The Mercury Masters: Antal Dorati in London - Volume 1

~ Release by London Symphony Orchestra, Antal Doráti (see all versions of this release, 1 available)

Tracklist

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1▼CD: Prokofiev: Love for Three Oranges Suite / Scythian Suite
#TitleArtistRatingLength
1The Love for Three Oranges Suite, op. 33a: I. The Ridiculous People
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-04)
recording of:
Suite from "Love for Three Oranges", op. 33A: I. Les ridicules (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Sergei Prokofiev3:05
2The Love for Three Oranges Suite, op. 33a: II. The Magician Tchelio and Fata Morgana play cards
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-04)
recording of:
Suite from "Love for Three Oranges", op. 33A: II. Scène infernale (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Sergei Prokofiev3:33
3The Love for Three Oranges Suite, op. 33a: III. March
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-04)
recording of:
Suite from “Love for Three Oranges”, op. 33A: III. Marche (original for orchestra) (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Sergei Prokofiev1:37
4The Love for Three Oranges Suite, op. 33a: IV. Scherzo
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-04)
recording of:
Suite from "Love for Three Oranges", op. 33A: IV. Scherzo (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Sergei Prokofiev1:36
5The Love for Three Oranges Suite, op. 33a: V. The Prince and the Princess
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-04)
recording of:
Suite from "Love for Three Oranges", op. 33A: V. Le prince et la princesse (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Sergei Prokofiev3:48
6The Love for Three Oranges Suite, op. 33a: VI. The Escape
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-04)
recording of:
Suite from "Love for Three Oranges", op. 33A: VI. La fuite (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Sergei Prokofiev2:17
7Scythian Suite, op. 20: I. The Adoration of Veless and Ala
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-04)
recording of:
Скифская сюита, соч. 20: I. Поклонение Велесу и Але (Scythian Suite, op. 20: I. The Adoration of Veles and Ala) (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1915)
part of:
Скифская сюита, соч. 20 (Scythian Suite, op. 20)
Sergei Prokofiev5:47
8Scythian Suite, op. 20: II. The Enemy of God and the Dance of the Spirits
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-04)
recording of:
Скифская сюита, соч. 20: II. Чужбог и пляска нечисти (Scythian Suite, op. 20: II. The Enemy God and the Dance of the Spirits of Darkness) (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1915)
part of:
Скифская сюита, соч. 20 (Scythian Suite, op. 20)
Sergei Prokofiev3:10
9Scythian Suite, op. 20: III. Night
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-04)
recording of:
Скифская сюита, соч. 20: III. Ночь (Scythian Suite, op. 20: III. Night) (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1915)
part of:
Скифская сюита, соч. 20 (Scythian Suite, op. 20)
Sergei Prokofiev5:46
10Scythian Suite, op. 20: IV. Lolly's Departure and the Sun's Procession
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-04)
recording of:
Скифская сюита, соч. 20: IV. Поход Лоллия и шествие Солнца (Scythian Suite, op. 20: IV. The Glorious Departure of Lolly and Procession of the Sun) (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1915)
part of:
Скифская сюита, соч. 20 (Scythian Suite, op. 20)
Sergei Prokofiev4:49
2▼CD: Mozart: Serenade in G major "Eine kleine Nachtmusik" / Symphony no. 36 "Linz"
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1Serenade in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro
engineer:
C. Robert Fine (on 1956-07-06)
producer:
Alan Melville (British producer)
orchestra:
London Symphony Orchestra (on 1956-07-06)
conductor:
Antal Doráti (conductor) (on 1956-07-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1960)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1956-07-06)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (on 1956-07-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:38
2Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante
engineer:
C. Robert Fine (on 1956-07-06)
producer:
Alan Melville (British producer)
orchestra:
London Symphony Orchestra (on 1956-07-06)
conductor:
Antal Doráti (conductor) (on 1956-07-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1960)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1956-07-06)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (on 1956-07-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:19
3Serenade in G major, K. 525 "Eine kleine Nachtmusik": III. Menuetto. Allegretto
engineer:
C. Robert Fine (on 1956-07-06)
producer:
Alan Melville (British producer)
orchestra:
London Symphony Orchestra (on 1956-07-06)
conductor:
Antal Doráti (conductor) (on 1956-07-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1960)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1956-07-06)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio (on 1956-07-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart2:01
4Serenade in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro
engineer:
C. Robert Fine (on 1956-07-06)
producer:
Alan Melville (British producer)
orchestra:
London Symphony Orchestra (on 1956-07-06)
conductor:
Antal Doráti (conductor) (on 1956-07-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1960)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1956-07-06)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (on 1956-07-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart4:00
5Symphony no. 36 in C major, K. 425 "Linz": I. Adagio – Allegro spiritoso
engineer:
C. Robert Fine (on 1956-07-06)
producer:
Alan Melville (British producer)
orchestra:
London Symphony Orchestra (on 1956-07-06)
conductor:
Antal Doráti (conductor) (on 1956-07-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1960)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (on 1956-07-06)
recording of:
Symphony no. 36 for Orchestra in C major, K. 425 “Linz”: I. Adagio – Allegro spiritoso (on 1956-07-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Symphony no. 36 for Orchestra in C major, K. 425 “Linz”
Wolfgang Amadeus Mozart11:43
6Symphony no. 36 in C major, K. 425 "Linz": II. Andante
engineer:
C. Robert Fine (on 1956-07-06)
producer:
Alan Melville (British producer)
orchestra:
London Symphony Orchestra (on 1956-07-06)
conductor:
Antal Doráti (conductor) (on 1956-07-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1960)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (on 1956-07-06)
recording of:
Symphony no. 36 for Orchestra in C major, K. 425 “Linz”: II. Andante (on 1956-07-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Symphony no. 36 for Orchestra in C major, K. 425 “Linz”
Wolfgang Amadeus Mozart7:59
7Symphony no. 36 in C major, K. 425 "Linz": III. Menuetto
engineer:
C. Robert Fine (on 1956-07-06)
producer:
Alan Melville (British producer)
orchestra:
London Symphony Orchestra (on 1956-07-06)
conductor:
Antal Doráti (conductor) (on 1956-07-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1960)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (on 1956-07-06)
recording of:
Symphony no. 36 for Orchestra in C major, K. 425 “Linz”: III. Minuetto & Trio (on 1956-07-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Symphony no. 36 for Orchestra in C major, K. 425 “Linz”
Wolfgang Amadeus Mozart3:37
8Symphony no. 36 in C major, K. 425 "Linz": IV. Finale. Presto
engineer:
C. Robert Fine (on 1956-07-06)
producer:
Alan Melville (British producer)
orchestra:
London Symphony Orchestra (on 1956-07-06)
conductor:
Antal Doráti (conductor) (on 1956-07-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1960)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (on 1956-07-06)
recording of:
Symphony no. 36 for Orchestra in C major, K. 425 “Linz”: IV. Presto (on 1956-07-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Symphony no. 36 for Orchestra in C major, K. 425 “Linz”
Wolfgang Amadeus Mozart7:53
3▼CD: Rimsky-Korsakov: Le Coq d'Or Suite / Borodin: Polovtsian Dances
#TitleArtistRatingLength
1Le Coq d'Or Suite: I. Tsar Dodon in his Palace
engineer:
C. Robert Fine (on 1956-07-05)
producer:
Alan Melville (British producer)
orchestra:
London Symphony Orchestra (on 1956-07-05)
conductor:
Antal Doráti (conductor) (on 1956-07-05)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1956-07-05)
recording of:
Четыре музыкальных картины из оперы «Золотой петушок»: I. Царь Додон у себя дома (Four Musical Pictures from the Opera "The Golden Cockerel": I. Introduction and Dodon's Sleep) (on 1956-07-05)
additional composer:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) (in 1913) and Максимилиан Штейнберг (Maximilian Steinberg, Russian composer) (in 1913)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1907)
part of:
Четыре музыкальных картины из оперы «Золотой петушок» (Four Musical Pictures from the Opera "The Golden Cockerel", The Golden Cockerel Suite)
Nikolai Rimsky-Korsakov8:58
2Le Coq d'Or Suite: II. Tsar Dodon on Campaign
engineer:
C. Robert Fine (on 1956-07-05)
producer:
Alan Melville (British producer)
orchestra:
London Symphony Orchestra (on 1956-07-05)
conductor:
Antal Doráti (conductor) (on 1956-07-05)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1956-07-05)
recording of:
Четыре музыкальных картины из оперы «Золотой петушок»: II. Царь Додон в походе (Four Musical Pictures from the Opera "The Golden Cockerel": II. King Dodon on the Battlefield) (on 1956-07-05)
additional composer:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) (in 1913) and Максимилиан Штейнберг (Maximilian Steinberg, Russian composer) (in 1913)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1907)
part of:
Четыре музыкальных картины из оперы «Золотой петушок» (Four Musical Pictures from the Opera "The Golden Cockerel", The Golden Cockerel Suite)
Nikolai Rimsky-Korsakov4:08
3Le Coq d'Or Suite: III. Tsar Dodon as Guest of the Queen of Shemakha
engineer:
C. Robert Fine (on 1956-07-05)
producer:
Alan Melville (British producer)
orchestra:
London Symphony Orchestra (on 1956-07-05)
conductor:
Antal Doráti (conductor) (on 1956-07-05)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1956-07-05)
recording of:
Четыре музыкальных картины из оперы «Золотой петушок»: III. Царь Додон у Шемаханской царицы (Four Musical Pictures from the Opera "The Golden Cockerel": III. Queen of Shamakha's Dance - King Dodon's Dance) (on 1956-07-05)
additional composer:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) (in 1913) and Максимилиан Штейнберг (Maximilian Steinberg, Russian composer) (in 1913)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1907)
part of:
Четыре музыкальных картины из оперы «Золотой петушок» (Four Musical Pictures from the Opera "The Golden Cockerel", The Golden Cockerel Suite)
Nikolai Rimsky-Korsakov6:32
4Le Coq d'Or Suite: IV. The Wedding and Lamentable End of Dodon
engineer:
C. Robert Fine (on 1956-07-05)
producer:
Alan Melville (British producer)
orchestra:
London Symphony Orchestra (on 1956-07-05)
conductor:
Antal Doráti (conductor) (on 1956-07-05)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1956-07-05)
recording of:
Четыре музыкальных картины из оперы «Золотой петушок»: IV. Свадьба и печальный конец Додона (Four Musical Pictures from the Opera "The Golden Cockerel": IV. Wedding Procession - Death of King Dodon - Finale) (on 1956-07-05)
additional composer:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) (in 1913) and Максимилиан Штейнберг (Maximilian Steinberg, Russian composer) (in 1913)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1907)
part of:
Четыре музыкальных картины из оперы «Золотой петушок» (Four Musical Pictures from the Opera "The Golden Cockerel", The Golden Cockerel Suite)
Nikolai Rimsky-Korsakov6:11
5Prince Igor: Polovtsian Dances
engineer:
C. Robert Fine (on 1956-07-04)
producer:
Alan Melville (British producer)
choir vocals:
Chorus ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
orchestra:
London Symphony Orchestra (on 1956-07-04)
conductor:
Antal Doráti (conductor) (on 1956-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959, in 1960)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1956-07-04)
recording of:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus” (on 1956-07-04)
orchestrator:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arrangement of:
Prince Igor: Act II. Polovtsian Dance with Choir
part of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
Alexander Borodin11:18
4▼CD: Mendelssohn: Symphony no. 3 "Scottish" / The Hebrides Overture
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1Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto – Allegro un poco agitato
engineer:
C. Robert Fine (from 1956-07-03 until 1956-07-04)
producer:
Alan Melville (British producer)
orchestra:
London Symphony Orchestra (from 1956-07-03 until 1956-07-04)
conductor:
Antal Doráti (conductor) (from 1956-07-03 until 1956-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1960)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (from 1956-07-03 until 1956-07-04)
recording of:
Symphony no. 3 in A minor, op. 56 “Scottish”: I. Andante con moto – Allegro un poco agitato (from 1956-07-03 until 1956-07-04)
composer:
Felix Mendelssohn (composer) (from 1841 until 1842)
part of:
Symphony no. 3 in A minor, op. 56 “Scottish”
Felix Mendelssohn11:56
2Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo
engineer:
C. Robert Fine (from 1956-07-03 until 1956-07-04)
producer:
Alan Melville (British producer)
orchestra:
London Symphony Orchestra (from 1956-07-03 until 1956-07-04)
conductor:
Antal Doráti (conductor) (from 1956-07-03 until 1956-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1960)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (from 1956-07-03 until 1956-07-04)
recording of:
Symphony no. 3 in A minor, op. 56 “Scottish”: II. Vivace non troppo (from 1956-07-03 until 1956-07-04)
composer:
Felix Mendelssohn (composer) (from 1841 until 1842)
part of:
Symphony no. 3 in A minor, op. 56 “Scottish”
Felix Mendelssohn4:55
3Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio
engineer:
C. Robert Fine (from 1956-07-03 until 1956-07-04)
producer:
Alan Melville (British producer)
orchestra:
London Symphony Orchestra (from 1956-07-03 until 1956-07-04)
conductor:
Antal Doráti (conductor) (from 1956-07-03 until 1956-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1960)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (from 1956-07-03 until 1956-07-04)
recording of:
Symphony no. 3 in A minor, op. 56 “Scottish”: III. Adagio (from 1956-07-03 until 1956-07-04)
composer:
Felix Mendelssohn (composer) (from 1841 until 1842)
part of:
Symphony no. 3 in A minor, op. 56 “Scottish”
Felix Mendelssohn11:13
4Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo – Allegro maestoso assai
engineer:
C. Robert Fine (from 1956-07-03 until 1956-07-04)
producer:
Alan Melville (British producer)
orchestra:
London Symphony Orchestra (from 1956-07-03 until 1956-07-04)
conductor:
Antal Doráti (conductor) (from 1956-07-03 until 1956-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1960)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (from 1956-07-03 until 1956-07-04)
recording of:
Symphony no. 3 in A minor, op. 56 “Scottish”: IV. Allegro vivacissimo – Allegro maestoso assai (from 1956-07-03 until 1956-07-04)
composer:
Felix Mendelssohn (composer) (from 1841 until 1842)
part of:
Symphony no. 3 in A minor, op. 56 “Scottish”
Felix Mendelssohn10:19
5The Hebrides Overture, op. 26 (Fingal's Cave)
engineer:
C. Robert Fine (on 1956-07-05)
producer:
Alan Melville (British producer)
orchestra:
London Symphony Orchestra (on 1956-07-05)
conductor:
Antal Doráti (conductor) (on 1956-07-05)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1960)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1956-07-05)
recording of:
Die Hebriden, op. 26 (The Hebrides, op. 26 “Fingal’s Cave”, Fingal's Cave) (on 1956-07-05)
premiered in:
London (Greater London), England, United Kingdom (on 1832-05-14)
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Works of Felix Mendelssohn by opus number (number: op. 26) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV P 7)
Felix Mendelssohn10:17
5▼CD: Respighi: Gli uccelli / Impressioni brasiliane
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1Gli uccelli, P. 154: I. Preludio
engineer:
C. Robert Fine (from 1957-07-07 until 1957-07-10)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (from 1957-07-07 until 1957-07-10)
conductor:
Antal Doráti (conductor) (from 1957-07-07 until 1957-07-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1957-07-07 until 1957-07-10)
recording of:
Gli uccelli, P. 154: I. Preludio (The Birds: I. Prelude, Prelude) (from 1957-07-07 until 1957-07-10)
composer:
Ottorino Respighi (composer) (in 1928)
is based on:
Arie in C per organo o clavicembalo No. 2
part of:
Gli uccelli, P. 154 (The Birds, P.154, The Birds)
Ottorino Respighi3:03
2Gli uccelli, P. 154: II. La colomba
engineer:
C. Robert Fine (from 1957-07-07 until 1957-07-10)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (from 1957-07-07 until 1957-07-10)
conductor:
Antal Doráti (conductor) (from 1957-07-07 until 1957-07-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1957-07-07 until 1957-07-10)
recording of:
Gli uccelli, P. 154: II. La Colomba (The Birds: II. The dove, The dove) (from 1957-07-07 until 1957-07-10)
composer:
Ottorino Respighi (composer) (in 1928)
part of:
Gli uccelli, P. 154 (The Birds, P.154, The Birds)
Ottorino Respighi4:23
3Gli uccelli, P. 154: III. La gallina
engineer:
C. Robert Fine (from 1957-07-07 until 1957-07-10)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (from 1957-07-07 until 1957-07-10)
conductor:
Antal Doráti (conductor) (from 1957-07-07 until 1957-07-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1957-07-07 until 1957-07-10)
recording of:
Gli uccelli, P. 154: III. La Gallina (The Birds: III. The hen, The hen) (from 1957-07-07 until 1957-07-10)
composer:
Ottorino Respighi (composer) (in 1928)
is based on:
Nouvelles Suites de Pièces de Clavecin: La Poule
part of:
Gli uccelli, P. 154 (The Birds, P.154, The Birds)
Ottorino Respighi3:02
4Gli uccelli, P. 154: IV. L'usignuolo
engineer:
C. Robert Fine (from 1957-07-07 until 1957-07-10)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (from 1957-07-07 until 1957-07-10)
conductor:
Antal Doráti (conductor) (from 1957-07-07 until 1957-07-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1957-07-07 until 1957-07-10)
recording of:
Gli uccelli, P. 154: IV. L'Usignuolo (The Birds: IV. The nightingale, The nightingale) (from 1957-07-07 until 1957-07-10)
composer:
Ottorino Respighi (composer) (in 1928)
part of:
Gli uccelli, P. 154 (The Birds, P.154, The Birds)
Ottorino Respighi4:25
5Gli uccelli, P. 154: V. Il cucù
engineer:
C. Robert Fine (from 1957-07-07 until 1957-07-10)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (from 1957-07-07 until 1957-07-10)
conductor:
Antal Doráti (conductor) (from 1957-07-07 until 1957-07-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1957-07-07 until 1957-07-10)
recording of:
Gli uccelli, P. 154: V. Il Cucù (The Birds: V. The cuckoo, The cuckoo) (from 1957-07-07 until 1957-07-10)
composer:
Ottorino Respighi (composer) (in 1928)
part of:
Gli uccelli, P. 154 (The Birds, P.154, The Birds)
Ottorino Respighi4:19
6Impressioni brasiliane, P. 153: I. Notte tropicale
engineer:
C. Robert Fine (on 1957-07-05)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-05)
conductor:
Antal Doráti (conductor) (on 1957-07-05)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-05)
recording of:
Impressione brasiliane: I. Notte tropicale (on 1957-07-05)
composer:
Ottorino Respighi (composer) (in 1928)
part of:
Impressione brasiliane
Ottorino Respighi9:46
7Impressioni brasiliane, P. 153: II. Butantan
engineer:
C. Robert Fine (on 1957-07-05)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-05)
conductor:
Antal Doráti (conductor) (on 1957-07-05)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-05)
recording of:
Impressione brasiliane: II. Butantan (on 1957-07-05)
composer:
Ottorino Respighi (composer) (in 1928)
part of:
Impressione brasiliane
Ottorino Respighi4:46
8Impressioni brasiliane, P. 153: III. Canzona e danza
engineer:
C. Robert Fine (on 1957-07-05)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-05)
conductor:
Antal Doráti (conductor) (on 1957-07-05)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-05)
recording of:
Impressione brasiliane: III. Canzone e danza (on 1957-07-05)
composer:
Ottorino Respighi (composer) (in 1928)
quotes music from:
Dies Irae (plainchant)
part of:
Impressione brasiliane
Ottorino Respighi4:34
6▼CD: Brahms: Variations on a Theme by Haydn / Hungarian Dances
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1Variations on a Theme by Haydn, op. 56a: Theme. Chorale St. Antoni
recording engineer:
C. Robert Fine (on 1957-07-09)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-09)
conductor:
Antal Doráti (conductor) (on 1957-07-09)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-09)
recording of:
Variations on a Theme by Joseph Haydn, op. 56a: Thema. Chorale St. Antoni. Andante (on 1957-07-09)
composer:
Johannes Brahms (German composer) (in 1873)
is based on:
Divertimento in B-flat major, Hob. II:46: II. Chorale St. Antoni
orchestration of:
Variations on a Theme by Joseph Haydn, op. 56b: Chorale St. Antoni. Andante
part of:
Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)
Johannes Brahms2:10
2Variations on a Theme by Haydn, op. 56a: Variation I: Poco più animato
recording engineer:
C. Robert Fine (on 1957-07-09)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-09)
conductor:
Antal Doráti (conductor) (on 1957-07-09)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-09)
recording of:
Variations on a Theme by Joseph Haydn, op. 56a: Variation I. Poco più animato (on 1957-07-09)
composer:
Johannes Brahms (German composer) (in 1873)
part of:
Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)
Johannes Brahms1:17
3Variations on a Theme by Haydn, op. 56a: Variation II: Più vivace
recording engineer:
C. Robert Fine (on 1957-07-09)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-09)
conductor:
Antal Doráti (conductor) (on 1957-07-09)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-09)
recording of:
Variations on a Theme by Joseph Haydn, op. 56a: Variation II. Più vivace (on 1957-07-09)
composer:
Johannes Brahms (German composer) (in 1873)
part of:
Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)
Johannes Brahms0:55
4Variations on a Theme by Haydn, op. 56a: Variation III: Con moto
recording engineer:
C. Robert Fine (on 1957-07-09)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-09)
conductor:
Antal Doráti (conductor) (on 1957-07-09)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-09)
recording of:
Variations on a Theme by Joseph Haydn, op. 56a: Variation III. Con moto (on 1957-07-09)
composer:
Johannes Brahms (German composer) (in 1873)
part of:
Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)
Johannes Brahms1:23
5Variations on a Theme by Haydn, op. 56a: Variation IV: Andante con moto
recording engineer:
C. Robert Fine (on 1957-07-09)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-09)
conductor:
Antal Doráti (conductor) (on 1957-07-09)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-09)
recording of:
Variations on a Theme by Joseph Haydn, op. 56a: Variation IV. Andante con moto (on 1957-07-09)
composer:
Johannes Brahms (German composer) (in 1873)
part of:
Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)
Johannes Brahms2:05
6Variations on a Theme by Haydn, op. 56a: Variation V: Vivace
recording engineer:
C. Robert Fine (on 1957-07-09)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-09)
conductor:
Antal Doráti (conductor) (on 1957-07-09)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-09)
recording of:
Variations on a Theme by Joseph Haydn, op. 56a: Variation V. Vivace (on 1957-07-09)
composer:
Johannes Brahms (German composer) (in 1873)
part of:
Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)
Johannes Brahms0:57
7Variations on a Theme by Haydn, op. 56a: Variation VI: Vivace
recording engineer:
C. Robert Fine (on 1957-07-09)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-09)
conductor:
Antal Doráti (conductor) (on 1957-07-09)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-09)
recording of:
Variations on a Theme by Joseph Haydn, op. 56a: Variation V. Vivace (on 1957-07-09)
composer:
Johannes Brahms (German composer) (in 1873)
part of:
Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)
Johannes Brahms1:01
8Variations on a Theme by Haydn, op. 56a: Variation VII: Grazioso
recording engineer:
C. Robert Fine (on 1957-07-09)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-09)
conductor:
Antal Doráti (conductor) (on 1957-07-09)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-09)
recording of:
Variations on a Theme by Joseph Haydn, op. 56a: Variation VII. Grazioso (on 1957-07-09)
composer:
Johannes Brahms (German composer) (in 1873)
part of:
Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)
Johannes Brahms3:26
9Variations on a Theme by Haydn, op. 56a: Variation VIII: Presto non troppo
recording engineer:
C. Robert Fine (on 1957-07-09)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-09)
conductor:
Antal Doráti (conductor) (on 1957-07-09)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-09)
recording of:
Variations on a Theme by Joseph Haydn, op. 56a: Variation VIII. Presto non troppo (on 1957-07-09)
composer:
Johannes Brahms (German composer) (in 1873)
part of:
Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)
Johannes Brahms1:00
10Variations on a Theme by Haydn, op. 56a: Finale. Andante
recording engineer:
C. Robert Fine (on 1957-07-09)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-09)
conductor:
Antal Doráti (conductor) (on 1957-07-09)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-09)
recording of:
Variations on a Theme by Joseph Haydn, op. 56a: Finale. Andante (on 1957-07-09)
composer:
Johannes Brahms (German composer) (in 1873)
orchestration of:
Variations on a Theme by Joseph Haydn, op. 56b: Finale. Andante
part of:
Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)
Johannes Brahms3:31
11Hungarian Dances, WoO 1: No. 5 in G minor (orch. Parlow)
recording engineer:
C. Robert Fine (from 1957-07-05 until 1957-07-06)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (from 1957-07-05 until 1957-07-06)
conductor:
Antal Doráti (conductor) (from 1957-07-05 until 1957-07-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1957-07-05 until 1957-07-06)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, no. 5 in G minor: Allegro - Vivace (orch. Parlow) (from 1957-07-05 until 1957-07-06)
orchestrator:
Albert Parlow
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
part of:
Hungarian Dances for orchestra (Parlow orchestration)
Johannes Brahms2:07
12Hungarian Dances, WoO 1: No. 6 in D-flat major (orch. Parlow)
recording engineer:
C. Robert Fine (from 1957-07-05 until 1957-07-06)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (from 1957-07-05 until 1957-07-06)
conductor:
Antal Doráti (conductor) (from 1957-07-05 until 1957-07-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1957-07-05 until 1957-07-06)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 2, no. 6 in D major: Vivace (orchestrated by Parlow) (from 1957-07-05 until 1957-07-06)
orchestrator:
Albert Parlow
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 2, No. 6 in D-flat major: Vivace
part of:
Hungarian Dances for orchestra (Parlow orchestration)
Johannes Brahms2:44
13Hungarian Dances, WoO 1: No. 7 in A major (orch. Hallén)
recording engineer:
C. Robert Fine
producer:
Wilma Cozart Fine
orchestra:
London Symphony Orchestra (from 1957-07-05 until 1957-07-06)
conductor:
Antal Doráti (conductor) (from 1957-07-05 until 1957-07-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1957-07-05 until 1957-07-06)
recording of:
21 Hungarian Dances for Orchestra, WoO 1: No. 7 in F major (Allegretto) (catch-all for unknown and one-off arrangements) (from 1957-07-05 until 1957-07-06)
composer:
Johannes Brahms (German composer) (from 1858 until 1868)
arrangement of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 2, No. 7 in A major: Allegretto – Vivo
part of:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
Johannes Brahms1:55
14Hungarian Dances, WoO 1: No. 21 in E minor (orch. Dvořák)
recording engineer:
C. Robert Fine (from 1957-07-05 until 1957-07-06)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (from 1957-07-05 until 1957-07-06)
conductor:
Antal Doráti (conductor) (from 1957-07-05 until 1957-07-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1957-07-05 until 1957-07-06)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 4, no. 21 in E minor: Vivace (orchestrated by Dvořák) (from 1957-07-05 until 1957-07-06)
orchestrator:
Antonín Dvořák (composer) (from 1880-10 until 1880-11)
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 4, No. 21 in E minor: Vivace
part of:
Hungarian Dances for orchestra (orchestrated by Dvořák)
Johannes Brahms1:23
15Hungarian Dances, WoO 1: No. 11 in D minor (orch. Parlow)
recording engineer:
C. Robert Fine (from 1957-07-05 until 1957-07-06)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (from 1957-07-05 until 1957-07-06)
conductor:
Antal Doráti (conductor) (from 1957-07-05 until 1957-07-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1957-07-05 until 1957-07-06)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 3, no. 11 in D minor: Poco andante (Parlow orchestration) (from 1957-07-05 until 1957-07-06)
orchestrator:
Albert Parlow
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 3, No. 11 in D minor: Poco andante
part of:
Hungarian Dances for orchestra (Parlow orchestration)
Johannes Brahms3:24
16Hungarian Dances, WoO 1: No. 2 in D minor (orch. Hallén)
recording engineer:
C. Robert Fine (from 1957-07-05 until 1957-07-06)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (from 1957-07-05 until 1957-07-06)
conductor:
Antal Doráti (conductor) (from 1957-07-05 until 1957-07-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1957-07-05 until 1957-07-06)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, no. 2 in D minor: Allegro non assai - Vivace (Hallén orchestration) (from 1957-07-05 until 1957-07-06)
orchestrator:
Andreas Hallén
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 2 in D minor: Allegro non assai – Vivace
part of:
Hungarian Dances for orchestra (orchestrated by Hallén)
Johannes Brahms2:45
17Hungarian Dances, WoO 1: No. 1 in G minor (orch. Brahms)
recording engineer:
C. Robert Fine (from 1957-07-05 until 1957-07-06)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (from 1957-07-05 until 1957-07-06)
conductor:
Antal Doráti (conductor) (from 1957-07-05 until 1957-07-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1957-07-05 until 1957-07-06)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, no. 1 in G minor: Allegro molto (Brahms orchestration) (from 1957-07-05 until 1957-07-06)
orchestrator:
Johannes Brahms (German composer) (in 1873)
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, no. 1 in G minor: Allegro molto
part of:
Hungarian Dances for orchestra, WoO 1, Book 1
Johannes Brahms2:39
18Hungarian Dances, WoO 1: No. 10 in F major (orch. Brahms)
recording engineer:
Robert Eberenz
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1965-07-31 until 1965-08-02)
conductor:
Antal Doráti (conductor) (from 1965-07-31 until 1965-08-02)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1966)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1965-07-31 until 1965-08-02)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 2, no. 10 in F major: Presto (Brahms orchestration) (from 1965-07-31 until 1965-08-02)
orchestrator:
Johannes Brahms (German composer) (in 1873)
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 2, no. 10 in E major: Presto
part of:
Hungarian Dances for orchestra, WoO 1, Book 2
Johannes Brahms1:46
19Hungarian Dances, WoO 1: No. 3 in F major (orch. Brahms)
recording engineer:
Robert Eberenz
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1965-07-31 until 1965-08-02)
conductor:
Antal Doráti (conductor) (from 1965-07-31 until 1965-08-02)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1966)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1965-07-31 until 1965-08-02)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, no. 3 in F major: Allegretto (Brahms orchestration) (from 1965-07-31 until 1965-08-02)
orchestrator:
Johannes Brahms (German composer) (in 1873)
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 3 in F major: Allegretto
part of:
Hungarian Dances for orchestra, WoO 1, Book 1
Johannes Brahms2:11
20Hungarian Dances, WoO 1: No. 18 in D major (orch. Dvořák)
recording engineer:
Robert Eberenz
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1965-07-31 until 1965-08-02)
conductor:
Antal Doráti (conductor) (from 1965-07-31 until 1965-08-02)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1966)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1965-07-31 until 1965-08-02)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 4, no. 18 in D major: Molto vivace (orchestrated by Dvořák) (from 1965-07-31 until 1965-08-02)
orchestrator:
Antonín Dvořák (composer) (from 1880-10 until 1880-11)
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 4, no. 18 in D major: Molto vivace
part of:
Hungarian Dances for orchestra (orchestrated by Dvořák)
Johannes Brahms1:23
21Hungarian Dances, WoO 1: No. 17 in F-sharp minor (orch. Dvořák)
recording engineer:
Robert Eberenz
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1965-07-31 until 1965-08-02)
conductor:
Antal Doráti (conductor) (from 1965-07-31 until 1965-08-02)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1966)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1965-07-31 until 1965-08-02)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 4, no. 17 in F-sharp minor: Andantino - Vivace (orchestrated by Dvořák) (from 1965-07-31 until 1965-08-02)
orchestrator:
Antonín Dvořák (composer) (from 1880-10 until 1880-11)
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 4, No. 17 in F-sharp minor: Andantino – Vivace
part of:
Hungarian Dances for orchestra (orchestrated by Dvořák)
Johannes Brahms2:33
22Hungarian Dances, WoO 1: No. 19 in B minor (orch. Dvořák)
recording engineer:
Robert Eberenz
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1965-07-31 until 1965-08-02)
conductor:
Antal Doráti (conductor) (from 1965-07-31 until 1965-08-02)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1966)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1965-07-31 until 1965-08-02)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 4, no. 19 in B minor: Allegretto (orchestrated by Dvořák) (from 1965-07-31 until 1965-08-02)
orchestrator:
Antonín Dvořák (composer) (from 1880-10 until 1880-11)
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 4, No. 19 in B minor: Allegretto
part of:
Hungarian Dances for orchestra (orchestrated by Dvořák)
Johannes Brahms2:01
23Hungarian Dances, WoO 1: No. 20 in E minor (orch. Dvořák)
recording engineer:
Robert Eberenz
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1965-07-31 until 1965-08-02)
conductor:
Antal Doráti (conductor) (from 1965-07-31 until 1965-08-02)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1966)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1965-07-31 until 1965-08-02)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 4, no. 20 in E minor: Poco allegretto - Vivace (orchestrated by Dvořák) (from 1965-07-31 until 1965-08-02)
orchestrator:
Antonín Dvořák (composer) (from 1880-10 until 1880-11)
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 4, No. 20 in E minor: Poco allegretto – Vivace
part of:
Hungarian Dances for orchestra (orchestrated by Dvořák)
Johannes Brahms2:19
24Hungarian Dances, WoO 1: No. 12 in D minor (orch. Parlow)
recording engineer:
Robert Eberenz
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1965-07-31 until 1965-08-02)
conductor:
Antal Doráti (conductor) (from 1965-07-31 until 1965-08-02)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1966)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1965-07-31 until 1965-08-02)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 3, no. 12 in D minor: Presto (Parlow orchestration) (from 1965-07-31 until 1965-08-02)
orchestrator:
Albert Parlow
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 3, No. 12 in D minor: Presto
part of:
Hungarian Dances for orchestra (Parlow orchestration)
Johannes Brahms2:07
25Hungarian Dances, WoO 1: No. 15 in B-flat major (orch. Parlow)
recording engineer:
Robert Eberenz
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1965-07-31 until 1965-08-02)
conductor:
Antal Doráti (conductor) (from 1965-07-31 until 1965-08-02)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1966)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1965-07-31 until 1965-08-02)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 3, no. 15 in B-flat major: Allegretto grazioso (Parlow orchestration) (from 1965-07-31 until 1965-08-02)
orchestrator:
Albert Parlow
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 3, No. 15 in B-flat major: Allegretto grazioso
part of:
Hungarian Dances for orchestra (Parlow orchestration)
Johannes Brahms2:47
26Hungarian Dances, WoO 1: No. 4 in F-sharp minor (orch. Hallén)
recording engineer:
Robert Eberenz
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1965-07-31 until 1965-08-02)
conductor:
Antal Doráti (conductor) (from 1965-07-31 until 1965-08-02)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1966)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1965-07-31 until 1965-08-02)
recording of:
21 Hungarian Dances for Orchestra, WoO 1: No. 4 in F-sharp minor (Poco sostenuto) (catch-all for unknown and one-off orchestrations) (from 1965-07-31 until 1965-08-02)
composer:
Johannes Brahms (German composer) (from 1858 until 1868)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 4 in F minor: Poco sostenuto – Vivace
part of:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
Johannes Brahms4:28
7▼CD: Haydn: Symphonies nos. 100 & 101
#TitleArtistRatingLength
1Symphony no. 100 in G major, Hob. I:100 "Military": I. Adagio – Allegro
engineer:
C. Robert Fine (from 1957-07-07 until 1957-07-09)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (from 1957-07-07 until 1957-07-09)
conductor:
Antal Doráti (conductor) (from 1957-07-07 until 1957-07-09)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1960)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1957-07-07 until 1957-07-09)
recording of:
Symphony no. 100 in G major, Hob. I:100 "Military": I. Adagio - Allegro (from 1957-07-07 until 1957-07-09)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Symphony no. 100 in G major, Hob. I:100 "Military"
Joseph Haydn6:01
2Symphony no. 100 in G major, Hob. I:100 "Military": II. Allegretto
engineer:
C. Robert Fine (from 1957-07-07 until 1957-07-09)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (from 1957-07-07 until 1957-07-09)
conductor:
Antal Doráti (conductor) (from 1957-07-07 until 1957-07-09)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1960)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1957-07-07 until 1957-07-09)
recording of:
Symphony no. 100 in G major, Hob. I:100 "Military": II. Allegretto (from 1957-07-07 until 1957-07-09)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Symphony no. 100 in G major, Hob. I:100 "Military"
Joseph Haydn5:28
3Symphony no. 100 in G major, Hob. I:100 "Military": III. Menuetto – Trio (Moderato)
engineer:
C. Robert Fine (from 1957-07-07 until 1957-07-09)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (from 1957-07-07 until 1957-07-09)
conductor:
Antal Doráti (conductor) (from 1957-07-07 until 1957-07-09)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1960)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1957-07-07 until 1957-07-09)
recording of:
Symphony no. 100 in G major, Hob. I:100 "Military": III. Menuetto & Trio. Moderato (from 1957-07-07 until 1957-07-09)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Symphony no. 100 in G major, Hob. I:100 "Military"
Joseph Haydn5:11
4Symphony no. 100 in G major, Hob. I:100 "Military": IV. Finale (Presto)
engineer:
C. Robert Fine (from 1957-07-07 until 1957-07-09)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (from 1957-07-07 until 1957-07-09)
conductor:
Antal Doráti (conductor) (from 1957-07-07 until 1957-07-09)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1960)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1957-07-07 until 1957-07-09)
recording of:
Symphony no. 100 in G major, Hob. I:100 "Military": IV. Finale. Presto (from 1957-07-07 until 1957-07-09)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Symphony no. 100 in G major, Hob. I:100 "Military"
Joseph Haydn4:47
5Symphony no. 101 in D major, Hob. I:101 "The Clock": I. Adagio – Presto
engineer:
C. Robert Fine (from 1957-07-07 until 1957-07-10)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (from 1957-07-07 until 1957-07-10)
conductor:
Antal Doráti (conductor) (from 1957-07-07 until 1957-07-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1960)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1957-07-07 until 1957-07-10)
recording of:
Symphony no. 101 in D major, Hob. I:101 “Clock”: I. Adagio - Presto (from 1957-07-07 until 1957-07-10)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Symphony no. 101 in D major, Hob. I:101 “Clock”
Joseph Haydn7:21
6Symphony no. 101 in D major, Hob. I:101 "The Clock": II. Andante
engineer:
C. Robert Fine (from 1957-07-07 until 1957-07-10)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (from 1957-07-07 until 1957-07-10)
conductor:
Antal Doráti (conductor) (from 1957-07-07 until 1957-07-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1960)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1957-07-07 until 1957-07-10)
recording of:
Symphony no. 101 in D major, Hob. I:101 “Clock”: II. Andante (from 1957-07-07 until 1957-07-10)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Symphony no. 101 in D major, Hob. I:101 “Clock”
Joseph Haydn8:14
7Symphony no. 101 in D major, Hob. I:101 "The Clock": III. Menuetto – Trio (Allegretto)
engineer:
C. Robert Fine (from 1957-07-07 until 1957-07-10)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (from 1957-07-07 until 1957-07-10)
conductor:
Antal Doráti (conductor) (from 1957-07-07 until 1957-07-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1960)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1957-07-07 until 1957-07-10)
recording of:
Symphony no. 101 in D major, Hob. I:101 “Clock”: III. Menuet. Allegretto - Trio - Menuet (from 1957-07-07 until 1957-07-10)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Symphony no. 101 in D major, Hob. I:101 “Clock”
Joseph Haydn8:12
8Symphony no. 101 in D major, Hob. I:101 "The Clock": IV. Finale (Vivace)
engineer:
C. Robert Fine (from 1957-07-07 until 1957-07-10)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (from 1957-07-07 until 1957-07-10)
conductor:
Antal Doráti (conductor) (from 1957-07-07 until 1957-07-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1960)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1957-07-07 until 1957-07-10)
recording of:
Symphony no. 101 in D major, Hob. I:101 “Clock”: IV. Finale. Vivace (from 1957-07-07 until 1957-07-10)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Symphony no. 101 in D major, Hob. I:101 “Clock”
Joseph Haydn5:09
8▼CD: Verdi: Overtures
#TitleArtistRatingLength
1La forza del destino: Overture (Sinfonia)
engineer:
C. Robert Fine (on 1957-07-09)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-09)
conductor:
Antal Doráti (conductor) (on 1957-07-09)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-09)
recording of:
La forza del destino: Sinfonia (on 1957-07-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
Giuseppe Verdi6:54
2Nabucco: Overture
engineer:
C. Robert Fine (on 1957-07-09)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (in 1957-07, on 1957-07-09)
conductor:
Antal Doráti (conductor) (in 1957-07, on 1957-07-09)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-09)
recording of:
Nabucco: Sinfonia (Overture) (on 1957-07-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Nabucco
recording of:
Nabucco: Sinfonia (Overture) (in 1957-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Nabucco
Giuseppe Verdi7:52
3I vespri siciliani: Overture (Sinfonia)
engineer:
C. Robert Fine (on 1957-07-09)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (in 1957-07, on 1957-07-09)
conductor:
Antal Doráti (conductor) (in 1957-07, on 1957-07-09)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-09)
recording of:
I vespri siciliani: Sinfonia (on 1957-07-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
I vespri siciliani
recording of:
I vespri siciliani: Sinfonia (in 1957-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
I vespri siciliani
Giuseppe Verdi8:40
4La traviata: Prelude to Act I
engineer:
C. Robert Fine (on 1957-07-09)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-09)
conductor:
Antal Doráti (conductor) (on 1957-07-09)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-09)
recording of:
La traviata: Preludio (on 1957-07-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata
part of:
La traviata (english lyrics)
part of:
La traviata (french lyrics)
part of:
La Traviata (aka Violetta, german lyrics)
part of:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi3:42
5La traviata: Prelude to Act III
engineer:
C. Robert Fine (on 1957-07-09)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-09)
conductor:
Antal Doráti (conductor) (on 1957-07-09)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-09)
recording of:
La traviata: Atto III. Preludio (on 1957-07-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata: Act III (english version)
part of:
La Traviata: Akt III.
part of:
La traviata: Atto III (La traviata: Act III)
part of:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi3:12
9▼CD: Handel: Water Music Suite / Music for the Royal Fireworks
#TitleArtistRatingLength
1Water Music Suite: I. Allegro
engineer:
C. Robert Fine (on 1957-07-06)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-06)
conductor:
Antal Doráti (conductor) (on 1957-07-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-06)
recording of:
Water Music Suite: I. Allegro (arr. Hamilton Harty) (on 1957-07-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
arranger:
Sir Hamilton Harty (Irish composer, conductor, pianist and organist; knighted in 1925)
part of:
Water Music Suite (arr. Hamilton Harty)
George Frideric Handel2:34
2Water Music Suite: II. Air
engineer:
C. Robert Fine (on 1957-07-06)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-06)
conductor:
Antal Doráti (conductor) (on 1957-07-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-06)
recording of:
Water Music Suite: II. Air (arr. Hamilton Harty) (on 1957-07-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
arranger:
Sir Hamilton Harty (Irish composer, conductor, pianist and organist; knighted in 1925)
part of:
Water Music Suite (arr. Hamilton Harty)
George Frideric Handel5:22
3Water Music Suite: III. Bourrée
engineer:
C. Robert Fine (on 1957-07-06)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-06)
conductor:
Antal Doráti (conductor) (on 1957-07-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-06)
recording of:
Water Music Suite: III. Bourrée (arr. Hamilton Harty) (on 1957-07-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
arranger:
Sir Hamilton Harty (Irish composer, conductor, pianist and organist; knighted in 1925)
part of:
Water Music Suite (arr. Hamilton Harty)
George Frideric Handel0:44
4Water Music Suite: IV. Hornpipe
engineer:
C. Robert Fine (on 1957-07-06)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-06)
conductor:
Antal Doráti (conductor) (on 1957-07-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-06)
recording of:
Water Music Suite: IV. Hornpipe (arr. Hamilton Harty) (on 1957-07-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
arranger:
Sir Hamilton Harty (Irish composer, conductor, pianist and organist; knighted in 1925)
part of:
Water Music Suite (arr. Hamilton Harty)
George Frideric Handel0:54
5Water Music Suite: V. Andante
engineer:
C. Robert Fine (on 1957-07-06)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-06)
conductor:
Antal Doráti (conductor) (on 1957-07-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-06)
recording of:
Water Music Suite: V. Andante espressivo (arr. Hamilton Harty) (on 1957-07-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
arranger:
Sir Hamilton Harty (Irish composer, conductor, pianist and organist; knighted in 1925)
part of:
Water Music Suite (arr. Hamilton Harty)
recording of:
Water Music Suite: VI. Allegro deciso (arr. Hamilton Harty) (on 1957-07-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
arranger:
Sir Hamilton Harty (Irish composer, conductor, pianist and organist; knighted in 1925)
part of:
Water Music Suite (arr. Hamilton Harty)
George Frideric Handel6:51
6Music for the Royal Fireworks: I. Overture
engineer:
C. Robert Fine (on 1957-07-08)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-08)
conductor:
Antal Doráti (conductor) (on 1957-07-08)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-08)
recording of:
Music for the Royal Fireworks: I. Overture (arr. Harty) (on 1957-07-08)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
arranger:
Sir Hamilton Harty (Irish composer, conductor, pianist and organist; knighted in 1925)
arrangement of:
Music for the Royal Fireworks, HWV 351: I. Ouverture
part of:
Music for the Royal Fireworks (arr. Harty)
George Frideric Handel5:55
7Music for the Royal Fireworks: II. Alla Siciliana
engineer:
C. Robert Fine (on 1957-07-08)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-08)
conductor:
Antal Doráti (conductor) (on 1957-07-08)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-08)
recording of:
Music for the Royal Fireworks: II. Alla Siciliana (arr. Harty) (on 1957-07-08)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
arranger:
Sir Hamilton Harty (Irish composer, conductor, pianist and organist; knighted in 1925)
part of:
Music for the Royal Fireworks (arr. Harty)
George Frideric Handel4:36
8Music for the Royal Fireworks: III. Bourrée
engineer:
C. Robert Fine (on 1957-07-08)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-08)
conductor:
Antal Doráti (conductor) (on 1957-07-08)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-08)
recording of:
Music for the Royal Fireworks: III. Bourrée (arr. Harty) (on 1957-07-08)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
arranger:
Sir Hamilton Harty (Irish composer, conductor, pianist and organist; knighted in 1925)
part of:
Music for the Royal Fireworks (arr. Harty)
George Frideric Handel1:08
9Music for the Royal Fireworks: IV. Menuetto
engineer:
C. Robert Fine (on 1957-07-08)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-08)
conductor:
Antal Doráti (conductor) (on 1957-07-08)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-08)
recording of:
Music for the Royal Fireworks: IV. Menuetto (arr. Harty) (on 1957-07-08)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
arranger:
Sir Hamilton Harty (Irish composer, conductor, pianist and organist; knighted in 1925)
part of:
Music for the Royal Fireworks (arr. Harty)
George Frideric Handel2:54
10▼CD: Khachaturian: Gayaneh / Tchaikovsky: Romeo and Juliet, Fantasy Overture
#TitleArtistRatingLength
1Gayaneh: Sabre Dance
engineer:
C. Robert Fine (from 1960-06-15 until 1960-06-17)
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1960-06-15 until 1960-06-17)
conductor:
Antal Doráti (conductor) (from 1960-06-15 until 1960-06-17)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1961)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1960-06-15 until 1960-06-17)
recording of:
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions) (from 1960-06-15 until 1960-06-17)
composer:
Aram Khachaturian (Soviet-Armenian composer) (in 1942)
arrangement of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
Aram Khachaturian2:31
2Gayaneh: Ayesha's Dance
engineer:
C. Robert Fine (from 1960-06-15 until 1960-06-17)
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1960-06-15 until 1960-06-17)
conductor:
Antal Doráti (conductor) (from 1960-06-15 until 1960-06-17)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1961)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1960-06-15 until 1960-06-17)
recording of:
Second Suite from the ballet “Gayaneh” for orchestra, op. 54: II. Lyrical Duet of Ayesha and Armen (from 1960-06-15 until 1960-06-17)
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer)
part of:
Second Suite from the ballet “Gayaneh” for orchestra, op. 54
Aram Khachaturian2:37
3Gayaneh: Dance of the Rose Maidens
engineer:
C. Robert Fine (from 1960-06-15 until 1960-06-17)
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1960-06-15 until 1960-06-17)
conductor:
Antal Doráti (conductor) (from 1960-06-15 until 1960-06-17)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1961)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1960-06-15 until 1960-06-17)
recording of:
First Suite from the ballet “Gayaneh” for orchestra, op. 53: II. Dance of the Rose Maidens (from 1960-06-15 until 1960-06-17)
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer) (in 1942)
part of:
First Suite from the ballet “Gayaneh” for orchestra, op. 53
Aram Khachaturian2:18
4Gayaneh: Dance of the Kurds
engineer:
C. Robert Fine (from 1960-06-15 until 1960-06-17)
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1960-06-15 until 1960-06-17)
conductor:
Antal Doráti (conductor) (from 1960-06-15 until 1960-06-17)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1961)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1960-06-15 until 1960-06-17)
recording of:
Dance of the Kurds, from the ballet Gayaneh (from 1960-06-15 until 1960-06-17)
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer)
Aram Khachaturian1:58
5Gayaneh: Lullaby
engineer:
C. Robert Fine (from 1960-06-15 until 1960-06-17)
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1960-06-15 until 1960-06-17)
conductor:
Antal Doráti (conductor) (from 1960-06-15 until 1960-06-17)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1961)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1960-06-15 until 1960-06-17)
recording of:
First Suite from the ballet “Gayaneh” for orchestra, op. 53: V. Lullaby (from 1960-06-15 until 1960-06-17)
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer)
part of:
First Suite from the ballet “Gayaneh” for orchestra, op. 53
Aram Khachaturian4:50
6Gayaneh: Dance of the Young Kurds
engineer:
C. Robert Fine (from 1960-06-15 until 1960-06-17)
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1960-06-15 until 1960-06-17)
conductor:
Antal Doráti (conductor) (from 1960-06-15 until 1960-06-17)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1961)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1960-06-15 until 1960-06-17)
recording of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55: II. Dance of the Young Kurds (from 1960-06-15 until 1960-06-17)
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer)
part of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55
Aram Khachaturian2:47
7Gayaneh: Armen's Variation
engineer:
C. Robert Fine (from 1960-06-15 until 1960-06-17)
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1960-06-15 until 1960-06-17)
conductor:
Antal Doráti (conductor) (from 1960-06-15 until 1960-06-17)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1961)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1960-06-15 until 1960-06-17)
recording of:
Second Suite from the ballet “Gayaneh” for orchestra, op. 54: VI. Armen’s Variation (from 1960-06-15 until 1960-06-17)
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer)
part of:
Second Suite from the ballet “Gayaneh” for orchestra, op. 54
Aram Khachaturian1:49
8Gayaneh: Lezghinka
engineer:
C. Robert Fine (from 1960-06-15 until 1960-06-17)
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (from 1960-06-15 until 1960-06-17)
conductor:
Antal Doráti (conductor) (from 1960-06-15 until 1960-06-17)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1961)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1960-06-15 until 1960-06-17)
recording of:
First Suite from the ballet “Gayaneh” for orchestra, op. 53: VIII. Lezghinka (from 1960-06-15 until 1960-06-17)
composer:
Aram Khachaturian (Soviet-Armenian composer) (in 1942)
part of:
First Suite from the ballet “Gayaneh” for orchestra, op. 53
Aram Khachaturian2:34
9Romeo and Juliet, Fantasy Overture, TH 42
engineer:
C. Robert Fine (on 1959-06-20)
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (on 1959-06-20)
conductor:
Antal Doráti (conductor) (on 1959-06-20)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1961)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1959-06-20)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed) (on 1959-06-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Pyotr Ilyich Tchaikovsky18:44
11▶CD: Smetana: The Moldau / Mussorgsky: Night on Bald Mountain / Liszt: Les préludes / Sibelius: Valse triste
12▶CD: Stravinsky: The Firebird
13▶CD: Wagner: Overtures & Preludes
14▶CD: Enesco: Roumanian Rhapsodies nos. 1 & 2 / Liszt: Hungarian Rhapsodies nos. 2 & 6
15▶CD: Dvořák: Symphonies nos. 7 & 8 / Carnaval Overture
16▶CD: Copland: Appalachian Spring / Billy the Kid
17▶CD: Tchaikovsky: Symphony no. 5
18▶CD: Rimsky-Korsakov: Russian Easter Festival Overture / Capriccio espagnol / Borodin: Overture & Polovtsian Dances from "Prince Igor"
19▶CD: Brahms: Symphony no. 1
20▶CD: Beethoven: Wellington's Victory / Leonore Overture no. 3 / The Creatures of Prometheus
21▶CD: Berg: Lulu Suite / Wozzeck
22▶CD: Tchaikovsky: Symphony no. 4
23▶CD: Mozart: Symphony no. 40 / Haydn: Symphony no. 45 "Farewell"
24▶CD: Rachmaninoff: Piano Concerto no. 3
25▶CD: Wagner: Overtures and Preludes
26▶CD: Dvořák: Cello Concerto / Bruch: Kol Nidrei
27▶CD: Tchaikovsky: The Nutcracker
28▶CD: Brahms: Violin Concerto
29▶CD: Weber: Oberon, Overture / Schumann: Symphony no. 4 / Beethoven: Symphony no. 6