Integral Quincy Jones and his Orchestra 1953 - 1959

~ Release by Quincy Jones (see all versions of this release, 1 available)

Tracklist

| |
1▼Digital Media: Jazz Abroad/Sonny Stitt
#TitleArtistRatingLength
1Pogo Stick
Roy Haynes & Quincy Jones6:17
2Liza
Roy Haynes & Quincy Jones5:34
3Jones' Bones
Roy Haynes & Quincy Jones5:40
4Sometimes I'm Happy
Roy Haynes & Quincy Jones5:50
5Lullaby of Birdland
Quincy Jones3:18
6My Funny Valentine
Sonny Stitt & Quincy Jones3:33
7Sonny's Bunny
Sonny Stitt & Quincy Jones4:01
8Come Rain or Come Shine
Sonny Stitt & Quincy Jones4:26
9Love Walked In
Sonny Stitt & Quincy Jones4:07
10If You Could See Me Now
Sonny Stitt & Quincy Jones4:34
11Quince
Sonny Stitt & Quincy Jones7:08
12Stardust
recorded in:
New York, New York, United States (on 1955-10-09)
producer:
Teddy Reig
alto saxophone:
Sonny Stitt (on 1955-10-09)
baritone saxophone:
Cecil Payne (on 1955-10-09)
bass:
Oscar Pettiford (on 1955-10-09)
drums (drum set):
Jo Jones (US jazz drummer) (on 1955-10-09)
guitar:
Freddie Green (on 1955-10-09)
piano:
Hank Jones (piano) (on 1955-10-09)
tenor saxophone:
Seldon Powell (on 1955-10-09)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1955-10-09)
trumpet:
Thad Jones (American jazz trumpeter) (on 1955-10-09) and Joe Newman (US jazz trumpeter) (on 1955-10-09)
woodwind:
Anthony Ortega (jazz saxophonist) (on 1955-10-09)
conductor:
Quincy Jones (on 1955-10-09)
arranger:
Quincy Jones
instrumental recording of:
Stardust (the jazz standard) (on 1955-10-09)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
Sonny Stitt & Quincy Jones3:12
13Lover
Sonny Stitt & Quincy Jones3:28
2▼Digital Media: This Is How I Feel About Jazz/Et Voilà
#TitleArtistRatingLength
1Walkin'
alto saxophone:
Phil Woods (US jazz woodwind player) (on 1956-09-29)
baritone saxophone:
Jack Nimitz (American saxophonist and clarinet player) (on 1956-09-29)
bass:
Paul Chambers (US jazz bassist) (on 1956-09-29)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1956-09-29)
piano:
Hank Jones (piano) (on 1956-09-29)
tenor saxophone:
Bunny Bardach (on 1956-09-29) and Lucky Thompson (on 1956-09-29)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1956-09-29), Urbie Green (on 1956-09-29) and Frank Rehak (US jazz trombonist) (on 1956-09-29)
trumpet:
Art Farmer (on 1956-09-29), Bernie Glow (on 1956-09-29), Ernie Royal (on 1956-09-29) and Joe Wilder (on 1956-09-29)
woodwind:
Jerome Richardson (on 1956-09-29)
conductor:
Quincy Jones (on 1956-09-29)
arranger:
Quincy Jones
recorded at:
Beltone Studios in New York, New York, United States (on 1956-09-29)
Quincy Jones10:31
2Stockholm Sweetnin'
Quincy Jones5:38
3Evening in Paris
Quincy Jones4:04
4Sermonette
alto saxophone:
Gene Quill (on 1956-09-14)
baritone saxophone:
Jack Nimitz (American saxophonist and clarinet player) (on 1956-09-14)
bass:
Charles Mingus (on 1956-09-14)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1956-09-14)
piano:
Hank Jones (piano) (on 1956-09-14)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1956-09-14)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1956-09-14)
trumpet:
Art Farmer (on 1956-09-14)
vibraphone:
Milt Jackson (on 1956-09-14)
woodwind:
Herbie Mann (on 1956-09-14)
conductor:
Quincy Jones (on 1956-09-14)
arranger:
Quincy Jones
recorded at:
Beltone Studios in New York, New York, United States (on 1956-09-14)
Quincy Jones5:52
5A Sleepin' Bee
alto saxophone:
Phil Woods (US jazz woodwind player) (on 1956-09-19)
baritone saxophone:
Jack Nimitz (American saxophonist and clarinet player) (on 1956-09-19)
bass:
Charles Mingus (on 1956-09-19)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1956-09-19)
piano:
Billy Taylor (jazz/bop pianist) (on 1956-09-19)
tenor saxophone:
Lucky Thompson (on 1956-09-19)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1956-09-19)
trumpet:
Art Farmer (on 1956-09-19)
woodwind:
Herbie Mann (on 1956-09-19)
conductor:
Quincy Jones (on 1956-09-19)
arranger:
Quincy Jones
recorded at:
Beltone Studios in New York, New York, United States (on 1956-09-19)
instrumental recording of:
A Sleepin’ Bee (House of Flowers) (on 1956-09-19)
lyricist:
Harold Arlen and Truman Capote
composer:
Harold Arlen
publisher:
Harwin Music and S.A. Music Co.
part of:
House of Flowers
Quincy Jones4:38
6Boo's Bloos
recording of:
Boo’s Blues
composer:
Quincy Jones
publisher:
Silhouette Music Corp.
Quincy Jones5:07
7Et Voila!
Quincy Jones & Eddie Barclay3:03
8Quande je monte chez toi
Quincy Jones & Eddie Barclay3:04
9Place blanche
Quincy Jones & Eddie Barclay2:38
10Ne m'laissez pas comme ca
Quincy Jones & Eddie Barclay3:03
11Sermonette
Quincy Jones & Eddie Barclay2:52
12Numero 13
Quincy Jones & Eddie Barclay2:43
13Tout Doucement
Quincy Jones & Eddie Barclay3:12
14Avec Ces Yeux-Là
Quincy Jones & Eddie Barclay2:58
15Tu joues avec le feu
Quincy Jones & Eddie Barclay3:06
16Quelque chose en toi
Quincy Jones & Eddie Barclay2:23
17Un p'tit bout de femme (Manhattan)
Quincy Jones & Eddie Barclay3:11
18Pas moi
Quincy Jones & Eddie Barclay2:37
19Craven
Quincy Jones & Eddie Barclay2:31
20Quincy Boogie
Quincy Jones & Eddie Barclay3:53
3▼Digital Media: My Fair Lady Loves Jazz/Go West, Man!
#TitleArtistRatingLength
1Show Me
producer:
Creed Taylor
double bass [bass]:
Earl May (in 1957)
drums (drum set):
Ed Thigpen (in 1957)
guitar:
Al Casamenti (in 1957)
piano:
Billy Taylor (jazz/bop pianist) (in 1957)
arranger:
Quincy Jones
instrumental recording of:
Show Me (My Fair Lady) (in 1957)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
Quincy Jones & The Billy Taylor Trio4:47
2I've Grown Accustomed to Her Face
producer:
Creed Taylor
double bass [bass]:
Earl May (in 1957)
drums (drum set):
Ed Thigpen (in 1957)
guitar:
Al Casamenti (in 1957)
piano:
Billy Taylor (jazz/bop pianist) (in 1957)
arranger:
Quincy Jones
instrumental recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady) (in 1957)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
Quincy Jones & The Billy Taylor Trio3:44
3With a Little Bit of Luck
producer:
Creed Taylor
double bass [bass]:
Earl May (in 1957)
drums (drum set):
Ed Thigpen (in 1957)
guitar:
Al Casamenti (in 1957)
piano:
Billy Taylor (jazz/bop pianist) (in 1957)
arranger:
Quincy Jones
instrumental recording of:
With a Little Bit of Luck (My Fair Lady) (in 1957)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
Quincy Jones & The Billy Taylor Trio4:34
4The Rain in Spain
producer:
Creed Taylor
double bass [bass]:
Earl May (in 1957)
drums (drum set):
Ed Thigpen (in 1957)
guitar:
Al Casamenti (in 1957)
piano:
Billy Taylor (jazz/bop pianist) (in 1957)
arranger:
Quincy Jones
instrumental recording of:
The Rain in Spain (My Fair Lady) (in 1957)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
Quincy Jones & The Billy Taylor Trio3:05
5Get Me to the Church on Time
producer:
Creed Taylor
double bass [bass]:
Earl May (in 1957)
drums (drum set):
Ed Thigpen (in 1957)
guitar:
Al Casamenti (in 1957)
piano:
Billy Taylor (jazz/bop pianist) (in 1957)
arranger:
Quincy Jones
instrumental recording of:
Get Me to the Church on Time (My Fair Lady) (in 1957)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
Quincy Jones & The Billy Taylor Trio4:19
6Wouldn't It Be Loverly?
producer:
Creed Taylor
double bass [bass]:
Earl May (in 1957)
drums (drum set):
Ed Thigpen (in 1957)
guitar:
Al Casamenti (in 1957)
piano:
Billy Taylor (jazz/bop pianist) (in 1957)
arranger:
Quincy Jones
instrumental recording of:
Wouldn’t It Be Loverly (My Fair Lady) (in 1957)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
Quincy Jones & The Billy Taylor Trio5:02
7I Could Have Danced All Night
producer:
Creed Taylor
double bass [bass]:
Earl May (in 1957)
drums (drum set):
Ed Thigpen (in 1957)
guitar:
Al Casamenti (in 1957)
piano:
Billy Taylor (jazz/bop pianist) (in 1957)
arranger:
Quincy Jones
instrumental recording of:
I Could Have Danced All Night (My Fair Lady) (in 1957)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
part of:
My Fair Lady (full musical)
Quincy Jones & The Billy Taylor Trio4:02
8On the Street Where You Live
producer:
Creed Taylor
double bass [bass]:
Earl May (in 1957)
drums (drum set):
Ed Thigpen (in 1957)
guitar:
Al Casamenti (in 1957)
piano:
Billy Taylor (jazz/bop pianist) (in 1957)
arranger:
Quincy Jones
instrumental recording of:
On the Street Where You Live (My Fair Lady) (in 1957)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
Quincy Jones & The Billy Taylor Trio3:44
9Dancin' Pants
alto saxophone:
Benny Carter (in 1957-02), Herb Geller (in 1957-02), Charlie Mariano (in 1957-02) and Art Pepper (in 1957-02)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1957-02)
piano:
Lou Levy (in 1957-02)
conductor:
Quincy Jones (in 1957-02)
Quincy Jones3:47
10Blues Day
bass:
Leroy Vinnegar (in 1957-02)
drums (drum set):
Mel Lewis (American jazz drummer) (in 1957-02)
trumpet:
Conte Candoli (in 1957-02), Pete Candoli (in 1957-02), Harry Edison (in 1957-02) and Jack Sheldon (in 1957-02)
conductor:
Quincy Jones (in 1957-02)
Quincy Jones4:41
11Bright Moon
baritone saxophone:
Pepper Adams (baritone saxophonist) (in 1957-02)
bass:
Leroy Vinnegar (in 1957-02)
tenor saxophone:
Walter Benton (in 1957-02), Buddy Collette (in 1957-02) and Bill Perkins (jazz saxophonist) (in 1957-02)
conductor:
Quincy Jones (in 1957-02)
Quincy Jones5:18
12No Bones at All
bass:
Leroy Vinnegar (in 1957-02)
drums (drum set):
Mel Lewis (American jazz drummer) (in 1957-02)
trumpet:
Conte Candoli (in 1957-02), Pete Candoli (in 1957-02), Harry Edison (in 1957-02) and Jack Sheldon (in 1957-02)
conductor:
Quincy Jones (in 1957-02)
Quincy Jones3:57
13The Oom Is Blues
baritone saxophone:
Pepper Adams (baritone saxophonist) (in 1957-02)
bass:
Leroy Vinnegar (in 1957-02)
tenor saxophone:
Walter Benton (in 1957-02), Buddy Collette (in 1957-02) and Bill Perkins (jazz saxophonist) (in 1957-02)
conductor:
Quincy Jones (in 1957-02)
Quincy Jones5:07
14Be My Guest
alto saxophone:
Benny Carter (in 1957-02), Herb Geller (in 1957-02), Charlie Mariano (in 1957-02) and Art Pepper (in 1957-02)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1957-02)
piano:
Lou Levy (in 1957-02)
conductor:
Quincy Jones (in 1957-02)
Quincy Jones4:28
15Medley: What’s New / We’ll Be Together Again / Time on My Hands / You Go to My Head / Laura
baritone saxophone:
Pepper Adams (baritone saxophonist) (in 1957-02)
bass:
Leroy Vinnegar (in 1957-02)
tenor saxophone:
Walter Benton (in 1957-02), Buddy Collette (in 1957-02) and Bill Perkins (jazz saxophonist) (in 1957-02)
conductor:
Quincy Jones (in 1957-02)
Quincy Jones6:18
16London Derriere
bass:
Leroy Vinnegar (in 1957-02)
drums (drum set):
Mel Lewis (American jazz drummer) (in 1957-02)
trumpet:
Conte Candoli (in 1957-02), Pete Candoli (in 1957-02), Harry Edison (in 1957-02) and Jack Sheldon (in 1957-02)
conductor:
Quincy Jones (in 1957-02)
Quincy Jones4:05
17Kings Road Blues
alto saxophone:
Benny Carter (in 1957-02), Herb Geller (in 1957-02), Charlie Mariano (in 1957-02) and Art Pepper (in 1957-02)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1957-02)
piano:
Lou Levy (in 1957-02)
conductor:
Quincy Jones (in 1957-02)
Quincy Jones5:02
4▼Digital Media: Art Farmer/June Richmond/Harry Arnold
#TitleArtistRatingLength
1Two Sleepy People
Quincy Jones3:21
2Someone to Watch Over Me
Quincy Jones3:34
3I Concentrate on You
Quincy Jones2:51
4Ill Wind
Quincy Jones3:42
5Last Night When We Were Young
Quincy Jones2:58
6Out of This World
Quincy Jones4:10
7When I Fall in Love
Quincy Jones3:32
8Tangerine
Quincy Jones2:44
9Whats Good About Goodbye?
Quincy Jones3:40
10I've Gotta Right to Sing the Blues
producer:
Quincy Jones
alto saxophone and clarinet:
Jo Hrasko (on 1957-09-16)
double bass:
Guy Pedersen (on 1957-09-16)
drums (drum set):
Kenny Clarke (on 1957-09-16)
piano:
Henri Renaud (French 1940–60s jazz pianist) (on 1957-09-16)
trombone:
Billy Byers (on 1957-09-16)
trumpet:
Roger Guérin (on 1957-09-16)
vocals:
June Richmond (on 1957-09-16)
conductor:
Quincy Jones (on 1957-09-16)
arranger:
Quincy Jones
recording of:
I Gotta Right to Sing the Blues (on 1957-09-16)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
Quincy Jones & June Richmond2:12
11Sleep
producer:
Quincy Jones
alto saxophone and clarinet:
Jo Hrasko (on 1957-09-16)
double bass:
Guy Pedersen (on 1957-09-16)
drums (drum set):
Kenny Clarke (on 1957-09-16)
piano:
Henri Renaud (French 1940–60s jazz pianist) (on 1957-09-16)
trombone:
Billy Byers (on 1957-09-16)
trumpet:
Roger Guérin (on 1957-09-16)
vocals:
June Richmond (on 1957-09-16)
conductor:
Quincy Jones (on 1957-09-16)
arranger:
Quincy Jones
Quincy Jones & June Richmond2:45
12Everybody's Doing It
producer:
Quincy Jones
alto saxophone and clarinet:
Jo Hrasko
double bass:
Guy Pedersen (on 1957-09-16)
drums (drum set):
Kenny Clarke (on 1957-09-16)
piano:
Henri Renaud (French 1940–60s jazz pianist) (on 1957-09-16)
trombone:
Billy Byers (on 1957-09-16)
trumpet:
Roger Guérin (on 1957-09-16)
vocals:
June Richmond (on 1957-09-16)
conductor:
Quincy Jones (on 1957-09-16)
arranger:
Quincy Jones
recording of:
Everybody’s Doing It Now (on 1957-09-16)
lyricist and composer:
Irving Berlin
translator:
Jaap van de Merwe
Quincy Jones & June Richmond2:20
13Between the Devil and the Deep Blue Sea
producer:
Quincy Jones
alto saxophone and clarinet:
Jo Hrasko
double bass:
Guy Pedersen
drums (drum set):
Kenny Clarke (on 1957-09-16)
piano:
Henri Renaud (French 1940–60s jazz pianist)
trombone:
Billy Byers
trumpet:
Roger Guérin
vocals:
June Richmond
conductor:
Quincy Jones
arranger:
Quincy Jones
recording of:
Between the Devil and the Deep Blue Sea (on 1957-09-16)
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
Quincy Jones & June Richmond2:31
14Quincy's Home Again
Quincy Jones & Harry Arnold2:29
15The Midnight Sun Never Sets
Quincy Jones4:06
16Count 'em
Quincy Jones5:30
17Room 608
Quincy Jones3:14
18Meet Benny Bailey
Quincy Jones3:50
19Doodlin'
Quincy Jones5:12
20Sermonette
Quincy Jones2:36
5▼Digital Media: Vaughan And Violins/The Birth Of A Band
#TitleArtistRatingLength
1Gone With the Wind
drums (drum set):
Kansas Fields (in 1958-07)
piano:
Maurice Vander (jazz musician and conductor, not the lyricist) (in 1958-07)
vocals:
Sarah Vaughan (on 1958-07-12)
recorded at:
Studio Hoche (Barclay) in Paris, Île-de-France, France (from 1958-07-07 until 1958-07-12)
cover recording of:
Gone With the Wind (on 1958-07-12)
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
Quincy Jones & Sarah Vaughan3:26
2Day by Day
drums (drum set):
Kansas Fields (in 1958-07)
piano:
Maurice Vander (jazz musician and conductor, not the lyricist) (in 1958-07)
vocals:
Sarah Vaughan (on 1958-07-12)
recorded at:
Studio Hoche (Barclay) in Paris, Île-de-France, France (from 1958-07-07 until 1958-07-12)
cover recording of:
Day by Day (on 1958-07-12)
lyricist:
Sammy Cahn
composer:
Axel Stordahl and Paul Weston
publisher:
Barton Music Corp. and Hanover Music Corp.
Quincy Jones & Sarah Vaughan3:09
3Please Be Kind
alto saxophone:
Marcel Hrasko (on 1958-07-07)
baritone saxophone:
William Boucaya (on 1958-07-07) and Jo Hrasko (on 1958-07-07)
drums (drum set):
Kenny Clarke (on 1958-07-07)
guitar:
Pierre Cullaz (on 1958-07-07)
piano:
Ronnell Bright (on 1958-07-07)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1958-07-07)
vibraphone:
Michel Hausser (on 1958-07-07)
arranger:
Quincy Jones
recorded at:
Studio Hoche (Barclay) in Paris, Île-de-France, France (on 1958-07-07)
cover recording of:
Please Be Kind (on 1958-07-07)
lyricist:
Sammy Cahn (in 1938)
composer:
Saul Chaplin (in 1938)
publisher:
Harms, Inc.
Quincy Jones & Sarah Vaughan3:15
4Live for Love
alto saxophone:
Marcel Hrasko (on 1958-07-07)
baritone saxophone:
William Boucaya (on 1958-07-07) and Jo Hrasko (on 1958-07-07)
drums (drum set):
Kenny Clarke (on 1958-07-07)
guitar:
Pierre Cullaz (on 1958-07-07)
piano:
Ronnell Bright (on 1958-07-07)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1958-07-07)
vibraphone:
Michel Hausser (on 1958-07-07)
arranger:
Quincy Jones
recorded at:
Studio Hoche (Barclay) in Paris, Île-de-France, France (on 1958-07-07)
recording of:
Live for Love (on 1958-07-07)
lyricist:
Paul Misraki
composer:
Paul Misraki and Carl Sigman
Quincy Jones & Sarah Vaughan3:22
5I'll Close My Eyes
drums (drum set):
Kansas Fields (on 1958-07-12)
piano:
Maurice Vander (jazz musician and conductor, not the lyricist) (in 1958-07)
vocals:
Sarah Vaughan (on 1958-07-12)
recorded at:
Studio Hoche (Barclay) in Paris, Île-de-France, France (from 1958-07-07 until 1958-07-12)
cover recording of:
I’ll Close My Eyes (on 1958-07-12)
lyricist:
Buddy Kaye
composer:
Billy Reid (UK orchestra leader and songwriter)
publisher:
Colgems-EMI Music Inc. and Peter Maurice Music
Quincy Jones & Sarah Vaughan3:40
6Misty
alto saxophone:
Marcel Hrasko (on 1958-07-07)
baritone saxophone:
William Boucaya (on 1958-07-07) and Jo Hrasko (on 1958-07-07)
drums (drum set):
Kenny Clarke (on 1958-07-07)
guitar:
Pierre Cullaz (on 1958-07-07)
piano:
Ronnell Bright (on 1958-07-07)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1958-07-07)
vibraphone:
Michel Hausser (on 1958-07-07)
orchestra:
Quincy Jones and His Orchestra
arranger:
Quincy Jones
recorded at:
Studio Hoche (Barclay) in Paris, Île-de-France, France (on 1958-07-07)
cover recording of:
Misty (on 1958-07-07)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
is based on:
Misty (original instrumental work)
Quincy Jones & Sarah Vaughan3:01
7The Midnight Sun Will Never Set
alto saxophone:
Marcel Hrasko (on 1958-07-07)
baritone saxophone:
William Boucaya (on 1958-07-07) and Jo Hrasko (on 1958-07-07)
drums (drum set):
Kenny Clarke (on 1958-07-07)
guitar:
Pierre Cullaz (on 1958-07-07)
piano:
Ronnell Bright (on 1958-07-07)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1958-07-07)
vibraphone:
Michel Hausser (on 1958-07-07)
arranger:
Quincy Jones
recorded at:
Studio Hoche (Barclay) in Paris, Île-de-France, France (on 1958-07-07)
recording of:
The Midnight Sun Will Never Set (Sarah Vaughan) (on 1958-07-07)
lyricist:
Dorcas Cochran
composer:
Quincy Jones and Henri Salvador
Quincy Jones & Sarah Vaughan2:50
8That's All
alto saxophone:
Marcel Hrasko (on 1958-07-07)
baritone saxophone:
William Boucaya (on 1958-07-07) and Jo Hrasko (on 1958-07-07)
drums (drum set):
Kenny Clarke (on 1958-07-07)
guitar:
Pierre Cullaz (on 1958-07-07)
piano:
Ronnell Bright (on 1958-07-07)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1958-07-07)
vibraphone:
Michel Hausser (on 1958-07-07)
recorded at:
Studio Hoche (Barclay) in Paris, Île-de-France, France (on 1958-07-07)
cover recording of:
I’m Lost (on 1958-07-07)
writer:
Otis René
Quincy Jones & Sarah Vaughan3:29
9I'm Lost
alto saxophone:
Marcel Hrasko (on 1958-07-07)
baritone saxophone:
William Boucaya (on 1958-07-07) and Jo Hrasko (on 1958-07-07)
drums (drum set):
Kenny Clarke (on 1958-07-07)
guitar:
Pierre Cullaz (on 1958-07-07)
piano:
Ronnell Bright (on 1958-07-07)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1958-07-07)
vibraphone:
Michel Hausser (on 1958-07-07)
recorded at:
Studio Hoche (Barclay) in Paris, Île-de-France, France (on 1958-07-07)
cover recording of:
I’m Lost (on 1958-07-07)
writer:
Otis René
Quincy Jones & Sarah Vaughan3:39
10Love Me
alto saxophone:
Marcel Hrasko (on 1958-07-07)
baritone saxophone:
William Boucaya (on 1958-07-07) and Jo Hrasko (on 1958-07-07)
drums (drum set):
Kenny Clarke (on 1958-07-07)
guitar:
Pierre Cullaz (on 1958-07-07)
piano:
Ronnell Bright (on 1958-07-07)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1958-07-07)
vibraphone:
Michel Hausser (on 1958-07-07)
recorded at:
Studio Hoche (Barclay) in Paris, Île-de-France, France (on 1958-07-07)
recording of:
Love Me (on 1958-07-07)
writer:
Johnny Lehmann and John Lewis (pianist, member of Modern Jazz Quartet)
Quincy Jones & Sarah Vaughan3:12
11The Thrill Is Gone
baritone saxophone:
William Boucaya
drums (drum set):
Kansas Fields (in 1958-07)
piano:
Maurice Vander (jazz musician and conductor, not the lyricist) (in 1958-07)
recorded at:
Studio Hoche (Barclay) in Paris, Île-de-France, France (from 1958-07-07 until 1958-07-12)
cover recording of:
The Thrill Is Gone (Henderson/Brown song, first performed in 1931) (in 1958-07)
lyricist:
Lew Brown
composer:
Ray Henderson
publisher:
DeSylva, Brown and Henderson, Inc. and Redwood Music Ltd. (Carlin)
Quincy Jones & Sarah Vaughan2:28
12The Birth of a Band
alto saxophone:
Frank Wess (on 1959-06-16) and Phil Woods (US jazz woodwind player) (on 1959-06-16)
baritone saxophone:
Sahib Shihab (American jazz musician) (on 1959-06-16)
bass:
Ray Brown (jazz bassist) (on 1959-06-16)
drums (drum set):
Don Lamond (on 1959-06-16)
French horn:
Julius Watkins (on 1959-06-16)
guitar:
Les Spann (on 1959-06-16)
piano:
Patti Bown (on 1959-06-16)
tenor saxophone and additional performer:
Jerome Richardson (on 1959-06-16) and Zoot Sims (US jazz saxophonist) (on 1959-06-16)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1959-06-16), Urbie Green (on 1959-06-16), Quentin Jackson (on 1959-06-16) and Melba Liston (US jazz trombonist) (on 1959-06-16)
trumpet:
Harry “Sweets” Edison (on 1959-06-16), Joe Newman (US jazz trumpeter) (on 1959-06-16), Ernie Royal (on 1959-06-16) and Joe Wilder (on 1959-06-16)
conductor:
Quincy Jones (on 1959-06-16)
arranger:
Quincy Jones
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (on 1959-06-16)
recording of:
The Birth of a Band (on 1959-06-16)
composer:
Jerome Richardson and Zoot Sims (US jazz saxophonist)
Quincy Jones2:58
13Moanin'
alto saxophone:
Frank Wess (on 1959-06-16) and Phil Woods (US jazz woodwind player) (on 1959-06-16)
baritone saxophone:
Sahib Shihab (American jazz musician) (on 1959-06-16)
bass:
Ray Brown (jazz bassist) (on 1959-06-16)
drums (drum set):
Don Lamond (on 1959-06-16)
French horn:
Julius Watkins (on 1959-06-16)
guitar:
Les Spann (on 1959-06-16)
piano:
Patti Bown (on 1959-06-16)
tenor saxophone:
Jerome Richardson (on 1959-06-16) and Zoot Sims (US jazz saxophonist) (on 1959-06-16)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1959-06-16), Urbie Green (on 1959-06-16), Quentin Jackson (on 1959-06-16) and Melba Liston (US jazz trombonist) (on 1959-06-16)
trumpet:
Harry “Sweets” Edison (on 1959-06-16), Joe Newman (US jazz trumpeter) (on 1959-06-16), Ernie Royal (on 1959-06-16) and Joe Wilder (on 1959-06-16)
conductor:
Quincy Jones (on 1959-06-16)
additional performer:
Clark Terry (American swing trumpeter) (on 1959-06-16)
arranger:
Quincy Jones
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (on 1959-06-16)
Quincy Jones3:11
14I Remember Clifford
alto saxophone:
Phil Woods (US jazz woodwind player) (from 1959-05-27 until 1959-05-28)
baritone saxophone:
Sahib Shihab (American jazz musician) (from 1959-05-27 until 1959-05-28)
bass:
Milt Hinton (from 1959-05-27 until 1959-05-28)
drums (drum set):
Sam Woodyard (from 1959-05-27 until 1959-05-28)
French horn:
Julius Watkins (from 1959-05-27 until 1959-05-28)
guitar:
Kenny Burrell (from 1959-05-27 until 1959-05-28)
piano:
Patti Bown (from 1959-05-27 until 1959-05-28)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (from 1959-05-27 until 1959-05-28) and Zoot Sims (US jazz saxophonist) (from 1959-05-27 until 1959-05-28)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1959-05-27 until 1959-05-28), Urbie Green (from 1959-05-27 until 1959-05-28), Quentin Jackson (from 1959-05-27 until 1959-05-28) and Melba Liston (US jazz trombonist) (from 1959-05-27 until 1959-05-28)
trumpet:
Joe Newman (US jazz trumpeter) (from 1959-05-27 until 1959-05-28), Ernie Royal (from 1959-05-27 until 1959-05-28), Clark Terry (American swing trumpeter) (from 1959-05-27 until 1959-05-28) and Joe Wilder (from 1959-05-27 until 1959-05-28)
woodwind:
Frank Wess (from 1959-05-27 until 1959-05-28)
conductor:
Quincy Jones (from 1959-05-27 until 1959-05-28)
additional performer:
Clark Terry (American swing trumpeter) (from 1959-05-27 until 1959-05-28)
arranger:
Quincy Jones and Nat Pierce
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (from 1959-05-27 until 1959-05-28)
Quincy Jones3:43
15Along Came Betty
additional alto saxophone and alto saxophone:
Phil Woods (US jazz woodwind player) (from 1959-05-27 until 1959-05-28)
additional flute and woodwind:
Frank Wess (from 1959-05-27 until 1959-05-28)
baritone saxophone:
Sahib Shihab (American jazz musician) (from 1959-05-27 until 1959-05-28)
bass:
Milt Hinton (from 1959-05-27 until 1959-05-28)
drums (drum set):
Sam Woodyard (from 1959-05-27 until 1959-05-28)
French horn:
Julius Watkins (from 1959-05-27 until 1959-05-28)
guitar:
Kenny Burrell (from 1959-05-27 until 1959-05-28)
piano:
Patti Bown (from 1959-05-27 until 1959-05-28)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (from 1959-05-27 until 1959-05-28) and Zoot Sims (US jazz saxophonist) (from 1959-05-27 until 1959-05-28)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1959-05-27 until 1959-05-28), Urbie Green (from 1959-05-27 until 1959-05-28), Quentin Jackson (from 1959-05-27 until 1959-05-28) and Melba Liston (US jazz trombonist) (from 1959-05-27 until 1959-05-28)
trumpet:
Joe Newman (US jazz trumpeter) (from 1959-05-27 until 1959-05-28), Ernie Royal (from 1959-05-27 until 1959-05-28), Clark Terry (American swing trumpeter) (from 1959-05-27 until 1959-05-28) and Joe Wilder (from 1959-05-27 until 1959-05-28)
conductor:
Quincy Jones (from 1959-05-27 until 1959-05-28)
arranger:
Quincy Jones and Melba Liston (US jazz trombonist)
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (from 1959-05-27 until 1959-05-28)
Quincy Jones3:19
16Tickle Toe
alto saxophone:
Phil Woods (US jazz woodwind player) (from 1959-05-27 until 1959-05-28)
baritone saxophone:
Sahib Shihab (American jazz musician) (from 1959-05-27 until 1959-05-28)
bass:
Milt Hinton (from 1959-05-27 until 1959-05-28)
drums (drum set):
Sam Woodyard (from 1959-05-27 until 1959-05-28)
French horn:
Julius Watkins (from 1959-05-27 until 1959-05-28)
guitar:
Kenny Burrell (from 1959-05-27 until 1959-05-28)
piano:
Patti Bown (from 1959-05-27 until 1959-05-28)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (from 1959-05-27 until 1959-05-28) and Zoot Sims (US jazz saxophonist) (from 1959-05-27 until 1959-05-28)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1959-05-27 until 1959-05-28), Urbie Green (from 1959-05-27 until 1959-05-28), Quentin Jackson (from 1959-05-27 until 1959-05-28) and Melba Liston (US jazz trombonist) (from 1959-05-27 until 1959-05-28)
trumpet:
Joe Newman (US jazz trumpeter) (from 1959-05-27 until 1959-05-28), Ernie Royal (from 1959-05-27 until 1959-05-28), Clark Terry (American swing trumpeter) (from 1959-05-27 until 1959-05-28) and Joe Wilder (from 1959-05-27 until 1959-05-28)
woodwind:
Frank Wess (from 1959-05-27 until 1959-05-28)
conductor:
Quincy Jones (from 1959-05-27 until 1959-05-28)
additional performer:
Joe Newman (US jazz trumpeter) (from 1959-05-27 until 1959-05-28), Zoot Sims (US jazz saxophonist) (from 1959-05-27 until 1959-05-28) and Clark Terry (American swing trumpeter) (from 1959-05-27 until 1959-05-28)
arranger:
Al Cohn and Quincy Jones
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (from 1959-05-27 until 1959-05-28)
Quincy Jones3:00
17Happy Faces
alto saxophone:
Frank Wess (on 1959-05-26) and Phil Woods (US jazz woodwind player) (on 1959-05-26)
baritone saxophone:
Danny Bank (reeds) (on 1959-05-26)
bass:
Milt Hinton (on 1959-05-26)
drums (drum set):
Sam Woodyard (on 1959-05-26)
French horn:
Julius Watkins (on 1959-05-26)
guitar:
Kenny Burrell (on 1959-05-26)
piano:
Patti Bown (on 1959-05-26)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1959-05-26) and Jerome Richardson (on 1959-05-26)
trombone:
Billy Byers (on 1959-05-26), Jimmy Cleveland (US jazz trombonist) (on 1959-05-26), Urbie Green (on 1959-05-26), Quentin Jackson (on 1959-05-26) and Melba Liston (US jazz trombonist) (on 1959-05-26)
trumpet:
Harry Edison (on 1959-05-26), Ernie Royal (on 1959-05-26), Clark Terry (American swing trumpeter) (on 1959-05-26) and Joe Wilder (on 1959-05-26)
conductor:
Quincy Jones (on 1959-05-26)
additional performer:
Zoot Sims (US jazz saxophonist) (on 1959-05-26)
arranger:
Quincy Jones
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (on 1959-05-26)
Quincy Jones2:45
18Whisper Not
alto saxophone:
Phil Woods (US jazz woodwind player) (from 1959-05-27 until 1959-05-28)
baritone saxophone:
Sahib Shihab (American jazz musician) (from 1959-05-27 until 1959-05-28)
bass:
Milt Hinton (from 1959-05-27 until 1959-05-28)
drums (drum set):
Sam Woodyard (from 1959-05-27 until 1959-05-28)
French horn:
Julius Watkins (from 1959-05-27 until 1959-05-28)
guitar:
Kenny Burrell (from 1959-05-27 until 1959-05-28)
piano:
Patti Bown (from 1959-05-27 until 1959-05-28)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (from 1959-05-27 until 1959-05-28) and Zoot Sims (US jazz saxophonist) (from 1959-05-27 until 1959-05-28)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1959-05-27 until 1959-05-28), Urbie Green (from 1959-05-27 until 1959-05-28), Quentin Jackson (from 1959-05-27 until 1959-05-28) and Melba Liston (US jazz trombonist) (from 1959-05-27 until 1959-05-28)
trumpet:
Joe Newman (US jazz trumpeter) (from 1959-05-27 until 1959-05-28), Ernie Royal (from 1959-05-27 until 1959-05-28), Clark Terry (American swing trumpeter) (from 1959-05-27 until 1959-05-28) and Joe Wilder (from 1959-05-27 until 1959-05-28)
woodwind:
Frank Wess (from 1959-05-27 until 1959-05-28)
conductor:
Quincy Jones (from 1959-05-27 until 1959-05-28)
additional performer:
Zoot Sims (US jazz saxophonist) (from 1959-05-27 until 1959-05-28)
arranger:
Quincy Jones
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (from 1959-05-27 until 1959-05-28)
recording of:
Whisper Not (original instrumental composition) (from 1959-05-27 until 1959-05-28)
composer:
Benny Golson (American jazz saxophonist and composer) (in 1956)
Quincy Jones3:23
19The Gypsy
additional alto saxophone and alto saxophone:
Phil Woods (US jazz woodwind player) (from 1959-05-27 until 1959-05-28)
baritone saxophone:
Sahib Shihab (American jazz musician) (from 1959-05-27 until 1959-05-28)
bass:
Milt Hinton (from 1959-05-27 until 1959-05-28)
drums (drum set):
Sam Woodyard (from 1959-05-27 until 1959-05-28)
French horn:
Julius Watkins (from 1959-05-27 until 1959-05-28)
guitar:
Kenny Burrell (from 1959-05-27 until 1959-05-28)
piano:
Patti Bown (from 1959-05-27 until 1959-05-28)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (from 1959-05-27 until 1959-05-28) and Zoot Sims (US jazz saxophonist) (from 1959-05-27 until 1959-05-28)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1959-05-27 until 1959-05-28), Urbie Green (from 1959-05-27 until 1959-05-28), Quentin Jackson (from 1959-05-27 until 1959-05-28) and Melba Liston (US jazz trombonist) (from 1959-05-27 until 1959-05-28)
trumpet:
Joe Newman (US jazz trumpeter) (from 1959-05-27 until 1959-05-28), Ernie Royal (from 1959-05-27 until 1959-05-28), Clark Terry (American swing trumpeter) (from 1959-05-27 until 1959-05-28) and Joe Wilder (from 1959-05-27 until 1959-05-28)
woodwind:
Frank Wess (from 1959-05-27 until 1959-05-28)
conductor:
Quincy Jones (from 1959-05-27 until 1959-05-28)
arranger:
Quincy Jones and Melba Liston (US jazz trombonist)
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (from 1959-05-27 until 1959-05-28)
Quincy Jones4:06
20A Change of Pace
additional alto saxophone and alto saxophone:
Phil Woods (US jazz woodwind player) (from 1959-03-09 until 1959-03-10)
additional trumpet:
Harry “Sweets” Edison (from 1959-03-09 until 1959-03-10)
baritone saxophone:
Sahib Shihab (American jazz musician) (from 1959-03-09 until 1959-03-10)
bass:
Milt Hinton (from 1959-03-09 until 1959-03-10)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (from 1959-03-09 until 1959-03-10) and Osie Johnson (from 1959-03-09 until 1959-03-10)
French horn:
Julius Watkins (from 1959-03-09 until 1959-03-10)
guitar:
Kenny Burrell (from 1959-03-09 until 1959-03-10)
piano:
Patti Bown (from 1959-03-09 until 1959-03-10)
tenor saxophone:
Budd Johnson (from 1959-03-09 until 1959-03-10) and Sam “The Man” Taylor (US jazz/blues saxophonist 1916-1990) (from 1959-03-09 until 1959-03-10)
trombone:
Billy Byers (from 1959-03-09 until 1959-03-10), Jimmy Cleveland (US jazz trombonist) (from 1959-03-09 until 1959-03-10), Urbie Green (from 1959-03-09 until 1959-03-10) and Tom Mitchell (US jazz trombonist) (from 1959-03-09 until 1959-03-10)
trumpet:
Harry Edison (from 1959-03-09 until 1959-03-10), Joe Newman (US jazz trumpeter) (from 1959-03-09 until 1959-03-10), Ernie Royal (from 1959-03-09 until 1959-03-10) and Clark Terry (American swing trumpeter) (from 1959-03-09 until 1959-03-10)
woodwind:
Jerome Richardson (from 1959-03-09 until 1959-03-10)
conductor:
Quincy Jones (from 1959-03-09 until 1959-03-10)
arranger:
Quincy Jones
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (from 1959-03-09 until 1959-03-10)
Quincy Jones3:21
21Tuxedo Junction
alto saxophone:
Phil Woods (US jazz woodwind player) (from 1959-02-09 until 1959-02-10)
baritone saxophone:
Danny Bank (reeds) (from 1959-02-09 until 1959-02-10)
bass:
Milt Hinton (from 1959-02-09 until 1959-02-10)
drums (drum set) and wood block:
Jimmy Crawford (US swing-era jazz drummer) (from 1959-02-09 until 1959-02-10)
guitar:
Kenny Burrell (from 1959-02-09 until 1959-02-10)
piano:
Moe Weschler (from 1959-02-09 until 1959-02-10)
tenor saxophone:
Budd Johnson (from 1959-02-09 until 1959-02-10) and Sam “The Man” Taylor (US jazz/blues saxophonist 1916-1990) (from 1959-02-09 until 1959-02-10)
trombone:
Billy Byers (from 1959-02-09 until 1959-02-10), Jimmy Cleveland (US jazz trombonist) (from 1959-02-09 until 1959-02-10), Urbie Green (from 1959-02-09 until 1959-02-10) and Tom Mitchell (US jazz trombonist) (from 1959-02-09 until 1959-02-10)
trumpet:
Harry “Sweets” Edison (from 1959-02-09 until 1959-02-10), Ernie Royal (from 1959-02-09 until 1959-02-10), Clark Terry (American swing trumpeter) (from 1959-02-09 until 1959-02-10) and Joe Wilder (from 1959-02-09 until 1959-02-10)
woodwind:
Jerome Richardson (from 1959-02-09 until 1959-02-10)
conductor:
Quincy Jones (from 1959-02-09 until 1959-02-10)
additional performer:
Harry “Sweets” Edison (from 1959-02-09 until 1959-02-10) and Sam “The Man” Taylor (US jazz/blues saxophonist 1916-1990) (from 1959-02-09 until 1959-02-10)
arranger:
Quincy Jones
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (from 1959-02-09 until 1959-02-10)
Quincy Jones2:45