CTI Records: The Cool Revolution

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Sugar
recording of:
Sugar
composer:
Stanley Turrentine
Stanley Turrentine10:04
2Moment's Notice
recording engineer:
Rudy van Gelder (in 1974-02, from 1974-02-06 until 1974-02-11)
producer:
Creed Taylor
bass:
Ron Carter (US jazz double-bassist) (in 1974-02, from 1974-02-06 until 1974-02-11)
cello:
George Ricci (from 1974-02-06 until 1974-02-11)
drums (drum set):
Steve Gadd (drummer) (in 1974-02, from 1974-02-06 until 1974-02-11)
flute:
Hubert Laws (in 1974-02, from 1974-02-06 until 1974-02-11)
guitar:
Gene Bertoncini (guitar player) (in 1974-02, from 1974-02-06 until 1974-02-11)
keyboard and piano:
Bob James (US jazz keyboardist, arranger and producer) (in 1974-02)
percussion:
David Friedman (US jazz percussionist, mainly vibraphone and marimba) (in 1974-02, from 1974-02-06 until 1974-02-11) and Airto Moreira (percussionist) (in 1974-02, from 1974-02-06 until 1974-02-11)
piano:
Bob James (US jazz keyboardist, arranger and producer) (from 1974-02-06 until 1974-02-11)
saxophone:
Ronnie Laws (from 1974-02-06 until 1974-02-11)
tenor saxophone:
Ronnie Laws (in 1974-02)
viola:
Emanuel Vardi (from 1974-02-06 until 1974-02-11)
violin:
David Nadien (from 1974-02-06 until 1974-02-11)
arranger:
Hubert Laws
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (in 1974-02, from 1974-02-06 until 1974-02-11)
cover recording of:
Moment’s Notice (in 1974-02)
composer:
John Coltrane
publisher:
Jowcol Music
Hubert Laws6:57
3So What
recording of:
So What
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, Volume I)
Ron Carter11:24
4Autumn Leaves
instrumental recording of:
Autumn Leaves (jazz standard, english lyrics)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
Chet Baker7:05
5Speed Ball
recording of:
Speedball
composer:
Lee Morgan (jazz trumpeter / composer)
Stanley Turrentine feat. Milt Jackson6:40
6The Intrepid Fox
recording engineer:
Rudy van Gelder (on 1970-01-27)
engineer:
Rudy van Gelder
producer:
Creed Taylor
double bass:
Ron Carter (US jazz double-bassist) (on 1970-01-27)
drums (drum set):
Lenny White (on 1970-01-27)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1970-01-27)
saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1970-01-27)
trumpet:
Freddie Hubbard (on 1970-01-27)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1970-01-27 until 1970-01-29)
recording of:
The Intrepid Fox (on 1970-01-27)
composer:
Freddie Hubbard
publisher:
Hubtones Music Co. (Freddie Hubbard)
Freddie Hubbard10:43
7Ifrane
Randy Weston5:16
8Free as a Bird
Don Sebesky8:14
9So What?
cover recording of:
So What
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, Volume I)
George Benson9:11
2▼CD
#TitleArtistRatingLength
1Red Clay
recording engineer:
Rudy van Gelder (on 1970-01-27)
engineer:
Rudy van Gelder
producer:
Creed Taylor
bass:
Bob Bushnell and Ron Carter (US jazz double-bassist)
double bass:
Ron Carter (US jazz double-bassist) (on 1970-01-27)
drums (drum set):
Lenny White (on 1970-01-27)
percussion:
Ed Shaughnessy
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1970-01-27)
saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1970-01-27)
trumpet:
Freddie Hubbard (on 1970-01-27)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1970-01-27 until 1970-01-29)
recording of:
Red Clay (on 1970-01-27)
composer:
Freddie Hubbard
Freddie Hubbard12:09
2It's Too Late
engineer:
Rudy van Gelder
producer:
Creed Taylor
alto saxophone:
Hank Crawford (from 1971-06-03 until 1971-06-04)
drums (drum set):
Billy Cobham (from 1971-06-03 until 1971-06-04)
electric bass guitar [Fender]:
Johnny Williams (bassist, born 1941) (from 1971-06-03 until 1971-06-04)
guitar:
Eric Gale (from 1971-06-03 until 1971-06-04)
organ:
Johnny “Hammond” Smith (from 1971-06-03 until 1971-06-04)
percussion:
Airto Moreira (percussionist) (from 1971-06-03 until 1971-06-04)
tenor saxophone:
Grover Washington, Jr. (from 1971-06-03 until 1971-06-04)
trumpet:
Danny Moore (from 1971-06-03 until 1971-06-04)
arranger:
Grover Washington
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1971-06-03 until 1971-06-04)
instrumental cover recording of:
It’s Too Late (from 1971-06-03 until 1971-06-04)
lyricist:
Toni Stern
composer:
Carole King
dedicated to:
James Taylor (singer-songwriter and guitarist)
publisher:
Colgems-EMI Music Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Johnny “Hammond” Smith10:58
3Home Is Where the Hatred Is
cover recording of:
Home Is Where the Hatred Is
lyricist and composer:
Gil Scott‐Heron
Esther Phillips3:26
4We Got a Good Thing Going
alto saxophone:
Hank Crawford (in 1972)
electric bass guitar:
Gordon Edwards (funk/soul bassist) (in 1972)
electric guitar:
George Benson (jazz guitarist/singer) (in 1972)
electric piano:
Richard Tee (in 1972)
instrumental cover recording of:
We’ve Got a Good Thing Going (in 1972)
writer:
The Corporation (Motown songwriters), Berry Gordy, Fonce Mizell, Freddie Perren and Deke Richards (American songwriter and record producer)
publisher:
Jobete Music (UK) Ltd.
Hank Crawford6:00
5White Rabbit
engineer:
Rudy van Gelder (in 1971-11)
producer:
Creed Taylor
acoustic guitar:
Jay Berliner (in 1971-11)
alto flute:
Phil Bodner (Woodwind player) (in 1971-11), Hubert Laws (in 1971-11), George Marge (in 1971-11) and Romeo Penque (in 1971-11)
baritone horn and trombone:
Wayne Andre (in 1971-11)
bass:
Ron Carter (US jazz double-bassist) (in 1971-11)
bass clarinet:
Romeo Penque (in 1971-11)
bassoon:
Jane Taylor (bassoonist) (in 1971-11)
clarinet:
George Marge (in 1971-11) and Romeo Penque (in 1971-11)
cor anglais and oboe:
Phil Bodner (Woodwind player) (in 1971-11), George Marge (in 1971-11) and Romeo Penque (in 1971-11)
drums (drum set):
Billy Cobham (in 1971-11)
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (in 1971-11)
flugelhorn:
John Frosk (in 1971-11) and Al Rubin (in 1971-11)
flute:
Phil Bodner (Woodwind player) (in 1971-11) and George Marge (in 1971-11)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (in 1971-11)
guitar:
George Benson (jazz guitarist/singer) (in 1971-11)
harp:
Gloria Agostini (Harp) (in 1971-11)
percussion:
Airto Moreira (percussionist) (in 1971-11)
percussion and vibraphone and vibraphone [vibes]:
Phil Kraus (in 1971-11)
piccolo and solo flute:
Hubert Laws (in 1971-11)
solo trumpet:
John Frosk (in 1971-11)
trumpet:
Al Rubin (in 1971-11)
vocals:
Airto Moreira (percussionist) (in 1971-11)
conductor:
Don Sebesky (in 1971-11)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (in 1971-11)
instrumental cover recording of:
White Rabbit (in 1971-11)
lyricist and composer:
Grace Slick
publisher:
Irving Music, Inc. and Rondor Music (London) Ltd.
is based on:
Alice’s Adventures in Wonderland (novel)
is based on:
Through the Looking‐Glass, and What Alice Found There (novel)
George Benson46:58
6Fire and Rain
recording engineer:
Rudy van Gelder (from 1970-12-01 until 1970-12-11)
producer:
Creed Taylor
bass:
Ron Carter (US jazz double-bassist) (from 1970-12-01 until 1970-12-11)
bassoon:
Fred Alston Jr. (from 1970-12-01 until 1970-12-11)
drums (drum set):
Freddy Waits (from 1970-12-01 until 1970-12-11)
electric piano:
Bob James (US jazz keyboardist, arranger and producer) (from 1970-12-01 until 1970-12-11)
flute:
Hubert Laws (from 1970-12-01 until 1970-12-11)
guitar:
Gene Bertoncini (guitar player) (from 1970-12-01 until 1970-12-11)
percussion:
Richard Landrum (from 1970-12-01 until 1970-12-11) and Airto Moreira (percussionist) (from 1970-12-01 until 1970-12-11)
vibraphone:
David Friedman (US jazz percussionist, mainly vibraphone and marimba) (from 1970-12-01 until 1970-12-11)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1970-12-01 until 1970-12-11)
cover recording of:
Fire and Rain (from 1970-12-01 until 1970-12-11)
lyricist and composer:
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated) (ended), EMI Blackwood Music Inc. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Hubert Laws7:57
7What a Diff’rence a Day Makes
engineer:
Rudy van Gelder (on 1975-04-24)
producer:
Creed Taylor
vocals:
Esther Phillips (Little Esther) (on 1975-04-24)
cover recording of:
What a Diff’rence a Day Made (on 1975-04-24)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Esther Phillips34:31
8Follow Your Heart
recording of:
Follow Your Heart
composer:
John McLaughlin (guitarist)
version of:
Arjen’s Bag
Joe Farrell6:52
9Also Sprach Zarathustra (2001)
recording of:
Also sprach Zarathustra (2001) (arr. Deodato jazz-funk style)
composer:
Richard Strauss (German composer)
arranger:
Eumir Deodato
publisher:
EMI Full Keel Music and Publishing One's Music
version of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang)
Eumir Deodato9:03
10Mister Magic
engineer:
Rudy van Gelder (in 1974-11)
producer:
Creed Taylor
alto saxophone and soprano saxophone:
Grover Washington, Jr. (in 1974-11)
baritone saxophone:
Phil Bodner (Woodwind player) (in 1974-11)
bass:
Gary King (jazz bassist, arranger and songwriter) (in 1974-11)
bass trombone:
Tony Studd (in 1974-11)
cello:
Charles McCracken (cellist) (in 1974-11) and Alan Shulman (cellist and composer) (in 1974-11)
drums (drum set):
Harvey Mason (jazz drummer) (in 1974-11)
electric piano and piano:
Bob James (US jazz keyboardist, arranger and producer) (in 1974-11)
flugelhorn and trumpet:
Jon Faddis (in 1974-11) and Marvin Stamm (in 1974-11)
guitar:
Eric Gale (in 1974-11)
percussion:
Ralph MacDonald (in 1974-11)
tenor saxophone:
Jerry Dodgion (in 1974-11) and Grover Washington, Jr. (in 1974-11)
trombone:
Wayne Andre (in 1974-11)
viola:
Al Brown (viola) (in 1974-11) and Manny Vardi (in 1974-11)
violin:
Max Ellen (in 1974-11), Paul Gershman (in 1974-11), Harry Glickman (in 1974-11), Harold Kohon (in 1974-11), Harry Lookofsky (in 1974-11), Joe Malin (in 1974-11), David Nadien (in 1974-11) and Matthew Raimondi (in 1974-11)
conductor:
Bob James (US jazz keyboardist, arranger and producer) (in 1974-11)
arranger:
Bob James (US jazz keyboardist, arranger and producer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (in 1974-11)
recording of:
Mister Magic (Mr. Magic) (in 1974-11)
composer:
Ralph MacDonald and William Salter
Grover Washington, Jr.8:59
3▼CD
#TitleArtistRatingLength
1Stone Flower
recording of:
Stone Flower (original instrumental)
composer:
Antônio Carlos Jobim
Antonio Carlos Jobim3:19
2Ponteio
recording of:
Ponteio (on 1971-04-06)
lyricist:
José Carlos Capinam (Brazilian songwriter)
composer:
Edu Lobo (Brazilian singer, guitarist, and composer)
Astrud Gilberto with Stanley Turrentine3:41
3First Light
recording engineer:
Rudy van Gelder (on 1971-09-16)
engineer:
Rudy van Gelder
producer:
Creed Taylor
bass:
Ron Carter (US jazz double-bassist) (on 1971-09-16)
clarinet and flute:
George Marge (on 1971-09-16)
drums (drum set):
Jack DeJohnette (on 1971-09-16)
flute:
Hubert Laws (on 1971-09-16)
French horn:
Ray Alonge (french horn) (on 1971-09-16) and Jim Buffington (US jazz, studio and classical hornist) (on 1971-09-16)
guitar:
George Benson (jazz guitarist/singer) (on 1971-09-16)
harp:
Margaret Ross (harp) (on 1971-09-16)
percussion:
Airto Moreira (percussionist) (on 1971-09-16)
piano:
Richard Wyands (on 1971-09-16)
trumpet:
Freddie Hubbard (on 1971-09-16)
vibraphone:
Phil Kraus (on 1971-09-16)
violin:
Paul Gershman (on 1971-09-16), Emanuel Green (on 1971-09-16), Harold Kohon (on 1971-09-16), Joe Malin (on 1971-09-16), David Nadien (on 1971-09-16), Gene Orloff (on 1971-09-16), Matthew Raimondi (on 1971-09-16), Tosha Samaroff (on 1971-09-16) and Irving Spice (violinist, concertmaster and strings) (on 1971-09-16)
wind instruments:
Romeo Penque (on 1971-09-16)
conductor:
Don Sebesky (on 1971-09-16)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (in 1971-09, on 1971-09-16)
recording of:
First Light (on 1971-09-16)
composer:
Freddie Hubbard
publisher:
Hubtones Music Co. (Freddie Hubbard)
Freddie Hubbard11:05
4Salt Song
engineer:
Rudy van Gelder
producer:
Creed Taylor
bass:
Ron Carter (US jazz double-bassist)
cello:
Charles McCracken (cellist) and Alan Shulman (cellist and composer)
electric guitar:
Eric Gale
electric piano:
Eumir Deodato
membranophone:
Billy Cobham
membranophone and percussion:
Airto Moreira (percussionist)
piano:
Horace Parlan (American-Danish jazz pianist) and Richard Tee
tenor saxophone:
Stanley Turrentine
viola:
Harold Coletta
violin:
Julius Brand, Paul Gershman, Harry Katzman and Joe Malin
arranger:
Eumir Deodato
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1971-07-07, on 1971-07-13)
Stanley Turrentine7:15
5Pensativa
recording of:
Pensativa
composer:
Clare Fischer
publisher:
Amestoy Music
Hubert Laws3:54
6Tombo in 7/4
recording of:
Tombo in 7⁄4
composer:
Airto Moreira (percussionist)
publisher:
Good Morning Music and フジパシフィックミュージック (Fujipacific Music, Inc.)
Airto Moreira6:24
7Sunflower
Milt Jackson8:48
8Return to Forever
recording of:
Return to Forever
composer:
Chick Corea (jazz pianist)
Airto Moreira10:15
9Wave
engineer:
Rudy van Gelder (from 1974-09-24 until 1974-09-26)
producer:
Creed Taylor
mixer:
Mark Wilder (US recording/mastering engineer)
double bass [bass]:
Ron Carter (US jazz double-bassist) (from 1974-09-24 until 1974-09-26)
drums (drum set):
Connie Kay (from 1974-09-24 until 1974-09-26)
electric guitar [guitar]:
Ed Bickert (from 1974-09-24 until 1974-09-26)
conductor:
Don Sebesky (from 1974-09-24 until 1974-09-26)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1974-09-24 until 1974-09-26)
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
instrumental cover recording of:
Wave (original instrumental) (from 1974-09-24 until 1974-09-26)
composer:
Antônio Carlos Jobim
publisher:
Corcovado Music Corp.
Paul Desmond6:17
10Carly and Carole
Eumir Deodato3:40
11Brazil (alternate take)
arranger:
Eumir Deodato
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1970-03-16 until 1970-05-22)
recording of:
Aquarela do Brasil (from 1970-03-16 until 1970-05-22)
lyricist and composer:
Ary Barroso
Antonio Carlos Jobim5:25
4▼CD
#TitleArtistRatingLength
1My Funny Valentine
instrumental recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Gerry Mulligan & Chet Baker8:46
2All Blues
recording of:
All Blues
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music Corporation
Ron Carter9:33
3Song to a Seagull
instrumental recording of:
Song to a Seagull
lyricist and composer:
Joni Mitchell
publisher:
Siquomb Pub. Corp.
Don Sebesky5:50
4Pavane
recording engineer:
Rudy van Gelder (from 1971-06-08 until 1971-06-25)
bassoon:
Wally Kane (US woodwind player) (from 1971-06-08 until 1971-06-25)
double bass [bass]:
Ron Carter (US jazz double-bassist) (from 1971-06-08 until 1971-06-25)
drums (drum set):
Jack DeJohnette (from 1971-06-08 until 1971-06-25)
flute:
Hubert Laws (from 1971-06-08 until 1971-06-25)
guitar:
Gene Bertoncini (guitar player) (from 1971-06-08 until 1971-06-25)
percussion:
Airto Moreira (percussionist) (from 1971-06-08 until 1971-06-25)
percussion and vibraphone:
Don Friedman (from 1971-06-08 until 1971-06-25)
piano:
Bob James (US jazz keyboardist, arranger and producer) (from 1971-06-08 until 1971-06-25)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1971-06-08 until 1971-06-25)
recording of:
Pavane, op. 50 (catch-all for arrangements and unknown versions) (from 1971-06-08 until 1971-06-25)
composer:
Gabriel Fauré (French composer)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Hubert Laws7:41
5What'll I Do
instrumental recording of:
What’ll I Do?
lyricist and composer:
Irving Berlin (in 1923)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Wilhelm Hansen and Williamson Music Company
Chet Baker3:58
6Westchester Lady
bass:
Will Lee (US jazz/rock bassist) (from 1975-11 until 1976-01)
bass trombone:
Dave Bargeron (US trombonist & tubist) (from 1975-11 until 1976-01) and Dave Taylor (US jazz bass trombonist) (from 1975-11 until 1976-01)
cello:
Charles McCracken (cellist) (from 1975-11 until 1976-01) and Alan Shulman (cellist and composer) (from 1975-11 until 1976-01)
drums (drum set):
Harvey Mason (jazz drummer) (from 1975-11 until 1976-01)
flute:
Jerry Dodgion (from 1975-11 until 1976-01) and Hubert Laws (from 1975-11 until 1976-01)
guitar:
Eric Gale (from 1975-11 until 1976-01) and Hugh McCracken (from 1975-11 until 1976-01)
harp:
Gloria Agostini (Harp) (from 1975-11 until 1976-01)
keyboard:
Bob James (US jazz keyboardist, arranger and producer) (from 1975-11 until 1976-01)
percussion:
Ralph MacDonald (from 1975-11 until 1976-01)
saxophone:
Grover Washington, Jr. (from 1975-11 until 1976-01)
tenor saxophone:
Eddie Daniels (US jazz/classical saxophonist, clarinetist & flutist) (from 1975-11 until 1976-01)
trombone:
Wayne Andre (from 1975-11 until 1976-01)
trumpet:
Jon Faddis (from 1975-11 until 1976-01), John Frosk (from 1975-11 until 1976-01), Lew Soloff (from 1975-11 until 1976-01) and Marvin Stamm (from 1975-11 until 1976-01)
viola:
Alfred Brown (viola) (from 1975-11 until 1976-01) and Emanuel Vardi (from 1975-11 until 1976-01)
violin:
Frederick Buldrini (from 1975-11 until 1976-01), Harry Cykman (from 1975-11 until 1976-01), Lewis Eley (from 1975-11 until 1976-01), Max Ellen (from 1975-11 until 1976-01), Emanuel Green (from 1975-11 until 1976-01), Harold Kohon (from 1975-11 until 1976-01), David Nadien (from 1975-11 until 1976-01) and Matthew Raimondi (from 1975-11 until 1976-01)
phonographic copyright (℗) by:
Tappan Zee Records (in 1976)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1975-11 until 1976-01)
recording of:
Westchester Lady (from 1975-11 until 1976-01)
composer:
Bob James (US jazz keyboardist, arranger and producer)
Bob James47:25
7A Child Is Born
instrumental recording of:
A Child Is Born
lyricist:
Alec Wilder (American composer)
composer:
Thad Jones (American jazz trumpeter)
publisher:
D'accord Music
version of:
A Child Is Born (Original instrumental version)
Kenny Burrell8:39
8Take Five
engineer:
Rudy van Gelder (on 1974-05-29)
bass:
Ron Carter (US jazz double-bassist) (on 1974-05-29)
drums (drum set):
Steve Gadd (drummer) (on 1974-05-29)
guitar:
George Benson (jazz guitarist/singer) (on 1974-05-29) and Phil Upchurch (on 1974-05-29)
piano:
Kenny Barron (on 1974-05-29)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1974-05-29)
later releases:
Take Five by George Benson (jazz guitarist/singer)
cover recording of:
Take Five (original instrumental version) (on 1974-05-29)
composer:
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
part of:
The Real Book (compilation of jazz standards, Volume I)
George Benson47:09
9Concierto de Aranjuez
recording engineer:
Rudy van Gelder (on 1975-04-16)
producer:
Creed Taylor
alto saxophone:
Paul Desmond (on 1975-04-16)
bass:
Ron Carter (US jazz double-bassist) (on 1975-04-16)
drums (drum set):
Steve Gadd (drummer) (on 1975-04-16)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1975-04-16)
piano:
“Sir” Roland Hanna (jazz pianist) (on 1975-04-16)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1975-04-16)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1975-04-16)
recording of:
Concierto de Aranjuez: II. Adagio (catch-all for arrangements)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
arrangement of:
Concierto de Aranjuez: II. Adagio
Jim Hall19:19