Yo-Yo Ma Plays Bach & Boccherini

~ Release by Bach, Boccherini; Yo‐Yo Ma (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Suite No. 1 in G major, BWV 1007: I. Prélude
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-02-23)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-02-23)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (on 1982-02-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:32
2Suite No. 1 in G major, BWV 1007: II. Allemande
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-02-23)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-02-23)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: II. Allemande (Cello Suite No. 1 in G major, BWV 1007: II. Allemande) (on 1982-02-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach3:47
3Suite No. 1 in G major, BWV 1007: III. Courante
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-02-23)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-02-23)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: III. Courante (Cello Suite No. 1 in G major, BWV 1007: III. Courante) (on 1982-02-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:26
4Suite No. 1 in G major, BWV 1007: IV. Sarabande
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-02-23)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-02-23)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: IV. Sarabande (Cello Suite No. 1 in G major, BWV 1007: IV. Sarabande) (on 1982-02-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:56
5Suite No. 1 in G major, BWV 1007: V. Menuetto I-II
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-02-23)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-02-23)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: V. Menuet I & II (Cello Suite No. 1 in G major, BWV 1007: V. Menuet I & II) (on 1982-02-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach3:06
6Suite No. 1 in G major, BWV 1007: VI. Gigue
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-02-23)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-02-23)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: VI. Gigue (Cello Suite No. 1 in G major, BWV 1007: VI. Gigue) (on 1982-02-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach1:49
7Suite No. 4 in E-flat major, BWV 1010: I. Prélude
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-04-19)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-04-19)
recording of:
Suite für Violoncello solo no. 4 Es-Dur, BWV 1010: I. Prélude (Cello Suite No. 4 in E-flat major, BWV 1010: I. Prélude) (on 1982-04-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 4 Es-Dur, BWV 1010 (Cello Suite No. 4 in E-flat major, BWV 1010)
Johann Sebastian Bach4:51
8Suite No. 4 in E-flat major, BWV 1010: II. Allemande
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-04-19)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-04-19)
recording of:
Suite für Violoncello solo no. 4 Es-Dur, BWV 1010: II. Allemande (Cello Suite No. 4 in E-flat major, BWV 1010: II. Allemande) (on 1982-04-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 4 Es-Dur, BWV 1010 (Cello Suite No. 4 in E-flat major, BWV 1010)
Johann Sebastian Bach3:50
9Suite No. 4 in E-flat major, BWV 1010: III. Courante
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-04-19)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-04-19)
recording of:
Suite für Violoncello solo no. 4 Es-Dur, BWV 1010: III. Courante (Cello Suite No. 4 in E-flat major, BWV 1010: III. Courante) (on 1982-04-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 4 Es-Dur, BWV 1010 (Cello Suite No. 4 in E-flat major, BWV 1010)
Johann Sebastian Bach3:42
10Suite No. 4 in E-flat major, BWV 1010: IV. Sarabande
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-04-19)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-04-19)
recording of:
Suite für Violoncello solo no. 4 Es-Dur, BWV 1010: IV. Sarabande (Cello Suite No. 4 in E-flat major, BWV 1010: IV. Sarabande) (on 1982-04-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 4 Es-Dur, BWV 1010 (Cello Suite No. 4 in E-flat major, BWV 1010)
Johann Sebastian Bach4:32
11Suite No. 4 in E-flat major, BWV 1010: V. Bourrée I-II
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-04-19)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-04-19)
recording of:
Suite für Violoncello solo no. 4 Es-Dur, BWV 1010: V. Bourrées I & II (Cello Suite No. 4 in E-flat major, BWV 1010: V. Bourrée I & II) (on 1982-04-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 4 Es-Dur, BWV 1010 (Cello Suite No. 4 in E-flat major, BWV 1010)
Johann Sebastian Bach5:04
12Suite No. 4 in E-flat major, BWV 1010: VI. Gigue
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-04-19)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-04-19)
recording of:
Suite für Violoncello solo no. 4 Es-Dur, BWV 1010: VI. Gigue (Cello Suite No. 4 in E-flat major, BWV 1010: VI. Gigue) (on 1982-04-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 4 Es-Dur, BWV 1010 (Cello Suite No. 4 in E-flat major, BWV 1010)
Johann Sebastian Bach2:36
13Suite No. 5 in C minor, BWV 1011: I. Prélude
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-04-20)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-04-20)
recording of:
Suite für Violoncello solo no. 5 c-Moll, BWV 1011: I. Prélude (Suite for Cello Solo No. 5 in C minor, BWV 1011: I. Prélude) (on 1982-04-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 5 c-Moll, BWV 1011 (Cello Suite No. 5 in C minor, BWV 1011)
Johann Sebastian Bach6:18
14Suite No. 5 in C minor, BWV 1011: II. Allemande
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-04-20)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-04-20)
recording of:
Suite für Violoncello solo no. 5 c-Moll, BWV 1011: II. Allemande (Suite for Cello Solo No. 5 in C minor, BWV 1011: II. Allemande) (on 1982-04-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 5 c-Moll, BWV 1011 (Cello Suite No. 5 in C minor, BWV 1011)
Johann Sebastian Bach5:22
15Suite No. 5 in C minor, BWV 1011: III. Courante
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-04-20)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-04-20)
recording of:
Suite für Violoncello solo no. 5 c-Moll, BWV 1011: III. Courante (Suite for Cello Solo No. 5 in C minor, BWV 1011: III. Courante) (on 1982-04-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 5 c-Moll, BWV 1011 (Cello Suite No. 5 in C minor, BWV 1011)
Johann Sebastian Bach1:56
16Suite No. 5 in C minor, BWV 1011: IV. Sarabande
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-04-20)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-04-20)
recording of:
Suite für Violoncello solo no. 5 c-Moll, BWV 1011: IV. Sarabande (Suite for Cello Solo No. 5 in C minor, BWV 1011: IV. Sarabande) (on 1982-04-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 5 c-Moll, BWV 1011 (Cello Suite No. 5 in C minor, BWV 1011)
Johann Sebastian Bach3:18
17Suite No. 5 in C minor, BWV 1011: V. Gavotte I-II
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-04-20)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-04-20)
recording of:
Suite für Violoncello solo no. 5 c-Moll, BWV 1011: V. Gavottes I & II (Cello Suite No. 5 in C minor, BWV 1011: V. Gavotte I & II) (on 1982-04-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 5 c-Moll, BWV 1011 (Cello Suite No. 5 in C minor, BWV 1011)
Johann Sebastian Bach4:15
18Suite No. 5 in C minor, BWV 1011: VI. Gigue
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-04-20)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-04-20)
recording of:
Suite für Violoncello solo no. 5 c-Moll, BWV 1011: VI. Gigue (Cello Suite No. 5 in C minor, BWV 1011: VI. Gigue) (on 1982-04-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 5 c-Moll, BWV 1011 (Cello Suite No. 5 in C minor, BWV 1011)
Johann Sebastian Bach2:35
2▼CD
#TitleArtistRatingLength
1Suite No. 2 in D minor, BWV 1008: I. Prélude
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-05-11)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-05-11)
recording of:
Suite für Violoncello solo no. 2 d-Moll, BWV 1008: I. Prélude (Cello Suite No. 2 in D minor, BWV 1008: I. Prélude) (on 1982-05-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 2 d-Moll, BWV 1008 (Cello Suite No. 2 in D minor, BWV 1008)
Johann Sebastian Bach4:04
2Suite No. 2 in D minor, BWV 1008: II. Allemande
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-05-11)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-05-11)
recording of:
Suite für Violoncello solo no. 2 d-Moll, BWV 1008: II. Allemande (Cello Suite No. 2 in D minor, BWV 1008: II. Allemande) (on 1982-05-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 2 d-Moll, BWV 1008 (Cello Suite No. 2 in D minor, BWV 1008)
Johann Sebastian Bach3:11
3Suite No. 2 in D minor, BWV 1008: III. Courante
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-05-11)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-05-11)
recording of:
Suite für Violoncello solo no. 2 d-Moll, BWV 1008: III. Courante (Cello Suite No. 2 in D minor, BWV 1008: III. Courante) (on 1982-05-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 2 d-Moll, BWV 1008 (Cello Suite No. 2 in D minor, BWV 1008)
Johann Sebastian Bach1:48
4Suite No. 2 in D minor, BWV 1008: IV. Sarabande
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-05-11)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-05-11)
recording of:
Suite für Violoncello solo no. 2 d-Moll, BWV 1008: IV. Sarabande (Cello Suite No. 2 in D minor, BWV 1008: IV. Sarabande) (on 1982-05-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 2 d-Moll, BWV 1008 (Cello Suite No. 2 in D minor, BWV 1008)
Johann Sebastian Bach4:42
5Suite No. 2 in D minor, BWV 1008: V. Menuetto I-II
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-05-11)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-05-11)
recording of:
Suite für Violoncello solo no. 2 d-Moll, BWV 1008: V. Menuet I & II (Cello Suite No. 2 in D minor, BWV 1008: V. Menuet I & II) (on 1982-05-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 2 d-Moll, BWV 1008 (Cello Suite No. 2 in D minor, BWV 1008)
Johann Sebastian Bach3:00
6Suite No. 2 in D minor, BWV 1008: VI. Gigue
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-05-11)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-05-11)
recording of:
Suite für Violoncello solo no. 2 d-Moll, BWV 1008: VI. Gigue (Cello Suite No. 2 in D minor, BWV 1008: VI. Gigue) (on 1982-05-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 2 d-Moll, BWV 1008 (Cello Suite No. 2 in D minor, BWV 1008)
Johann Sebastian Bach2:19
7Suite No. 3 in C major, BWV 1009: I. Prélude
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-02-23)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-02-23)
recording of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: I. Prélude (Cello Suite No. 3 in C major, BWV 1009: I. Prélude) (on 1982-02-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009 (Cello Suite No. 3 in C major, BWV 1009)
Johann Sebastian Bach3:14
8Suite No. 3 in C major, BWV 1009: II. Allemande
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-02-23)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-02-23)
recording of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: II. Allemande (Cello Suite No. 3 in C major, BWV 1009: II. Allemande) (on 1982-02-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009 (Cello Suite No. 3 in C major, BWV 1009)
Johann Sebastian Bach3:35
9Suite No. 3 in C major, BWV 1009: III. Courante
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-02-23)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-02-23)
recording of:
Suite für Violoncello solo no. 3 C‐Dur, BWV 1009: III. Courante (Cello Suite No. 3 in C major, BWV 1009: III. Courante) (on 1982-02-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009 (Cello Suite No. 3 in C major, BWV 1009)
Johann Sebastian Bach2:27
10Suite No. 3 in C major, BWV 1009: IV. Sarabande
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-02-23)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-02-23)
recording of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: IV. Sarabande (Cello Suite No. 3 in C major, BWV 1009: IV. Sarabande) (on 1982-02-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009 (Cello Suite No. 3 in C major, BWV 1009)
Johann Sebastian Bach3:43
11Suite No. 3 in C major, BWV 1009: V. Bourrée I-II
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-02-23)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-02-23)
recording of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: V. Bourrée I & II (Cello Suite No. 3 in C major, BWV 1009: V. Bourrée I & II) (on 1982-02-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009 (Cello Suite No. 3 in C major, BWV 1009)
Johann Sebastian Bach3:23
12Suite No. 3 in C major, BWV 1009: VI. Gigue
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-02-23)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-02-23)
recording of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: VI. Gigue (Cello Suite No. 3 in C major, BWV 1009: VI. Gigue) (on 1982-02-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009 (Cello Suite No. 3 in C major, BWV 1009)
Johann Sebastian Bach3:07
13Suite No. 6 in D major, BWV 1012: I. Prélude
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-05-12)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-05-12)
recording of:
Suite für Violoncello solo no. 6 D-Dur, BWV 1012: I. Prélude (Cello Suite No. 6 in D major, BWV 1012: I. Prélude) (on 1982-05-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 6 D-Dur, BWV 1012 (Cello Suite No. 6 in D major, BWV 1012)
Johann Sebastian Bach4:12
14Suite No. 6 in D major, BWV 1012: II. Allemande
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-05-12)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-05-12)
recording of:
Suite für Violoncello solo no. 6 D-Dur, BWV 1012: II. Allemande (Cello Suite No. 6 in D major, BWV 1012: II. Allemande) (on 1982-05-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 6 D-Dur, BWV 1012 (Cello Suite No. 6 in D major, BWV 1012)
Johann Sebastian Bach7:02
15Suite No. 6 in D major, BWV 1012: III. Courante
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-05-12)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-05-12)
recording of:
Suite für Violoncello solo no. 6 D-Dur, BWV 1012: III. Courante (Cello Suite No. 6 in D major, BWV 1012: III. Courante) (on 1982-05-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 6 D-Dur, BWV 1012 (Cello Suite No. 6 in D major, BWV 1012)
Johann Sebastian Bach3:44
16Suite No. 6 in D major, BWV 1012: IV. Sarabande
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-05-12)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-05-12)
recording of:
Suite für Violoncello solo no. 6 D-Dur, BWV 1012: IV. Sarabande (Cello Suite No. 6 in D major, BWV 1012: IV. Sarabande) (on 1982-05-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 6 D-Dur, BWV 1012 (Cello Suite No. 6 in D major, BWV 1012)
Johann Sebastian Bach4:30
17Suite No. 6 in D major, BWV 1012: V. Gavotte I-II
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-05-12)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-05-12)
recording of:
Suite für Violoncello solo no. 6 D-Dur, BWV 1012: V. Gavottes I & II (Cello Suite No. 6 in D major, BWV 1012: V. Gavotte I & II) (on 1982-05-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 6 D-Dur, BWV 1012 (Cello Suite No. 6 in D major, BWV 1012)
Johann Sebastian Bach3:28
18Suite No. 6 in D major, BWV 1012: VI. Gigue
engineer:
Tom Lazarus
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (on 1982-05-12)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (on 1982-05-12)
recording of:
Suite für Violoncello solo no. 6 D-Dur, BWV 1012: VI. Gigue (Cello Suite No. 6 in D major, BWV 1012: VI. Gigue) (on 1982-05-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 6 D-Dur, BWV 1012 (Cello Suite No. 6 in D major, BWV 1012)
Johann Sebastian Bach3:55
3▼CD
#TitleArtistRatingLength
1Sonata no. 1 in G major, BWV 1027: I. Adagio
engineer:
Sydney Davis (engineer) (from 1981 until 1982) and Tom Lazarus (from 1981 until 1982)
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (from 1981 until 1982)
harpsichord:
Kenneth Cooper (American harpsichordist, pianist, conductor) (from 1981 until 1982)
recorded at:
O'Shaughnessy Hall (gymnasium at St. Thomas University) in Saint Paul, Minnesota, United States (from 1981 until 1982)
recording of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027: I. Adagio (from 1981 until 1982)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027
Johann Sebastian Bach3:50
2Sonata no. 1 in G major, BWV 1027: II. Allegro ma non tanto
engineer:
Sydney Davis (engineer) (from 1981 until 1982) and Tom Lazarus (from 1981 until 1982)
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (from 1981 until 1982)
harpsichord:
Kenneth Cooper (American harpsichordist, pianist, conductor) (from 1981 until 1982)
recorded at:
O'Shaughnessy Hall (gymnasium at St. Thomas University) in Saint Paul, Minnesota, United States (from 1981 until 1982)
recording of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027: II. Allegro ma non tanto (from 1981 until 1982)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027
Johann Sebastian Bach3:18
3Sonata no. 1 in G major, BWV 1027: III. Andante
engineer:
Sydney Davis (engineer) (from 1981 until 1982) and Tom Lazarus (from 1981 until 1982)
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (from 1981 until 1982)
harpsichord:
Kenneth Cooper (American harpsichordist, pianist, conductor) (from 1981 until 1982)
recorded at:
O'Shaughnessy Hall (gymnasium at St. Thomas University) in Saint Paul, Minnesota, United States (from 1981 until 1982)
recording of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027: III. Andante (from 1981 until 1982)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027
Johann Sebastian Bach2:59
4Sonata no. 1 in G major, BWV 1027: IV. Allegro moderato
engineer:
Sydney Davis (engineer) (from 1981 until 1982) and Tom Lazarus (from 1981 until 1982)
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (from 1981 until 1982)
harpsichord:
Kenneth Cooper (American harpsichordist, pianist, conductor) (from 1981 until 1982)
recorded at:
O'Shaughnessy Hall (gymnasium at St. Thomas University) in Saint Paul, Minnesota, United States (from 1981 until 1982)
recording of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027: IV. Allegro moderato (from 1981 until 1982)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027
Johann Sebastian Bach3:02
5Sonata no. 2 in D major, BWV 1028: I. Adagio
engineer:
Sydney Davis (engineer) (from 1981 until 1982) and Tom Lazarus (from 1981 until 1982)
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (from 1981 until 1982)
harpsichord:
Kenneth Cooper (American harpsichordist, pianist, conductor) (from 1981 until 1982)
recorded at:
O'Shaughnessy Hall (gymnasium at St. Thomas University) in Saint Paul, Minnesota, United States (from 1981 until 1982)
recording of:
Sonate für Viola da Gamba und Cembalo D-Dur, BWV 1028: I. Adagio (from 1981 until 1982)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo D-Dur, BWV 1028
Johann Sebastian Bach2:10
6Sonata no. 2 in D major, BWV 1028: II. Allegro
engineer:
Sydney Davis (engineer) (from 1981 until 1982) and Tom Lazarus (from 1981 until 1982)
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (from 1981 until 1982)
harpsichord:
Kenneth Cooper (American harpsichordist, pianist, conductor) (from 1981 until 1982)
recorded at:
O'Shaughnessy Hall (gymnasium at St. Thomas University) in Saint Paul, Minnesota, United States (from 1981 until 1982)
recording of:
Sonate für Viola da Gamba und Cembalo D-Dur, BWV 1028: II. Allegro (from 1981 until 1982)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo D-Dur, BWV 1028
Johann Sebastian Bach3:49
7Sonata no. 2 in D major, BWV 1028: III. Andante
engineer:
Sydney Davis (engineer) (from 1981 until 1982) and Tom Lazarus (from 1981 until 1982)
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (from 1981 until 1982)
harpsichord:
Kenneth Cooper (American harpsichordist, pianist, conductor) (from 1981 until 1982)
recorded at:
O'Shaughnessy Hall (gymnasium at St. Thomas University) in Saint Paul, Minnesota, United States (from 1981 until 1982)
recording of:
Sonate für Viola da Gamba und Cembalo D-Dur, BWV 1028: III. Andante (from 1981 until 1982)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo D-Dur, BWV 1028
Johann Sebastian Bach5:03
8Sonata no. 2 in D major, BWV 1028: IV. Allegro
engineer:
Sydney Davis (engineer) (from 1981 until 1982) and Tom Lazarus (from 1981 until 1982)
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (from 1981 until 1982)
harpsichord:
Kenneth Cooper (American harpsichordist, pianist, conductor) (from 1981 until 1982)
recorded at:
O'Shaughnessy Hall (gymnasium at St. Thomas University) in Saint Paul, Minnesota, United States (from 1981 until 1982)
recording of:
Sonate für Viola da Gamba und Cembalo D-Dur, BWV 1028: IV. Allegro (from 1981 until 1982)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo D-Dur, BWV 1028
Johann Sebastian Bach3:58
9Sonata no. 3 in G minor, BWV 1029: I. Vivace
engineer:
Sydney Davis (engineer) (from 1981 until 1982) and Tom Lazarus (from 1981 until 1982)
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (from 1981 until 1982)
harpsichord:
Kenneth Cooper (American harpsichordist, pianist, conductor) (from 1981 until 1982)
recorded at:
O'Shaughnessy Hall (gymnasium at St. Thomas University) in Saint Paul, Minnesota, United States (from 1981 until 1982)
recording of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: I. Vivace (from 1981 until 1982)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029
Johann Sebastian Bach5:10
10Sonata no. 3 in G minor, BWV 1029: II. Adagio
engineer:
Sydney Davis (engineer) (from 1981 until 1982) and Tom Lazarus (from 1981 until 1982)
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (from 1981 until 1982)
harpsichord:
Kenneth Cooper (American harpsichordist, pianist, conductor) (from 1981 until 1982)
recorded at:
O'Shaughnessy Hall (gymnasium at St. Thomas University) in Saint Paul, Minnesota, United States (from 1981 until 1982)
recording of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: II. Adagio (from 1981 until 1982)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029
Johann Sebastian Bach5:29
11Sonata no. 3 in G minor, BWV 1029: III. Allegro
engineer:
Sydney Davis (engineer) (from 1981 until 1982) and Tom Lazarus (from 1981 until 1982)
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (from 1981 until 1982)
harpsichord:
Kenneth Cooper (American harpsichordist, pianist, conductor) (from 1981 until 1982)
recorded at:
O'Shaughnessy Hall (gymnasium at St. Thomas University) in Saint Paul, Minnesota, United States (from 1981 until 1982)
recording of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: III. Allegro (from 1981 until 1982)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029
Johann Sebastian Bach3:35
4▼CD
#TitleArtistRatingLength
1Sei Lob und Preis mit Ehren, BWV 167
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer) (in 1998-08)
producer:
Tini Mathot (Dutch classical keyboardist) (in 1998-08)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
harpsichord:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
cello arranger:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": V. Choral "Sei Lob und Preis mit Ehren" (for cello and orchestra, Koopman) (from 1998-08-16 until 1998-08-21)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": V. Choral "Sei Lob und Preis mit Ehren"
Johann Sebastian Bach2:18
2Erbarme Dich (from St. Matthew Passion), BWV 244
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer) (in 1998-08)
producer:
Tini Mathot (Dutch classical keyboardist) (in 1998-08)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
harpsichord:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
cello arranger:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 1998-08-16 until 1998-08-21)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:20
3Jesu, Joy of Man’s Desiring, BWV 147
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer) (in 1998-08)
producer:
Tini Mathot (Dutch classical keyboardist) (in 1998-08)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
harpsichord:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
cello arranger:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Jesu, Joy of Man's Desiring, BWV 147 (for cello and orchestra, arr. Koopman) (from 1998-08-16 until 1998-08-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Ton Koopman (conductor, organist and harpsichordist)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach2:44
4Ertöt’ uns durch Dein’ Güte, BWV 22
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer) (in 1998-08)
producer:
Tini Mathot (Dutch classical keyboardist) (in 1998-08)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
harpsichord:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Ertöt' uns durch dein' Güte, BWV 22 (orch. Ton Koopman) (from 1998-08-16 until 1998-08-21)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": V. Choral "Ertöt uns durch dein Güte"
Johann Sebastian Bach1:30
5Ich ruf’ zu Dir, Herr Jesu Christ, BWV 639
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer) (in 1998-08)
producer:
Tini Mathot (Dutch classical keyboardist) (in 1998-08)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
harpsichord:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Ich ruf zu dir, Herr Jesu Christ, BWV 639 (for cello and orchestra, Koopman) (from 1998-08-16 until 1998-08-21)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Ich ruf zu dir, Herr Jesu Christ, BWV 639
Johann Sebastian Bach2:29
6Kommst du nun, Jesu, vom Himmel herunter, BWV 650
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer) (in 1998-08)
producer:
Tini Mathot (Dutch classical keyboardist) (in 1998-08)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
harpsichord:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
cello arranger:
Ton Koopman (conductor, organist and harpsichordist)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Kommst du nun, Jesu, vom Himmel herunter, BWV 650 (for cello and orchestra, arr. Koopman) (from 1998-08-16 until 1998-08-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Ton Koopman (conductor, organist and harpsichordist)
arrangement of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650
Johann Sebastian Bach3:07
7Laß mein Herz die Münze sein, BWV 163
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer) (in 1998-08)
producer:
Tini Mathot (Dutch classical keyboardist) (in 1998-08)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
harpsichord:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
cello arranger:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": III. Aria (Bass) "Laß mein Herz die Münze sein" (for cello and orchestra, Koopman) (from 1998-08-16 until 1998-08-21)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-11-24)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Salomon Franck (in 1715)
version of:
Kantate, BWV 163 "Nur jedem das Seine": III. Aria (Bass) "Laß mein Herz die Münze sein"
Johann Sebastian Bach3:01
8Dein Blut, der edle Saft, BWV 136
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer) (in 1998-08)
producer:
Tini Mathot (Dutch classical keyboardist) (in 1998-08)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
harpsichord:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
cello arranger:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": VI. Choral "Dein Blut, der edle Saft" (for cello and orchestra, Koopman) (from 1998-08-16 until 1998-08-21)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
arrangement of:
Kantate, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz": VI. Choral "Dein Blut, der edle Saft"
Johann Sebastian Bach0:51
9“Air on the G String” (from Suite III), BWV 1068
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer) (in 1998-08)
producer:
Tini Mathot (Dutch classical keyboardist) (in 1998-08)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
harpsichord:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
cello arranger:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Suite III, BWV 1068 : “Air on the G String” (for cello and orchestra, Koopman)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Ton Koopman (conductor, organist and harpsichordist)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Johann Sebastian Bach5:04
10Concerto in G major for Cello and String Orchestra, G.480: I. Allegro
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer) (in 1998-08)
producer:
Tini Mathot (Dutch classical keyboardist) (in 1998-08)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
harpsichord:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Cello Concerto no. 7 in G major, G. 480: I. Allegro (from 1998-08-16 until 1998-08-21)
composer:
Luigi Boccherini (Italian composer)
part of:
Cello Concerto no. 7 in G major, G. 480
recording of:
Cadenza for Cello Concerto no. 7 in G major, G. 480: I. Allegro
composer:
Ton Koopman (conductor, organist and harpsichordist)
is based on:
Cello Concerto no. 7 in G major, G. 480: I. Allegro
Luigi Boccherini7:38
11Concerto in G major for Cello and String Orchestra, G.480: II. Adagio
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer) (in 1998-08)
producer:
Tini Mathot (Dutch classical keyboardist) (in 1998-08)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
harpsichord:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Cello Concerto no. 7 in G major, G. 480: II. Adagio (from 1998-08-16 until 1998-08-21)
composer:
Luigi Boccherini (Italian composer)
part of:
Cello Concerto no. 7 in G major, G. 480
recording of:
Cadenza for Cello Concerto no. 7 in G major, G. 480: II. Adagio
composer:
Ton Koopman (conductor, organist and harpsichordist)
is based on:
Cello Concerto no. 7 in G major, G. 480: II. Adagio
Luigi Boccherini4:52
12Concerto in G major for Cello and String Orchestra, G.480: III. Allegro
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer) (in 1998-08)
producer:
Tini Mathot (Dutch classical keyboardist) (in 1998-08)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
harpsichord:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Cello Concerto no. 7 in G major, G. 480: III. Allegro (from 1998-08-16 until 1998-08-21)
composer:
Luigi Boccherini (Italian composer)
part of:
Cello Concerto no. 7 in G major, G. 480
recording of:
Cadenza for Cello Concerto no. 7 in G major, G. 480: III. Allegro
composer:
Ton Koopman (conductor, organist and harpsichordist)
is based on:
Cello Concerto no. 7 in G major, G. 480: III. Allegro
Luigi Boccherini5:04
13Concerto in D major for Cello and Orchestra, G.478: I. Allegro con spirito
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer) (in 1998-08)
producer:
Tini Mathot (Dutch classical keyboardist) (in 1998-08)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
harpsichord:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Cello Concerto no. 5 in D major, G. 478: I. Allegro con spirito (from 1998-08-16 until 1998-08-21)
composer:
Luigi Boccherini (Italian composer)
part of:
Cello Concerto no. 5 in D major, G. 478
recording of:
Cadenza for Cello Concerto no. 5 in D major, G. 478: I. Allegro con spirito
composer:
Ton Koopman (conductor, organist and harpsichordist)
is based on:
Cello Concerto no. 5 in D major, G. 478: I. Allegro con spirito
Luigi Boccherini7:15
14Concerto in D major for Cello and Orchestra, G.478: II. Larghetto
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer) (in 1998-08)
producer:
Tini Mathot (Dutch classical keyboardist) (in 1998-08)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
harpsichord:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Cello Concerto no. 5 in D major, G. 478: II. Larghetto (from 1998-08-16 until 1998-08-21)
composer:
Luigi Boccherini (Italian composer)
part of:
Cello Concerto no. 5 in D major, G. 478
recording of:
Cadenza for Cello Concerto no. 5 in D major, G. 478: II. Larghetto
composer:
Ton Koopman (conductor, organist and harpsichordist)
is based on:
Cello Concerto no. 5 in D major, G. 478: II. Larghetto
Luigi Boccherini5:47
15Concerto in D major for Cello and Orchestra, G.478: III. Rondo
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer) (in 1998-08)
producer:
Tini Mathot (Dutch classical keyboardist) (in 1998-08)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
harpsichord:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Cello Concerto no. 5 in D major, G. 478: III. Rondo (from 1998-08-16 until 1998-08-21)
composer:
Luigi Boccherini (Italian composer)
part of:
Cello Concerto no. 5 in D major, G. 478
recording of:
Cadenza for Cello Concerto no. 5 in D major, G. 478: III. Rondo
composer:
Ton Koopman (conductor, organist and harpsichordist)
is based on:
Cello Concerto no. 5 in D major, G. 478: III. Rondo
Luigi Boccherini4:12
16Concerto in D major for Cello and Orchestra, G.478: IV. Rondo comodo assai
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer) (in 1998-08)
producer:
Tini Mathot (Dutch classical keyboardist) (in 1998-08)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
harpsichord:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Cello Concerto no. 5 in D major, G. 478: IV. Rondo comodo assai (from 1998-08-16 until 1998-08-21)
composer:
Luigi Boccherini (Italian composer)
part of:
Cello Concerto no. 5 in D major, G. 478
recording of:
Cadenza for Cello Concerto no. 5 in D major, G. 478: IV. Rondo comodo assai
composer:
Ton Koopman (conductor, organist and harpsichordist)
is based on:
Cello Concerto no. 5 in D major, G. 478: IV. Rondo comodo assai
Luigi Boccherini5:54
5▼CD
#TitleArtistRatingLength
1Was Gott tut, das ist wohlgetan, BWV 75
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
arranger:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Kantate, BWV 75 "Die Elenden sollen essen": VII. Choral "Was Gott tut, das ist wohlgetan" (catch-all for arrangements) (from 1998-08-16 until 1998-08-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 75 "Die Elenden sollen essen": VII. Choral "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach1:29
2Aria from "Goldberg" Variations, BWV 988
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
organ:
Ton Koopman (conductor, organist and harpsichordist)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Goldberg-Variationen, BWV 988: Aria (catch-all for arrangements) (from 1998-08-16 until 1998-08-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1841)
arrangement of:
Goldberg-Variationen, BWV 988: Aria (FIRST movement)
part of:
Goldberg-Variationen, BWV 988 (catch-all for arrangements)
Johann Sebastian Bach4:41
3Wachet auf, ruft uns die Stimme (Sleepers Awake), BWV 645
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (catch-all for arrangements) (from 1998-08-16 until 1998-08-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
Johann Sebastian Bach3:48
4Wer nur den lieben Gott läßt walten, BWV 647
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wer nur den lieben Gott läßt walten, BWV 647 (catch all for arrangements) (from 1998-08-16 until 1998-08-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wer nur den lieben Gott läßt walten, BWV 647
Johann Sebastian Bach3:26
5Die Hoffnung wart' der rechten Zeit, BWV 186
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": XI. Choral "Die Hoffnung wart' der rechten Zeit" (catch-all for arrangements) (from 1998-08-16 until 1998-08-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": XI. Choral "Die Hoffnung wart' der rechten Zeit"
Johann Sebastian Bach2:07
6Meine Seele erhebet den Herren, BWV 648
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Meine Seele erhebet den Herren, BWV 648 (catch all for arrangements) (from 1998-08-16 until 1998-08-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Meine Seele erhebet den Herren, BWV 648
Johann Sebastian Bach2:29
7Schafe können sicher weiden (Sheep May Safely Graze), BWV 208
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements) (from 1998-08-16 until 1998-08-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach3:38
8Es danke, Gott, und lobe dich das Volk in guten Taten, BWV 76
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Kantate, BWV 76 "Die Himmel erzählen die Ehre Gottes": XIV. Choral "Es danke, Gott, und lobe dich" (catch all for arrangements) (from 1998-08-16 until 1998-08-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 76 "Die Himmel erzählen die Ehre Gottes": XIV. Choral "Es danke, Gott, und lobe dich"
Johann Sebastian Bach3:00
9Ach bleib bei uns, Herr Jesu Christ, BWV 649
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Ach bleib' bei uns, Herr Jesu Christ, BWV 649 (catch all for arrangements) (from 1998-08-16 until 1998-08-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Ach bleib' bei uns, Herr Jesu Christ, BWV 649
Johann Sebastian Bach2:16
10Concerto for Cello & Orchestra in B-flat major, G. 482: I. Allegro moderato
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
Luigi Boccherini7:36
11Concerto for Cello & Orchestra in B-flat major, G. 482: II. Andante grazioso
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
Luigi Boccherini4:09
12Concerto for Cello & Orchestra in B-flat major, G. 482: III. Rondo - Allegro
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
Luigi Boccherini4:51
13Concerto for Cello & Orchestra in D major, G. 476: I. Allegro
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
Luigi Boccherini7:10
14Concerto for Cello & Orchestra in D major, G. 476: II. Largo
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
Luigi Boccherini5:35
15Concerto for Cello & Orchestra in D major, G. 476: III. Allegro piacere
engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
cello:
Yo‐Yo Ma (cellist) (from 1998-08-16 until 1998-08-21)
orchestra:
Amsterdam Baroque Orchestra (from 1998-08-16 until 1998-08-21)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-08-16 until 1998-08-21)
recorded at:
De Stadsgehoorzaal (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-16 until 1998-08-21)
Luigi Boccherini3:51
6▼CD
#TitleArtistRatingLength
1Concerto for Cello and Orchestra in B-flat major: I. Allegro moderato
cello:
Yo‐Yo Ma (cellist) (on 1982-03-29)
orchestra:
Saint Paul Chamber Orchestra (on 1982-03-29)
conductor:
Pinchas Zukerman (violinist/conductor) (on 1982-03-29)
recorded at:
O'Shaughnessy Hall (gymnasium at St. Thomas University) in Saint Paul, Minnesota, United States (on 1982-03-29)
recording of:
Cello Concerto in B-flat major, G. 482: I. Allegro moderato (Grützmacher version) (on 1982-03-29)
composer:
Luigi Boccherini (Italian composer)
arranger:
Friedrich Grützmacher
version of:
Cello Concerto no. 9 in B-flat major, G. 482: I. Allegro moderato (original)
part of:
Cello Concerto in B-flat major, G. 482 (Grützmacher version)
Luigi Boccherini8:48
2Concerto for Cello and Orchestra in B-flat major: II. Adagio non troppo
cello:
Yo‐Yo Ma (cellist) (on 1982-03-29)
orchestra:
Saint Paul Chamber Orchestra (on 1982-03-29)
conductor:
Pinchas Zukerman (violinist/conductor) (on 1982-03-29)
recorded at:
O'Shaughnessy Hall (gymnasium at St. Thomas University) in Saint Paul, Minnesota, United States (on 1982-03-29)
recording of:
Cello Concerto in B-flat major, G. 482: II. Adagio non troppo (Grützmacher version) (on 1982-03-29)
composer:
Luigi Boccherini (Italian composer)
arranger:
Friedrich Grützmacher
part of:
Cello Concerto in B-flat major, G. 482 (Grützmacher version)
Luigi Boccherini6:30
3Concerto for Cello and Orchestra in B-flat major: III. Rondo: Allegro
cello:
Yo‐Yo Ma (cellist) (on 1982-03-29)
orchestra:
Saint Paul Chamber Orchestra (on 1982-03-29)
conductor:
Pinchas Zukerman (violinist/conductor) (on 1982-03-29)
recorded at:
O'Shaughnessy Hall (gymnasium at St. Thomas University) in Saint Paul, Minnesota, United States (on 1982-03-29)
recording of:
Cello Concerto in B-flat major, G. 482: III. Rondo: Allegro (Grützmacher version) (on 1982-03-29)
composer:
Luigi Boccherini (Italian composer)
arranger:
Friedrich Grützmacher
version of:
Cello Concerto no. 9 in B-flat major, G. 482: III. Rondo: Allegro (original)
part of:
Cello Concerto in B-flat major, G. 482 (Grützmacher version)
Luigi Boccherini4:49
4Sinfonia concertante in A major for Violin, Cello and Orchestra: I. Andante di molto
engineer:
Sydney Davis (engineer) (from 1981 until 1982) and Tom Lazarus (from 1981 until 1982)
producer:
Richard Einhorn
cello:
Yo‐Yo Ma (cellist) (from 1981 until 1982)
violin:
Pinchas Zukerman (violinist/conductor) (from 1981 until 1982)
orchestra:
Saint Paul Chamber Orchestra (from 1981 until 1982)
conductor:
Pinchas Zukerman (violinist/conductor)
recorded at:
O'Shaughnessy Hall (gymnasium at St. Thomas University) in Saint Paul, Minnesota, United States (from 1981 until 1982)
recording of:
Sinfonia Concertante in A major for Violin, Cello and Orchestra: I. Andante di molto (from 1981 until 1982)
composer:
Johann Christian Bach (German composer, son of JSB)
part of:
Sinfonia Concertante in A major for Violin, Cello and Orchestra
Johann Christian Bach10:04
5Sinfonia concertante in A major for Violin, Cello and Orchestra: II. Rondeau. Allegro assai
cello:
Yo‐Yo Ma (cellist)
violin:
Pinchas Zukerman (violinist/conductor)
orchestra:
Saint Paul Chamber Orchestra
conductor:
Pinchas Zukerman (violinist/conductor)
recording of:
Sinfonia Concertante in A major for Violin, Cello and Orchestra: II. Rondeau: Allegro assai
composer:
Johann Christian Bach (German composer, son of JSB)
part of:
Sinfonia Concertante in A major for Violin, Cello and Orchestra
Johann Christian Bach5:34
6Grand Overture No. 1 in E-flat major for Double Orchestra, Op. 18: I. Allegro spiritoso
orchestra:
Saint Paul Chamber Orchestra
conductor:
Pinchas Zukerman (violinist/conductor)
recording of:
Symphony in E-flat major, op. 18 no. 1: I. Allegro spiritoso
composer:
Johann Christian Bach (German composer, son of JSB)
part of:
Symphony in E-flat major, op. 18 no. 1, W. C26
Johann Christian Bach5:10
7Grand Overture No. 1 in E-flat major for Double Orchestra, Op. 18: II. Andante
orchestra:
Saint Paul Chamber Orchestra
conductor:
Pinchas Zukerman (violinist/conductor)
recording of:
Symphony in E-flat major, op. 18 no. 1: II. Andante
composer:
Johann Christian Bach (German composer, son of JSB)
part of:
Symphony in E-flat major, op. 18 no. 1, W. C26
Johann Christian Bach6:05
8Grand Overture No. 1 in E-flat major for Double Orchestra, Op. 18: III. Allegro
orchestra:
Saint Paul Chamber Orchestra
conductor:
Pinchas Zukerman (violinist/conductor)
recording of:
Symphony in E-flat major, op. 18 no. 1: III. Allegro
composer:
Johann Christian Bach (German composer, son of JSB)
part of:
Symphony in E-flat major, op. 18 no. 1, W. C26
Johann Christian Bach2:07