Les Grands Classiques d'Edgar : Encore Plus

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

To do: add performers for discs 4-6: http://www.qim.com/albums/description.asp?albumid=3576

Annotation last modified on 2020-07-15 20:50 UTC.

Tracklist

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1L’Orfeo: Toccata
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1985-12) and His Majesties Sagbutts & Cornetts (British early music group) (in 1985-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1985, in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer) (in 1985-12)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L’Orfeo: Toccata (in 1985-12)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo, SV 318
Claudio Monteverdi1:37
2Präludium en ut majeur, Bux WV 137
organ:
Bernard Lagacé (in 1977)
recording of:
Praeludium, Fuga, and Ciaccona in C major, BuxWV 137 (in 1977)
composer:
Dieterich Buxtehude (composer)
part of:
Buxtehude-Werke-Verzeichnis (number: BuxWV 137)
Dietrich Buxtehude5:14
3Concerto grosso op. 6, no. 8, en sol mineur: Vivace – Grave – Allegro
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1973, in 1973-09)
conductor:
Sir Neville Marriner (conductor) (in 1973, in 1973-09)
balance engineer:
Stanley Goodall (engineer) (in 1973-09)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-09)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: I. Vivace - Grave (in 1973-09)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: I. Vivace - Grave (in 1973)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: II. Allegro (in 1973)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli3:42
4Dido and Aeneas: When I am laid into earth
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
mezzo-soprano vocals [Dido, Queen of Carthage]:
Anne Sofie von Otter (mezzo-soprano) (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann
concertmaster:
Simon Standage (English violinist and conductor) (in 1988-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989) and Polydor International GmbH (not for release label use!) (in 1989)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) (in 1988-07)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:31
5Suite pour violoncelle no. 6 en ré majeur, BWV 1012: Gigue
recorded in:
Paris, Île-de-France, France (on 1938-06-03)
engineer:
M. Cailly (engineer)
cello:
Pau Casals (cellist, aka Pablo Casals) (on 1938-06-03)
recording of:
Suite für Violoncello solo no. 6 D-Dur, BWV 1012: VI. Gigue (Cello Suite No. 6 in D major, BWV 1012: VI. Gigue) (on 1938-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 6 D-Dur, BWV 1012 (Cello Suite No. 6 in D major, BWV 1012)
Johann Sebastian Bach3:59
6Cantate « Herz und Mund und Tat und Leben », BWV 147: Choral « Jesus bleibet meine Freude »
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
The Monteverdi Choir (English vocal Baroque ensemble) (in 1990-03)
orchestra:
The English Baroque Soloists (in 1990-03)
conductor:
John Eliot Gardiner (in 1990-03)
performer:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
St. Andrewʼs Church, Fontmell Magna (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:30
7Concerto pour violon no. 2 en mi majeur, BWV 1042: Allegro assai
violin:
David Oistrach (David Oistrakh, violinist) (in 1955)
orchestra:
The Philadelphia Orchestra (in 1955)
conductor:
Eugene Ormandy (conductor) (in 1955)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: III. Allegro assai (Violin Concerto in E major, BWV 1042: III. Allegro assai) (in 1955)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
Johann Sebastian Bach2:53
8Suite pour clavecin no. 5 en mi majeur, HWV 430: Air con variazon
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1954)
recording of:
Suite de pièce in E major, Vol. 1 no. 5, HWV 430: IV. Air con Variazioni (in 1954)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Suite de pièce in E major, Vol. 1 no. 5, HWV 430
Georg Friedrich Händel6:09
9Orphée et Eurydice : « J’ai perdu mon Euridyce »
mezzo-soprano vocals:
Solange Michel (mezzo-soprano) (in 1953)
orchestra:
Orchestre du Théâtre National de l’Opéra‐Comique (in 1953)
conductor:
André Cluytens (conductor) (in 1953)
recording of:
Orphée et Eurydice, Wq. 41 : Acte III, N° 43. Air “J’ai perdu mon Eurydice” (Orphée) (in 1953)
composer:
Christoph Willibald Gluck (composer)
additional librettist:
Pierre-Louis Moline
translator:
Pierre-Louis Moline
translated version of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
part of:
Orphée et Eurydice, Wq. 41 : Acte III
Christoph Willibald Gluck4:10
10Quatuor op. 76, no. 3, en ut majeur, Hob.III‐77: Poco adagio cantabile
instruments:
Wiener Konzerthaus Quartett (in 1953)
recording of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”: II. Poco Adagio. Cantabile (in 1953)
composer:
Joseph Haydn (composer)
version of:
Gott erhalte Franz, den Kaiser
part of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”
Joseph Haydn8:43
11Die Schöpfung (La Création): Die Himmel erzählen die Gottes (Allegro)
producer:
Hans Weber (producer/engineer)
instruments:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
bass vocals [Raphael]:
Walter Berry (bass‐baritone) (from 1966-02-22 until 1969-04-29)
choir vocals:
Singverein der Gesellschaft der Musikfreunde in Wien (from 1966-02-22 until 1969-04-29)
soprano vocals [Gabriel]:
Gundula Janowitz (soprano) (from 1966-02-22 until 1969-04-29)
tenor vocals [Uriel]:
Fritz Wunderlich (operatic tenor) (from 1966-02-22 until 1969-04-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn4:07
12Quatuor à cordes no 14 en sol majeur, K. 387: Allegro vivace assai
strings:
Barylli Quartet (in 1955)
recording of:
Quartet for Strings no. 14 in G major, K. 387 “Haydn Quartetti”, “Spring”: I. Allegro vivace assai (in 1955)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Quartet for Strings no. 14 in G major, K. 387 “Haydn Quartetti”, “Spring”
Wolfgang Amadeus Mozart5:54
13Sérénade no. 10 en si bémol majeur «Gran Partita»: Adagio
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1947-11-11 until 1947-12-03)
conductor:
Wilhelm Furtwängler (conductor) (from 1947-11-11 until 1947-12-03)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”: III. Adagio (from 1947-11-11 until 1947-12-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
Wolfgang Amadeus Mozart6:32
14Sonate pour violon no. 5, en fa majeur, op. 24 «Printemps»: Allegro
piano:
Louis Kentner (pianist) (in 1953)
violin:
Yehudi Menuhin (violinist) (in 1953)
recording of:
Sonata for Violin and Piano no. 5 in F major, op. 24 "Spring": I. Allegro (in 1953)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
Sonata for Violin and Piano no. 5 in F major, op. 24 “Spring”
Ludwig van Beethoven7:22
15Quatuor à cordes no. 10 en mi bémol majeur, op. 74 «Harpe»: Poco Adagio – Allegro
string quartet:
Budapest String Quartet (before 1967; do not use for Budapest Strings) (in 1951-05)
recorded at:
Coolidge Auditorium (Thomas Jefferson Building, Library of Congress) in Washington, D.C., United States (in 1951-05)
recording of:
String Quartet no. 10 in E-flat major, op. 74 "Harp": I. Poco adagio - Allegro (in 1951-05)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
String Quartet no. 10 in E-flat major, op. 74 "Harp"
Ludwig van Beethoven8:25
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1Concerto pour piano no. 3 en do mineur, Op. 37: Rondo – Allegro
piano:
Wilhelm Kempff (pianist)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
recording of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1803)
part of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37
Ludwig van Beethoven9:30
2Caprice pour violon seul no. 24 en la mineur
solo violin:
Michael Rabin (violinist) (in 1958)
recording of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 24 in A minor: Tema con variazioni. Quasi presto (in 1958)
composer:
Niccolò Paganini (Italian composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
Niccolò Paganini4:42
3Lucia di Lammermoor: Atto II. “Chi mi in tal momento”
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
mezzo-soprano vocals [Alisa]:
Anna Maria Canali (mezzo-soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Arturo]:
Valiano Natali (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro comunale in Firenze (Florence), Firenze, Toscana, Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:38
4Quatuor à cordes no. 13 en la mineur, D. 804 «Rosamunde»: Andante
instruments:
Wiener Konzerthaus Quartett (in 1951)
recording of:
String Quartet no. 13 in A minor, D. 804, op. 29 “Rosamunde”: II. Andante (in 1951)
composer:
Franz Schubert (composer) (from 1824-02 until 1824-03)
part of:
String Quartet no. 13 in A minor, D. 804, op. 29 “Rosamunde”
Franz Schubert8:04
5Symphonie no. 9 en ut majeur, «La Grande»: Allegro vivace
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1951)
conductor:
Wilhelm Furtwängler (conductor) (in 1951)
recording of:
Symphony no. 9 in C major, D. 944 “The Great”: IV. Finale. Allegro vivace (in 1951)
composer:
Franz Schubert (composer) (from 1825-07 until 1826-07)
part of:
Symphony no. 9 in C major, D. 944 “The Great”
Franz Schubert11:39
6Le Carnaval romain
recording engineer:
Lewis Layton (engineer) (on 1958-12-01)
producer:
Richard Mohr (producer)
orchestra:
Boston Symphony Orchestra (on 1958-12-01)
conductor:
Charles Munch (conductor and violinist) (on 1958-12-01)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1958-12-01)
recording of:
Le Carnaval romain, ouverture pour orchestre, op. 9 (The Roman Carnival Overture for Orchestra, op. 9) (on 1958-12-01)
composer:
Hector Berlioz (French composer) (in 1843)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 95)
Hector Berlioz8:04
7Les Nuits d’été: Villanelle
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1955-04-12 until 1955-04-13)
orchestra:
Boston Symphony Orchestra (from 1955-04-12 until 1955-04-13)
conductor:
Charles Munch (conductor and violinist) (from 1955-04-12 until 1955-04-13)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 1. Villanelle (from 1955-04-12 until 1955-04-13)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (French composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
Hector Berlioz2:17
8Ballade no. 4, en fa mineur, Op. 52
piano:
Arthur Rubinstein (pianist) (in 1958)
recording of:
Ballade no. 4 in F minor, op. 52 (in 1958)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1842)
part of:
Works of Fryderyk Chopin by opus number (number: op. 52)
part of:
Ballades (Chopin’s Four Ballades)
Frédéric Chopin10:46
9Liederkreis, Op. 39: In der Fremde
piano:
Franz Holetschek (in 1953)
soprano vocals:
Sena Jurinac (soprano) (in 1953)
recording of:
Liederkreis, op. 39: Nr. 8. In der Fremde ("Ich hör' die Bächlein rauschen") (in 1953)
lyricist:
Joseph von Eichendorff
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Liederkreis, op. 39
Robert Schumann2:13
10Rhapsodie Hongroise no. 2 en ut dièse mineur
piano:
Georges Cziffra (pianist) (in 1956)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 2 in C-sharp minor, S. 244 no. 2 (original piano solo version) (in 1956)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
Franz Liszt10:14
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1Tristan und Isolde: Akt III. Liebestod (Mort d’Isolde)
soprano vocals [Isolde]:
Kirsten Flagstad (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
recording of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt”
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III, Szene III. "Kurwenal! Hör'! Ein zweites Schiff"
Richard Wagner7:10
2Nabucco: Atto III. “Va pensiero”
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi5:08
3Prière
piano:
Jeanne Landry (Canadian pianist and composer)
tenor vocals:
Jean-Paul Jeannotte (Canadian tenor)
recording of:
Prière, CG 427
lyricist:
Sully Prudhomme
composer:
Charles Gounod (French composer) (in 1876)
Charles‐François Gounod3:13
4Faust : Acte III. Air des bijoux « Ah! Je ris »
soprano vocals [Marguerite]:
Martha Angelici (soprano)
orchestra:
Orchestre du Théâtre National de l’Opéra‐Comique
recording of:
Faust : Acte III. « Un bouquet ! … Ô Dieu ! que de bijoux ! » … No. 14b « Ah ! Je ris ! » (Marguerite) (Air des bijoux / Jewel Song)
composer:
Charles Gounod (French composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte III
Charles‐François Gounod5:47
5Sonate pour violon et piano en la majeur: Allegretto poco mosso
piano:
Pierre Barbizet (pianist)
violin:
Christian Ferras (violinist)
recording of:
Sonata for Violin and Piano in A major: IV. Allegretto poco mosso
composer:
César Franck (Belgian‐born French composer) (in 1886)
part of:
Sonata for Violin and Piano in A major, M. 8, CFF 123
César Franck5:49
6Symphonie no. 4 en mi bémol majeur «Romantique»: Andante quasi allegretto
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
recording of:
Symphony no. 4 in E-flat major, WAB 104 “Romantische”: II. Andante, quasi allegretto (1878/1880 version with 1886 revisions, ed. Nowak, 1953)
composer:
Anton Bruckner (Austrian composer) (from 1873 until 1874)
revised by:
Anton Bruckner (Austrian composer) (from 1878 until 1880)
part of:
Symphony no. 4 in E-flat major, WAB 104 “Romantische” (Symphony No. 4 in E flat major, WAB 104 "Romantic", 1878/1880 version with 1886 revisions, ed. Nowak, 1953)
Anton Bruckner15:32
7Prince Igor: Acte II. Danses Polovtsiennes
choir vocals:
Beecham Choral Society
orchestra:
Royal Philharmonic Orchestra
Pjotr Tchaikovsky12:15
8Concerto pour violon et orchestre en ré majeur, op. 77: Adagio
violin:
David Oistrach (David Oistrakh, violinist)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: II. Adagio (Concerto for Violin and Orchestra in D major, op. 77: II. Adagio)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms9:32
9Lakmé : Acte I. « Viens Mallika » … « Dôme épais le jasmin »
mezzo-soprano vocals:
Agnès Disney (mezzo-soprano) (in 1955)
soprano vocals:
Mado Robin (in 1955)
orchestra:
Orchestre du Théâtre National de l’Opéra‐Comique (in 1955)
conductor:
Georges Sébastian (conductor) (in 1955)
phonographic copyright (℗) by:
Société Française du Son (from 1955 until 1960)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (in 1955)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes4:45
10Lakmé : Acte II. « Où va la jeune Indoue » (Air des clochettes)
soprano vocals:
Mado Robin (in 1952, in 1955)
orchestra:
Orchestre du Théâtre National de l’Opéra‐Comique
conductor:
Georges Sébastian (conductor) (in 1952)
performer:
Orchestre du Théâtre National de l’Opéra‐Comique (in 1952)
recording of:
Lakmé : Acte II. No. 10 Scène & légende de la fille du Paria (Air des clochettes) « Ah !… Par les dieux inspirée » … « Où va la jeune indoue » (Lakmé, Nilakantha) (in 1952)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
part of:
Lakmé : Acte II
recording of:
Lakmé : Acte II. No. 10 Scène & légende de la fille du Paria (Air des clochettes) « Ah !… Par les dieux inspirée » … « Où va la jeune indoue » (Lakmé, Nilakantha) (in 1955)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
part of:
Lakmé : Acte II
Léo Delibes5:31
4▼CD
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1Les Pêcheurs de perles : Acte I. « Je crois entendre encore »
recorded in:
Paris, Île-de-France, France (in 1953-10)
tenor vocals and tenor vocals [Nadir]:
Léopold Simoneau (tenor) (in 1953-10)
orchestra:
Orchestre des Concerts Lamoureux (Lamoureux Orchestra) (in 1953-10)
conductor:
Jean Fournet (conductor) (in 1953-10)
recording of:
Les Pêcheurs de perles : Acte I. No. 4 Romance « Je crois entendre encore » (Nadir) (in 1953-10)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet3:38
2Carmen : Acte II. « Votre Toast… » (Air du Toréador)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
London Symphony Orchestra
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet5:14
3Carmen : Acte II. « La fleur que tu m’avais jetée »
tenor vocals [Don José]:
Raoul Jobin (tenor)
orchestra:
Orchestre du Théâtre National de l’Opéra‐Comique
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet3:25
4Concerto pour violon et orchestre no. 1 en sol mineur, op. 26: Adagio
recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch8:14
5Concerto pour violon et orchestre en ré majeur, op. 35: Allegro moderato
recording engineer:
Lewis Layton (engineer) (on 1957-04-19)
producer:
John Pfeiffer (producer and engineer)
violin:
Jascha Heifetz (violinist) (on 1957-04-19)
orchestra:
Chicago Symphony Orchestra (on 1957-04-19)
conductor:
Fritz Reiner (conductor) (on 1957-04-19)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1957-04-19)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato (on 1957-04-19)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Pyotr Ilyich Tchaikovsky15:50
6Concerto pour violoncelle et orchestre no. 2 en si mineur, op. 104: Finale. Allegro moderato
recording engineer:
Jan Seidel (Czech composer) (from 1952-06-16 until 1952-06-18)
sound engineer:
František Burda (Czech recording engineer)
cello:
Mstislav Rostropovich (cellist/conductor) (from 1952-06-16 until 1952-06-18)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1952-06-16 until 1952-06-18)
conductor:
Václav Talich (conductor) (from 1952-06-16 until 1952-06-18)
recording of:
Cello Concerto in B minor, op. 104: III. Finale. Allegro moderato – Andante – Allegro vivo (from 1952-06-16 until 1952-06-18)
composer:
Antonín Dvořák (composer) (from 1894-11-08 until 1895-06-11)
part of:
Cello Concerto in B minor, op. 104
revision of:
Cello Concerto in B minor, op. 104: III. Finale (original finale (not the one usually played))
Antonín Dvořák13:01
7Danses slaves op. 46 no. 1, en ut majeur
recording engineer:
František Burda (Czech recording engineer) and Ladislav Šíp
editor:
Leo Jehne
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1950-07-06 until 1950-07-08)
conductor:
Václav Talich (conductor) (from 1950-07-06 until 1950-07-08)
recorded at:
Studio Domovina in Praha (Prague), Czechia (from 1950-07-06 until 1950-07-08)
recording of:
Slavonic Dances, op. 46, B. 83: No. 1 in C major (Furiant) (from 1950-07-06 until 1950-07-08)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák4:04
8Mandoline (Poème de Paul Verlaine)
recording of:
5 Mélodies “de Venise”, op. 58: No. 1 Mandoline
lyricist:
Paul Verlaine (French poet)
composer:
Gabriel Fauré (French composer) (in 1891)
part of:
5 Mélodies “de Venise”, op. 58
Gabriel Fauré1:40
9Au bord de l’eau (Poème de Sully Prud’Homme)
recording of:
Au bord de l’eau, op. 8 no. 1
lyricist:
Sully Prudhomme
composer:
Gabriel Fauré (French composer) (in 1875)
part of:
3 Songs, op. 8
Gabriel Fauré2:03
10Cantique de Jean Racine, op. 11
choir vocals:
Chœurs national de la Radiodiffusion française
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
Désiré‐Émile Inghelbrecht (conductor)
recording of:
Cantique de Jean Racine, op. 11 (for choir and orchestra (without organ)) (in 1955)
composer:
Gabriel Fauré (French composer) (in 1865)
librettist:
Jean Racine (French dramatist)
arrangement of:
Cantique de Jean Racine, op. 11 (for choir and piano or organ)
Gabriel Fauré5:09
11L’Invitation au voyage
recording of:
L’Invitation au voyage (for voice and piano)
lyricist:
Charles Baudelaire
composer:
Henri Duparc (French composer)
Henri Duparc4:32
12Hänsel und Gretel: Akt II. „Abends, will ich schlafen gehn”
soprano vocals:
Elisabeth Grümmer (soprano) and Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
recording of:
Hänsel und Gretel: Akt II, 2. Szene. “Abends, will ich schlafen gehn” (Hänsel, Gretel) (Hansel and Gretel: Evening Prayer, Nachtgebet / Evening Prayer / Prière du soir)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck3:01
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1Quatuor à cordes no. 2 «Lettres intimes»: Andante - Con moto - Allegro
recording of:
String Quartet no. 2 "Intimate Letters": I. Andante
composer:
Leoš Janáček (Czech composer) (in 1928)
part of:
String Quartet no. 2 "Intimate Letters"
Leoš Janáček6:48
2Mignon (Poème de Goethe)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1957-06-08 until 1957-06-10)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1957-06-08 until 1957-06-10)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly), Neville Boyling (engineer) and Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1957-06-08 until 1957-06-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1957-06-08 until 1957-06-10)
recording of:
Goethe-Lieder: Nr. 9. Mignon "Kennst du das Land" (from 1957-06-08 until 1957-06-10)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1875)
part of:
Goethe-Lieder
Hugo Wolf6:59
3Kindertotenlieder: Nun will die Sonn' so hell aufgeh'n
contralto vocals:
Kathleen Ferrier (contralto)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
recording of:
Kindertotenlieder: I. “Nun will die Sonn’ so hell aufgeh’n”
composer:
Gustav Mahler (composer) (in 1901)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler4:58
4La Fille aux cheveux de lin
producer and balance engineer:
Erich Thienhaus
piano:
Monique Haas (pianist) (on 1949-06-03)
recorded at:
Studio Blankenese in Hamburg, Germany (on 1949-06-03)
recording of:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair) (on 1949-06-03)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-06-02)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy3:00
5Salome: Danse des sept voiles
recording of:
Salome: Vierte Szene. Tanz der sieben Schleier
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss9:07
6L'Apprenti sorcier
recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice)
composer:
Paul Dukas (French composer) (from 1896 until 1897)
part of:
Fantasia (Disney soundtrack)
Paul Dukas11:16
7La Fille et le Rossignol (Goyescas No. 4)
recording of:
Goyescas, H.64, No. 4: Quejas o la maja y el ruiseñor (piano piece)
composer:
Enrique Granados (composer) (in 1911)
part of:
Goyescas, H.64 (piano suite)
Enrique Granados5:34
8Die lustige Witwe (La Veuve joyeuse): Akt III. „Bei jedem Walzerschritt”
baritone vocals:
Erich Kunz (baritone)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
partial recording of:
Die lustige Witwe: Akt III. Nr. 15. Duett „Lippen schweigen” … „Bei jedem Walzerschritt” (Hanna, Danilo) (Ballsirenen-Walzer)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár2:07
9Prélude op. 15, no 2
recording of:
5 Preludes, op. 15: No. 2 in F‐sharp minor. Vivo
composer:
Александр Николаевич Скрябин (Alexander Scriabin, pianist and composer)
part of:
5 Preludes, op. 15
Александр Николаевич Скрябин0:47
10Prélude op. 16, no 1
recording of:
5 Preludes, op. 16: No. 1 in B major. Andante
composer:
Александр Николаевич Скрябин (Alexander Scriabin, pianist and composer)
part of:
5 Preludes, op. 16
Александр Николаевич Скрябин2:57
11Pavane pour une infante défunte
Maurice Ravel5:58
12Liebesleid
recording of:
Liebesleid (for violin and piano)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
publisher:
Schott Music International (publisher; do not use as label) and ショット・ミュージック 株式会社 Dept. 3 (Schott Music Corporation Dept. 3)
part of:
Alt-Wiener Tanzweisen (for violin and piano)
Fritz Kreisler3:40
13Liebesfreud
recording of:
Liebesfreud (for violin and piano)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
publisher:
Schott Music International (publisher; do not use as label) and ショット・ミュージック 株式会社 Dept. 3 (Schott Music Corporation Dept. 3)
part of:
Alt-Wiener Tanzweisen (for violin and piano)
Fritz Kreisler3:19
14Gli uccelli (Les Oiseaux): Prélude
recording of:
Gli uccelli, P. 154: I. Preludio (The Birds: I. Prelude, Prelude)
composer:
Ottorino Respighi (composer) (in 1928)
is based on:
Arie in C per organo o clavicembalo No. 2
part of:
Gli uccelli, P. 154 (The Birds, P.154, The Birds)
Ottorino Respighi3:07
15Concerto pour orchestre: Intermezzo interrotto - Allegretto
recording of:
Concerto for Orchestra, Sz. 116, BB 123: IV. Intermezzo interrotto. Allegretto
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók4:19
6▼CD
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1Rhapsodie Roumaine no. 1 en la majeur, op. 11
recording of:
Rapsodia nr. 1 în La major, op. 11/1 „Rapsodia română” (Romanian Rhapsody no. 1 in A major, op. 11 no. 1)
composer:
George Enescu (Romanian composer, violinist, conductor and teacher) (in 1901)
part of:
Rapsodiile române, op. 11 (Romanian Rhapsodies, op. 11)
George Enescu11:53
2Petrouchka / Russian Dance
recording of:
Trois mouvements de Pétrouchka : I. Danse russe (arrangement for piano, 1921)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Trois mouvements de Pétrouchka (arrangement for piano, 1921)
Игорь Фёдорович Стравинский2:36
3Symphony no. 1 en ré majeur op. 25 «Classique»: Finale. Molto Vivace
recording of:
Symphony no. 1 in D major, op. 25 “Classical”: IV. Finale. Molto vivace
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1917)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 1 in D major, op. 25 “Classical”
Сергей Сергеевич Прокофьев3:53
4Pacific 231
recording of:
Pacific 231
composer:
Arthur Honegger (composer) (in 1923)
premiered at:
[concert] (1924-05-08)
publisher:
Editions Salabert, Paris and Maurice Senart (in 1924)
part of:
Harry Halbreich's catalog of Arthur Honegger's works (H) (number: H 53)
Arthur Honegger6:23
5Métamorphoses symphoniques sur des thèmes de Carl Maria von Weber: Massig Bewegt, Mit Kraft
partial recording of:
Symphonic Metamorphosis after Themes by Carl Maria von Weber
composer:
Paul Hindemith (German composer, 1895–1963) (in 1943)
premiered at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1944-01-20)
Paul Hindemith4:38
6Carmina Burana: O Fortuna
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:38
7Carmina Burana: Tanz (Danse)
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (Carmina Burana: On the Green: 6. Dance)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff1:42
8Rhapsody in blue
piano:
Julius Katchen (pianist) (in 1955-05)
orchestra:
The Mantovani Orchestra (in 1955-05)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1955-05)
recording of:
Rhapsody in Blue (standard 1942 orchestration) (in 1955-05)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Classic 100: Feel Good (2024) (number: 5)
revision of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
George Gershwin15:37
9Concerto en ré mineur pour deux pianos et orchestre: Larghetto
recording of:
Concerto for Two Pianos and Orchestra in D minor, FP 61: II. Larghetto
composer:
Francis Poulenc (French composer and pianist)
part of:
Concerto for Two Pianos and Orchestra in D minor, FP 61
Francis Poulenc5:29
10Billy The Kid: Waltz
recording of:
Billy The Kid: Waltz
composer:
Aaron Copland (composer) (from 1938 until 1939)
Aaron Copland4:07
11Concerto de Aranjuez, pour guitare et orchestre: Adagio
recording of:
Concierto de Aranjuez: II. Adagio
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo10:54

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ASIN:CA: B000XTHOO8 [info]