The Complete RCA Victor Recordings

~ Pubblicazione di Sonny Rollins (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1CD
#TitoloValutazioneDurata
1Without a Song
registrata a:
New York, New York, Stati Uniti (il 1962-02-14)
tecnico di registrazione:
Ray Hall (engineer)
produttore:
George Avakian (US 1940-90s record producer) e Bob Prince (Jazz composer, arranger, conductor & producer)
batteria :
Ben Riley (American jazz drummer) (il 1962-02-14)
chitarra :
Jim Hall (US jazz guitarist, composer & arranger) (il 1962-02-14)
contrabbasso :
Bob Cranshaw (il 1962-02-14)
sassofono tenore :
Sonny Rollins (American saxophonist) (il 1962-02-14)
registrazione strumentale cover di:
Without a Song (il 1962-02-14)
paroliere:
Edward Eliscu e Billy Rose (lyricist and Broadway producer)
compositore:
Vincent Youmans
editore:
Anne-Rachel Music Corp., CBS Miller Catalog, Inc., Chappell & Co., EMI Miller Catalog, Inc., Johnny Mathis Music, Inc., LSQ Music Co., Miller Music Corp., The Songwriters Guild e WB Music Corp. (1929–2019)
parte di:
Great Day!
7:28
2Where Are You?
registrata a:
New York, New York, Stati Uniti (il 1962-02-13)
tecnico di registrazione:
Ray Hall (engineer)
produttore:
George Avakian (US 1940-90s record producer) e Bob Prince (Jazz composer, arranger, conductor & producer)
batteria :
Ben Riley (American jazz drummer) (il 1962-02-13)
chitarra :
Jim Hall (US jazz guitarist, composer & arranger) (il 1962-02-13)
contrabbasso :
Bob Cranshaw (il 1962-02-13)
sassofono tenore :
Sonny Rollins (American saxophonist) (il 1962-02-13)
registrazione strumentale cover di:
Where Are You? (il 1962-02-13)
paroliere:
Harold Adamson
autore:
Harold Adamson e Jimmy McHugh (songwriter)
compositore:
Jimmy McHugh (songwriter)
editore:
Cotton Club Publishing, Harold Adamson Music e Leo Feist, Inc.
5:10
3John S.
registrata a:
New York, New York, Stati Uniti (il 1962-02-13)
tecnico di registrazione:
Ray Hall (engineer) (il 1962-02-13)
tecnico:
Ray Hall (engineer) (nel 1986-07)
produttore:
George Avakian (US 1940-90s record producer) e Bob Prince (Jazz composer, arranger, conductor & producer)
batteria :
Ben Riley (American jazz drummer) (il 1962-02-13)
chitarra :
Jim Hall (US jazz guitarist, composer & arranger) (il 1962-02-13)
contrabbasso e contrabbasso [bass] :
Bob Cranshaw (il 1962-02-13)
sassofono tenore :
Sonny Rollins (American saxophonist) (il 1962-02-13)
registrata presso:
RCA Victor Studio B (Cherokee B) in Manhattan, New York, New York, Stati Uniti (il 1962-02-13)
registrazione di:
John S. (il 1962-02-13)
compositore:
Sonny Rollins (American saxophonist)
prende il nome dall'artista:
John Coltrane
7:42
4The Bridge
registrata a:
New York, New York, Stati Uniti (il 1962-02-14)
tecnico di registrazione:
Ray Hall (engineer)
produttore:
George Avakian (US 1940-90s record producer) e Bob Prince (Jazz composer, arranger, conductor & producer)
batteria :
Ben Riley (American jazz drummer) (il 1962-02-14)
chitarra :
Jim Hall (US jazz guitarist, composer & arranger) (il 1962-02-14)
contrabbasso :
Bob Cranshaw (il 1962-02-14)
sassofono tenore :
Sonny Rollins (American saxophonist) (il 1962-02-14)
registrazione di:
The Bridge (il 1962-02-14)
compositore:
Sonny Rollins (American saxophonist)
5:59
5God Bless the Child
registrata a:
New York, New York, Stati Uniti (il 1962-01-30)
tecnico di registrazione:
Ray Hall (engineer) (il 1962-01-30)
tecnico:
Ray Hall (engineer) (nel 1986-07)
produttore:
George Avakian (US 1940-90s record producer) e Bob Prince (Jazz composer, arranger, conductor & producer)
batteria :
Harry T. Saunders (il 1962-01-30)
chitarra :
Jim Hall (US jazz guitarist, composer & arranger) (nel 1962, il 1962-01-30)
contrabbasso :
Bob Cranshaw (il 1962-01-30)
sassofono tenore :
Sonny Rollins (American saxophonist) (nel 1962, il 1962-01-30)
registrata presso:
RCA Victor Studio B (Cherokee B) in Manhattan, New York, New York, Stati Uniti (il 1962-01-30)
registrazione strumentale cover di:
God Bless the Child (il 1962-01-30)
paroliere:
Billie Holiday
compositore:
Arthur Herzog, Jr.
editore:
Basart Editions (conclusa) e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
7:27
6You Do Something to Me
registrata a:
New York, New York, Stati Uniti (il 1962-02-13)
tecnico di registrazione:
Ray Hall (engineer)
produttore:
George Avakian (US 1940-90s record producer) e Bob Prince (Jazz composer, arranger, conductor & producer)
batteria :
Ben Riley (American jazz drummer) (il 1962-02-13)
chitarra :
Jim Hall (US jazz guitarist, composer & arranger) (il 1962-02-13)
contrabbasso :
Bob Cranshaw (il 1962-02-13)
sassofono tenore :
Sonny Rollins (American saxophonist) (il 1962-02-13)
registrazione strumentale cover di:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (il 1962-02-13)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
editore:
Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
Fifty Million Frenchmen
6:50
7Don’t Stop the Carnival
registrazione di:
Don’t Stop the Carnival
compositore:
Sonny Rollins (American saxophonist)
6:08
8If Ever I Would Leave You
12:03
2CD
#TitoloValutazioneDurata
1Jungoso
10:55
2Bluesongo
4:43
3The Night Has a Thousand Eyes
9:12
4Brown Skin Girl
6:47
552nd Street Theme (alternate)
14:41
6Four
7:51
3CD
#TitoloValutazioneDurata
1Oleo
registrazione di:
Oleo
compositore:
Sonny Rollins (American saxophonist)
editore:
Jazz Horn Music Corporation, Prestige Music (US drum & bass) e Sony/ATV Songs (SOCAN)
25:27
2Dearly Beloved
8:18
3Doxy
registrazione di:
Doxy
compositore:
Sonny Rollins (American saxophonist)
15:18
4You Are My Lucky Star
3:46
5I Could Write a Book
3:17
6There Will Never Be Another You
batteria :
Billy Higgins (US jazz drummer) (il 1963-02-20)
contrabbasso [bass] :
Henry Grimes (US free jazz bassist) (il 1963-02-20)
cornetta :
Don Cherry (jazz trumpeter) (il 1963-02-20)
sassofono tenore :
Sonny Rollins (American saxophonist) (il 1963-02-20)
registrazione strumentale di:
There Will Never Be Another You (il 1963-02-20)
paroliere:
Mack Gordon
compositore:
Harry Warren (US composer and lyricist)
editore:
Morley Music Corp.
parte di:
The Real Book (compilation of jazz standards, Volume I)
5:44
4CD
#TitoloValutazioneDurata
1Yesterdays
5:13
2All the Things You Are
registrazione strumentale di:
All the Things You Are (from “Very Warm for May”)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) (nel 1939)
compositore:
Jerome Kern (nel 1939)
editore:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (conclusa), T.B. Harms Inc. (conclusa) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Broadway Rhythm (film)
9:34
3Summertime
registrata a:
New York, New York, Stati Uniti (il 1963-07-18)
batteria :
Roy McCurdy (jazz drummer for Cannonball Adderly) (il 1963-07-18)
contrabbasso [bass] :
Henry Grimes (US free jazz bassist) (il 1963-07-18)
pianoforte :
Paul Bley (il 1963-07-18)
sassofono tenore :
Coleman Hawkins (il 1963-07-18) e Sonny Rollins (American saxophonist) (il 1963-07-18)
registrazione strumentale di:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (il 1963-07-18)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
5:58
4Just Friends
registrata a:
New York, New York, Stati Uniti (il 1963-07-18)
batteria :
Roy McCurdy (jazz drummer for Cannonball Adderly) (il 1963-07-18)
contrabbasso [bass] :
Henry Grimes (US free jazz bassist) (il 1963-07-18)
pianoforte :
Paul Bley (il 1963-07-18)
sassofono tenore :
Coleman Hawkins (il 1963-07-18) e Sonny Rollins (American saxophonist) (il 1963-07-18)
registrazione strumentale di:
Just Friends (il 1963-07-18)
paroliere:
Sam M. Lewis (1930s lyricist)
compositore:
John Klenner
editore:
EMI Robbins Catalog Inc. (ASCAP)
4:40
5Lover Man
8:54
6At McKie’s
7:03
7Now’s the Time
4:03
8Blue ’n’ Boogie
5:31
9I Remember Clifford
registrazione di:
I Remember Clifford
paroliere:
Jon Hendricks
compositore:
Benny Golson (American jazz saxophonist and composer)
versione di:
I Remember Clifford (instrumental original)
2:36
1052nd Street Theme (alternate)
registrazione di:
52nd Street Theme
compositore:
Thelonious Monk
editore:
Embassy Music Corporation
4:32
5CD
#TitoloValutazioneDurata
1St. Thomas
3:58
2’Round Midnight
registrazione di:
’Round Midnight
paroliere:
Bernie Hanighen
compositore:
Thelonious Monk e Cootie Williams
editore:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
si basa su:
I Need You So
4:02
3Afternoon in Paris
2:45
4Four
7:15
5I Remember Clifford (alternate)
registrazione di:
I Remember Clifford
paroliere:
Jon Hendricks
compositore:
Benny Golson (American jazz saxophonist and composer)
versione di:
I Remember Clifford (instrumental original)
6:05
6St. Thomas (alternate)
3:07
7Django (alternate)
5:24
8Afternoon in Paris (alternate)
3:02
9Now’s the Time (alternate)
15:53
10Four (alternate)
5:52
6CD
#TitoloValutazioneDurata
1Autumn Nocturne
3:03
2Night and Day
registrazione cover di:
Night and Day (Cole Porter; from “The Gay Divorce”)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
3:19
3Love Letters
3:29
4My One and Only Love
6:01
5Three Little Words
2:16
6Trav’lin’ Light
4:08
7I’ll Be Seeing You
1:39
8My Ship
4:14
9It Could Happen to You
registrazione strumentale di:
It Could Happen to You
paroliere:
Johnny Burke (American lyricist, 1908–1964)
compositore:
Jimmy Van Heusen
editore:
Chappell & Co., Sony/ATV Harmony e Sony/ATV Music Publishing LLC (1995–2020)
sub-editore:
Gehrmans Musikförlag, Sony/ATV Harmony UK e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
4:21
10Long Ago and Far Away
2:50
11Winter Wonderland
5:20
12When You Wish Upon a Star
3:18
13Trav’lin’ Light (alternate)
12:45

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