The Finest Masterpieces in Pop & Rock, Volume 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Night on Broadway
producer:
Arif Mardin
lead vocals:
Barry Gibb (in 1975-01), Maurice Gibb (in 1975-01) and Robin Gibb (in 1975-01)
remixer:
Lew Hahn
brass [horns] arranger, strings arranger and woodwind [woodwinds] arranger:
Arif Mardin
concertmaster:
Gene Orloff
phonographic copyright (℗) by:
Barry Gibb (in 1975), Maurice Gibb (in 1975) and Robin Gibb (in 1975)
phonographic copyright (℗) by:
PolyGram International Ltd. (in 1975), PolyGram International Music B.V. (not for release label use!) (in 1975), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1975), Robert Stigwood Organisation Ltd. (in 1975) and RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1975)
recording of:
Nights on Broadway (in 1975-01)
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
Abigail Music, BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Casserole Music Corp., Crompton Songs, Gibb Brothers Music, Slamm Music, Inc (BMI-affiliated), Unichappell Music, Inc., Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Abigail Music Ltd. (publisher) (in 1975) and Flam Music Ltd. (in 1975)
Bee Gees44:36
2Jealous Guy
producer:
Rhett Davies and Bryan Ferry
mixer:
Bob Clearmountain
electric guitar:
Phil Manzanera
keyboard:
David Skinner (Twice As Much)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1981) and Northern Songs Ltd. (in 1981)
cover recording of:
Jealous Guy
lyricist and composer:
John Lennon (The Beatles)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., Chappell Music Ltd., EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Lenono Music, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
sub-publisher:
Fujipacific Music, Inc. Division 2
revision of:
Child of Nature
Roxy Music46:12
3Time of the Season
recording of:
Time of the Season
lyricist and composer:
Rod Argent
publisher:
Melodie der Welt J. Michel KG Musikverlag (renamed since 2010-01-07 as Melodie der Welt J. Michel GmbH & Co. KG), Verulam Music Co. Ltd. and Mainstay Music, Inc. (in 1968)
The Zombies3:32
4The Wind of Change
engineer:
Pieter Boer (engineer)
producer:
Mike Batt
arranger:
Mike Batt
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1980)
recorded at:
Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1980)
recording of:
The Winds of Change
lyricist, composer and arranger:
Mike Batt
publisher:
April Music Ltd. (in 1980) and Batt Songs Ltd. (publisher related to Mike Batt) (in 1980)
Mike Batt33:58
5Calling Occupants of Interplanetary Craft
recording of:
Calling Occupants of Interplanetary Craft
writer:
Terry Draper and John Woloschuk
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Magentalane Music Ltd.
Klaatu7:13
6Aqualung
recording of:
Aqualung (Jethro Tull)
lyricist:
Ian Anderson (of Jethro Tull) and Jennie Franks
composer:
Ian Anderson (of Jethro Tull)
Jethro Tull6:37
7The House of the Rising Sun
producer:
Mickie Most (English record producer)
bass guitar:
Chas Chandler
drums (drum set):
John Steel (English musician)
electric guitar:
Hilton Valentine
organ:
Alan Price
lead vocals:
Eric Burdon
phonographic copyright (℗) by:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1964) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2002)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 122), BILLIONS CLUB and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. and Universal/MCA Music Ltd. (not for release label use!)
arrangement of:
House of the Rising Sun
The Animals4.254:30
8Something in the Air
producer:
Pete Townshend (of The Who)
recording of:
Something in the Air (in 1969)
lyricist and composer:
John Keen (“Speedy”)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) and Songs of Windswept Pacific
Thunderclap Newman43:58
9Night Owls
recording of:
The Night Owls
lyricist and composer:
Graeham Goble
publisher:
American Ragtime Music, Colgems-EMI Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Music of the World (BMI publisher), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI) and Universal/MCA Music Publishing Pty Ltd
Little River Band5:15
10I’ve Been Drinking
guest performer:
Rod Stewart
recording of:
I’ve Been Drinking
writer:
Johnny Mercer and Doris Tauber
arranger:
Jeff Beck (English rock guitarist) and Rod Stewart
arrangement of:
Drinking Again
Jeff Beck feat. Rod Stewart3:19
11White Room
recording engineer:
Adrian Barber (producer/engineer) (from 1967-07 until 1968-06) and Tom Dowd (from 1967-07 until 1968-06)
engineer:
Adrian Barber (producer/engineer) and Tom Dowd
producer:
Felix Pappalardi
bass:
Jack Bruce (from 1967-07 until 1968-06)
drums (drum set) and percussion and timpani:
Ginger Baker (from 1967-07 until 1968-06)
guitar:
Eric Clapton (from 1967-07 until 1968-06)
viola:
Felix Pappalardi (from 1967-07 until 1968-06)
vocals:
Jack Bruce (from 1967-07 until 1968-06)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1968), Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968) and Robert Stigwood Organisation Ltd. (in 1969)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (from 1967-07 until 1967-08) and Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-09 until 1967-10, from 1968-02 until 1968-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 368)
recording of:
White Room (from 1967-07 until 1968-06)
writer:
Pete Brown (UK poet & producer, with Cream and Jack Bruce) and Jack Bruce
publisher:
BG Publishing, Casserole Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner Chappell Music, Inc.
sub-publisher:
Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Cream4.554:59
12Brandenburger
recording of:
Brandenburger
writer:
Brian Davison, Keith Emerson and Lee Jackson (bass The Nice/Jackson Heights/Refugee)
The Nice4:44
13Die Roboter
recording of:
Die Roboter
lyricist:
Ralf Hütter
composer:
Karl Bartos, Ralf Hütter and Florian Schneider (founding member of Kraftwerk)
Kraftwerk4:24
2▼CD
#TitleArtistRatingLength
1The Joker
producer:
Steve Miller (leader of Steve Miller Band)
acoustic guitar, slide guitar and lead vocals [vocals]:
Steve Miller (leader of Steve Miller Band)
bass:
Gerald Johnson
drums (drum set):
John King (drums)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1973), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2003)
recording of:
The Joker
writer:
Eddie Curtis (songwriter), Ahmet Ertegun (US American Songwriter, producer) and Steve Miller (leader of Steve Miller Band)
publisher:
Cotillion Music Inc. (BMI), Jim Rooster Music, Sailor Music, Unichappell Music, Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Warner Chappell Music, Inc. (Warner/Chappell Music, Inc.)
Steve Miller Band4.054:27
2Spinning Wheel
engineer:
Fred Catero and Roy Halee
producer:
James William Guercio
alto saxophone and piano:
Fred Lipsius
bass:
Jim Fielder (Bassist with Blood, Sweat & Tears)
drums (drum set) and percussion:
Bobby Colomby
flugelhorn and trumpet:
Al Rubin and Lew Soloff
flute, organ, piano and trombone:
Dick Halligan
guitar and harmonica:
Steve Katz (guitarist for Blood, Sweat & Tears)
recorder and trombone:
Jerry Hyman (trombone player)
lead vocals:
David Clayton‐Thomas
vocals:
Bobby Colomby, Dick Halligan and Steve Katz (guitarist for Blood, Sweat & Tears)
arranger:
Blood, Sweat & Tears and Fred Lipsius
recording of:
Spinning Wheel
lyricist and composer:
David Clayton‐Thomas
publisher:
EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., Minnesingers Publishers, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Blood, Sweat & Tears44:06
3Samba pa ti
engineer:
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero, Bob Irwin, Santana (US Latin, blues, & rock band) and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-19)
congas and percussion:
Michael Carabello (on 1970-07-19)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-19)
drums (drum set):
Michael Shrieve (on 1970-07-19)
guitar:
Carlos Santana (on 1970-07-19)
keyboard:
Gregg Rolie (on 1970-07-19)
percussion:
Rico Reyes (on 1970-07-19)
tabla:
Steven Saphore (on 1970-07-19)
arranger:
Gregg Rolie and Carlos Santana
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-19)
recording of:
Samba pa ti (on 1970-07-19)
composer:
Carlos Santana
publisher:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music (plain logo: “Universal Music”) and Universal Music Careers
Santana3.94:35
4Hold Your Head Up
producer:
Rod Argent and Chris White (UK bassist for The Zombies)
bass:
Jim Rodford
drums (drum set):
Robert Henrit
guitar:
Russ Ballard
keyboard:
Rod Argent
vocals:
Rod Argent and Russ Ballard
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Hold Your Head Up
writer:
Rod Argent and Chris White (UK bassist for The Zombies)
publisher:
Al Gallico Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex (publisher), Mainstay Music, Inc., Marquis Songs USA and Verulum Music Co Ltd
sub-publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Argent4.356:15
5I’d Rather Go Blind
recording of:
I’d Rather Go Blind
lyricist:
Billy Foster (American singer, member of The Medallions and songwriter)
composer:
Ellington Jordan
publisher:
The Jewel Music Co. Ltd. (publisher; do NOT use as release label)
Chicken Shack3:14
6I Shall Be Released
engineer:
Don Hahn (engineer) and Tony May (engineer)
producer:
The Band (Canadian-American rock band) and John Simon (US producer, arranger, composer, songwriter and musician)
bass:
Rick Danko (in 1968-02)
drums (drum set):
Levon Helm (in 1968-02)
guitar:
Robbie Robertson (in 1968-02)
organ:
Garth Hudson (in 1968-02)
piano:
Richard Manuel (in 1968-02)
vocals:
Rick Danko (in 1968-02), Levon Helm (in 1968-02) and Richard Manuel (in 1968-02)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1968, in 2005)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1968-02)
part of:
New York Post: 100 Greatest Covers (2007) (number: 67)
recording of:
I Shall Be Released (original lyrics) (in 1968-02)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Dwarf Music (from 1967 to present)
The Band3.23:13
7All the Young Dudes
producer:
David Bowie (English singer‐songwriter)
lead vocals:
Ian Hunter (Mott the Hoople)
arranger:
David Bowie (English singer‐songwriter)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1972), CBS, Inc. (US broadcasting company; file no releases here!) (in 1972), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972, in 1976)
part of:
Songs banned by the BBC, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 166) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 253)
recording of:
All the Young Dudes
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Chrysalis Songs, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, Mainman Ltd., Mainman Saag (New York), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
sub-publisher:
EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
cover recording of:
All the Young Dudes
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Chrysalis Songs, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, Mainman Ltd., Mainman Saag (New York), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
sub-publisher:
EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Mott the Hoople4.23:30
8Jessica
recording of:
Jessica
composer:
Dickey Betts
publisher:
F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music, Inc.
The Allman Brothers Band7:07
9Slabo Day
producer:
Peter Vernon-Kell (producer)
recording of:
Slabo Day
composer:
Peter Bardens (founding member of the British progressive rock group Camel), Peter Green (former member of Fleetwood Mac), Kuma Harada, Reg Isidore, Lennox Langton and Snowy White (guitarist)
Peter Green55:06
1010538 Overture
engineer:
Peter Olliff and Roger Wake (engineer)
producer:
Bob Irwin, Jeff Lynne and Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
bass:
Jeff Lynne (from 1970-07-12 until 1971-06) and Rick Price (the Move and Electric Light Orchestra bassist) (from 1970-07-12 until 1971-06)
cello:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (from 1970-07-12 until 1971-06)
drums (drum set):
Bev Bevan (English rock drummer) (from 1970-07-12 until 1971-06)
French horn:
Bill Hunt (UK keyboards, horn player) (from 1970-07-12 until 1971-06)
guitar:
Jeff Lynne (from 1970-07-12 until 1971-06) and Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (from 1970-07-12 until 1971-06)
violin:
Steve Woolam (from 1970-07-12 until 1971-06)
lead vocals:
Jeff Lynne (from 1970-07-12 until 1971-06)
vocals:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (from 1970-07-12 until 1971-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971, in 2001) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (from 1971 until 1972)
recorded at:
Philips Studios in London (Greater London), England, United Kingdom (from 1970-07-12 until 1971-06)
recording of:
10538 Overture (from 1970-07-12 until 1971-06)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Electric Light Orchestra55:31
11April
engineer:
Barry Ainsworth (engineer)
producer and mixer:
Derek Lawrence (British producer)
drums (drum set):
Ian Paice (from 1969-02-28 until 1969-03)
electric bass guitar:
Nick Simper (from 1969-02-28 until 1969-03)
electric guitar:
Ritchie Blackmore (from 1969-02-28 until 1969-03)
Hammond organ:
Jon Lord (from 1969-02-28 until 1969-03)
lead vocals:
Rod Evans (from 1969-02-28 until 1969-03)
strings arranger:
Jon Lord
phonographic copyright (℗) by:
HEC Enterprises Ltd.
recorded at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (from 1969-02-28 until 1969-03)
recording of:
April (from 1969-02-28 until 1969-03)
writer:
Ritchie Blackmore and Jon Lord
publisher:
HEC Music
Deep Purple3.512:04
3▼CD
#TitleArtistRatingLength
1Time Passages
producer:
Alan Parsons (of The Alan Parsons Project)
solo guitar [lead]:
Peter White (smooth jazz/jazz fusion guitarist)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978)
recorded at:
Davlen Sound Studios in North Hollywood, Los Angeles, California, United States
recording of:
Time Passages
writer:
Al Stewart (UK folk singer/songwriter) and Peter White (smooth jazz/jazz fusion guitarist)
publisher:
Approximate Music, PolyGram Music Publishing, Universal–Songs of PolyGram International, Inc., DJM Music (in 1978) and Frabjous Music (in 1978)
Al Stewart6:38
2Night Owl
recording of:
Night Owl
lyricist and composer:
Gerry Rafferty
Gerry Rafferty6:11
3Catch the Wind
recording of:
Catch the Wind
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music, Peer Music UK Ltd and Southern Music (publisher)
Donovan5:03
4Lovin’ You
producer:
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) and Stevie Wonder
bass guitar:
Reggie McBride
congas:
Kwasi "Rocki" Dzidzornu
cymbal, drums (drum set), harmonica and piano:
El Toro Negro
drums (drum set) [drum kit]:
Ollie E. Brown (US drummer, session musician & record producer) and El Toro Negro
guitar:
Marlo Henderson and Michael Sembello
background vocals:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) and Yvonne Wright
vocals:
Minnie Riperton
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recording of:
Lovin’ You
writer:
Minnie Riperton and Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:24
5Me and Mrs. Jones
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Billy Paul (American soul singer) (in 1972)
performer:
MFSB (in 1972)
brass [horns] arranger and strings arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
Me and Mrs. Jones (in 1972)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Yamaha Music Entertainment (Japanese label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Paul4.54:45
6Lean on Me
producer:
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) and Bill Withers
drums (drum set) and percussion:
James Gadson (American drummer) (in 1972)
electric bass guitar:
Melvin Dunlap (in 1972)
electric guitar:
Benorce Blackmon (guitarist, producer, writer) (in 1972)
piano and lead vocals:
Bill Withers (in 1972)
Wurlitzer electric piano:
Ray Jackson (trombonist, pianist and arranger) (in 1972)
strings arranger:
Ray Jackson (trombonist, pianist and arranger)
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1972), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1972), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 205) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 236)
recording of:
Lean on Me (in 1972)
lyricist and composer:
Bill Withers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bill Withers4.34:19
7Private Dancer
producer:
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer)
bass:
John Illsley
drums (drum set):
Terry Williams (drummer)
guitar:
Hal Lindes
keyboard:
Alan Clark (keyboardist)
percussion:
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) and Julian Diggle
saxophone:
Mel Collins
solo guitar:
Jeff Beck (English rock guitarist)
lead vocals:
Tina Turner
remixer:
Humberto Gatica
recorded at:
Good Earth Studios in Soho, Westminster, London (Greater London), England, United Kingdom and Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom
recording of:
Private Dancer
lyricist and composer:
Mark Knopfler
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd., Shinko Music Entertainment Co., Ltd., Straitjacket Songs Ltd., Universal Music Publishing France (not for release label use!) and Universal Music Publishing, Synch Division
Tina Turner4.57:11
8Don’t You Write Her Off
recording of:
Don’t You Write Her Off
writer:
Robert J. Hippard and Roger McGuinn
publisher:
McGuinn Music and Red Shift Music
McGuinn, Clark & Hillman3:19
9Albatross
producer:
Mike Vernon
drums (drum set):
Mick Fleetwood (on 1968-10-06)
electric bass guitar:
John McVie (on 1968-10-06)
guitar:
Peter Green (former member of Fleetwood Mac) (on 1968-10-06) and Danny Kirwan (Fleetwood Mac) (on 1968-10-06)
phonographic copyright (℗) by:
Blue Horizon Records (in 1968) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1968)
recording of:
Albatross (on 1968-10-06)
composer:
Peter Green (former member of Fleetwood Mac)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Crosstown Songs UK Ltd., Kingstreet Media Publishing Limited and Palan Music Publishing Ltd.
Fleetwood Mac4.23:07
10Sentimental Lady
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1977, in 1989) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1977)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 23)
recording of:
Sentimental Lady
lyricist, writer and composer:
Bob Welch (early member of Fleetwood Mac)
publisher:
CMI America, Crosstown UK (Palan), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spirit One Music, フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and Kingstreet Media Publishing Limited (in 1972)
Bob Welch52:59
11I Got a Name
acoustic guitar [lead acoustic guitar]:
Maury Muehleisen
bass:
Joe Macho
drums (drum set):
Rick Marotta (US drummer/percussionist)
guitar [rhythm guitar] and piano:
Tommy West
percussion:
George Devens
background vocals:
Jim Croce, Maury Muehleisen and Tommy West
vocals:
Jim Croce (on 1973-06-06)
conductor:
Terence Minogue
arranger:
Terence Minogue
phonographic copyright (℗) by:
Saja Music Co. (publisher) (in 1973)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1973-06-06)
recording of:
I Got a Name (on 1973-06-06)
lyricist:
Norman Gimbel
composer:
Charles Fox (film/TV composer, also Latin pianist)
publisher:
Fox Fanfare Music Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Jim Croce43:12
12I Don’t Believe in Miracles
recording of:
I Don’t Believe in Miracles
writer:
Russ Ballard
Colin Blunstone2:58
13Come Back and Stay
producer:
Laurie Latham
bass guitar:
Pino Palladino
guitar:
Paul Young (English pop singer and musician)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983) and Sony Music Entertainment (Germany) GmbH & Co. KG (not for release label use! for copyrights use only, existed from 2001/06/08–2004/09/23) (in 2002)
cover recording of:
Come Back and Stay
lyricist and composer:
Jack Lee (US songwriter and musician)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Chrysalis Songs
Paul Young4.54:16

Credits

Release

manufactured in:Germany
phonographic copyright (℗) by:EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1991)
Discogs:https://www.discogs.com/release/6867510 [info]
ASIN:DE: B000025X1D [info]