Body + Soul: Duets

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Put It on Paper
Ann Nesby feat. Al Green5:07
2Don't Look Any Further
recording engineer:
Jeremy Smith (producer/engineer)
drum machine programming and associate co-producer:
Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
producer:
Dennis Lambert
bass guitar:
Nathan East
bass synthesizer and electric guitar [Valley Arts Stratocaster]:
Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
cabasa, shakers, talking drum, tambourine and timbales:
Paulinho da Costa (Brazilian percussionist)
synthesizer:
Dennis Lambert
guest vocals:
Siedah Garrett
arranger:
Dennis Lambert and Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
recorded at:
Soundcastle Studios (former LA location) in Silver Lake, Los Angeles, California, United States
mixed at:
Motown Studios - Hitsville West in West Hollywood, California, United States
recording of:
Don’t Look Any Further
writer:
Franne Golde, Duane Hitchings and Dennis Lambert
publisher:
BMG Platinum Songs US, Universal Music Careers and VMG Worldwide
Dennis Edwards feat. Siedah Garrett4:06
3Hope That We Can Be Together Soon
producer:
Gamble & Huff
vocals:
Sharon Paige
performer:
MFSB (in 1975)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1975)
recording of:
Hope That We Can Be Together Soon (in 1975)
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Blue Notes & Sharon Paige3:43
4Ain't Nothing Like the Real Thing
producer:
Nickolas Ashford and Valerie Simpson
instruments:
The Funk Brothers (on 1967-10-06)
background vocals:
Valerie Simpson (in 1967) and Nickolas Ashford (on 1967-10-06)
lead vocals:
Marvin Gaye (on 1967-10-06) and Tammi Terrell (on 1967-10-06)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (on 1967-10-06)
recording of:
Ain’t Nothing Like the Real Thing (on 1967-10-06)
writer:
Nickolas Ashford and Valerie Simpson
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (UK) Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Jobete Music Co., Inc. (from 1967 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Marvin Gaye & Tammi Terrell42:16
5I'm Gonna Make You Love Me
producer:
Nickolas Ashford and Frank Wilson (Motown singer/songwriter)
lead vocals:
Eddie Kendricks and Diana Ross
spoken vocals:
Otis Williams (US baritone singer, member of The Temptations & The Distants)
arranger:
Paul Riser
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1968), Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1968), Motown Record Corporation (company credits only; do NOT use as release label) (in 1968) and PolyGram (in 1968)
recorded at:
Motown Studios - Hitsville West in West Hollywood, California, United States
cover recording of:
I’m Gonna Make You Love Me (until 1968-09-13)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Leon Huff (Philly soul producer, of Gamble & Huff) and Jerry Ross (Philadelphia soul composer/producer)
publisher:
Act Three Music, Down Stairs Music, MRC Music Corp., Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross & The Supremes and The Temptations3.53:10
6Ain't Understanding Mellow
recording of:
Ain't Understanding Mellow
writer:
Herscholt Polk and Homer Talbert
Jerry Butler & Brenda Lee Eager4:24
7Endless Love
recording engineer:
Reggie Dozier
producer:
Lionel Richie
mixer:
Guy Costa
additional guest performer:
Diana Ross
arranger:
Gene Page
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 20)
recording of:
Endless Love
lyricist and composer:
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) and Warner/Chappell North America
part of:
The 54th Academy Award for Best Original Song (number: 2)
Diana Ross & Lionel Richie3.54:31
8You Don't Have to Be a Star (To Be in My Show)
recording of:
You Don't Have to Be a Star (To Be in My Show)
writer:
James Dean (US soul songwriter) and John Glover (US Funk/disco/soul producer & songwriter)
Marilyn McCoo & Billy Davis Jr.53:54
9Reunited
producer:
Freddie Perren
phonographic copyright (℗) by:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978)
edit of:
Reunited by Peaches & Herb
recording of:
Reunited
writer:
Dino Fekaris and Freddie Perren
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Peaches & Herb54:02
10Solid
recording of:
Solid
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Nick‐O‐Val Music Co. Inc.
Ashford & Simpson3:47
11Tonight, I Celebrate My Love
recording engineer:
Alan R. Hirshberg (in 1983)
engineer:
Howard Wolin and Jeremy Smith (producer/engineer)
producer:
Michael Masser
mixer:
Dick Bogart (Recording and mixing engineer) and Russ Terrano
bass guitar [bass]:
Nathan East (in 1983)
drums (drum set):
Carlos Vega (in 1983)
guitar:
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist) (in 1983)
piano:
Randy Kerber (in 1983)
vocals:
Peabo Bryson (in 1983) and Roberta Flack (in 1983)
arranger:
Michael Masser and Gene Page
orchestrator:
Gene Page
phonographic copyright (℗) by:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
recorded at:
A&M Records Studios in Hollywood, Los Angeles, California, United States (in 1983) and Studio Sound in North Hollywood, Los Angeles, California, United States (in 1983)
mixed at:
Motown Hitsville in West Hollywood, California, United States
recording of:
Tonight, I Celebrate My Love (in 1983)
lyricist:
Gerry Goffin
composer:
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP) and Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
sub-publisher:
Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Peabo Bryson & Roberta Flack3.753:33
12Two Hearts
performer:
Teddy Pendergrass
recording of:
Two Hearts
writer:
Reggie Lucas, James Mtume (jazz/funk musician) and Tawatha
Stephanie Mills feat. Teddy Pendergrass4:42
2▼CD
#TitleArtistRatingLength
1It Takes Two
vocals:
Kim Weston
recording of:
It Takes Two
writer:
Sylvia Moy and William Stevenson (Motown songwriter)
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music
Marvin Gaye & Kim Weston52:59
2Love Power
recording of:
Love Power
writer:
Burt Bacharach and Carole Bayer Sager
Dionne Warwick & Jeffrey Osborne4:36
3A Little Bit More )
recording of:
A Little Bit More
writer:
Gene McFadden, James McKinney (Soul - funk - disco keyboards - synthesizer - trumpet player) and Linda Vitali (Songwriter)
publisher:
Linda Vitali Music and Mc-Fadden-Gene-Music
Melba Moore feat. Freddie Jackson4:57
4Never Knew Love Like This
performer:
Cherrelle (R&B singer)
recording of:
Never Knew Love Like This
writer:
James Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
Avant Garde Music Publishing, Inc., EMI April Music Inc., Flyte Tyme Tunes, Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Alexander O’Neal feat. Cherrelle5:12
5If This World Were Mine
Luther Vandross & Cheryl Lynn5:25
6The Last Time I Made Love
Joyce Kennedy feat. Jeffrey Osborne3:08
7Your Smile
recording of:
Your Smile
writer:
René Moore and Angela Winbush
René & Angela4:03
8How Do You Keep The Music Playing
recording engineer:
Joel Moss
synthesizer programming:
Steve Porcaro
co-producer:
Johnny Mandel (American composer and arranger)
bass:
Nathan East
drums (drum set) [drums]:
Leon Ndugu Chancler
guitar:
George Doering and Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
piano [acoustic piano]:
David Foster (Canadian music producer, arranger and composer)
synthesizer:
David Paich
guest vocals:
Patti Austin
lead vocals:
James Ingram (R&B singer)
performer:
Patti Austin
arranger:
David Foster (Canadian music producer, arranger and composer), Quincy Jones and Johnny Mandel (American composer and arranger)
co-produced for:
Shadow Productions
recording of:
How Do You Keep the Music Playing?
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
Warner Olive Music LLC and WB Music Corp. (1929–2019) (in 1982)
part of:
The 55th Academy Award for Best Original Song (number: 2)
Patti Austin & James Ingram4:19
9I Knew You Were Waiting (For Me)
recording engineer:
David Frazer (engineer) (in 1986)
percussion programming:
Preston Glass (in 1986)
synthesizer programming:
Walter Afanasieff (in 1986)
additional assistant engineer:
Stuart Hirotsu, Mike Iacopelli (engineer), Gordon Lyon, Lennete Viegas and Jim Watts (engineer)
additional engineer:
Dana Jon Chappelle and Maureen Droney
producer:
George Michael and Narada Michael Walden
mixer:
David Frazer (engineer) and Serban Ghenea
bass guitar:
Randy Jackson (former bassist with Journey and American Idol judge) (in 1986)
drums (drum set):
Narada Michael Walden (in 1986)
electric guitar:
Corrado Rustici (in 1986)
percussion and tambourine:
Greg “Gigi” Gonaway (in 1986)
synthesizer:
Walter Afanasieff (in 1986)
additional vocals:
Aretha Franklin (in 1986)
background vocals:
Kitty Beethoven (in 1986), Jim Gilstrap (in 1986), Jennifer Hall (English actress, singer-songwriter) (in 1986), Myrna Matthews (in 1986) and Claytoven Richardson (in 1986)
lead vocals:
Aretha Franklin (in 1986) and George Michael (in 1986)
vocals:
Aretha Franklin (in 1986)
strings arranger:
Jerry Hey
arranger:
Narada Michael Walden
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1986), Arista Records, LLC (holding company - file NO releases here!) (in 1986), CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1986)
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
recording of:
I Knew You Were Waiting (for Me) (in 1986)
writer:
Simon Climie and Dennis Morgan (US songwriter)
publisher:
BMG Music Publishing Ltd., Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Kobalt Music Publishing Ltd. (UK), Kobalt Music Services Ltd. (UK), Little Shop of Morgansongs (BMI), Rare Blue Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Aretha Franklin & George Michael44:03
10Fire And Desire
engineer:
Bobby Brooks (US producer/engineer/remixer), Rick "Port Hole" Sanchez and Tom "Super" Flye
executive producer:
Alonzo Miller (Singer-songwriter, producer)
producer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
flute [tenor flute]:
Gerald Albright
vocals:
Teena Marie
performer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
arranger:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
Fire & Desire (Rick James Song)
lyricist and composer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
Rick James & Teena Marie37:21
11Where Do We Go From Here
producer:
LeMel Humes
vocals:
Stacy Lattisaw
Stacy Lattisaw With Johnny Gill4:19
12Ain't No Mountain High Enough
vocals:
Marvin Gaye and Tammi Terrell
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 37)
recording of:
Ain’t No Mountain High Enough
writer:
Nickolas Ashford and Valerie Simpson
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye & Tammi Terrell4.652:29

Credits

Release

ASIN:US: B000GHDHZM [info]

Release group

part of:Body + Soul (Time-Life Music) (number: 27) (order: 30)
Discogs:https://www.discogs.com/master/1382522 [info]
Allmusic:https://www.allmusic.com/album/mw0001137619 [info]