura Lympany (British pianist)
• 1 - Concerto for Clarinet in A major, K. 622: II. Adagio by Jack Brymer (clarinettist), Royal Philharmonic Orchestra, Sir Thomas Beecham (conductor)
• 1 - Concerto for Flute and Harp, K. 299/297c: II. Andantino by James Galway (flautist), Fritz Helmis (harpist), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Copacabana by Erich Kunzel (conductor) and the Cincinnati Pops Orchestra
• 1 - Dance of the Knights From Romeo and Juliet by Toronto Symphony Orchestra, Jukka‐Pekka Saraste (conductor)
• 1 - Desafinado by Erich Kunzel (conductor) and the Cincinnati Pops Orchestra
• 1 - Don Giovanni: “Dalla sua pace” by Hans Peter Blochwitz (tenor), Royal Concertgebouw Orchestra, Nikolaus Harnoncourt (conductor)
• 1 - Eine kleine Nachtmusik by Bournemouth Symphony Orchestra, Theodor Guschlbauer (conductor)
• 1 - El carretero by Erich Kunzel (conductor) and the Cincinnati Pops Orchestra
• 1 - El cumbanchero by Erich Kunzel (conductor) and the Cincinnati Pops Orchestra
• 1 - Enigma Variations, op. 36: No. 9. Nimrod by BBC Symphony Orchestra, Sir Andrew Davis (conductor, keyboardist, composer, arranger)
• 1 - España cani by Erich Kunzel (conductor) and the Cincinnati Pops Orchestra
• 1 - Estrellita by Erich Kunzel (conductor) and the Cincinnati Pops Orchestra
• 1 - Fanfare for the Common Man by London Brass Virtuosi, David Honeyball (conductor)
• 1 - Fedora: “Amor ti vieta” by Plácido Domingo (tenor), Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Nello Santi (conductor)
• 1 - Fidelio, Act I: "Nun sprecht, wie ging's?" (Leonore, Rocco, Marzelline, Jaquino, Pizarro) by Magyar Rádió Énekkara (Hungarian Radio and Television Chorus), Nicolaus Esterházy Sinfonia, Michael Halász (conductor)
• 1 - Fidelio, Act I: Dialogue: "Drei Schildwachen auf den Wall" (Pizarro, Rocco) by Magyar Rádió Énekkara (Hungarian Radio and Television Chorus), Nicolaus Esterházy Sinfonia, Michael Halász (conductor)
• 1 - Fidelio, Act I: Dialogue: "Hauptmann! Besteigen Sie mit einem Trompeter" (Pizarro, Rocco) by Magyar Rádió Énekkara (Hungarian Radio and Television Chorus), Nicolaus Esterházy Sinfonia, Michael Halász (conductor)
• 1 - Fidelio, Act I: Dialogue: "Höre Fidelio!" (Rocco, Marzelline) by Magyar Rádió Énekkara (Hungarian Radio and Television Chorus), Nicolaus Esterházy Sinfonia, Michael Halász (conductor)
• 1 - Fidelio, Act I: Dialogue: "Ihr habt recht, Vater Rocco" (Leonore, Rocco, Marzelline) by Magyar Rádió Énekkara (Hungarian Radio and Television Chorus), Nicolaus Esterházy Sinfonia, Michael Halász (conductor)
• 1 - Fidelio, Act I: Dialogue: "Marzelline! Marzelline!!" (Jaquino, Marzelline, Rocco, Leonore) by Magyar Rádió Énekkara (Hungarian Radio and Television Chorus), Nicolaus Esterházy Sinfonia, Michael Halász (conductor)
• 1 - Fidelio, Act I: no. 1 Duet: "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline) by Magyar Rádió Énekkara (Hungarian Radio and Television Chorus), Nicolaus Esterházy Sinfonia, Michael Halász (conductor)
• 1 - Fidelio, Act I: no. 2 Aria: "O wär' ich schon mit dir vereint" (Marzelline) by Magyar Rádió Énekkara (Hungarian Radio and Television Chorus), Nicolaus Esterházy Sinfonia, Michael Halász (conductor)
• 1 - Fidelio, Act I: no. 3 Quartet: "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) by Magyar Rádió Énekkara (Hungarian Radio and Television Chorus), Nicolaus Esterházy Sinfonia, Michael Halász (conductor)
• 1 - Fidelio, Act I: no. 4 Aria: "Hat man nicht auch Gold beineben" (Rocco) by Magyar Rádió Énekkara (Hungarian Radio and Television Chorus), Nicolaus Esterházy Sinfonia, Michael Halász (conductor)
• 1 - Fidelio, Act I: no. 5 Terzetto: "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) by Magyar Rádió Énekkara (Hungarian Radio and Television Chorus), Nicolaus Esterházy Sinfonia, Michael Halász (conductor)
• 1 - Fidelio, Act I: no. 6 March by Magyar Rádió Énekkara (Hungarian Radio and Television Chorus), Nicolaus Esterházy Sinfonia, Michael Halász (conductor)
• 1 - Fidelio, Act I: no. 7 Aria and Chorus: "Ha! welch ein Augenblick!" (Pizarro, the Watch) by Magyar Rádió Énekkara (Hungarian Radio and Television Chorus), Nicolaus Esterházy Sinfonia, Michael Halász (conductor)
• 1 - Fidelio, Act I: no. 8 Duet: "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco) by Magyar Rádió Énekkara (Hungarian Radio and Television Chorus), Nicolaus Esterházy Sinfonia, Michael Halász (conductor)
• 1 - Fidelio, Act I: no. 9 Recitative and Aria: "Abscheulicher! wo eilst du hin?" (Leonore) by Nicolaus Esterházy Sinfonia, Michael Halász (conductor), Inga Nielsen (soprano)
• 1 - Fidelio, Act I: no. 10 Finale: "O welche Lust" (Chorus of Prisoners) by Magyar Rádió Énekkara (Hungarian Radio and Television Chorus), Nicolaus Esterházy Sinfonia, Michael Halász (conductor)
• 1 - Fidelio, Act I: Overture by Magyar Rádió Énekkara (Hungarian Radio and Television Chorus), Nicolaus Esterházy Sinfonia, Michael Halász (conductor)
• 1 - Flight of the Bumblebee by Scottish Chamber Orchestra, Raymond Leppard (conductor and harpsichordist)
• 1 - Gayaneh: Suite III, no. 5, Danse du sabre by Bolshoi Theatre Orchestra (Bolshoi Theatre Symphony Orchestra), Alexander Lazarev (conductor)
• 1 - Gianni Schicchi: “O mio babbino caro” by Cristina Gallardo‐Domâs (soprano), Münchner Rundfunkorchester (The Munich Radio Orchestra), Maurizio Barbacini
• 1 - Granada by Erich Kunzel (conductor) and the Cincinnati Pops Orchestra
• 1 - Gymnopédie no. 1 by City of Birmingham Symphony Orchestra, Louis Frémaux (conductor)
• 1 - Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" by Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks (UK composer, organist, choral conductor)
• 1 - Horn Concerto no. 3 in E‐flat major, K. 447: II. Romance. Larghetto by Bernd Meiser (horn player), Vienna Mozart Ensemble (an Alfred Scholz pseudonym), Herbert Kraus (conductor, an Alfred Scholz pseudonym) / Sebastian Weigle (hornist and conductor), Dresden Philharmonic (as used for an Alfred Scholz release - NOT the real Dresdner Philharmonie), Jörg‐Peter Weigle (chorus master)
• 1 - Jerusalem by BBC Symphony Orchestra, Sir Andrew Davis (conductor, keyboardist, composer, arranger)
• 1 - Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo by Andrei Gavrilov (pianist), Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
• 1 - La Rondine: Doretta's song by Kiri Te Kanawa (soprano), Orchestre de l’Opéra de Lyon, Kent Nagano (conductor)
• 1 - La traviata: Atto I. “Un dì felice” by Edita Gruberová (soprano), Neil Shicoff (tenor), London Symphony Orchestra, Carlo Rizzi (conductor)
• 1 - La virgen de la macarena by Erich Kunzel (conductor) and the Cincinnati Pops Orchestra
• 1 - La Wally: “Ebben? Ne andro lontana“ by Cristina Gallardo‐Domâs (soprano), Münchner Rundfunkorchester (The Munich Radio Orchestra), Maurizio Barbacini
• 1 - Lakme: Flower Duet by Hong Hei-Kyung (operatic soprano), Jennifer Larmore (mezzo-soprano), Münchner Rundfunkorchester (The Munich Radio Orchestra), Jesús López Cobos (conductor)
• 1 - Le Lac des cygnes : Acte II. swan theme (extrait) by Bolshoi Symphony Orchestra (Bolshoi Theatre Symphony Orchestra), Alexander Lazarev (conductor)
• 1 - Le Nozze di Figaro: “Porgi, amor” by Lella Cuberli (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Daniel Barenboim (pianist and conductor)
• 1 - Lo, How a Rose E'er Blooming by Vienna Boys Choir (The Vienna Boys Choir), London Symphony Orchestra
• 1 - Lucia di Lammermoor: Atto I, Scena 2. (no. 4a) “Egli s'avanza” (“Lucia perdona”) (Alisa, Edgardo, Lucia) by Maria Callas (soprano), Luisa Villa (mezzo-soprano), Giuseppe di Stefano (tenor), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
• 1 - Lucia di Lammermoor: Atto I, Scena 2. (no. 4b) Duetto "Sulla tomba che rinserra" (Edgardo, Lucia) by Maria Callas (soprano), Giuseppe di Stefano (tenor), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
• 1 - Lucia di Lammermoor: Atto II, Scena 1. (no. 5) Scena “Lucia fra poco a te verrà” (Normanno, Enrico) by Mario Carlin (tenor), Rolando Panerai (baritone), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
• 1 - Lucia di Lammermoor: Atto II, Scena 2. (no. 10a) Stretta del finale “Sconsigliato, in queste porte chi ti guida?” (Enrico, Arturo, Edgardo, Lucia, Raimondo) by Maria Callas (soprano), Rolando Panerai (baritone), Nicola Zaccaria (operatic bass), Giuseppe Zampieri (tenor), Giuseppe di Stefano (tenor), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
• 1 - March to the Scaffold From Symphonie Fantastique by Orchestre philharmonique de Strasbourg (Strasbourg Philharmonic Orchestra), Alain Lombard (conductor)
• 1 - Mars, the Bringer of War by Sir Andrew Davis (conductor, keyboardist, composer, arranger), BBC Symphony Orchestra
• 1 - Messiah: Part II. "Hallelujah" by English Chamber Choir, English Chamber Orchestra, Raymond Leppard (conductor and harpsichordist)
• 1 - Mexican Hat Dance by Erich Kunzel (conductor) and the Cincinnati Pops Orchestra
• 1 - Miserere à neuf voix (version avec ornementations baroques) by A Sei Voci (French vocal ensemble)
• 1 - Music for the Royal Fireworks: IV. La réjouissance by Pierre Pierlot (oboist), Orchestre de chambre Jean‐François Paillard, Jean‐François Paillard (French conductor)
• 1 - Nabucco: Chorus of the Hebrew Slaves by Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
• 1 - O Tannenbaum by Wiener Sängerknaben (The Vienna Boys Choir)
• 1 - Orpheus and Euridice: “What is life?” by Susan Graham White, Orchestra of the Age of Enlightenment, Harry Bicket (harpsichordist, organist and conductor)
• 1 - Otello: “Ave Maria” by Cristina Gallardo‐Domâs (soprano), Münchner Rundfunkorchester (The Munich Radio Orchestra), Maurizio Barbacini
• 1 - Overture From Carmen by Régine Crespin (soprano), Orchestre philharmonique de Strasbourg (Strasbourg Philharmonic Orchestra), Alain Lombard (conductor)
• 1 - Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood by Academy of St Martin in the Fields, Sir Neville Marriner (conductor)