Fetenkult: Disco 80

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1CD
Nr.TitelKünstlerBewertungLänge
1You’re My Heart, You’re My Soul (Modern Talking mix ’98)
recording of:
You’re My Heart, You’re My Soul
Texter und Komponist(in):
Steve Benson (German songwriter Dieter Bohlen)
publisher:
Arabella Musikverlag GmbH (ARABELLA MUSIC EDITION MUENCHEN), Blue Obsession, Hansa Musikverlag, Hanseatic Musikverlag (German music publishing company owned by Warner Chappell Music), Hanseatic Musikverlag GmbH (since 2017) und Warner Chappell
Modern Talking feat. Eric Singleton53:19
2Girl You Know It’s True
phonographisches Urheberrecht (℗) von:
Hansa (in 1988) und BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1994)
cover recording of:
Girl You Know It's True
Verfasser(in):
Ky Adeyemo, Bill Pettaway, Jr. (R&B songwriter, musician, producer), Rodney Holloman (Numarx), Kevin Lyles (executive / songwriter) und Sean Spencer (American DJ and record producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und MCA Music Ltd.
Milli Vanilli3:18
3Together Forever
Keyboard [Fairlight]-Programmierung:
Ian Curnow (in 1987)
assistierende(r) Techniker(in):
Boky, Gordon Dennis (engineer at PWL Studios), Jonathan King und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Techniker(in):
Mark McGuire (UK producer/engineer)
zusätzliche(r) Techniker(in):
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) und Karen Hewitt
Produzent(in):
Aitken, Stock (of Stock Aitken Waterman) und Waterman
Mix:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”)
Gitarre [guitars]:
Matt Aitken (in 1987)
Keyboard [keyboards]:
Mike Stock (of Stock Aitken Waterman) und Matt Aitken (in 1987)
Schlagzeug [drums]:
A Linn (Linn 9000) (in 1987)
Hintergrundgesang [backing vocals]:
Dee Lewis (in 1987), Shirley Lewis (in 1987), Mae McKenna (vocalist) (in 1987) und Suzanne Rhatigan (in 1987)
vocals:
Rick (English singer, songwriter and radio personality) (in 1987)
arranger:
Gordon Jenkins
phonographisches Urheberrecht (℗) von:
Pete Waterman Ltd. (copyrights holder) (in 1987)
sonstige Unterstützung:
PWL (Aufgabe: original sound recordings made by)
aufgenommen bei:
PWL Studio 1 (in 1987) und PWL Studio 2 (in 1987)
mixed at:
PWL Studio 1 und PWL Studio 2
recording of:
Together Forever (in 1987)
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music Ltd., Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. und Terrace Music (vom 1987 bis heute)
Rick Astley4.653:24
4Self Control
leitende(r) Produzent(in):
Jack White (German producer Horst Nußbaum)
Produzent(in):
Robbie Buchanan (Canadian producer) und Jack White (German producer Horst Nußbaum)
arranger:
Robbie Buchanan (Canadian producer) und Harold Faltermeier
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
Musikvideos:
Self Control von Laura Branigan
cover recording of:
Self Control (in 1984)
Texter:
Steve Piccolo
zusätzliche(r) Verfasser(in):
Harro Steffen
Komponist(in):
Giancarlo Bigazzi und Raffaele Riefoli (Italian pop singer)
publisher:
Careers Music, Inc., Edition Sunrise Publishing Inc., Sugar Musik Verlags GmbH (publisher) und Sugarmusic Spa (publisher, do NOT use as label)
Version von:
Self Control
Laura Branigan4.554:07
5Kalimba de lunaBoney M.4:13
6Let the Music Play
recording of:
Let the Music Play
Verfasser(in):
Chris Barbosa (Rhythm Method) und Ed Chisolm
publisher:
Emergency Music (ASCAP-affiliated), Heath Levy Music Co. Ltd. und Shapiro, Bernstein & Co., Inc.
Shannon3:30
7High Energy
Produzent(in):
Ian Levine (Hi-NRG music songwriter and producer) und Fiachra Trench
arranger:
Fiachra Trench
phonographisches Urheberrecht (℗) von:
Éditions Marouani
aufgenommen bei und mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
High Energy
Verfasser(in):
Ian Levine (Hi-NRG music songwriter and producer) und Fiachra Trench
publisher:
EMI Tunes Ltd und Filmtracks Picture
Evelyn Thomas53:48
8Another Life
recording of:
Another Life
Texter:
Barbara Addoms und Mamared
Komponist(in):
Luciano Ninzatti und Stefano Pulga
Kano3:50
9Electrica Salsa (Baba Baba)
recording of:
Electrica Salsa
Verfasser(in):
Luca Anzilotti und Michael Münzing
Off3:34
10Blue Night Shadow
recording of:
Blue Night Shadow
Texter:
Timothy Touchton
Komponist(in):
Ulrich Herter (singer, songwriter, producer)
publisher:
Blue Box (publisher) (vom 1985 bis heute), CBS Songs (vom 1985 bis heute) und Edition Kanone (publisher) (vom 1985 bis heute)
Two of Us5:34
11I Don’t Wanna Dance
recording of:
I Don’t Wanna Dance
Texter und Komponist(in):
Eddy Grant
Eddy Grant3:38
12My Bed Is Too Big
recording of:
My Bed Is Too Big
Texter und Komponist(in):
Dieter Bohlen
publisher:
Hanseatic (publisher)
Blue System3:15
13Take On Me
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a-ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
Musikvideos:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) von a‐ha (Norwegian synth‐pop band) und Take On Me (official music video, 1985 version) von a‐ha (Norwegian synth‐pop band)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 26), The Downloader’s Music Source Book (Nummer: 284) und BILLIONS CLUB
recording of:
Take On Me
Verfasser(in):
Magne Furuholmen, Morten Harket und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und EMI Music Publishing (do not use as a release label!)
Version von:
Miss Eerie
a‐ha4.53:46
14I Like Chopin
phonographisches Urheberrecht (℗) von:
BMG Music (in 1983)
recording of:
I Like Chopin
Texter:
Gazebo (80s Italian synth‐pop artist Paul Mazzolini “I Like Chopin”)
Komponist(in):
Pierluigi Giombini (arranger ,composer and producer)
publisher:
Abramo Allione Ed Mus SRL, Shinko Music Entertainment Co., Ltd., Televis Edizioni Musicali S.R.L. (publisher), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Gazebo34:07
15History ’92
recording of:
History
Texter und Komponist(in):
Jochem Fluitsma und Eric van Tijn
Mai Tai4:00
16Sexy Eyes
Produzent(in):
Ron Haffkine
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979)
recording of:
Sexy Eyes
Verfasser(in):
R.J. Mather, Keith Stegall (American country singer / songwriter and record producer) und Chris Waters (Country music singer and songwriter)
publisher:
EMI April Music Inc., EMI Blackwood Music Inc. und EMI Songs Ltd.
cover recording of:
Sexy Eyes
Verfasser(in):
R.J. Mather, Keith Stegall (American country singer / songwriter and record producer) und Chris Waters (Country music singer and songwriter)
publisher:
EMI April Music Inc., EMI Blackwood Music Inc. und EMI Songs Ltd.
Dr. Hook3.52:57
17Dolce Vita
remixer:
Ben Liebrand
recording of:
Dolce vita
Texter:
Paul Mazzolini
Komponist(in):
Pierluigi Giombini (arranger ,composer and producer)
publisher:
Pianola Music (publisher) (in 1983)
Ryan Paris3:19
18Cold Days, Hot Nights
recording of:
Cold Days, Hot Nights
Texter:
Richard Palmer‐James (guitarist and lyricist)
Komponist(in):
Tissy Thiers
Moti Special3:40
1925 Years
The Catch3:54
20New York – Rio – Tokyo
Trio Rio3:31
2CD
Nr.TitelKünstlerBewertungLänge
1You Can Win If You Want (new version)
recording of:
You Can Win If You Want
Texter und Komponist(in):
Dieter Bohlen
publisher:
Hansa Musikverlag und Hanseatic Musikverlag (German music publishing company owned by Warner Chappell Music)
Modern Talking3:37
2A World Without You (Michelle)Bad Boys Blue3:36
3Obsession
recording engineer:
Jeff Harris (recording engineer)
Programmierung:
Jeff Harris (recording engineer) und Holly Knight
Produzent(in):
John Ryan (producer a/k/a “The Chicago Kid”)
Bassgitarre:
Charles Ottavio
Gitarre:
Bill Wadhams
Keyboard:
Paul Antonelli
membranophone:
Frenchy O'Brien
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 12)
cover recording of:
Obsession
Verfasser(in):
Michael Des Barres und Holly Knight
publisher:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) und The Makiki Publishing Co. Ltd.
recording of:
Obsession
Verfasser(in):
Michael Des Barres und Holly Knight
publisher:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) und The Makiki Publishing Co. Ltd.
Animotion5:34
4Too Shy
Schlagzeug-Programmierung:
Jez Strode
Techniker(in):
Colin Thurston
Produzent(in):
Nick Rhodes und Colin Thurston
Bassgitarre:
Nick Beggs
E-Bow [e bow] und Gitarre:
Steve Askew
Synthesizer:
Stuart Croxford Neale
Sologesang:
Limahl
zusätzlich vocals:
Nick Beggs und Stuart Croxford Neale
arranger:
Kajagoogoo
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982, in 1983)
Musikvideos:
Too Shy von Kajagoogoo
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 9) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 27)
recording of:
Too Shy
Texter:
Nick Beggs und Christopher Hamill
Komponist(in):
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale und Jez Strode
publisher:
EMI Songs und Tritec Music Ltd. (publisher and copyrights holder)
Kajagoogoo with Limahl3.653:41
5Axel F
Produzent(in):
Harold Faltermeyer
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und Geffen Records (in 1984)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 70)
recording of:
Axel F (Beverly Hills Cop)
Komponist(in):
Harold Faltermeyer
Harold Faltermeyer4.153:01
6Big in Japan
Produzent(in):
Orlando
phonographisches Urheberrecht (℗) von:
WEA MUSIK GMBH (company, not a label) (vom 1984 bis heute) und wea music (“wea” logo with “music” below; mainly used in Europe and Brazil) (in 1984)
Bearbeitung von:
Big in Japan (album version) von Alphaville (German synth pop band)
recording of:
Big in Japan
Texter:
Marian Gold
Komponist(in):
Marian Gold, Lloyd Bernhard und Frank Mertens (German synthpop keyboardist Frank Sorgatz)
publisher:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville53:53
7Dance Hall Days
recording of:
Dance Hall Days
Verfasser(in):
Darren Costin, Nick Feldman und Jack Hues
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Wang Chung3:37
8Tell It to My Heart
Produzent(in):
Ric Wake
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987) und Arista Records, LLC (holding company - file NO releases here!) (in 1987)
recording of:
Tell It to My Heart
Verfasser(in):
Ernie Gold und Seth Swirsky
publisher:
Chappell Music, Inc. (publisher), Goldpoint und Intersong Music
Taylor Dayne3.753:40
9We Don’t Need Another Hero
assistierende(r) Techniker(in):
Mike Ging
Techniker(in) und Mix:
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Terry Britten
Saxophon:
Tim Cappello
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
Musikvideos:
We Don’t Need Another Hero von Tina Turner
recording of:
We Don’t Need Another Hero
Texter und Komponist(in):
Terry Britten und Graham Lyle
publisher:
Goodsingle Ltd. (publisher), Hornall Brothers Music Ltd. (limited company), Myaxe Music Ltd., Warner Chappell Music (publisher as Warner/Chappell Music) und Warner/Chappell Music Ltd. (1996–2019)
Tina Turner3.554:15
10Africa
recording of:
Africa (English version)
Texter:
Jean-Michel Bériat (French singer-songwriter) und Elaine Stive
Komponist(in):
Jean-Pierre Goussaud
Version von:
Africa (French version)
Rose Laurens3:36
11Words
Produzent(in):
Jean-Michel Gallois-Montbrun (Rolando Tambin) und Frédéric Leibovitz
arranger:
Daniel Darras, F.R. David und Frédéric Leibovitz
phonographisches Urheberrecht (℗) von:
Carrère (just “Carrère" or “Disques Carrère”, not “CARRÈRE MUSIC”) (in 1982)
recording of:
Words
Texter:
Martin Kupersmith und Louis Sandy Yagura
Verfasser(in):
Martin Kupersmith, Louis Sandy Yagura und Robert Fitoussi (French artist)
Komponist(in):
Robert Fitoussi (French artist)
publisher:
Fable Music und Warner Chappell
übersetzte Version von:
Sen můj a Lízin
F.R. David4.53:21
12Respectable
Produzent(in):
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall) und Mark McGuire (UK producer/engineer)
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only) (in 1987), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987) und The Supreme Record Company Ltd. (in 1987)
Musikvideos:
Respectable von Mel & Kim (Appleby sisters)
recording of:
Respectable
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music, All Boys Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Musik GmbH, Matt Aitken Publishing, MCA Gilbey, Mike Stock Publishing Limited, Mushroom Music (Mushroom label’s publishing company), Sony/ATV Music Publishing (UK) Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Mel & Kim2.53:21
13When the Going Gets Tough, the Tough Get Going
recording of:
When the Going Gets Tough, the Tough Get Going
Verfasser(in):
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) und Billy Ocean
publisher:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean4:07
14Carbonara
Techniker(in):
Imre Sereg (in 1981)
Produzent(in):
Reinhold Heil (in 1981), Herwig Mitteregger (in 1981), Potsch Potschka (in 1981) und Manfred Praeker (in 1981)
Mix:
Udo Arndt (in 1981)
E-Bass:
Manfred Praeker (in 1981)
Gitarre:
Potsch Potschka (in 1981)
Keyboard und Sologesang:
Reinhold Heil (in 1981)
Schlagzeug:
Herwig Mitteregger (in 1981)
Hintergrundgesang:
Herwig Mitteregger (in 1981), Potsch Potschka (in 1981) und Manfred Praeker (in 1981)
arranger:
Reinhold Heil (in 1981), Herwig Mitteregger (in 1981), Potsch Potschka (in 1981) und Manfred Praeker (in 1981)
aufgenommen bei:
Spliff Studio in Berlin, Deutschland (in 1981)
mixed at:
Audio Studios in Berlin, Deutschland (in 1981)
Musikvideos:
Carbonara von Spliff (Neue Deutsche Welle)
recording of:
Carbonara (in 1981)
Texter und Komponist(in):
Reinhold Heil
publisher:
April Musikverlag GmbH (publisher) (in 1982) und Edition SPLIFF (publisher) (in 1982)
Spliff54:14
15Precious Little DiamondFox the Fox53:54
16Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistierende(r) Techniker(in):
Roger Howorth
Produzent(in):
Peter Collins (producer)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
Sologesang:
Nik Kershaw (in 1983)
Horn arranger:
Jerry Hey und Nik Kershaw
arranger:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) und MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 88)
recording of:
Wouldn’t It Be Good (in 1983)
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Teil von:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:29
17Maria Magdalena
Produzent(in):
Michael Cretu (Romanian-born German musician, composer and record producer)
remixer:
Wolfgang Filz und Peter Ries
phonographisches Urheberrecht (℗) von:
Virgin Schallplatten GmbH (not for release label use! for copyrights use only, former German division of Virgin Records Ltd.) (in 1985, in 1987)
recording of:
(I'll Never Be) Maria Magdalena
Texter:
Hubert Kemmler (singer, songwriter, producer) und Richard Palmer‐James (guitarist and lyricist)
Komponist(in):
Michael Cretu (Romanian-born German musician, composer and record producer), Hubert Kemmler (singer, songwriter, producer) und Markus Löhr
publisher:
Data Alpha und Sony/ATV
Sandra44:01
18If Only I CouldSydney Youngblood33:29
19I.O.U.
recorded in:
New York, New York, Vereinigte Staaten (in 1983)
Produzent(in):
Arthur Baker (American record producer and DJ)
Interpret(in):
Freeez (1980s English electronic music group) (in 1983)
aufgenommen bei:
Unique Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (in 1983)
recording of:
I.O.U.
Verfasser(in):
Arthur Baker (American record producer and DJ) und John Robie
publisher:
Shakin’ Baker Music
Freeez4.653:49
20Stars on 45 (Medley)
phonographisches Urheberrecht (℗) von:
Red Bullet Productions B.V. (in 1981)
recording of:
Stars on 45 (the song itself)
Verfasser(in):
Martin Duiser und Jaap Eggermont
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Nada International C.V.
Medley von:
Video Killed the Radio Star
Medley von:
Funkytown
Stars on 4544:49

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Veröffentlichungsgruppe

Teil von:Fetenkult (Reihenfolge: 5)