Generation Harmonia Mundi: The Family Spirit 1988-2018

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: Les Héritiers d'Alfred Deller
#	Title	Artist	Rating	Length
1	Stabat Mater, RV 621: Stabat Mater dolorosa. Largo countertenor vocals: Andreas Scholl (countertenor) orchestra: Ensemble 415 (Swiss Baroque ensemble) conductor: Chiara Banchini (violinist and conductor) recording of: Stabat Mater, RV 621: I. Largo "Stabat mater dolorosa" composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Stabat Mater, RV 621	Antonio Vivaldi		2:54
2	Stabat Mater, RV 621: Cujus animam gementem. Adagio countertenor vocals: Andreas Scholl (countertenor) orchestra: Ensemble 415 (Swiss Baroque ensemble) conductor: Chiara Banchini (violinist and conductor) recording of: Stabat Mater, RV 621: II. Adagissimo "Cuius animam" composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Stabat Mater, RV 621	Antonio Vivaldi		1:48
3	Stabat Mater, RV 621: O quam tristis. Andante countertenor vocals: Andreas Scholl (countertenor) orchestra: Ensemble 415 (Swiss Baroque ensemble) conductor: Chiara Banchini (violinist and conductor) recording of: Stabat Mater, RV 621: III. Andante "O quam tristis" composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Stabat Mater, RV 621	Antonio Vivaldi		1:54
4	Stabat Mater, RV 621: Quis est homo. Largo countertenor vocals: Andreas Scholl (countertenor) orchestra: Ensemble 415 (Swiss Baroque ensemble) conductor: Chiara Banchini (violinist and conductor) recording of: Stabat Mater, RV 621: IV. Largo "Quis est homo" composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Stabat Mater, RV 621	Antonio Vivaldi		2:50
5	Stabat Mater, RV 621: Quis non posset. Adagio countertenor vocals: Andreas Scholl (countertenor) orchestra: Ensemble 415 (Swiss Baroque ensemble) conductor: Chiara Banchini (violinist and conductor) recording of: Stabat Mater, RV 621: V. Adagissimo "Quis non posset" composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Stabat Mater, RV 621	Antonio Vivaldi		2:05
6	Stabat Mater, RV 621: Pro peccatis suae gentis. Andante countertenor vocals: Andreas Scholl (countertenor) orchestra: Ensemble 415 (Swiss Baroque ensemble) conductor: Chiara Banchini (violinist and conductor) recording of: Stabat Mater, RV 621: VI. Andante "Pro peccatis" composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Stabat Mater, RV 621	Antonio Vivaldi		1:51
7	Stabat Mater, RV 621: Eja mater, fons amoris. Largo countertenor vocals: Andreas Scholl (countertenor) orchestra: Ensemble 415 (Swiss Baroque ensemble) conductor: Chiara Banchini (violinist and conductor) recording of: Stabat Mater, RV 621: VII. Largo "Eja Mater" composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Stabat Mater, RV 621	Antonio Vivaldi		2:43
8	Stabat Mater, RV 621: Fac ut ardeat. Lento countertenor vocals: Andreas Scholl (countertenor) orchestra: Ensemble 415 (Swiss Baroque ensemble) conductor: Chiara Banchini (violinist and conductor) recording of: Stabat Mater, RV 621: VIII. Lento "Fac ut ardeat" composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Stabat Mater, RV 621	Antonio Vivaldi		1:39
9	Stabat Mater, RV 621: Amen. Allegro countertenor vocals: Andreas Scholl (countertenor) orchestra: Ensemble 415 (Swiss Baroque ensemble) conductor: Chiara Banchini (violinist and conductor) recording of: Stabat Mater, RV 621: IX. Allegro "Amen" composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Stabat Mater, RV 621	Antonio Vivaldi		1:09
10	Giasone: Delfa: Voli il tempo, se sa (I,7) countertenor vocals: Dominique Visse (countertenor) tenor vocals: Gilles Ragon (tenor) orchestra: Concerto Vocale (Belgian baroque/early music ensemble) conductor: René Jacobs (conductor) recording of: Il Giasone composer: Francesco Cavalli (Baroque composer) librettist: Giacinto Andrea Cicognini premiered at: Teatro San Cassiano in Venezia (Venice), Venezia, Veneto, Italy (on 1649-01-05)	Francesco Cavalli		3:03
11	La Calisto: Il Satirino, Linfea. Il Satirino: Ninfa bella (I, 13) countertenor vocals: Dominique Visse (countertenor) tenor vocals: Gilles Ragon (tenor) orchestra: Concerto Vocale (Belgian baroque/early music ensemble) conductor: René Jacobs (conductor) recording of: La Calisto, Act 1: "Ninfa bella" composer: Francesco Cavalli (Baroque composer) librettist: Giovanni Faustini part of: La Calisto: Act 1	Francesco Cavalli		4:00
12	La Calisto: Il Satirino: Alfin la tanto rigida (II, 3) countertenor vocals: Dominique Visse (countertenor) tenor vocals: Gilles Ragon (tenor) orchestra: Concerto Vocale (Belgian baroque/early music ensemble) conductor: René Jacobs (conductor) partial recording of: La Calisto: Act 2 composer: Francesco Cavalli (Baroque composer) part of: La Calisto	Francesco Cavalli		1:49
13	Agrippina: Narciso: Volo pronto e lieto il core (II, 5) countertenor vocals: Dominique Visse (countertenor) orchestra: Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) conductor: René Jacobs (conductor) recording of: Agrippina, HWV 6: Atto I, Scena V. Aria "Volo pronto e lieto il core" (Narciso) composer: George Frideric Handel (German‐British baroque composer) (until 1709) librettist: Vincenzo Grimani part of: Agrippina, HWV 6: Atto I	George Frideric Handel		3:16
14	Agrippina: Aria Narciso: Spererò, poiché mel dice (II, 16) countertenor vocals: Dominique Visse (countertenor) orchestra: Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) conductor: René Jacobs (conductor) recording of: Agrippina, HWV 6: Atto II, Scena XVII. Aria "Spererò, poiché mel dice" (Narciso) composer: George Frideric Handel (German‐British baroque composer) (until 1709) librettist: Vincenzo Grimani part of: Agrippina, HWV 6: Atto II	George Frideric Handel		3:01
15	Flavio: Aria: Rompo i lacci (II, 6) countertenor vocals: Lawrence Zazzo (countertenor) orchestra: La Nuova Musica conductor: David Bates (English countertenor, conductor) recording of: Flavio, re de' longobardi, HWV 16: Act II, Scene VI. Aria "Rompo i lacci, e frango i dardi" (Guido) composer: George Frideric Handel (German‐British baroque composer) (until 1723-05-07) librettist: Nicola Francesco Haym part of: Flavio, re de' longobardi, HWV 16: Atto II	George Frideric Handel		5:53
16	Giulio Cesare: Aria: Va tacito (I, 9) countertenor vocals: Lawrence Zazzo (countertenor) orchestra: La Nuova Musica conductor: David Bates (English countertenor, conductor) recording of: Giulio Cesare in Egitto, HWV 17: Atto I, Scena IX, 14. Aria “Va tacito e nascosto” (Cesare) composer: George Frideric Handel (German‐British baroque composer) (in 1724) librettist: Nicola Francesco Haym part of: Giulio Cesare in Egitto, HWV 17: Atto I part of: Giulio Cesare: Atto I	George Frideric Handel		7:03
17	Radamisto: Aria: Ombra cara di mia sposa (II, 2) countertenor vocals: Bejun Mehta (countertenor) soprano vocals: Rosemary Joshua (soprano) orchestra: Freiburger Barockorchester (Freiburg Baroque Orchestra) conductor: René Jacobs (conductor) recording of: Radamisto, HWV 12: Atto II. "Ombra cara di mia sposa" (Radamisto) composer: George Frideric Handel (German‐British baroque composer) part of: Radamisto, HWV 12: Atto II	George Frideric Handel		9:34
18	Rodelinda: Fra tempeste funeste (II, 4) countertenor vocals: Bejun Mehta (countertenor) soprano vocals: Rosemary Joshua (soprano) orchestra: Freiburger Barockorchester (Freiburg Baroque Orchestra) conductor: René Jacobs (conductor) recording of: Rodelinda, regina de' Longobardi, HWV 19: Atto II, Aria: "Fra Tempeste Funeste" composer: George Frideric Handel (German‐British baroque composer) librettist: Nicola Francesco Haym part of: Rodelinda, regina de' Longobardi, HWV 19: Atto II	George Frideric Handel		4:49
19	Rodelinda: Con rauco mormorio (II, 5) countertenor vocals: Bejun Mehta (countertenor) soprano vocals: Rosemary Joshua (soprano) orchestra: Freiburger Barockorchester (Freiburg Baroque Orchestra) conductor: René Jacobs (conductor) recording of: Rodelinda, regina de' Longobardi, HWV 19: Atto II, no. 37. "Con rauco mormorio" (Bertarido) composer: George Frideric Handel (German‐British baroque composer) librettist: Nicola Francesco Haym part of: Rodelinda, regina de' Longobardi, HWV 19: Atto II	George Frideric Handel		7:15
20	Sosarme: Duetto: Per le porte del tormento (II, 8) countertenor vocals: Bejun Mehta (countertenor) soprano vocals: Rosemary Joshua (soprano) orchestra: Freiburger Barockorchester (Freiburg Baroque Orchestra) conductor: René Jacobs (conductor) recording of: Sosarme, re di Media, HWV 30: Atto II, no. 39. "Per le porte del tormento" (Elmira, Sosarme) composer: George Frideric Handel (German‐British baroque composer) (in 1732) part of: Sosarme, re di Media, HWV 30: Atto II	George Frideric Handel		9:38

2▼CD: L'Épopée lyrique de René Jacobs
#	Title	Artist	Rating	Length
1	Rappresentatione di anima ed di corpo Chor, FESTA (III, 9) vocals: Chor der Deutschen Staatsoper Berlin conductor: René Jacobs (conductor) performer: Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) and Concerto Vocale (Belgian baroque/early music ensemble) partial recording of: Rappresentatione de Anima et de Corpo composer: Emilio de' Cavalieri (composer) (in 1600) librettist: Agostino Manni	Emilio de' Cavalieri		6:07
2	L'Incoronazione di Poppea, Ottavia: Addio Roma (III, 7) mezzo-soprano vocals: Jennifer Larmore (mezzo-soprano) soprano vocals: María Cristina Kiehr (soprano) orchestra: Concerto Vocale (Belgian baroque/early music ensemble) conductor: René Jacobs (conductor) recording of: L’incoronazione di Poppea: Atto III. “A Dio Roma, a Dio Patria, amici a Dio” (Ottavia) composer: Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player) part of: L'Incoronazione di Poppea: Atto III.	Claudio Monteverdi		4:24
3	L'Orfeo: Orfeo, Euridice, Coro: Rosa del ciel (I) soprano vocals: Efrat Ben-Nun (Israeli soprano) vocals: Laurence Dale (tenor) orchestra: Concerto Vocale (Belgian baroque/early music ensemble) conductor: René Jacobs (conductor) recording of: L’Orfeo: Atto primo. Rosa del ciel (Orfeo) composer: Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player) librettist: Alessandro Striggio (The Younger, c. 1573-1630) part of: L’Orfeo: Atto primo	Claudio Monteverdi		4:19
4	L'Orfeo: Coro di ninfe: Vieni Imeneo (I) soprano vocals: Efrat Ben-Nun (Israeli soprano) vocals: Laurence Dale (tenor) orchestra: Concerto Vocale (Belgian baroque/early music ensemble) conductor: René Jacobs (conductor) recording of: L'Orfeo: Atto primo. Vieni, Imeneo, deh, vieni (Coro) (first occurrence) composer: Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player) part of: L’Orfeo: Atto primo	Claudio Monteverdi		2:02
5	La Calisto: Calisto: Piante ombrose (I, 14) soprano vocals: María Bayo (soprano) orchestra: Concerto Vocale (Belgian baroque/early music ensemble) conductor: René Jacobs (conductor) recording of: La Calisto, Act 1: "Piante ombrose" composer: Francesco Cavalli (Baroque composer) librettist: Giovanni Faustini part of: La Calisto: Act 1	Francesco Cavalli		2:37
6	Maddalena ai piedi di Cristo: Per il mar del pianto mio soprano vocals: María Cristina Kiehr (soprano) orchestra: Schola Cantorum Basiliensis conductor: René Jacobs (conductor) concertmaster: Chiara Banchini (violinist and conductor) partial recording of: Maddalena ai piedi di Cristo composer: Antonio Caldara (Italian composer)	Antonio Caldara		4:29
7	Croesus: Aria Elmira: Ihr stummen Fische seid dem gleich (II, 5) soprano vocals: Dorothea Röschmann (soprano) orchestra: Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) conductor: René Jacobs (conductor) recording of: Croesus: Act II, Scene V. Aria "Ihr stummen Fische seid dem gleich" (Elmira) composer: Reinhard Keiser (composer) part of: Croesus	Reinhard Keiser		2:57
8	Weihnachts-Oratorium, BMV 248: Bereite dich, Zion alto vocals: Andreas Scholl (countertenor) orchestra: Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) conductor: René Jacobs (conductor) recording of: Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ premiered in: Leipzig, Sachsen (Saxony), Germany (on 1734-12-25) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		4:50
9	Matthäus-Passion, BMV 244: Erbarme dich alto vocals: Bernarda Fink (mezzo-soprano) choir vocals: RIAS Kammerchor (German chamber choir) and Staats‐ und Domchor Berlin orchestra: Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) conductor: René Jacobs (conductor) recording of: Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" orchestrator: Ton Koopman (conductor, organist and harpsichordist) composer: Johann Sebastian Bach (German Baroque period composer & musician) librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	Johann Sebastian Bach		5:49
10	Flavio: Recitativo & duo Teodata, Vitige: Ricordati mio ben (I, 1) violin: Chiara Banchini (violinist and conductor) soprano vocals: Christina Högman (soprano) vocals: Bernarda Fink (mezzo-soprano) orchestra: Ensemble 415 (Swiss Baroque ensemble) conductor: René Jacobs (conductor) recording of: Flavio, re de' longobardi, HWV 16: Act I, Scene I. Duetto "Ricordati, mio ben" (Vitige, Teodata) composer: George Frideric Handel (German‐British baroque composer) (until 1723-05-07) librettist: Nicola Francesco Haym part of: Flavio, re de' longobardi, HWV 16: Atto I	Georg Friedrich Händel		5:46
11	Giulio Cesare: Ario Sesto: Svegliatevi nel core (I, 4) soprano vocals: Marianne Rørholm (mezzo-soprano) orchestra: Concerto Köln conductor: René Jacobs (conductor) recording of: Giulio Cesare in Egitto, HWV 17: Atto I, Scena IV, 5. Aria “Svegliatevi nel core” (Sesto) composer: George Frideric Handel (German‐British baroque composer) librettist: Nicola Francesco Haym part of: Giulio Cesare in Egitto, HWV 17: Atto I	Georg Friedrich Händel		4:50
12	Rinaldo: Aria Armida: Furie terribili (I, 5) soprano vocals: Inga Kalna orchestra: Freiburger Barockorchester (Freiburg Baroque Orchestra) conductor: René Jacobs (conductor) recording of: Rinaldo, HWV 7a: Atto I, Scene V, no. 8. Aria "Furie terribili! seguitate mi" (Armida) composer: George Frideric Handel (German‐British baroque composer) librettist: Giacomo Rossi part of: Rinaldo, HWV 7a: Atto I	Georg Friedrich Händel		2:23
13	Agrippina: Aria Agrippina: Non ho cor che per amarti (I, 23) soprano vocals: Alex Penda (soprano) orchestra: Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) conductor: René Jacobs (conductor) recording of: Agrippina, HWV 6: Atto I, Scena XXIII. Aria "Non ho cor che per amarti" (Agrippina) composer: George Frideric Handel (German‐British baroque composer) (until 1709) librettist: Vincenzo Grimani part of: Agrippina, HWV 6: Atto I	Georg Friedrich Händel		4:23
14	Die Schöpfung: Rezitativ Raphael: Gleich öffnet sich der Erde Schoß (II, 21) bass vocals: Johannes Weisser (Norwegian baritone) choir vocals: RIAS Kammerchor (German chamber choir) vocals: Freiburger Barockorchester (Freiburg Baroque Orchestra) conductor: René Jacobs (conductor) recording of: Die Schöpfung, Hob XXI:2: Part II: XXI. Accompagnato-Rezitativ: Gleich öffnet sich der Erde Schoß composer: Joseph Haydn (composer) part of: Die Schöpfung, Hob. XXI:2: Part II	Joseph Haydn		2:56
15	Così fan tutte, K.588: Il core vi donno bass vocals: Marcel Boone (baritone) (in 1998-03) choir vocals: Kölner Kammerchor (in 1998-03) mezzo-soprano vocals: Bernarda Fink (mezzo-soprano) (in 1998-03) orchestra: Concerto Köln (in 1998-03) conductor: René Jacobs (conductor) (in 1998-03) recorded at: Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1998-03) recording of: Così fan tutte: Atto II. No. 23 Duetto “Il core vi dono, bell’idolo mio” (Dorabella, Guglielmo) (in 1998-03) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Lorenzo Da Ponte part of: Così fan tutte: Atto II	Wolfgang Amadeus Mozart		4:38
16	Don Giovanni, K.527: Duettino Don Giovanni, Zerlina: Là ci darem la mano (I, 9) engineer: René Möller producer: Richard Lorber (producer) baritone vocals [Don Giovanni]: Johannes Weisser (Norwegian baritone) (in 2006-11) choir vocals: RIAS Kammerchor (German chamber choir) soprano vocals [Zerlina]: Sunhae Im (soprano) (in 2006-11) orchestra: Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 2006-11) conductor: René Jacobs (conductor) (in 2006-11) recorded at: Teldex Studio (Berlin) in Berlin, Germany (in 2006-11) recording of: Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (in 2006-11) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Lorenzo Da Ponte part of: Don Giovanni: Atto I	Wolfgang Amadeus Mozart		2:59
17	Die Zauberflöte, K.620: Aria Königin: Der Hölle Rache kocht in meinem Herzen (II, Nr. 14) engineer: Tobias Lehmann (in 2009-11) producer: Martin Sauer (engineer/producer) soprano vocals [Königin der Nacht]: Anna-Kristiina Kaappola (in 2009-11) orchestra: Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2009-11) conductor: René Jacobs (conductor) (in 2009-11) recorded at: Teldex Studio (Berlin) in Berlin, Germany (in 2009-11) recording of: Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 2009-11) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) librettist: Emanuel Schikaneder part of: Die Zauberflöte, K. 620: Akt II	Wolfgang Amadeus Mozart		2:57
18	Die Entführung aus dem Serail, K384: Aria Belmonte: Wenn der Freude Tränen fließen (II, Nr. 15) choir vocals: RIAS Kammerchor (German chamber choir) tenor vocals: Maximilian Schmitt (German tenor) orchestra: Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2014-09) conductor: René Jacobs (conductor) (in 2014-09) recorded at: Teldex Studio (Berlin) in Berlin, Germany (in 2014-09) recording of: Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte) (in 2014-09) composer: Wolfgang Amadeus Mozart (classical composer) additional librettist: Johann Gottlieb Stephanie ('The Younger') librettist: Christoph Friedrich Bretzner part of: Die Entführung aus dem Serail, K. 384: Akt II	Wolfgang Amadeus Mozart		5:59

3▼CD: Les Demoiselles de Bâle
#	Title	Artist	Rating	Length
1	Confitebor a voce sola con violini - Messa a quattro voci e Salmi, Venise, 1650 soprano vocals: María Cristina Kiehr (soprano) orchestra: Concerto Soave conductor: Jean-Marc Aymes	Claudio Monteverdi		8:01
2	Sinfonia Terzo Tuono - Sonate da chiesa e da camera, Venise, 1655 soprano vocals: María Cristina Kiehr (soprano) orchestra: Concerto Soave conductor: Jean-Marc Aymes	Biagio Marini		0:29
3	Currite Populi - Ghirlanda Sacra, Venise, 1625 soprano vocals: María Cristina Kiehr (soprano) orchestra: Concerto Soave conductor: Jean-Marc Aymes	Claudio Monteverdi		4:26
4	O quam pulchra es - Ghirlanda Sacra, Venise, 1625 soprano vocals: María Cristina Kiehr (soprano) orchestra: Concerto Soave conductor: Jean-Marc Aymes	Claudio Monteverdi		4:44
5	Venite, Videte - Motetti a voce sola, Venise, 1625 soprano vocals: María Cristina Kiehr (soprano) orchestra: Concerto Soave conductor: Jean-Marc Aymes	Claudio Monteverdi		6:41
6	Suonate da camera a tre op. 1, due violini e violone o cembalo: La Follia Sonata op. 1 n° 12, RV 63 ré mineur cello: Käthi Gohl (cellist) harpsichord: Jesper Bøje Christensen (Danish harpsichord and pianoforte player, specialized in continuo.) violin: Chiara Banchini (violinist and conductor) and Véronique Méjean (violinist) orchestra: Ensemble 415 (Swiss Baroque ensemble) recording of: Trio Sonata in D minor, op. 1 no. 12, RV 63 "La follia" composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Ryom-Verzeichnis (number: RV 63) and Catalogo numerico-tematico delle opere strumentali (Antonio Vivaldi) (number: F. XIII/28) is based on: Folia part of: 12 Trio Sonatas, op. 1	Antonio Vivaldi		11:26
7	Sonata op. 1 n° 8, RV 64 ré mineur: Preludio. Largo cello: Käthi Gohl (cellist) harpsichord: Jesper Bøje Christensen (Danish harpsichord and pianoforte player, specialized in continuo.) violin: Chiara Banchini (violinist and conductor) and Véronique Méjean (violinist) orchestra: Ensemble 415 (Swiss Baroque ensemble) recording of: Trio Sonata in D minor, op. 1 no. 8, RV 64: I. Preludio composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Trio Sonata in D minor, op. 1 no. 8, RV 64	Antonio Vivaldi		5:24
8	Sonata op. 1 n° 8, RV 64 ré mineur: Corrente. Allegro cello: Käthi Gohl (cellist) harpsichord: Jesper Bøje Christensen (Danish harpsichord and pianoforte player, specialized in continuo.) violin: Chiara Banchini (violinist and conductor) and Véronique Méjean (violinist) orchestra: Ensemble 415 (Swiss Baroque ensemble) recording of: Trio Sonata in D minor, op. 1 no. 8, RV 64: II. Corrente composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Trio Sonata in D minor, op. 1 no. 8, RV 64	Antonio Vivaldi		2:01
9	Sonata op. 1 n° 8, RV 64 ré mineur: Grave cello: Käthi Gohl (cellist) harpsichord: Jesper Bøje Christensen (Danish harpsichord and pianoforte player, specialized in continuo.) violin: Chiara Banchini (violinist and conductor) and Véronique Méjean (violinist) orchestra: Ensemble 415 (Swiss Baroque ensemble) recording of: Trio Sonata in D minor, op. 1 no. 8, RV 64: III. Grave composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Trio Sonata in D minor, op. 1 no. 8, RV 64	Antonio Vivaldi		2:04
10	Sonata op. 1 n° 8, RV 64 ré mineur: Giga. Allegro cello: Käthi Gohl (cellist) harpsichord: Jesper Bøje Christensen (Danish harpsichord and pianoforte player, specialized in continuo.) violin: Chiara Banchini (violinist and conductor) and Véronique Méjean (violinist) orchestra: Ensemble 415 (Swiss Baroque ensemble) recording of: Trio Sonata in D minor, op. 1 no. 8, RV 64: IV. Giga composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Trio Sonata in D minor, op. 1 no. 8, RV 64	Antonio Vivaldi		2:19
11	Sinfonia de L'Olimpiade, RV 725, Ut majeur: I. Allegro orchestra: Gli Incogniti conductor: Amandine Beyer (violinist) recording of: L’Olimpiade, RV 725: Sinfonia: I. Allegro composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: L’Olimpiade, RV 725: Sinfonia	Antonio Vivaldi		2:11
12	Sinfonia de L'Olimpiade, RV 725, Ut majeur: II. Andante orchestra: Gli Incogniti conductor: Amandine Beyer (violinist) recording of: L’Olimpiade, RV 725: Sinfonia: II. Andante composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: L’Olimpiade, RV 725: Sinfonia	Antonio Vivaldi		2:34
13	Sinfonia de L'Olimpiade, RV 725, Ut majeur: III. Allegro orchestra: Gli Incogniti conductor: Amandine Beyer (violinist) recording of: L’Olimpiade, RV 725: Sinfonia: III. Allegro Molto composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: L’Olimpiade, RV 725: Sinfonia	Antonio Vivaldi		1:13
14	Concerto per Violino, RV 282, Fa majeur: I. Allegro poco orchestra: Gli Incogniti conductor: Amandine Beyer (violinist) recording of: Concerto for Violin, Strings, and Continuo in F major, RV 282: I. Allegro poco composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Concerto for Violin, Strings, and Continuo in F major, RV 282	Antonio Vivaldi		4:29
15	Concerto per Violino, RV 282, Fa majeur: II. Largo orchestra: Gli Incogniti conductor: Amandine Beyer (violinist) recording of: Concerto for Violin, Strings, and Continuo in F major, RV 282: II. Largo composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Concerto for Violin, Strings, and Continuo in F major, RV 282	Antonio Vivaldi		2:05
16	Concerto per Violino, RV 282, Fa majeur: III. Allegro orchestra: Gli Incogniti conductor: Amandine Beyer (violinist) recording of: Concerto for Violin, Strings, and Continuo in F major, RV 282: III. Presto composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Concerto for Violin, Strings, and Continuo in F major, RV 282	Antonio Vivaldi		3:50
17	Concerto per Violino scordato, RV 391, si mineur: I. Allegro non molto orchestra: Gli Incogniti conductor: Amandine Beyer (violinist) recording of: Violin Concerto in B minor, op. 9 no. 12, RV 391: I. Allegro non molto composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Violin Concerto in B minor, op. 9 no. 12, RV 391	Antonio Vivaldi		4:33
18	Concerto per Violino scordato, RV 391, si mineur: II. Largo orchestra: Gli Incogniti conductor: Amandine Beyer (violinist) recording of: Violin Concerto in B minor, op. 9 no. 12, RV 391: II. Largo composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Violin Concerto in B minor, op. 9 no. 12, RV 391	Antonio Vivaldi		2:43
19	Concerto per Violino scordato, RV 391, si mineur: III. Allegro orchestra: Gli Incogniti conductor: Amandine Beyer (violinist) recording of: Violin Concerto in B minor, op. 9 no. 12, RV 391: III. Allegro composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Violin Concerto in B minor, op. 9 no. 12, RV 391	Antonio Vivaldi		3:45

4▼CD: Les Nouveaux Claviers
#	Title	Artist	Rating	Length
1	Troisième Livre de Pièces de clavecin: Le Rossignol en Amour. Lentement et très tendement, quoique mesuré harpsichord: Christophe Rousset (French harpsichordist & conductor) recording of: Quatorzième ordre de clavecin en ré majeur: No. 1. Le Rossignol-en-amour composer: François Couperin (French composer of the Baroque era) (in 1722) part of: Quatorzième ordre de clavecin en ré majeur	François Couperin		4:32
2	Troisième Livre de Pièces de clavecin: Double du Rossignol harpsichord: Christophe Rousset (French harpsichordist & conductor) recording of: Quatorzième ordre de clavecin en ré majeur: No. 2. Double du rossignol composer: François Couperin (French composer of the Baroque era) (in 1722) part of: Quatorzième ordre de clavecin en ré majeur	François Couperin		4:50
3	Troisième Livre de Pièces de clavecin: La Linote éfarouchée. Rondeau. Légèrement harpsichord: Christophe Rousset (French harpsichordist & conductor) recording of: Quatorzième ordre de clavecin en ré majeur: No. 3. La Linote éfarouchée composer: François Couperin (French composer of the Baroque era) (in 1722) part of: Quatorzième ordre de clavecin en ré majeur	François Couperin		2:01
4	Troisième Livre de Pièces de clavecin: Les Fauvétes plaintives. Très tendrement harpsichord: Christophe Rousset (French harpsichordist & conductor) recording of: Quatorzième ordre de clavecin en ré majeur: No. 4. Les Fauvétes plaintives composer: François Couperin (French composer of the Baroque era) (in 1722) part of: Quatorzième ordre de clavecin en ré majeur	François Couperin		4:35
5	Troisième Livre de Pièces de clavecin: Le Rossignol vainqueur. Très tendrement harpsichord: Christophe Rousset (French harpsichordist & conductor) recording of: Quatorzième ordre de clavecin en ré majeur: No. 5. Le Rossignol-vainqueur composer: François Couperin (French composer of the Baroque era) (in 1722) part of: Quatorzième ordre de clavecin en ré majeur	François Couperin		1:58
6	Troisième Livre de Pièces de clavecin: La Julliet. Rondeau. Gayement harpsichord: Blandine Rannou (harpsichordist and organist) and Christophe Rousset (French harpsichordist & conductor) recording of: Quatorzième ordre de clavecin en ré majeur: No. 6. La Julliet composer: François Couperin (French composer of the Baroque era) (in 1722) part of: Quatorzième ordre de clavecin en ré majeur	François Couperin		1:44
7	Suite n°1, BWV 812, ré mineur: I. Allemande harpsichord: Richard Egarr (conductor) recording of: Französische Suite Nr. 1 d-Moll, BWV 812: I. Allemande composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Französische Suite Nr. 1 d-Moll, BWV 812.2/812 (French Suite No. 1 in D minor, BWV 812, revised version, commonly performed)	Johann Sebastian Bach		4:13
8	Suite n°1, BWV 812, ré mineur: II. Courante harpsichord: Richard Egarr (conductor) recording of: Französische Suite Nr. 1 d-Moll, BWV 812: II. Courante composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Französische Suite Nr. 1 d-Moll, BWV 812.2/812 (French Suite No. 1 in D minor, BWV 812, revised version, commonly performed)	Johann Sebastian Bach		2:00
9	Suite n°1, BWV 812, ré mineur: III. Sarabande harpsichord: Richard Egarr (conductor) recording of: Französische Suite Nr. 1 d-Moll, BWV 812: III. Sarabande composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Französische Suite Nr. 1 d-Moll, BWV 812.2/812 (French Suite No. 1 in D minor, BWV 812, revised version, commonly performed)	Johann Sebastian Bach		2:43
10	Suite n°1, BWV 812, ré mineur: IV. Menuets I & II harpsichord: Richard Egarr (conductor) recording of: Französische Suite Nr. 1 d-Moll, BWV 812: IV. Menuet I composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Französische Suite Nr. 1 d-Moll, BWV 812.2/812 (French Suite No. 1 in D minor, BWV 812, revised version, commonly performed) recording of: Französische Suite Nr. 1 d-Moll, BWV 812: V. Menuet II - Menuet I da capo composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Französische Suite Nr. 1 d-Moll, BWV 812.2/812 (French Suite No. 1 in D minor, BWV 812, revised version, commonly performed)	Johann Sebastian Bach		3:19
11	Suite n°1, BWV 812, ré mineur: V. Gigue harpsichord: Richard Egarr (conductor) recording of: Französische Suite Nr. 1 d-Moll, BWV 812: VI. Gigue composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Französische Suite Nr. 1 d-Moll, BWV 812.2/812 (French Suite No. 1 in D minor, BWV 812, revised version, commonly performed)	Johann Sebastian Bach		3:06
12	Prélude n°3, Ut majeur harpsichord: Diego Ares	Padre Antonio Soler		0:56
13	Sonate n°1, Ut majeur harpsichord: Diego Ares	Padre Antonio Soler		2:56
14	Sonate n°2, Ut majeur harpsichord: Diego Ares	Padre Antonio Soler		4:54
15	Sonate n°17, la mineur harpsichord: Diego Ares	Padre Antonio Soler		2:48
16	Sonate n°18, la mineur harpsichord: Diego Ares	Padre Antonio Soler		3:26
17	Sonate n°40, ré mineur harpsichord: Diego Ares	Padre Antonio Soler		5:11
18	Sonate, K. 333, Si bémol majeur: I. Allegro fortepiano and harpsichord: Kristian Bezuidenhout (fortepianist, harpsichordist and pianist) recording of: Sonata for Piano no. 13 in B-flat major, K. 315c/333: I. Allegro composer: Wolfgang Amadeus Mozart (classical composer) (in 1783) part of: Sonata for Piano no. 13 in B-flat major, K. 315c/333	Wolfgang Amadeus Mozart		7:14
19	Sonate, K. 333, Si bémol majeur: II. Andante cantabile fortepiano and harpsichord: Kristian Bezuidenhout (fortepianist, harpsichordist and pianist) recording of: Sonata for Piano no. 13 in B-flat major, K. 315c/333: II. Andante cantabile composer: Wolfgang Amadeus Mozart (classical composer) (in 1783) part of: Sonata for Piano no. 13 in B-flat major, K. 315c/333	Wolfgang Amadeus Mozart		10:50
20	Sonate, K. 333, Si bémol majeur: III. Allegretto grazioso fortepiano and harpsichord: Kristian Bezuidenhout (fortepianist, harpsichordist and pianist) recording of: Sonata for Piano no. 13 in B-flat major, K. 315c/333: III. Allegretto grazioso composer: Wolfgang Amadeus Mozart (classical composer) (in 1783) part of: Sonata for Piano no. 13 in B-flat major, K. 315c/333	Wolfgang Amadeus Mozart		6:39

5▶CD: Les Nouveaux Claviers

6▶CD: Le Style classique revisité

7▶CD: Le Style classique revisité

8▶CD: Le Style classique revisité

9▶CD: Le Style classique revisité

10▶CD: Les Violoncelles français

11▶CD: "Die Neue Romantik"

12▶CD: Vers une interprétation historiquement informée

13▶CD: Un trio de stars... et la star des trios

14▶CD: Les Maîtres du lied

15▶CD: Les Nouveaux Explorateurs

16▶CD: Les Nouveaux Explorateurs

17▶CD: La Nouvelle Génération

18▶CD: Conjuguer les pratiques

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Discogs:	https://www.discogs.com/release/15818147 [info]
ASIN:	DE: B079B32BDL [info]

Generation Harmonia Mundi: The Family Spirit 1988-2018

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