Cantatas, BWV 68–70

~ Release by Johann Sebastian Bach; Bach‐Collegium Stuttgart, Helmuth Rilling (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Kantate, BWV 68 “Also hat Gott die Welt geliebt”: I. Choral “Also hat Gott die Welt geliebt”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-04)
recording of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt": I. Choral "Also hat Gott die Welt geliebt" (from 1980-12 until 1981-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomo Liscow (in 1675)
part of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt"
Johann Sebastian Bach4:38
2Kantate, BWV 68 “Also hat Gott die Welt geliebt”: II. Aria (Sopran) + Ritornello “Mein gläubiges Herze”
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-04)
recording of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt": II. Aria (Sopran) + Ritornello "Mein gläubiges Herze" (from 1980-12 until 1981-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt"
Johann Sebastian Bach3:34
3Kantate, BWV 68 “Also hat Gott die Welt geliebt”: III. Recitativo (Bass) “Ich bin mit Petro nicht vermessen”
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-04)
recording of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt": III. Recitativo (Bass) "Ich bin mit Petro nicht vermessen" (from 1980-12 until 1981-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt"
Johann Sebastian Bach0:51
4Kantate, BWV 68 “Also hat Gott die Welt geliebt”: IV. Aria (Bass) “Du bist geboren mir zugute”
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-04)
recording of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt": IV. Aria (Bass) "Du bist geboren mir zugute" (from 1980-12 until 1981-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt"
Johann Sebastian Bach4:32
5Kantate, BWV 68 “Also hat Gott die Welt geliebt”: V. Coro “Wer an ihn gläubet, der wird nicht gerichtet”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-04)
recording of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt": V. Coro "Wer an ihn gläubet, der wird nicht gerichtet" (from 1980-12 until 1981-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt"
Johann Sebastian Bach3:34
6Kantate, BWV 69 “Lobe den Herrn, meine Seele”: I. Coro “Lobe den Herrn meine Seele”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele": I. Coro "Lobe den Herrn meine Seele" (in 1982-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele"
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
Johann Sebastian Bach6:27
7Kantate, BWV 69 “Lobe den Herrn, meine Seele”: II. Recitativo (Sopran) “Wie groß ist Gottes Güte doch!”
soprano vocals:
Helen Donath (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele": II. Recitativo (Sopran) "Wie groß ist Gottes Güte doch!" (in 1973-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach1:34
8Kantate, BWV 69 “Lobe den Herrn, meine Seele”: III. Aria (Alt) “Meine Seele, auf! erzähle”
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele": III. Aria (Alt) "Meine Seele, auf! erzähle" (in 1982-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach6:17
9Kantate, BWV 69 “Lobe den Herrn, meine Seele”: IV. Recitativo (Tenor) “Der Herr hat große Ding an uns getan”
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele": IV. Recitativo (Tenor) "Der Herr hat große Ding an uns getan" (in 1973-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach2:20
10Kantate, BWV 69 “Lobe den Herrn, meine Seele”: V. Aria (Bass) “Mein Erlöser und Erhalter”
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele": V. Aria (Bass) "Mein Erlöser und Erhalter" (in 1973-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele"
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
Johann Sebastian Bach4:10
11Kantate, BWV 69 “Lobe den Herrn, meine Seele”: VI. Choral “Es danke, Gott, und lobe dich”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele": VI. Choral "Es danke, Gott, und lobe dich" (in 1973-03)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 97)
part of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach1:31
12Kantate, BWV 70 “Wachet! betet! betet! wachet!”: I. Coro “Wachet! betet! betet! wachet!”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": I. Coro "Wachet! betet! betet! wachet!" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach4:14
13Kantate, BWV 70 “Wachet! betet! betet! wachet!”: II. Recitativo (Bass) “Erschrecket, ihr verstockten Sünder”
bass vocals:
Siegmund Nimsgern (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": II. Recitativo (Bass) "Erschrecket, ihr verstockten Sünder" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach1:33
14Kantate, BWV 70 “Wachet! betet! betet! wachet!”: III. Aria (Alt) “Wenn kömmt der Tag”
alto vocals:
Verena Gohl (Swiss contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": III. Aria (Alt) "Wenn kömmt der Tag" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach4:18
15Kantate, BWV 70 “Wachet! betet! betet! wachet!”: IV. Recitativo (Tenor) “Auch bei dem himmlischen Verlangen”
tenor vocals:
Lutz-Michael Harder
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": IV. Recitativo (Tenor) "Auch bei dem himmlischen Verlangen" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach0:50
16Kantate, BWV 70 “Wachet! betet! betet! wachet!”: V. Aria (Sopran) “Laßt der Spötter Zungen schmähen”
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": V. Aria (Sopran) "Laßt der Spötter Zungen schmähen" (in 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach2:38
17Kantate, BWV 70 “Wachet! betet! betet! wachet!”: VI. Recitativo (Tenor) “Jedoch bei dem unartigen Geschlechte”
tenor vocals:
Lutz-Michael Harder
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": VI. Recitativo (Tenor) "Jedoch bei dem unartigen Geschlechte" (in 1982-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach0:39
18Kantate, BWV 70 “Wachet! betet! betet! wachet!”: VII. Choral “Freu dich sehr, o meine Seele”
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": VII. Choral "Freu dich sehr, o meine Seele" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 98)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach1:20
19Kantate, BWV 70 “Wachet! betet! betet! wachet!”: VIII. Aria (Tenor) “Hebt euer haupt empor”
tenor vocals:
Lutz-Michael Harder
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": VIII. Aria (Tenor) "Hebt euer haupt empor" (in 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach3:17
20Kantate, BWV 70 “Wachet! betet! betet! wachet!”: IX. Recitativo (Bass) “Ach, soll nicht dieser große Tag”
bass vocals:
Siegmund Nimsgern (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": IX. Recitativo (Bass) "Ach, soll nicht dieser große Tag" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach2:20
21Kantate, BWV 70 “Wachet! betet! betet! wachet!”: X. Aria (Bass) “Seligster Erquickungstag”
bass vocals:
Siegmund Nimsgern (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": X. Aria (Bass) "Seligster Erquickungstag" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach2:34
22Kantate, BWV 70 “Wachet! betet! betet! wachet!”: XI. Choral “Nicht nach Welt, nach Himmel nicht”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": XI. Choral "Nicht nach Welt, nach Himmel nicht" (in 1970)
lyricist:
Christian Keymann (17th century hymnwriter)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 243)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach1:02

Credits

Release group

part of:Die kompletten Werke von Johann Sebastian Bach (Hänssler Classic) (number: 22) (order: 22)