Requiem

~ Release by Fauré; Kathleen Battle, Andreas Schmidt, Philharmonia Orchestra, Giulini (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Requiem, op. 48: I. Introit et Kyrie
recording engineer:
Hans Weber (producer/engineer)
executive producer:
Günther Breest (producer for classical music)
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: I. Introït et Kyrie (1890, second version) (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré7:51
2Requiem, op. 48: II. Offertoire
recording engineer:
Hans Weber (producer/engineer)
executive producer:
Günther Breest (producer for classical music)
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: II. Offertoire (1890, second version) (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré9:46
3Requiem, op. 48: III. Sanctus
recording engineer:
Hans Weber (producer/engineer)
executive producer:
Günther Breest (producer for classical music)
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: III. Sanctus (1890, second version) (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:39
4Requiem, op. 48: IV. Pie Jesu
recording engineer:
Hans Weber (producer/engineer) (in 1986-03)
executive producer:
Günther Breest (producer for classical music)
producer:
Joseph Szurly
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano) (in 1986-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré4:05
5Requiem, op. 48: V. Agnus Dei
recording engineer:
Hans Weber (producer/engineer)
executive producer:
Günther Breest (producer for classical music)
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: V. Agnus Dei et Lux Aeterna (1890, second version) (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré7:09
6Requiem, op. 48: VI. Libera me
recording engineer:
Hans Weber (producer/engineer)
executive producer:
Günther Breest (producer for classical music)
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: VI. Libera me (1890, second version) (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré5:50
7Requiem, op. 48: VII. In Paradisum
recording engineer:
Hans Weber (producer/engineer)
executive producer:
Günther Breest (producer for classical music)
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor) (in 1986-03)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
part of:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:58
8Pavane, op. 50
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
producer:
Hanno Rinke
choir vocals:
Tanglewood Festival Chorus (in 1986-11)
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
chorus master:
John Oliver (chorus master) (in 1986-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus) (in 1986-11)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:52
9Élégie, op. 24: Molto adagio
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
executive producer:
Hanno Rinke
producer:
Hanno Rinke
cello:
Jules Eskin (cellist) (in 1986-11)
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Élégie, op. 24 (for cello and orchestra) (in 1986-11)
orchestrator:
Gabriel Fauré (French composer)
composer:
Gabriel Fauré (French composer) (in 1883)
orchestration of:
Élégie, op. 24 (for cello and piano)
Gabriel Fauré6:54
10Après un Rêve op. 7, no. 1
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
executive producer:
Hanno Rinke
producer:
Hanno Rinke
cello:
Jules Eskin (cellist) (in 1986-11)
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Après un rêve, op. 7 no. 1 (for cello and orchestra, Dubensky) (in 1986-11)
composer:
Gabriel Fauré (French composer) (in 1877)
arranger:
Arcady Dubensky
arrangement of:
Après un rêve, op. 7 no. 1 (original; for voice and piano)
Gabriel Fauré3:20
11Dolly Suite, op. 56: I. Berceuse
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
executive producer:
Hanno Rinke
producer:
Hanno Rinke
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Dolly Suite, op. 56: I. Berceuse (orchestrated by Rabaud) (in 1986-11)
orchestrator:
Henri Rabaud (French composer and conductor)
composer:
Gabriel Fauré (French composer)
orchestration of:
Dolly, op. 56 : I. Berceuse (for piano four hands)
part of:
Dolly Suite, op. 56 (orchestrated by Rabaud)
recording of:
Dolly Suite, op. 56: I. Berceuse (catch-all for arrangements)
composer:
Gabriel Fauré (French composer)
arrangement of:
Dolly, op. 56 : I. Berceuse (for piano four hands)
part of:
Dolly Suite, op. 56 (catch-all for arrangements)
Gabriel Fauré2:38
12Dolly Suite, op. 56: II. Mi-A-Ou
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
executive producer:
Hanno Rinke
producer:
Hanno Rinke
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Dolly Suite, op. 56: II. Mi-a-ou (orchestrated by Rabaud) (in 1986-11)
orchestrator:
Henri Rabaud (French composer and conductor)
composer:
Gabriel Fauré (French composer)
orchestration of:
Dolly, op. 56 : II. Mi-a-ou (for piano four hands)
part of:
Dolly Suite, op. 56 (orchestrated by Rabaud)
Gabriel Fauré2:18
13Dolly Suite, op. 56: III. Le Jardin de Dolly
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
executive producer:
Hanno Rinke
producer:
Hanno Rinke
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Dolly Suite, op. 56: III. Le Jardin de Dolly (orchestrated by Rabaud) (in 1986-11)
orchestrator:
Henri Rabaud (French composer and conductor)
composer:
Gabriel Fauré (French composer)
orchestration of:
Dolly, op. 56 : III. Le Jardin de Dolly (for piano four hands)
part of:
Dolly Suite, op. 56 (orchestrated by Rabaud)
Gabriel Fauré2:57
14Dolly Suite, op. 56: IV. Kitty-Valse
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
executive producer:
Hanno Rinke
producer:
Hanno Rinke
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Dolly Suite, op. 56: IV. Kitty Valse (orchestrated by Rabaud) (in 1986-11)
orchestrator:
Henri Rabaud (French composer and conductor)
composer:
Gabriel Fauré (French composer)
orchestration of:
Dolly, op. 56 : IV. Kitty Valse (for piano four hands)
part of:
Dolly Suite, op. 56 (orchestrated by Rabaud)
Gabriel Fauré3:09
15Dolly Suite, op. 56: V. Tendresse
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
executive producer:
Hanno Rinke
producer:
Hanno Rinke
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Dolly Suite, op. 56: V. Tendresse (orchestrated by Rabaud) (in 1986-11)
orchestrator:
Henri Rabaud (French composer and conductor)
composer:
Gabriel Fauré (French composer)
orchestration of:
Dolly, op. 56 : V. Tendresse (for piano four hands)
part of:
Dolly Suite, op. 56 (orchestrated by Rabaud)
Gabriel Fauré4:25
16Dolly Suite, op. 56: VI. Le pas Espagnol
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
executive producer:
Hanno Rinke
producer:
Hanno Rinke
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Dolly Suite, op. 56: VI. Le Pas Espagnol (orchestrated by Rabaud) (in 1986-11)
orchestrator:
Henri Rabaud (French composer and conductor)
composer:
Gabriel Fauré (French composer)
orchestration of:
Dolly, op. 56 : VI. Le Pas espagnol (for piano four hands)
part of:
Dolly Suite, op. 56 (orchestrated by Rabaud)
Gabriel Fauré2:46

Credits

Release

part of:entrée (Deutsche Grammophon) (order: 14)
purchase for mail-order:http://www.deutschegrammophon.com/cat/4745622 [info]